From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
Producer of Nanook of the North, Moana, Man of Aran, and other pioneering documentaries between 1920 and 1940, Robert J. Flaherty was America's first independent film artist. Popular conceptions of Flaherty have led many either to worship his work and regard him in mythical terms or to debunk him as a fraud and castigate him for lack of a social consciousness. Rarely has the attempt been made to understand him in the context of his times. This captivating study presents Flaherty through the eyes of someone who knew him personally—the brilliant British filmmaker and scholar Paul Rotha. A colleague and close friend of Flaherty, Rotha gives us s a powerfully written biography that is a balanced and intimate look at the life and work of an American genius. Editor Jay Ruby has restored the Rotha biography, including a wealth of anecdotes, letters, and memoirs that begin to bring Robert Flaherty the man into focus. An especially valuable dimension of this work is the appraisal of Flaherty the filmmaker from the viewpoint of a major figure of the British industry. He summarizes in detail the critical response to Flaherty of his contemporaries, about which only sketchy information has previously been available. Flaherty regarded himself as an explorer as well as a filmmaker. The exciting story of this biography takes us from the Arctic, where Flaherty spent years filming Nanook, to the South Pacific, England, the Aran Islands, and finally the United States. his courage and overarching vision resulted in an unprecedented recording of the human struggle and in documentary films that reached a wider audience than ever before.
By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the ‘star image’ is replaced with the ‘star brand’ Offers the first extensive analysis of stardom in the ‘post-studio’ era Combines genre, narrative, acting, and discourse analysis with aspects of marketing theory and the economic analysis of the film market Draws on an extensive body of research data not previously deployed in film scholarship A wide range of star examples are explored including George Clooney, Mel Gibson, Tom Cruise, Daniel Day-Lewis, Tom Hanks, Will Smith, and Julia Roberts
Avoiding Common Prehospital Errors, will help you develop the deep understanding of common patient presentations necessary to prevent diagnostic and treatment errors and to improve outcomes. Providing effective emergency care in the field is among the most challenging tasks in medicine. You must be able to make clinically vital decisions quickly, and perform a wide range of procedures, often under volatile conditions. Written specifically for the prehospital emergency team, this essential volume in the Avoiding Common Errors Series combines evidence-based practice with well-earned experience and best practices opinion to help you avoid common errors of prehospital care. Look inside and discover... • Concise descriptions of each error are followed by insightful analysis of the “hows” and “whys” underlying the mistake, and clear descriptions of ways to avoid such errors in the future. • “Pearls” highlighted in the text offer quick vital tips on error avoidance based on years of clinical and field experience. • Focused content emphasizes "high impact" areas of prehospital medicine, including airway management, cardiac arrest, and respiratory and traumatic emergencies.
In Blindness and Insight , de Man examines several critics and finds in their writings a gap between their statements about the nature of literature and the results of their practical criticism. Not only are the critics unaware of this gap, says de Man, but their blindness to it often leads to some of their most valuable insights. The central issue of de Man's work is the rhetorical constitution of the text, and this book, with its new introduction by Wlad Godzich and five additional essays by de Man, is meant to challenge readers to a new appreciation of their chosen task as readers of literature. Included in this new edition are the original essays on Binswanger, Poulet, Lukas, Blanchot, the New Critics, and Derrida's `of Grammatology', as well as five more: `The Rhetoric of Temporality', `The Dead-End of Formalist Criticism', `Heidegger's Exegesis of Holderlin', a review of Bloom's `Anxiety of Influence, and `Literature and Language'.
