In this story-driven handbook to using social media to foster collaboration and positive change, people using social media describe how those tools work and how they have used social media to produce positive transformations within their extended communities. Starting with an overview of what social media tools provide, Signorelli shows how social media tools can be quickly learned and easily adapted to produce small- as well as large-scale changes when used effectively in conjunction with other collaboration resources and tools. Chapters include: What Is Social Media and What Can It Do for You? Facing the Pros and Cons of Facebook Twitter: Small Messages With Large Results LinkedIn and Collaborative Project Management Tools: Tapping Into Business Networks Picturing Change: Instagram, Snapchat, and Flickr Blogging for Social Change Broadcasts and Podcasts: YouTube, TalkShoe, and Zencastr Videoconferencing and Telepresence: Meeting Online to Change the World Follow the Money: Changing the World through Online Fundraising Facing Incivility: Trolls, Online Harassment, and Fake News Organizing to Change the World This engaging handbook that takes us into the minds and hearts of some of today’s most successful activists, showing how they think and work. Paul Signorelli helps us see easy ways you can incorporate the examples they provide into your own work to create stronger, more creative, positive results when addressing today’s myriad challenges. By the time you finish reading this book, you should be able to decide which social media tools will be most effective for you, immediately begin using those tools to reach your goals, and be one large step closer to changing your world.
A man of undoubted genius," T.S. Eliot said of Wyndham Lewis, ". . .but genius for what precisely it would be remarkably difficult to say." Painter and draughtsman, novelist, satirist, pamphleteer and critic, Wyndham Lewis's multifarious activities defy easy categorization. He launched the only twentieth century English avant–garde art movement, Vorticism, in 1914. Brilliant both as painter and writer, the precise, mechanistic formality of his visual style crossed over into a unique satirical prose which, emphasizing the external, turned his characters into automata. It enabled Lewis to pit himself against a prevailing orthodoxy, the stream of consciousness technique favoured by contemporaries as diverse as James Joyce, Virginia Woolf, and Gertrude Stein. Combining years of research with dry wit and creative storytelling, Paul O'Keeffe's Some Sort of Genius crackles with intense details of Lewis's work, life and times, simultaneously dismantling longstanding assumptions about his subject and offering brilliant new perspectives. Employing narrative creativity that reinvents the genre of biography itself, O'Keeffe delivers an unparalleled portrait that does full justice to Lewis's complexity. Throughout O'Keeffe's definitive account, readers will be introduced to one of the most compelling and misunderstood figures of twentieth century modernism.
An authoritative introduction to Raphael, one of the most influential painters in the history of art, written by the preeminent authority on the subject and informed by the latest research. For centuries, Raphael has been recognized as the supreme High Renaissance painter, with many considering him more versatile than Michelangelo and more prolific than his older contemporary Leonardo da Vinci. Though he died young at thirty-seven, Raphael’s example as a paragon of classicism dominated the academic tradition of European painting until the mid-nineteenth century. This comprehensive survey looks at the different social and regional contexts of Raphael’s work and all aspects of his artistic production. From early training in Urbino to travels across central Italy, particularly Florence, where he became a noted portraitist and painter of Madonnas, to engagement by the papal court, this volume covers all areas of the artist’s practice. Focus is also devoted to the second half of Raphael’s career, when he became the dominant artist in Rome—even ahead of Michelangelo—and as a sophisticate entrepreneur, was able to extend the range of his activities to that of architect, designer, pioneer archaeologist, and theoretician. A beautifully illustrated study with over 150 full-color reproductions of Raphael’s work, ranging from major masterpieces to lesser-known paintings and drawings from all periods; art historian Paul Joannides, one of the world’s leading experts on Raphael’s drawings, sheds new light on this seminal artist.
From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan, now in paperback. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.
Discovering Vintage Las Vegas takes you back in time to all of the timeless classic spots this city has to offer. The book spotlights the charming stories that tell you what each place is like now and how it got that way from classic restaurants to shops to other establishments like the casinos that still thrive today and evoke the unique character of the city. They’re all still around—but they won’t be around forever. Start reading, and start your discovering now!
