We increasingly recognize that Paul did not write his letter to the Romans primarily out of doctrinal concerns. Paul B. Fowler presses that insight home in this attentive, yet eminently readable, study of the letter’s structure. The principles of Fowler’s reading are that rhetorical questions in Romans 3‒11 structure the argument, not as responses to criticism but as Paul’s careful guiding of the reader, and that these chapters, like the paraenesis in Romans 12‒15, address specific circumstances in Rome. Careful attention to the rhetorical structure of the letter points to tensions between Jew and Gentile that aggravate the already precarious situation of the Roman congregation. In the course of his argument, Fowler explodes the common conceptions that Paul employs diatribal technique to answer objections and that he is primarily engaged in a debate with Jews. In short, Fowler demonstrates that the apostle is not writing defensively, but responding with sensitivity to the volatile atmosphere caused by Claudius’s expulsion of some Jews from Rome. The book includes an appendix on rhetorical devices and another on epistolary formulas in Paul’s letters.
In this volume, Paul Robertson re-describes the form of the apostle Paul’s letters in a manner that facilitates transparent, empirical comparison with texts not typically treated by biblical scholars. Paul’s letters are best described by a set of literary characteristics shared by certain Greco-Roman texts, particularly those of Epictetus and Philodemus. Paul Robertson theorizes a new taxonomy of Greco-Roman literature that groups Paul’s letters together with certain Greco-Roman, ethical-philosophical texts written at a roughly contemporary time in the ancient Mediterranean. This particular grouping, termed a socio-literary sphere, is defined by the shared form, content, and social purpose of its constituent texts, as well as certain general similarities between their texts’ authors.
In this volume, Paul Robertson re-describes Paul's letters in a way that facilitates empirical comparison with other understudied texts, and theorizes a new taxonomy of the Greco-Roman literary landscape of the ancient Mediterranean.
Traditional studies of Roman art have sought to identify an indigenous style distinct from Greek art and in the process have neglected the large body of Roman work that creatively recycled Greek artworks. Now available in paperback, this fresh reassessment offers instead a cultural history of the functions of the visual arts, the messages that these images carried, and the values that they affirmed in late Republican Rome and the Empire. The analysis begins at the point at which the characteristic features of Roman art started to emerge, when the Romans were exposed to Hellenistic culture through their conquest of Greek lands in the third century B.C. As a result, the values and social and political structure of Roman society changed, as did the functions and character of the images it generated. This volume, presented in very clear and accessible language, offers new and fascinating insights into the evolution of the forms and meanings of Roman art. "Zanker, one of the foremost ancient Roman art historians, has produced an excellent general study of Roman art and its reception. . . . This book would be ideal for students at all levels interested in Roman art, history, and culture."—Choice
When Jesus of Nazareth began proclaiming the kingdom of God early in the first century, he likely had no intention of starting a new religion, especially one that included former pagans. Yet a new religion did eventually develop--one that not only included non-Jews but was soon dominated by them. How did this happen? Jesus Followers in the Roman Empire by Paul Duff offers an accessible and informed account of Christian origins, beginning with the teaching of Jesus and moving to the end of the first century. Duff's narrative shows how the rural Jewish movement led by Jesus developed into a largely non-Jewish phenomenon permeating urban centers of the Roman Empire. Paying special attention to social, cultural, and religious contexts--as well as to early Christian ideas about idolatry, marriage, family, slavery, and ethnicity--Jesus Followers in the Roman Empire will help readers cultivate a deeper understanding of the identity, beliefs, and practices of early Christ-believers.
This compact book--which appeared earlier in the multivolume series A History of Private Life--is a history of the Roman Empire in pagan times. It is an interpretation setting forth in detail the universal civilization of the Romans--so much of it Hellenic--that later gave way to Christianity. The civilization, culture, literature, art, and even religion of Rome are discussed in this masterly work by a leading scholar.
Borkowski's Textbook on Roman Law provides a clear and concise overview of Roman private law and civil procedure, supported by numerous extracts in translation from the Digest and Institutes. The book has been written with undergraduate students in mind and covers all key areas commonly taught on Roman law courses at undergraduate level.