Waiting at the Shore chronicles the extraordinary life of the Spanish artist Luis Quintanilla, championed by Ernest Hemingway, John Dos Passos, Elliot Paul, and many other American and European writers and artists. In 1912, at the age of 18, he ran off to Montmartre where, under the influence of his fellow countryman Juan Gris, he began his artistic career as a Cubist. Returning to Madrid before the war he befriended prominent Spaniards, including Juan Negrin, the Premier during the Spanish Civil War. In April 1931 he and Negrin participated in the peaceful revolution which ousted the monarchy and installed the Second Spanish Republic. When civil war broke out Quintanilla helped lead troops on Madrid's Montana Barracks, which saved the capital for the Republic. "Because great painters," as Hemingway put it, "are scarcer than good soldiers," the Spanish government [Negrin] ordered Quintanilla out of the army after the fascists were stopped outside Madrid. The artist completed 140 drawings of the various fronts of the war which were exhibited at New York's Museum of Modern Art, with a catalogue by Hemingway. After the Republic lost the war Quintanilla was forced into an exile which lasted several decades. Living in New York and in Paris he strove to perfect his art, shunning the modernist vogues of the time. Although a celebrity when he first arrived in the United States he eventually fell into obscurity. This volume, which is heavily illustrated, brings him out of the shadows of neglect, and provides the compelling story of an artist who led not just an extraordinary life but left a legacy of paintings and drawings which, in both their skill and great imaginative variety, should be known to all art lovers.
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.
Forty-two year old hairstylist Max Snow enjoys a life most males his age would envy. We're talking good looks-his own hair-and a metabolism that can process chocolate fast enough to keep it from expanding his gut. Max is also flush with green-thanks to a multi-million dollar hit on the Michigan lottery, and freely admits having bucks gives him an edge when attempting to hook up with the opposite sex. "Stuff" happens-to paraphrase the oft-used saying. When it happens to Max in a big way, his comfy life is shattered by unbridled greed and the violence that accompanies it. Maxie's inclination to leap before he looks only ratchets up his troubles. If our would be P.I. doesn't get hip in a major hurry, his virgin investigation is likely to become his last. Ride along with Max Snow and his mixed bag of peculiar associates in a wild, do-or-die romp through the gritty streets of Detroit and its surrounding suburbs-a tale way too cool to miss and whole lot better than a bad haircut.
The Politics of Numbers is the first major study of the social and political forces behind the nation's statistics. In more than a dozen essays, its editors and authors look at the controversies and choices embodied in key decisions about how we count—in measuring the state of the economy, for example, or enumerating ethnic groups. They also examine the implications of an expanding system of official data collection, of new computer technology, and of the shift of information resources into the private sector. A Volume in the Russell Sage Foundation Census Series
Written by a knowledgeable film critic and Korean War scholar, this is the only guide exclusively devoted to the study of Hollywood and television films based on the Korean War, 1950-1953. It opens with eight short essays, discussing the appeal of the war film genre, government and filmmaker cooperation, the isolation of Korean War films from other war films, why John Wayne didn't make a Korean War film, the other actors who did, the plots of Korean War films, television and Korean War films, and the myths resulting from films. Eighty-four films are then discussed in alphabetically arranged entries. The entries include production unit, color status, producer, director, screenwriter, actors and actresses, movie length, and the author's numerical rating of the film. The commentary places each film within the context of other war films, the Korean War, trends in Hollywood, and the social and political realities of the United States. The films also are listed chronologically. Producers, directors, screenwriters, actors, and actresses are indexed by responsibility and are included in the general index. The book also provides a list of 109 documentary films available for public viewing.
