Ted Shawn (1891-1972) is the self-proclaimed "Father of American Dance" who helped to transform dance from a national pastime into theatrical art. In the process, he made dancing an acceptable profession for men and taught several generations of dancers, some of whom went on to become legendary choreographers and performers in their own right, most notably his protégés Martha Graham, Louise Brooks, Doris Humphrey, and Charles Weidman. Shawn tried for many years and with great frustration to tell the story of his life's work in terms of its social and artistic value, but struggled, owing to the fact that he was homosexual, a fact known only within his inner circle of friends. Unwilling to disturb the meticulously narrated account of his paternal exceptionalism, he remained closeted, but scrupulously archived his journals, correspondence, programs, photographs, and motion pictures of his dances, anticipating that the full significance of his life, writing, and dances would reveal itself in time. Ted Shawn: His Life, Writings, and Dances is the first critical biography of the dance legend, offering an in-depth look into Shawn's pioneering role in the formation of the first American modern dance company and school, the first all-male dance company, and Jacob's Pillow, the internationally renowned dance festival and school located in the Berkshires. The book explores Shawn's writings and dances in relation to emerging discourses of modernism, eugenics and social evolution, revealing an untold story about the ways that Shawn's homosexuality informed his choreographic vision. The book also elucidates the influences of contemporary writers who were leading a radical movement to depathologize homosexuality, such as the British eugenicist Havelock Ellis and sexologist Alfred Kinsey, and conversely, how their revolutionary ideas about sexuality were shaped by Shawn's modernism.
This book offers a new perspective on French architecture, describing the impact of political history on the architectural development of Paris. Through various stages in history from the Roman to the Medieval, Renaissance and Early Modern and Modern, Paris: The Shaping of the French Capital shows how the immense political power of monarchs, the aristocracy and church determined the pace and volume of building in Paris and the extent of town planning. Whereas many other great cities owe their historic importance to trade, and to local government (the City of London being a supreme example), these attributes were largely absent in Paris (throughout most of its history it didn’t even have a mayor). Arguably, because of this, gradually over the centuries the French capital emerged as one of the world’s most beautiful cities, and now is a metropolis with a population in excess of 2 million.
A portrait based on access to the late actor's personal writings offers insight into his experiences as a soldier in World War II, his stage and film achievements, and his fiercely private personal life.
The Pulitzer Prize– and Bancroft Prize–winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe. Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations—Native American, Spanish, Mexican, and Anglo-American—that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing. “Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole.” —The Boston Sunday Herald “Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit.” —Allan Nevins, author of Ordeal of the Union “One of the major masterpieces of American historical writing.” —Carl Carmer, author of Stars Fell on Alabama
In the summer of 1380 a French captain is murdered in Hawkmere Manor – a lonely, gloomy dwelling place, otherwise known as the ‘Devil’s Domain’, which is used by Regent John of Gaunt to house French prisoners captured during the bloody battles waged between the French and the English on the Narrow Seas. Sir John Cranston and Brother Athelstan are summoned to investigate the mysterious death but their path is riddled with obstacles. How could the murderer have entered the Frenchman’s chamber when the room was locked from within? Their aide, Sir Maurice Maltravers, is more of a hindrance than a help, as he faces the misery of heartbreak. Lady Angelica, the woman he intended to marry, has been whisked away to a convent by her tyrannical and disapproving father. It soon becomes apparent that only when the lovers are reunited will any progress be made in the murder investigation...
Philosophical modeling is as old as philosophy itself; examples range from Plato's Cave and the Divided Line to Rawls's original position. What is new are the astounding computational resources now available for philosophical modeling. Although the computer cannot offer a substitute for philosophical research, it can offer an important new environment for philosophical research. The authors present a series of exploratory examples of computer modeling, using a range of computational techniques to illuminate a variety of questions in philosophy and philosophical logic. Topics include self-reference and paradox in fuzzy logics, varieties of epistemic chaos, fractal images of formal systems, and cellular automata models in game theory. Examples in the last category include models for the evolution of generosity, possible causes and cures for discrimination, and the formal undecidability of patterns of social and biological interaction. The cross-platform CD-ROM provided with the book contains a variety of working examples, in color and often operating dynamically, embedded in a text that parallels that of the book. Source code of all major programs is included to facilitate further research.
First glorified as the Saviour of Christendom and then vilified as an enemy of the Church, Charles Martel's career has been written and rewritten from the time of his descendents. This important new study draws on strictly contemporary sources to assess his real achievements and offers new insights into a fascinating period.
Santmire's much-acclaimed The Travail of Nature: The Ambiguous Ecological Promise of Christian Theology documented the unfortunate legacy of many Christian theological notions in the use, abuse, and destruction of the natural world, along with its positive aspects. This new brief, but penetrating, look at Christian theological concepts of nature returns to the fray, this time to reclaim classic, mostly pre-modern Christian themes and re-envision them in light of the global environmental and cultural crisis. This revisionist work-"to revise the classical Christian story in order to identify and to celebrate its ecological and cosmic promise"-mines Christian cosmology (the Great Chain of Being), Christology, Creation, and Eucharist, so that the Christian "story" can be then rediscovered (history), reshaped (theology), re-experienced (spirituality), and re-enacted (ritual).
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