General William Tecumseh Sherman's devastating "March to the Sea" in 1864 burned a swath through the cities and countryside of Georgia and into the history of the American Civil War. As they moved from Atlanta to Savannah--destroying homes, buildings, and crops; killing livestock; and consuming supplies--Sherman and the Union army ignited not only southern property, but also imaginations, in both the North and the South. By the time of the general's death in 1891, when one said "The March," no explanation was required. That remains true today. Legends and myths about Sherman began forming during the March itself, and took more definitive shape in the industrial age in the late-nineteenth century. Sherman's March in Myth and Memory examines the emergence of various myths surrounding one of the most enduring campaigns in the annals of military history. Edward Caudill and Paul Ashdown provide a brief overview of Sherman's life and his March, but their focus is on how these myths came about--such as one description of a "60-mile wide path of destruction"--and how legends about Sherman and his campaign have served a variety of interests. Caudill and Ashdown argue that these myths have been employed by groups as disparate as those endorsing the Old South aristocracy and its "Lost Cause," and by others who saw the March as evidence of the superiority of industrialism in modern America over a retreating agrarianism. Sherman's March in Myth and Memory looks at the general's treatment in the press, among historians, on stage and screen, and in literature, from the time of the March to the present day. The authors show us the many ways in which Sherman has been portrayed in the media and popular culture, and how his devastating March has been stamped into our collective memory.
This is a book about change and transformation. The author expresses emotions felt and insights revealed after her 19 year old son Paul was accidentally killed in a gas tank explosion. Daria discusses "the dark night" about being fully present in the tender, wounded emptiness of our own souls. It's about not turning away from the pain but learning to rest in it. Rather than distracting our selves from the simple darkness at our core, we sit with it, paying close attention, and opening our hearts to all that is left, which is love. It is the cultivation of compassion for our suffering selves and for others who suffer the illusion of separation from the Beloved. In the dark night a quiet, formless, willingness to return emerges for when the body and mind have reached the end the spirit comes forth. A memoir includes some of Paul's writings. Included are inspired articles written by Daria from international monthly The Peaceful Times Newsletter.
Along with poets, philosophers, and deep ecologists, nature writers—who may be something of all three—address the world alienation of Western civilization. By example as well as with words, they teach us to turn from the self to the world, from ego to ecos.In these deeply felt meditative essays, Sherman Paul contemplates the cosmological homecoming of nature writers who show us how to reenter the world, participate in it, and recover respect for it. In For Love of the World Sherman Paul considers Thoreau, John Muir, and Aldo Leopold, major writers in the American tradition of nature writing; Henry Beston and Loren Eiseley, writers not yet so canonical; and Richard Nelson and Barry Lopez, our estimable contemporaries. Paul's meditative mode follows the practice of naturalists who enter the field, come into the open, and relate their immediate experiences. In the most primary and direct way, his essays belong to our moment in history when nothing is more essential than our reattachment to earthly existence. They will reawaken our love of the world—the necessary eros of ecos—and our wonder at and gratitude for being.
. . . The celebration of a point of view that Paul is uniquely equipped to communicate. . . . It provides an excellent treatment of the development and practice of a powerful poetic force in modern poetry today, showing the theoretic coherence of Emerson, Whitman, Pound, Williams, and particularly, Olson, as originators and practitioners of 'open' forms." --Thomas Merrill"This book is going to be of value to a number of different readers. For teachers and writers it is a resource and a stimulus for participating in an open poetics. On a utilitarian level it will help to respond to the recent
Randolph Bourne - American Writers 60 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
There is enormous inequality between the income and wealth of the richest 1 percent and all other Americans. While the top 1 percent own 42 percent of all wealth in America, the lower half on the income ladder has only 2 percent of all of the wealth. This book develops a viewpoint contrary to the prevailing conservative paradigm, setting out both reasons for this inequality and the impact of this. To explain inequality, conservative economists focus on individual characteristics such as intelligence and hard work. This book puts forward new evidence to show that changes in economic inequality are primarily due to characteristics inherent in the standard operation of capitalist institutions. Furthermore, the authors seek to explain the cycle of boom and bust by considering political and social factors often overlooked by conservative economists. This book also explores how wealth influences political policies in a way that increases economic inequality even more than its present level. Through analysis of American political and economic institutions, Inequality, Boom, and Bust presents concrete steps for an activist, progressive policy to greatly reduce inequality through free healthcare, free higher education, and reduced unemployment.
General William Tecumseh Sherman's devastating "March to the Sea" in 1864 burned a swath through the cities and countryside of Georgia and into the history of the American Civil War. As they moved from Atlanta to Savannah--destroying homes, buildings, and crops; killing livestock; and consuming supplies--Sherman and the Union army ignited not only southern property, but also imaginations, in both the North and the South. By the time of the general's death in 1891, when one said "The March," no explanation was required. That remains true today. Legends and myths about Sherman began forming during the March itself, and took more definitive shape in the industrial age in the late-nineteenth century. Sherman's March in Myth and Memory examines the emergence of various myths surrounding one of the most enduring campaigns in the annals of military history. Edward Caudill and Paul Ashdown provide a brief overview of Sherman's life and his March, but their focus is on how these myths came about--such as one description of a "60-mile wide path of destruction"--and how legends about Sherman and his campaign have served a variety of interests. Caudill and Ashdown argue that these myths have been employed by groups as disparate as those endorsing the Old South aristocracy and its "Lost Cause," and by others who saw the March as evidence of the superiority of industrialism in modern America over a retreating agrarianism. Sherman's March in Myth and Memory looks at the general's treatment in the press, among historians, on stage and screen, and in literature, from the time of the March to the present day. The authors show us the many ways in which Sherman has been portrayed in the media and popular culture, and how his devastating March has been stamped into our collective memory.
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