In A History of American Movies: A Film-by-Film Look at the Art, Craft and Business of Cinema, Paul Monaco provides a survey of the narrative feature film from the 1920s to the present. The book focuses on 170 of the most highly regarded and recognized feature films selected by the Hollywood establishment: each Oscar winner for Best Picture, as well as those voted the greatest by members of the American Film Institute. By focusing on a select group of films that represent the epitome of these collaborations, Monaco provides an essential history of one of the modern world's most complex and successful cultural institutions: Hollywood. Divided into three sections, "Classic Hollywood, 1927-1948," "Hollywood In Transition, 1949-1974," and "The New Hollywood, 1975 To The Present," Monaco examines some of the most memorable works in cinematic history, including The General, Wings, Bringing Up Baby, Gone with the Wind, Citizen Kane, Casablanca, On the Waterfront, The Searchers, Psycho, West Side Story, The Godfat
Practical and clinically relevant, Hyatt’s Interpretation of Pulmonary Function Tests provides user-friendly coverage of all types of pulmonary function testing as it applies to a wide range of disease conditions. In this revised 5th Edition, Dr. Paul D. Scanlon expands upon the tradition of excellence begun by renowned pulmonary physiologist and father of the flow-volume curve, Dr. Robert E. Hyatt. A new two-color design, new and reorganized cases, and revised and expanded content keep you up to date with all that's new in the field.
The American Civil War brought with it a crisis of nationalism. This text reinterprets southern conceptions of allegiance, identity, and citizenship within the contexts of antebellum American national identity and the transatlantic 'Age of Nationalism.
It is after experiencing life that I have returned here to think about myself." Paul Morand was a diplomat, traveller, socialite and one of the most erudite and original writers of the twentieth century. Venices is his typically unconventional autobiography: an evocative account of a remarkable life lived surrounded by the remarkable. Its poised, impressionistic, poetically vivid scenes add up year-by- year to a rich meditation, full of astonish- ing portraits and memories, joy as well as melancholy. Though Morand's reputation was mar- red for years by his involvement with the collaborationist Vichy government, this book, in its effortless elegance, demonstrates why his influence has been so great. The thread that holds it taut throughout is Venice, the city to which Morand always returned.
About the Book Have a Fun Ride while reading this Wacky, frequently humorous, "Star Trek-like" outer space, action packed, sci-fi fantasy "Satire" about Human Life on Earth -- but it doesn't happen on Earth. This PG-13 story comes straight from a strange solar system that exists near the Center of our Milky Way Galaxy!! And by all means, have Happy Trails while taking the ride. About the Author Just when you thought the last of the real cowboys were extinct from too many rodeos and late-night, hooch-soaked booty calls from women in tight western jeans, here comes writer Paul Garmisch, a true renaissance man who has lived to fill his bucket list. Born in Chicago, 1952, Garmisch was raised on a northern Illinois dairy farm, went to college at the U of Montana for seven years studying forestry, geology, and other environmental sciences. While working his way through college, Garmisch operated earth-moving equipment in Missoula gravel pits and road construction, worked as a fraternity house manager and a sorority house waiter, and was a studio musician, where he played the stand up bass and cello. As a musician, he played music in local taverns with his band. After college Garmisch worked for twenty-some years in Montana and Wyoming—logging, cattle ranching, farming, placer gold mining, field geology, log home construction, forest fire fighting, ski mountaineer guiding, snow avalanche control, wilderness search and rescue and recovery, big game hunting. The list goes on for this well-seasoned outdoorsman. While doing this, Garmisch had his arts hobby—model building and wildlife sculpting, which he turned into a new career in the 1990s. He worked as a professional artist and architectural model maker, and project manager and general manager, specializing in dioramas and special effects painting for companies and museums in San Francisco, Phoenix, Arizona, Nevada, and Chicago. This lasted until 2008. Then Garmisch went back to field geology for placer gold mining in northern California, Nevada, and Arizona. Paul now lives in Las Vegas. Through the numerous trials and tribulations of life in general, married life (twenty-eight years if all three are added up), and having four sons, Garmisch started to note a thing or two about this crazy world we come parading into buck naked and crying. Garmisch decided to write, and his mind collided into a cornucopia of extra high proof storytelling, with a message about real life on Earth from this Homer of the west. “Humor cures all,” says Garmisch, and his stories are loaded with it. Too much fun!! Happy Trails.
