This substantial volume presents the results of the Mashkan-shapir project which surveyed the extensive remains of this Old Babylonian city to the north of Nippur in the deserts of Iraq.
Students of antiquity often see ancient Turkey as a bewildering array of cultural complexes. Ancient Turkey brings together in a coherent account the diverse and often fragmented evidence, both archaeological and textual, that forms the basis of our knowledge of the development of Anatolia from the earliest arrivals to the end of the Iron Age. Much new material has recently been excavated and unlike Greece, Mesopotamia, and its other neighbours, Turkey has been poorly served in terms of comprehensive, up-to-date and accessible discussions of its ancient past. Ancient Turkey is a much needed resource for students and scholars, providing an up-to-date account of the widespread and extensive archaeological activity in Turkey. Covering the entire span before the Classical period, fully illustrated with over 160 images and written in lively prose, this text will be enjoyed by anyone interested in the archaeology and early history of Turkey and the ancient Near East.
Students of antiquity often see ancient Turkey as a bewildering array of cultural complexes. Ancient Turkey brings together in a coherent account the diverse and often fragmented evidence, both archaeological and textual, that forms the basis of our knowledge of the development of Anatolia from the earliest arrivals to the end of the Iron Age. Much new material has recently been excavated and unlike Greece, Mesopotamia, and its other neighbours, Turkey has been poorly served in terms of comprehensive, up-to-date and accessible discussions of its ancient past. Ancient Turkey is a much needed resource for students and scholars, providing an up-to-date account of the widespread and extensive archaeological activity in Turkey. Covering the entire span before the Classical period, fully illustrated with over 160 images and written in lively prose, this text will be enjoyed by anyone interested in the archaeology and early history of Turkey and the ancient Near East.
This substantial volume presents the results of the Mashkan-shapir project which surveyed the extensive remains of this Old Babylonian city to the north of Nippur in the deserts of Iraq.
Behind every traditional type of cheese there is a fascinating story. By examining the role of the cheesemaker throughout world history and by understanding a few basic principles of cheese science and technology, we can see how different cheeses have been shaped by and tailored to their surrounding environment, as well as defined by their social and cultural context. Cheese and Culture endeavors to advance our appreciation of cheese origins by viewing human history through the eyes of a cheese scientist. There is also a larger story to be told, a grand narrative that binds all cheeses together into a single history that started with the discovery of cheese making and that is still unfolding to this day. This book reconstructs that 9000-year story based on the often fragmentary information that we have available. Cheese and Culture embarks on a journey that begins in the Neolithic Age and winds its way through the ensuing centuries to the present. This tour through cheese history intersects with some of the pivotal periods in human prehistory and ancient, classical, medieval, renaissance, and modern history that have shaped western civilization, for these periods also shaped the lives of cheesemakers and the diverse cheeses that they developed. The book offers a useful lens through which to view our twenty-first century attitudes toward cheese that we have inherited from our past, and our attitudes about the food system more broadly. This refreshingly original book will appeal to anyone who loves history, food, and especially good cheese.
Winner of the Runciman Award Winner of the Charles J. Goodwin Award “Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned...Fascinating.” —Harper’s In the aftermath of Alexander the Great’s conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years—continuous and irreversible—became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world. Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire’s invention of a new kind of time—and the rebellions against this worldview—had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future. “Without Paul Kosmin’s meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity...A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world.” —G. W. Bowersock, New York Review of Books “With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting.” —Angelos Chaniotis, author of Age of Conquests
Volume II covers the poems of Dryden from 1682 to 1685. Together with volume one, the work forms the first part of the most informative and accessible edition of Dryden's poetry, providing an invaluable resource for students of Restoration culture.
“A rich and rewarding history of one of the most astounding ideas in physics and astronomy” (Marcia Bartusiak) – that the universe we know isn’t the only one Our books, our movies—our imaginations—are obsessed with extra dimensions, alternate timelines, and the sense that all we see might not be all there is. In short, we can’t stop thinking about the multiverse. As it turns out, physicists are similarly captivated. In The Allure of the Multiverse, physicist Paul Halpern tells the epic story of how science became besotted with the multiverse, and the controversies that ensued. The questions that brought scientists to this point are big and deep: Is reality such that anything can happen, must happen? How does quantum mechanics “choose” the outcomes of its apparently random processes? And why is the universe habitable? Each question quickly leads to the multiverse. Drawing on centuries of disputation and deep vision, from luminaries like Nietzsche, Einstein, and the creators of the Marvel Cinematic Universe, Halpern reveals the multiplicity of multiverses that scientists have imagined to make sense of our reality. Whether we live in one of many different possible universes, or simply the only one there is, might never be certain. But Halpern shows one thing for sure: how stimulating it can be to try to find out.
The Sumerians are widely believed to have created the world’s earliest civilization on the fertile floodplains of southern Iraq from about 3500 to 2000 BCE. They have been credited with the invention of nothing less than cities, writing, and the wheel, and therefore hold an ancient mirror to our own urban, literate world. But is this picture correct? Paul Collins reveals how the idea of a Sumerian people was assembled from the archaeological and textual evidence uncovered in Iraq and Syria over the last one hundred fifty years. Reconstructed through the biases of those who unearthed them, the Sumerians were never simply lost and found, but reinvented a number of times, both in antiquity and in the more recent past.
From Aristotle's Physics to quantum teleportation, learn about the scientific pursuit of instantaneous connections in this insightful examination of our world. For millennia, scientists have puzzled over a simple question: Does the universe have a speed limit? If not, some effects could happen at the same instant as the actions that caused them -- and some effects, ludicrously, might even happen before their causes. By one hundred years ago, it seemed clear that the speed of light was the fastest possible speed. Causality was safe. And then quantum mechanics happened, introducing spooky connections that seemed to circumvent the law of cause and effect. Inspired by the new physics, psychologist Carl Jung and physicist Wolfgang Pauli explored a concept called synchronicity, a weird phenomenon they thought could link events without causes. Synchronicity tells that sprawling tale of insight and creativity, and asks where these ideas -- some plain crazy, and others crazy powerful -- are taking the human story next.
Many today find the Old Testament a closed book. The cultural issues seem insurmountable and we are easily baffled by that which seems obscure. Furthermore, without knowledge of the ancient culture we can easily impose our own culture on the text, potentially distorting it. This series invites you to enter the Old Testament with a company of guides, experts that will give new insights into these cherished writings. Features include • Over 2000 photographs, drawings, maps, diagrams and charts provide a visual feast that breathes fresh life into the text. • Passage-by-passage commentary presents archaeological findings, historical explanations, geographic insights, notes on manners and customs, and more. • Analysis into the literature of the ancient Near East will open your eyes to new depths of understanding both familiar and unfamiliar passages. • Written by an international team of 30 specialists, all top scholars in background studies.
Takes a look at issues raised not only in Smollett's novels, for which he is usually remembered, but also in other works of this prolific Scottish author.
There are two Armenias: the current Republic of Armenia and historic Armenia. The modern state dates from the early 20th century. Historic Armenia was part of the ancient world and expired in the Middle Ages. Its people, however, survived, and from its residue recreated a new country. The history of the Armenians is the story of how an ancient people endured into modern times and how its culture evolved from one conceived under the influence of Mesopotamia to one redefined by the civilization of Europe. The second edition of the Historical Dictionary of Armenia relates the turbulent past of this persistent country through a chronology, an introductory essay, a bibliography, and over 200 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Armenian history from the earliest times to the present.
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
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