This book traces three decades of securitization in Angola. As a governing strategy during war and peacetime, it muted the aspirations of those on opposing sides, distorted the state, emboldened elites and redefined the identity of Angolans. Through this lens, Paula Cristina Roque provides an original account of Angola's post-conflict state-building. Securitization protected the interests of President dos Santos, the ruling MPLA party and the elites supporting the regime. Angola's array of security forces and infrastructure provided an alternative to a fully functioning executive, at national, provincial and local levels. The intrusive way in which any form of dissent or activism was crushed allowed the presidency to control the direction and narrative of the post-war years. But the facade of democracy, development and stability hid a very different reality for the majority of Angolans, who remained poor, disenfranchised and marginalized. Roque explores the inner workings of the intelligence services, army and presidential guard, explaining the trajectory of a survivalist and fearful regime presiding over scarcities and injustices. She shows that the survival of national security and governing elites was the highest priority. The 'shadows' held far more power than institutions, and weakened them-widening the gap between government and governed.
Over two separate twelve-year periods, two opposing ‘states’ governed in parallel in Angola (1979–1991) and Sudan (1990–2002), each with competing conceptions of society, history and national identity. Deeply dividing communities with their counter-nationalist programmes, rebel parties UNITA in Angola and the SPLM/A in Sudan, which had fought Africa’s longest and bloodiest civil wars, built political and military enterprises in opposition to the established governments. Insurgent Nations unpacks the complexities of these movements, exploring the charisma of their leaders, the ruthlessness of their military operations, their political manoeuvrings, and their multiple transformations in war and peace. Using first-hand, unpublished accounts from their leaders and cadres, Paula Cristina Roque provides unique insight into UNITA and the SPLM/A's governing strategies. She details the 'nations', 'states' and 'societies' that were forged by the parties' ideologies, sub-nationalist concerns and interactions with the population. While UNITA's political project in the Free Lands of Angola was centrally controlled and totalitarian, the SPLM/A's New Sudan was decentralised and minimalist, built from the bottom up. This is the first volume to compare the policies and perspectives of UNITA and the SPLM/A, offering a new understanding of territory- governing insurgencies. Ultimately, both rebel states were exercises in survival, resilience and adaptation.
This book begins by introducing the topic of knowledge in literature, including its scientific foundations. Due to the ever-increasing number of scientific publications, literature reviews are becoming more and more essential to stay updated. Literature Reviews describes an innovative system for creating systematic literature reviews, through reviewing, analyzing, and synthesizing scientific and technological literature. It then discusses systematic literature reviews, content analysis, and literature synthesis separately, before presenting the methodology to combine them in one process. It showcases computational tools to aid in this technique and offers examples of the method in action. Finally, the book takes a new of future developments in the subject. This book is of interest to graduate students, as well as researchers and academics, helping them to deepen insights and improve skills needed to conduct thorough literature reviews.
Winner of Oscar G. Brockett Book Prize for Dance Research, given by DSA, 2021 Staging Brazil: Choreographies of Capoeira is the first in-depth study of the processes of legitimization and globalization of capoeira, the Afro-Brazilian combat game practiced today throughout the world. Ana Paula Höfling contextualizes the emergence of the two main styles of capoeira, angola and regional, within discourses of race and nation in mid-twentieth century Brazil. This history of capoeira's corporeality, on the page and on the stage, includes analysis of illustrated capoeira manuals and reveals the mutual influences between capoeira practitioners, tourism bureaucrats, intellectuals, artists, and directors of folkloric ensembles. Staging Brazil sheds light on the importance of capoeira in folkloric shows in the 1960s and 70s—both those that catered to tourists visiting Brazil and those that toured abroad and introduced capoeira to the world.
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