For millennia people have held folk beliefs about the existence of the doppelganger--"double walker" in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death. The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for many classic mystery, horror and science fiction movies. This critical survey examines the double in more than 100 films by such acclaimed directors as Alfred Hitchcock, Mario Bava, Roger Corman, David Cronenberg, George Romero, Fritz Lang, James Cameron, Robert Siodmak, Don Siegel, John Frankenheimer, Terry Gilliam, Brian De Palma and Roman Polanski.
World War I is regarded as the first modern war, driven by fearful new technologies of mechanized combat. The unprecedented carnage rapidly advanced military medicine, transforming the nature of wartime caregiving and paving the way for modern nursing practice. Drawing on firsthand accounts of American nurses, as well as their Canadian and British counterparts, historian Paul E. Stepansky describes nurses' encounters with devastating new forms of injury--wounds from high-explosive artillery shells, poison gas burns, "shell shock," the Spanish Flu. Comparing nursing practice on the western front with nursing care during the American Civil War, the Spanish-American War, and the Anglo-Boer War, the author is especially attentive to the emergent technologies employed by nurses of the Great War.
Offering the most comprehensive and diverse approach to the study of communication and sport currently available at the undergraduate level, this book helps readers understand sports media, rhetoric, culture, and organizations from both micro and macro perspectives. Espistemologically diverse and theoretically grounded, the book explores youth, amateur, and professional sports through the lens of mythology, community, and identity.
Despite having been made into three TV movies, a radio drama, a stage play, a Broadway musical, a feature-film remake in color, and a book adaptation, the 1947 black-and-white film of Miracle on 34th Street still remains the favorite version of this modern Christmas classic. The American public seems to echo what Macy’s stated when declining to participate in the 1994 remake: “We felt there was nothing to be improved upon.” In many ways, it is a perfect film in the sense that there really is nothing that could have been done better: the story, the casting, the acting were all spot-on. The decade from 1941–1951 saw a bumper crop of classic Christmas including Christmas in Connecticut, Holiday Inn, and It’s a Wonderful Life, but with the exception of the latter film none have had the staying power of Miracle on 34th Street. This book describes the origins of the story, the casting and production of the film, its marketing and publicity, and even how it elevated the Macy’s Thanksgiving Day Parade from a local New York event to a national celebration. Finally, it looks at the film’s legacy, including its high ranking among best Christmas movies of all time as well as its placement as ninth overall on the American Film Institute’s list of the most inspiring films.
From abdabs to zit From pillock (14th century) to couch potato (20th century) From She'll be apples (Australia) to the pits (USA) This new collection brings together some 5,000 contemporary slang expressions originating in all parts of the English-speaking world. It gives clear and concise definitions of each word, supplemented by examples of their use and information about where and when they came into being. This entertaining reference work will be of use to students of English at all levels and a source of fascination to word-lovers throughout the world.
Style, sex, and laugh-out-loud screw ups-nobody pens them like author Paul Chmielewski or lives them like Max Snow, the stylist-turned-amateur PI who has somehow managed to luck his way through two gritty Metro Detroit area adventures in-Murder to the Max and Mafia to the Max. When an opportunity to demonstrate his skill as a private investigator presents itself in the form of Special Agent Roland Whiting of U.S. Homeland Security, Max Snow reluctantly agrees to accept a position as stylist in a local funeral home chockfull of terrorists. Staying one step ahead of the bad guys, not to mention circling government sharks, puts Maxie's budding PI powers to their biggest test to date-a challenge made more complicated by the pair of sizzlin'-hot hit women who single-mindedly work to raise the bar on his already overactive libido. A sweet carnal coincidence? Max diligently digs for the truth-and although purported to set you free, it may also prove hazardous to his health.
Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism. The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.” The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.
