In this text, the author poses the question "Why save architecture?", and offers a critical foundation for the preservation and the management of change.
Maurice Ravel: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and theorist.
The Maa of East Africa are a cluster of related pastoral peoples who share a social organization based on age. This groups men into life-long cohorts from their initiation in youth, regardless of family wealth. Historically, this type of pre-market society has been described in every continent, but East Africa provides the principal surviving region of age-based societies, among whom the Maasai are the best known. In this volume, comparison between three branches of Maa highlights different aspects of their society: the dynamics of power with age and gender among the Maasai, of ritual performance and belief among the Samburu, and of historical change among the Chamus. Here it is argued that understanding another culture can only be approached through models derived in the first instance from the representations conveyed by members of that culture. The social anthropologist may then elaborate these images through the choice of analytical parallels, even extending to other disciplines and personal experience. Each chapter in this volume views Maa institutions through a different lens, exploring models relevant to a comprehensive analysis of their social life.
A century after its creation, in 2006, The Morgan Library & Museum, having undergone a major expansion and renovation designed by the Renzo Piano Building Workshop, reopened to wide critical and popular acclaim. The process leading up to that moment is documented in this book, which chronicles the 100-year transformation of a rarefied domain to a public museum, independent research library, musical venue, architectural landmark, and historic site.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
This book follows Biblical prophecy in the seventieth week of Daniel. It uses a fiction scenario that could very well happen during the time of the end. It depicts turmoil in the United States of America during this tumulteous period of time.
He couldn’t save his reputation, his marriage, or his career—but he’s dead-set on saving a friend framed for murder . . . Divorced, disbarred, and broke. That’s where former defense attorney Mick Ward found himself after a drug-fueled collapse, and now all he wants is a quiet life. But when he discovers a body on his friend Elliott’s property, Mick has to get involved. Because the body belongs to a rival from Elliott’s criminal past, and someone’s planted a gun in his house. Currently a Black Lives Matter activist running for Portland’s city council, Elliott suspects he’s been targeted by vengeful cops. But the worst is yet to come, and with Mick unable to practice law, he’ll have to work around the system any way he can to help his friend . . .
An in-depth look at the differences between Islam and Christianity. This novel portrays a methodology to bring the Gospel of Jesus Christ to the people of Islam on their own soil. It represents the light and hope to a tumultuous world of hatred, torture and murder in the middle east.
This biography reveals Charles' inner struggles through which he learned compassion and understanding for others. Removed from Dublin for a time because of his 'extraordinary cures', he was until the end of his life subjected to criticism and humiliation, even within his own religious community.
When first published in 1988, this classic study was the first to relate the dynamics of the Maasai age organisation to the tensions within the family. Together, these provide the twin strands of a man's career, opposed ritually and reflecting a fundamental ambivalence in Maasai thought. The analysis is illustrated with extensive case material from the the Matapato, selected for this study as a typical Maasai group.
Distant Greens travels into the soul of golf, the rituals, the belief that a tetrachaidecohedron-dimple-pattern can make a difference. What is the future of golf? Can golf and nature support each other? What can golfers do to ensure that their course is environmentally responsible? And what happened when Jesus, Moses, and Mohammed played a round?
The catalogue The Sun Rising Through Vapour was published to accompany the Barber Institute's 2003/04 exhibition of the same name, and presents some of Turner's most luminous seascapes, painted during the early part of his career from 1795 to 1810.His first exhibited oil painting, Fisherman at Sea of 1796, was described at the time as masterly, and his early reputation was founded on a series of dramatic seapieces that he regularly showed at the Royal Academy, the British Institution and in his own gallery until about 1810. The artist even claimed to have lashed himself, Ulysses-like to the mast of a ship during a storm so that he could grasp the full force of the experience.
Over many centuries, science, philosophy, and theology have attempted to penetrate the thick enigmas of light. By engaging all three modes of thought, Marvelous Light informs and affirms each perspective in part and all in one comprehensive, cohesive, and compelling whole. Light is man's key to reality.
Performing in a country rife with racism and segregation, the tenor Roland Hayes was the first African American man to reach international fame as a concert performer and one of the few artists who could sell out Town Hall, Carnegie Hall, Symphony Hall, and Covent Garden. His trailblazing career carved the way for a host of African American artists, including Marian Anderson and Paul Robeson. Performing the African American spirituals he was raised on, Hayes's voice was marked with a unique sonority which easily navigated French, German, and Italian art songs. A multiculturalist both on and off the stage, he counted among his friends George Washington Carver, Eleanor Roosevelt, Ezra Pound, Pearl Buck, Dwight Eisenhower, and Langston Hughes. This engaging biography spans the history of Hayes's life and career and the legacy he left behind as a musician and a champion of African American rights. It is an authentic, panoramic portrait of a man who was as complex as the music he performed.
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