Studying Roman Law is an introductory guide aimed at sixth-formers, students and those with a general interest wishing to obtain a basic overview of Roman private law during the first three centuries of the Common Era. It is not meant to be a replacement for more comprehensive and technical manuals on Roman law, but should rather be seen as introductory reading. Written in non-specialist language, it contains a basic overview of the sources of Roman private law and a guide to their use together with a survey of the main areas of the law using primary sources in translation. It also explains the different contexts in which these rules arose and operated as well as the mechanisms by which they were enforced against the backdrop of one of the most sophisticated and influential legal systems of the ancient world.
A former Protestant minister's own gripping story of how he was led to the Catholic Church by reading his Bible. Confession of a Roman Catholic is one of the most remarkable writings you will ever encounter; and, despite its small size, one of the most momentous and important for our times. This is the story of the spiritual journey of a former Protestant minister, who was led to the Catholic Church by reading the Bible. This testimonial of one man's faith contains the reasons why all Catholics are Catholics.
Borkowski's Textbook on Roman Law provides a thorough and engaging overview of Roman private law and civil procedure. It is the ideal course companion for undergraduate Roman law courses, combining clear, comprehensible language and a wide range of supportive learning features with the most important sources of Roman law.
In this revised and expanded edition of Ancient Rome, author Paul A. Zoch presents the history and mythology of Rome, from its legendary progenitor Aeneas to the death of the philosopher-emperor Marcus Aurelius in 180 c.e. Zoch guides readers through the military campaigns and political developments that shaped Rome’s rise from a small Italian city to the greatest imperial power the world had ever known, and he includes stories about its protagonists—such as Romulus and Remus, Horatius, and Nero—that are often omitted from more specialized studies. In Zoch’s retelling, the events and personalities of ancient Rome spring to life. We witness the long struggle against the enemy city of Carthage. We follow Caesar as he campaigns in Britain, and we observe the ebb and flow of Rome’s fortunes in the Hellenistic East. Emphasizing both the political and moral lessons to be learned from Roman history—and that remain relevant today—Zoch gives readers a narrative that is both entertaining and informative. An afterword takes the history to the fall of the Roman Empire in the West in 476 c.e.
A comprehensive new history of the Eastern Roman Empire based on the science of the human past. As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome’s power but fear Rome’s ruin—will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive. In New Rome, Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically minded interpretation of antiquity’s end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire’s densely populated, unsanitary cities. Despite the Plague of Justinian, regular “barbarian” invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not. Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire’s transformation into Byzantium.
Johnson, Allan Chester, Paul Robinson Coleman-Norton and Frank Card Bourne. Clyde Pharr, General Editor. Ancient Roman Statutes: A Translation with Introduction, Commentary, Glossary, and Index. Austin: University of Texas Press, 1961. xxxi, 290 pp. 9" x 12." Reprinted 2003 by The Lawbook Exchange, Ltd. ISBN 1-58477-291-3. Hardcover. $150. * A collection of documents in translation based on a collation of Roman laws collected from the editions of Bruns, Girard and Riccobono. Laws gathered from other secondary sources, such as ancient authors' writings and from modern scholars' editions of inscriptions and of papyri, are also included. This volume is Volume II of The Corpus of Roman Law (Corpus Juris Romani), General Editor, Clyde Pharr. (Volume I: The Theodosian Code is also published in reprint by The Lawbook Exchange, Ltd.)
Publication No. 5-556"--Page facing title page Contents: The stream -- Meditations on the book of Genesis at the threshold of the Sistine Chapel -- A hill in the land of Moriah.