By the bestselling author of Four Fish and American Catch, an eye-opening investigation of the history, science, and business behind omega-3 fatty acids, the "miracle compound" whose story is intertwined with human health and the future of our planet Omega-3 fatty acids have long been celebrated by doctors and dieticians as key to a healthy heart and a sharper brain. In the last few decades, that promise has been encapsulated in one of America's most popular dietary supplements. Omega-3s are today a multi-billion dollar business, and sales are still growing apace--even as recent medical studies caution that the promise of omega-3s may not be what it first appeared. But a closer look at the omega-3 sensation reveals something much deeper and more troubling. The miracle pill is only the latest product of the reduction industry, a vast, global endeavor that over the last century has boiled down trillions of pounds of marine life into animal feed, fertilizer, margarine, and dietary supplements. The creatures that are the victims of that industry seem insignificant to the untrained eye, but turn out to be essential to the survival of whales, penguins, and fish of all kinds, including many that we love to eat. Behind these tiny molecules is a big story: of the push-and-pull of science and business; of the fate of our oceans in a human-dominated age; of the explosion of land food at the expense of healthier and more sustainable seafood; of the human quest for health and long life at all costs. James Beard Award-winning author Paul Greenberg probes the rich and surprising history of omega-3s--from the dawn of complex life, when these compounds were first formed; to human prehistory, when the discovery of seafood may have produced major cognitive leaps for our species; and on to the modern era, when omega-3s may point the way to a bold new direction for our food system. With wit and boundless curiosity, Greenberg brings us along on his travels--from Peru to Antarctica, from the Canary Islands to the Amalfi Coast--to reveal firsthand the practice and repercussions of our unbalanced way of eating. Rigorously reported and winningly told, The Omega Principle is a powerful argument for a more deliberate and forward-thinking relationship to the food we eat and the oceans that sustain us.
The USA's contribution to the making of the USSR was accidental. In the belief that the Russian Socialist Federative Soviet Republic could not survive, American statesmen strove to keep the former Tsarist empire intact for a non-communist successor regime in the face of attempts by other powers to carve out spheres of influence in both European and Asiatic Russia. In this manner, they unwittingly facilitated the formation of the Union of Soviet Socialist Republics. This book shows the importance of the 'Russian question' at the Washington Conference and throws light on the emergence of the 'Versailles-Washington' system of international relations.
The alien abduction phenomenon is one of the enduring enigmas of our time. While the reality of alien abductions is a hotly debated topic among UFO researchers, scientists, skeptics and true believers alike, the phenomenon indisputably exists as an artifact of popular culture. This book analyzes more than 75 films that draw their inspiration from allegedly fact-based accounts of alien contact, from 1951's The Man from Planet X to Contactee in 2021. These films are examined in terms of both their cinematic qualities and their exploration of thematic elements derived from abduction reports. Abduction motifs that appear in science fiction classics such as The Day the Earth Stood Still, 2001 and Close Encounters are analyzed, as well as those in lesser-known films like The Stranger Within, Starship Invasions, Dark Skies and Proximity. Special attention is given to movies based on the famed experiences of abductees Betty and Barney Hill, Whitley Strieber and Travis Walton. The book also addresses skeptical theories about the origins of the phenomenon in science fiction and examines an uncanny prescience that appears to anticipate these inexplicable occurrences.
This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles's brilliant career—as composer, novelist, short-story master, travel writer, translator, ethnographer, and literary critic. Here is Bowles on the genesis of his first novel, The Sheltering Sky; on his distaste for Western melodies and his dogged attempts to record indigenous Moroccan music; on the Beats, Gore Vidal, Truman Capote, and Tennessee Williams; on the nature and craft of writing; on Bernardo Bertolucci, David Byrne, and Sting; on the decline of American and the challenges of living in North Africa. Gossipy, reflective, enlightening, and always entertaining, In Touch stands as an epistolary autobiography of one of the legendary writers of our time, and a unique chronicle of the twentieth-century avant-garde.