This groundbreaking, provocative book presents an overview of research at the disciplinary intersection of psychoanalysis and linguistics. Understanding that linguistic activity, to a great extent, takes place in unconscious cognition, Thomas Paul Bonfiglio systematically demonstrates how fundamental psychoanalytic mechanisms—such as displacement, condensation, overdetermination, and repetition—have been absent in the history of linguistic inquiry, and explains how these mechanisms can illuminate the understanding of the grammatical structure, evolution, acquisition, and processing of language. Reexamining popular misunderstandings of psychoanalysis along the way, Bonfiglio further proposes a new theoretical configuration of language and expertly sets the future agenda on this subject with new conceptual paradigms for research and teaching. This will be an invaluable, fascinating resource for advanced students and scholars of theoretical and applied linguistics, the cognitive-behavioral sciences, metaphor studies, humor studies and play theory, anthropology, and beyond.
In this story-driven handbook to using social media to foster collaboration and positive change, people using social media describe how those tools work and how they have used social media to produce positive transformations within their extended communities. Starting with an overview of what social media tools provide, Signorelli shows how social media tools can be quickly learned and easily adapted to produce small- as well as large-scale changes when used effectively in conjunction with other collaboration resources and tools. Chapters include: What Is Social Media and What Can It Do for You? Facing the Pros and Cons of Facebook Twitter: Small Messages With Large Results LinkedIn and Collaborative Project Management Tools: Tapping Into Business Networks Picturing Change: Instagram, Snapchat, and Flickr Blogging for Social Change Broadcasts and Podcasts: YouTube, TalkShoe, and Zencastr Videoconferencing and Telepresence: Meeting Online to Change the World Follow the Money: Changing the World through Online Fundraising Facing Incivility: Trolls, Online Harassment, and Fake News Organizing to Change the World This engaging handbook that takes us into the minds and hearts of some of today’s most successful activists, showing how they think and work. Paul Signorelli helps us see easy ways you can incorporate the examples they provide into your own work to create stronger, more creative, positive results when addressing today’s myriad challenges. By the time you finish reading this book, you should be able to decide which social media tools will be most effective for you, immediately begin using those tools to reach your goals, and be one large step closer to changing your world.
FROM WWI TO COVID, from Florence to the tiny villages of Tuscany, stories of love, courage and adventure from award-winning author Paul Salsini. FROM A TUSCAN TREASURY "So we became spies. When Maria and I would enter a village we would find out if there were any Germans or Fascists there so the partisans would know if it was safe to enter. Sometimes we’d be stopped, but mostly we just looked like simple Italian women with scarves on our heads and prayer books in our hands. We always told them we were going to church to pray for the end of the war." From "The Staffetta" "Anna, can I tell you something? After I left you on the doorstep that night, I couldn't stop thinking about you. I couldn't sleep nights. I went on long runs, but that didn't help. I was supposed to referee a football game Saturday morning and I made terrible calls. I couldn't concentrate hearing confessions Saturday afternoon. I barely made it through Mass on Sunday. Anna, I couldn't wait to see you again." From "Anna and the Television Priest
A TUSCAN SERIES CONCLUDED IN PAUL SALSINIS FIRST NOVEL OF THIS SERIES, The Cielo: A Novel of Wartime Tuscany (first place winner, Council for Wisconsin Writers and Midwest Independent Publishers Association), terrified villagers were trapped in a farmhouse during World War II. In the second, Sparrows Revenge: A Novel of Postwar Tuscany, a partisan hunted down a collaborator of a horrific massacre. In the third, Dinos Story: A Novel of 1960s Tuscany, a boy came of age during the devastating flood of Florence in 1966. Then the characters entered a new decade in The Temptation of Father Lorenzo: Ten Stories of 1970s Tuscany (first place winner, Midwest Independent Publishers Association). In the next, these beloved characters, along with a few new friends and relatives, returned in A Piazza for SantAntonio, Five Novellas of 1980s Tuscany. NOW, IN THIS, THE FINAL VOLUME of the series, Father Lorenzo has a surprise reunion, Lucia and Paolo celebrate their fiftieth wedding anniversary, Anna and a television priest become friends, a supermarket threatens SantAntonios shops, a new book celebrates Cortona, Ezios novel becomes a movie, and a shipload of Albanian refugees brings a new life to Dino and Sofia. In the title story, a long tradition in the art of flag throwing is shattered at a festival in Lucca.