This “knowledgeable account” of the emperor who brought Christianity to Rome “provides valuable insight into Constantine’s era” (Kirkus Reviews). “By this sign conquer.” So began the reign of Constantine. In 312 A.D. a cross appeared in the sky above his army as he marched on Rome. In answer, Constantine bade his soldiers to inscribe the cross on their shield, and so fortified, they drove their rivals into the Tiber and claimed Rome for themselves. Constantine led Christianity and its adherents out of the shadow of persecution. He united the western and eastern halves of the Roman Empire, raising a new city center in the east. When barbarian hordes consumed Rome itself, Constantinople remained as a beacon of Roman Christianity. Constantine is a fascinating survey of the life and enduring legacy of perhaps the greatest and most unjustly ignored of the Roman emperors—written by a richly gifted historian. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance. “Successfully combines historical documents, examples of Roman art, sculpture, and coinage with the lessons of geopolitics to produce a complex biography of the Emperor Constantine.” —Publishers Weekly
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
An enlightening look at the importance of war gods and their myths to the ancient Romans. This book redresses the relative lack of work published on the role of war in classical myth and legend. At the same time it debunks the popular view that the Romans had little mythology of their own and idly borrowed and adapted Greek myth to suit their own ends. While this is true to some extent, War in Roman Myth and Legend clearly demonstrates a rich and meaningful independent mythology at work in Roman culture. The book opens by addressing how the Romans did adopt and adapt Greek myths to fashion the beginnings of Roman history; it goes on to discuss the Roman gods of war and the ubiquity of war in Roman society and politics and how this was reflected in the Aeneas Foundation Myth, the Romulus and Remus Foundation Myth, and the legends associated with the founding of Rome. Also discussed are warlike women in Roman epic; Trojan heroes; and the use of mythology by Roman poets other than Virgil. The Theban Legion and the vision of Constantine myths conclude the journey.
Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and Roman portraits in stone and bronze is published in its entirety for the first time in this volume. Paul Zanker, a leading authority on Roman sculpture today, has brought his exceptional knowledge to the study of these portraits; in presenting them, he brings the ancient world to life for contemporary audiences. Each work is lavishly illustrated, meticulously described, and placed in its historical and cultural context. The lives and achievement of significant figures are discussed in the framework of the political, social, and practical circumstances that influenced their portrait's forms and styles—from the unvarnished realism of the late Republican period to the idealizing and progressively abstract tendencies that followed. Analyses of marble portraits recarved into new likenesses after their original subjects were forgotten or officially repudiated provide especially compelling insights. Observations on fashions in hairstyling, which typically originated with the Imperial family and spread as fast as the rulers' latest portraits could be distributed, not only edify and amuse but also link the Romans' motives and appetite for imitation to our own. More than a collection catalogue, Roman Portraits is a thorough and multifaceted survey of ancient portraiture. Charting the evolution of this art from its origins in ancient Greece, it renews our appreciation of an connection to these imposing, timeless works.
Rome was a recurring theme throughout Shakespeare's career, from the celebrated Julius Caesar, to the more obscure Cymbeline. In this book, Paul Innes assesses themes of politics and national identity in these plays through the common theme of Rome. He especially examines Shakespeare's interpretation of Rome and how he presented it to his contemporary audiences. Shakespeare's depiction of Rome changed over his lifetime, and this is discussed in conjunction with the emergence of discourses on the British Empire. Each chapter focuses on a play, which is thoroughly analysed, with regard to both performance and critical reception. Shakespeare's plays are related to the theatrical culture of their time and are considered in light of how they might have been performed to his contemporaries. Innes engages strongly with both the plays the most current scholarship in the field.
This is the sixth volume in the Museum’s series of Occasional Papers on Antiquities. Important Roman funerary monuments in the J. Paul Getty Museum’s collection are examined, and much new scholarly research is included. Contributors include Guntram Koch, Henning Wrede, Anne F. Eberle, Susan Walker, and Helga Herdejürgen, Ioanna Spiliopoulou-Donderer, and Klaus Parlasca.
Considering that York was always an important Roman city there are few books available that are devoted specifically to the Roman occupation, even though it lasted for over 300 years and played a significant role in the politics and military activity of Roman Britain and the Roman Empire throughout that period. The few books that there are tend to describe the Roman era and its events in date by date order with little attention paid either to why things happened as they did or to the consequences of these actions and developments. This book is different in that it gives context to what happened here in the light of developments in Roman Britain generally and in the wider Roman Empire; the author digs below the surface and gets behind the scenes to shed light on the political, social and military history of Roman York (Eboracum), explaining, for example, why Julius Caesar invaded, what indeed was really behind the Claudian invasion, why was York developed as a military fortress, why as one of Roman Britain’s capitals? Why did the emperors Hadrian and Severus visit the fortress? You will also discover how and why Constantine accepted and projected Christianity from here, York’s role in the endless coups and revolts besetting the province, the headless gladiators and wonderful mosaics discovered here and why the Romans finally left York and Roman Britain to its own defence. These intriguing historical events are brought to life by reference to the latest local archaeological and epigraphical evidence, to current research and to evolving theories relating to the city’s Roman treasures, of which can be seen in the Yorkshire Museum in York, or in situ.
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