On both personal and public levels the past century has brought Western Europeans some of the most devastating episodes of human history. Paul Monaco identifies the major modes of consciousness that Europeans have developed as ways of interpreting their experiences. Europe appears to many Americans as an aging dowager with a grand past but little future. Yet, beyond the stereotype lies the complex reality. The U.S. and the Soviet Union both failed to carry on the ideological and cultural traditions of the Western world to which they fell heir at the end of World War II. By contrast, Western Europe quickly recovered its cultural equilibrium. Modern European Culture and Consciousness shows how Europe's amazing recovery took place. Monaco argues that the sensibility now being forged in Europe will provide the guide to the twenty-first century. He illustrates this thesis by analysis of novels, plays, and especially motion pictures, which have gradually supplanted novels.
A study of the changing face of the American labor market. The American labor market faces many deep-rooted problems, including persistence of a large low-wage sector, worsening inequality in earnings, employees' lack of voice in the workplace, and the need of employers to maximize flexibility if they are to survive in an increasingly competitive market. The impetus for this book is the absence of a serious national debate about these issues. The book represents nearly three years of deliberation by more than 250 people drawn from business, labor, community groups, academia, and government. It traces today's labor-market policy and laws back to the New Deal and to a second wave of social regulation that began in the 1960s. Underlying the current system are assumptions about who is working, what workers do, and how much job security workers enjoy. Economic and social changes have rendered those assumptions invalid and have resulted in mismatches between labor institutions and efficient and equitable deployment of the workforce, as well as between commitments to the labor market and family responsibilities. This book should launch a national dialogue on how to update our policies and institutions to catch up with the changes in the nature of work, in the workforce, and in the economy.
The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch. This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.
Each chapter begins with discussion of the physiological and biochemical abnormalities underlying the condition to be treated, followed by a section on the pharmacology of the appropriate drugs. The final section, which has been revised to include new drugs, deals with their clinical application and gives practical advice on the most suitable preparations for treatment.
Before the film industry arrived, Hollywood was filled with quaint bungalows, millionaires' estates, and churches dedicated to teetotalism. Movies shattered Hollywood's tranquillity, and brought wealth, fame and glamorous movie stars. The giants of the movie industry invented klieg-lighted movie premieres and the Academy Awards in Hollywood. Go beyond the star-studded surface to the district's days of union busting, gangsters, and scandal, foreshadowing Hollywood's seedy decline. The book concludes with Hollywood's redevelopment that continues today. The book features the famous faces and places that made the town legendary, offering a unique perspective on celebrity nightlife and the behind-the-scenes stories of day-to-day life. Lavishly illustrated with over 800 vintage images from the author's private collection, "The Story of Hollywood" brings new insights to readers with a passion for Hollywood and its place in the history of film, radio, and television.
Here it is: the first-time look at the remarkable American multinational mass media empire and its century of entertainment—the story of Twentieth Century Fox (1915–2015). Or, to borrow the title of a classic 1959 Fox film, The Best of Everything. This is the complete revelatory story—bookended by empire builders William Fox and Rupert Murdoch—aimed as both a grand, entertaining, nostalgic and picture-filled interactive read and the ultimate guide to all things Twentieth Century Fox. The controversies and scandals are here, as are the extraordinary achievements. Among other firsts, the book offers fun tours of its historic production and ranch facilities including never-before-told stories about its stars and creative personalities (Marilyn Monroe, Elvis Presley, James Dean, and Shirley Temple got started there). Finally, it is the first such work approved by the company and utilizing its own unique resources. The authors primarily tell a celebratory tale, but most importantly, an accurate one.
Mastering Microsoft Dynamics NAV for beginners and IT professionals: from jump start to optimization. This book covers general use and shows you how to tailor Microsoft Dynamics NAV to mirror your firm's unique needs. Learn skills that enable you to navigate and interpret the world of possibilities locked within the ERP system. Through easy, concrete examples, you will master the layered environment and be able to use and create reports, forms, import/export functions and more. This book gives you the basis you need to demand the best information infrastructure for your enterprise.
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