This fourth collection of essays by Paul Ruffin highlights his idiosyncratic wit and practiced storytelling skills in memorable autobiographic pieces ranging from the comic to the confessional. The first section, "Things Literary, More or Less," includes the title essay, in which Ruffin takes the reader on a rollicking tour with iconic Southern writer George Garrett, which ends with the two men locating the ghostly remains of an obscure Texas hamlet called Ben Hur and talking with an eccentric representative of the town's handful of inhabitants. In other essays Ruffin workshops a cowboy poem with a couple of deputy sheriffs, reveals aspects of Edgar Allan Poe's life never before published, reviews some unusual books, and shares the story of a boy who speaks only in hymns. Ruffin concludes the section with the tale of an invigorating flight to San Juan in an old DC-6. In the next section, "On Likker and Guns," Ruffin summarizes his drinking career, transcribes the conversation between two rats that destroy his university office, and tells the tale of a bowhunter who asked him for his deer bladder. He also introduces the reader to a sharpshooter who, while trying to demonstrate his prowess with an old rifle, kills an old man's tractor. Finally Ruffin takes the reader on a trip to a Texas gun show to meet the menacing Boram, the clueless Billy Wayne, and a vigilant wife dedicated to preserving the family budget. The book ends with an excerpt from Ruffin's unpublished memoir, "Growing Up in Mississippi Poor and White but Not Quite Trash," in which the author recalls his agonizing boyhood quest to unlock the mysteries of sex: "Never under this sun was there a child more ignorant of the act, the organs involved, or its marvelous potential for pleasure and fulfillment. And never was there a child who tried harder to understand." Through Ruffin's sly vision of himself and his surroundings and his ability to focus attention on life's curious, defining moments, these essays reflect some of the best aspects of contemporary literary nonfiction. Every tale is vibrantly alive with the sincere voice, crisp details, bold images, and distinctive dialogue that readers have come to relish in Ruffin's myriad writings.
A collection of short stories about the rough and sometimes mysterious waters Writer Paul Ruffin celebrates the mysteries of the sea in the short story collection The Time the Waters Rose. From shrimp boat captains to shipyard workers, Ruffin's characters are men who drink, swear, fight, and sometimes kill, but what unifies them is that all-embracing magic of the Gulf coast and the barrier islands. While some are drawn to the Gulf for its mystery, others are there simply to earn a living,and all are unforgettable, from the bawdy, snuff-dipping, rednecks to the land-locked shipbuilder who erects a ship in his suburban backyard to the salty old freethinker aboard The Drag Queen who gives his evangelical shipmate hell for suggesting they say grace beforelunch. The title story, which Ruffin started writing as a ten-year-old bored with traditional Biblical tales, is an irreverent, satirica l retelling of the epic Noah story. All the other tales are set in and around the Mississippi coast, but they are not your typical sea and fishing yarns. While some of the stories may seem far-fetched, they are all drawn from Ruffin's experiences and are rich with tactile descriptions of the Pascagoula River and its surrounding marshlands, from the sun and shadow play of the open waters to the powerful thunderheads and squalls that arise at a moment's notice over the islands of the Gulf.
A compilation of poems from Paul Ruffin's five earlier books of poetry plus new poems. The collection focuses on childhood memories of growing up in Mississippi, recent experiences in Texas, and the relationship between men and women.
Fourteen darkly comic and artfully crafted Deep South tales in the spirit of O'Connor "Mister, most stories about people are sad. The ones about animals sometimes turn out all right, but not them about people," muses a character in master storyteller Paul Ruffin's yarn of obsession and quest "In Search of the Tightrope Walker." Raging against this fated sadness—and often against a deadening and inescapable status quo—the characters in Ruffin's newest collection, Jesus in the Mist, populate an imaginative vision of the hardscrabble Deep South where history, culture, and expectations are set firmly against them. Like Flannery O'Connor before him, Ruffin views the South as dark with humor and rife with violence. He writes of places and times where religion, race, class, sex, abuse, poverty, mythology, and morbidity coalesce to expose humanity at its basest and its most redeeming. Peppered with the vivid dialogue, colorful descriptions, and idiosyncratic comedy that define Ruffin's work, this volume is divided into two sections: the first group of stories addresses complexities of relationships between men and women, and the second recounts episodes of initiation in which characters grapple with divided loyalties. Collectively these stories paint a panoramic view of Southern culture as dynamic characters take a stab at their destinies—and sometimes at each other. Whether they are facing the visage of Christ in a motel bathroom mirror, blasting a murder of crows with military-grade artillery, outrunning a mythical beast through moonlit woods, or taking an armed stance against integration at a gas station water fountain, many of Ruffin's characters are zealots on the edge of reason. Here confidence men, thugs, and rednecks push their agendas on unsuspecting audiences. But there are those as well who search for a lost childhood love, exorcise a sexual predator from the home, return to a discarded life, and spare a man's life when no one would be the wiser. These individuals long for restoration, redemption, and righteousness. Both populations come together in Ruffin's South, where madness and faith hold equal sway and no amount of sadness can keep yearned-for possibilities from still being perceived as attainable.
When a married couple nearing divorce takes a wrong turn in the depths of a forest, the paranoid, elderly owner of the solitary house they approach to find a phone takes them captive, transforming the lives of captives and captor forever.
This book traces the evolution of the Browning Automatic Rifle from the Model of 1918, first to face combat in World War I, through its various configurations in all arenas of combat all the way to the present-day1918 A3 SLR developed and manufactured by Ohio Ordnance Works. The Browning Automatic Rifle, known simply as the BAR, was a shoulder-fired light machine gun fed by a twenty-round box magazine of 30-06, the same ammunition used by the 1903 Springfield. Weighing in at under twenty pounds, it could easily be carried by one soldier, who could drape a bandolier with twelve magazines over his shoulder, giving him a total of 260 rounds (counting those in the mounted magazine). Generally accompanied by at least one companion carrying an additional bandolier with twelve magazines, the BAR man could exercise some serious firepower. Used sparingly during World War I because of the United States’ late entry into the war, it played a major role during World War II and the Korean Conflict, offering a very reliable combination of rapid fire and penetration. Few weapons of war ever pressed into service have offered the romantic allure of the BAR. Ohio Ordnance Works, Inc. manufactures a semi-automatic version of this rifle, the 1918 A3, keeping alive this icon of American military weaponry. The only one of its kind in production anywhere in the world, it is manufactured with some of the original USGI WWI and WWII parts. Only the highest quality Ohio Ordnance original and USGI standard parts are used in its production. The heart of the 1918 A3 is the receiver made from 8620 steel casting that has been carburized and induction heat treated. The castings are machined on state-of-the-art CNC machining centers. Every rifle is fully assembled, inspected, test-fired, and re-inspected under the direct supervision of a master armorer.
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