With Ordinary Time, his eighth collection, the distinguished poet and biographer Paul Mariani shares a vision of the world in which the sacred and the quotidian mingle, sometimes quietly and sometimes with revelatory force. These poems treat not only the social and historical issues of the time--the poor, the marginalized, the casualties of war, the forgotten--but the importance of family and friends, especially in those moments we all share of illness and desolation. What saves us is not only beauty but the wit and humor to see the reader through. A grandfather now, Mariani celebrates a new generation and remembers the dead. If the poems often deal with the ordinary--everything from memories of New York City back in the 1940s to the Mississippi Delta and the Canadian Rockies, to Sweden, the Baltic Sea, and finally Jerusalem--they do so under the shadow of the sacred, which these poems keep reaching out to with word after word after Word.
Reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build and promote the modern Fascist state. Drawing on unpublished archival material and untranslated periodical contributions, the author delves into the vexing work of perhaps the most famous, certainly the most notorious, American in Italy in the 1930s and 1940s, providing fresh understanding of Fascist deployment of art, architecture, blockbuster exhibitions, music, archaeological projects, urban design,a nd literature. Pound's prose writings of this period cement a "directive" approach - declaiming his views with an authority that shuts down disagreement. This work reveals the importance of this approach to his larger artistic mission.
Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
This book presents a full decade of Sartre's work, from the publication of the Critique of Dialectical Reason in 1960, the basic philosophical turning-point in his postwar development, to the inception of his major study on Flaubert, the first volumes of which appeared in 1971. The essays and interviews collected here form a vivid panorama of the range and unity of Sartre's interests, since his deliberate attempt to wed his original existentialism to a rethought Marxism. A long and brilliant autobiographical interview, given to New Left Review in 1969, constitutes the best single overview of Sartre's whole intellectual evolution. Three analytic texts on the US war in Vietnam, the Soviet invasion of Czechoslovakia, and the lessons of the May Revolt in France, define his political positions as a revolutionary socialist. Questions of philosophy and aesthetics are explored in essays on Kierkegaard, Mallarme and Tintoretto. Another section of the collection explores Sartre's critical attitude to orthodox psychoanalysis as a therapy, and is accompanied by rejoinders from colleagues on his journal Les Temps Modernes. The volume concludes with a prolonged reflection on the nature and role of intellectuals and writers in advanced capitalism, and their relationship to the struggles of the exploited and oppressed classes. Between Existentialism and Marxism is an impressive demonstration of the breadth and vitality of Sartre's thought, and its capacity to respond to political and cultural changes in the contemporary world.
Ibadi Muslims, a minority religious community, historically inhabited pockets throughout North Africa, the Arabian Peninsula, and the East African coast. Yet less is known about the community of Ibadi Muslims that relocated to Egypt. Focusing on the history of an Ibadi-run trade depot, school and library that operated in Cairo for over three hundred years, this book shows how the Ibadi Muslims operated in and adapted to the legal, religious, commercial, and political realms of the Ottoman Empire from the seventeenth to early twentieth centuries. Using a unique range of sources, including manuscript notes, family histories and archival correspondence, Paul M. Love, Jr. presents an original history of this Muslim majority told from the bottom up. Whilst illuminating the events that shaped the history of Egypt during these centuries, he also brings to life the lived reality of a Muslim minority community in the Ottoman world.
The forty-one years between the Society of Jesus’s papal suppression in 1773 and its eventual restoration in 1814 remain controversial, with new research and interpretations continually appearing. Shore’s narrative approaches these years, and the period preceding the suppression, from a new perspective that covers individuals not usually discussed in works dealing with this topic. As well as examining the contributions of former Jesuits to fields as diverse as ethnology—a term and concept pioneered by an ex-Jesuit—and library science, where Jesuits and ex-Jesuits laid the groundwork for the great advances of the nineteenth century, the essay also explores the period the exiled Society spent in the Russian Empire. It concludes with a discussion of the Society’s restoration in the broader context of world history.
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