This biographical history follows the iconoclastic career of John R. Friedeberg Seeley, pre-eminent “Pop Sociologist” and Mental Health Activist of the 1950s. Seeley’s "strange journey" began as a British Home Child, estranged from his cosmopolitan German-Jewish family. Seeley progressed through the ranks of the Canadian Army Medical Corps, and the University of Chicago, to achieve prominence as the author of Crestwood Heights, a defining work of postwar social science. He led an ambitious mental health project in Canadian schools, and was a founding father of York University. However, Seeley’s struggle with mental illness and Jewish identity brought him into conflict with the Canadian establishment. His career ended in academic exile, but his dream of a mental health revolution still resonates.
This biographical history follows the iconoclastic career of John R. Friedeberg Seeley, pre-eminent “Pop Sociologist” and Mental Health Activist of the 1950s. Seeley’s "strange journey" began as a British Home Child, estranged from his cosmopolitan German-Jewish family. Seeley progressed through the ranks of the Canadian Army Medical Corps, and the University of Chicago, to achieve prominence as the author of Crestwood Heights, a defining work of postwar social science. He led an ambitious mental health project in Canadian schools, and was a founding father of York University. However, Seeley’s struggle with mental illness and Jewish identity brought him into conflict with the Canadian establishment. His career ended in academic exile, but his dream of a mental health revolution still resonates.
Roberts and Zuckerman's Criminal Evidence is the eagerly-anticipated third of edition of the market-leading text on criminal evidence, fully revised to take account of developments in legislation, case-law, policy debates, and academic commentary during the decade since the previous edition was published.With an explicit focus on the rules and principles of criminal trial procedure, Roberts and Zuckerman's Criminal Evidence develops a coherent account of evidence law which is doctrinally detailed, securely grounded in a normative theoretical framework, and sensitive to the institutional and socio-legal factors shaping criminal litigation in practice. The book is designed to be accessible to the beginner, informative to the criminal court judge or legal practitioner, and thought-provoking to the advanced student and scholar: a textbook and monograph rolled into one.The book also provides an ideal disciplinary map and work of reference to introduce non-lawyers (including forensic scientists and other expert witnesses) to the foundational assumptions and technical intricacies of criminal trial procedure in England and Wales, and will be an invaluable resource for courts, lawyers and scholars in other jurisdictions seeking comparative insight and understanding of evidentiary regulation in the common law tradition.
Paul Dale Roberts, HPI's Esoteric Detective takes you on another journey of paranormal investigations. His elite team seeks out the mysteries of the universe to seek out the truth. In the flavor of Kolchak, the Night Stalker it's paranormal investigation and journalism at its peak!
Roberts investigates the modern food system and presents a startling truth--how manufacturers make, market, and transport food is no longer compatible with the billions of consumers the system was built to serve.
Clear writing and analysis of the broad spectrum of processes that produce shale are coupled with well-captioned 150 illustrations, 40 tables, boxed technical details, glossary and appendices. Recounts the step-by-step evolution and stages of shal, enabling readers to master the basics and to dig yet deeper into their origin, practical implications and relationship to earth history. Background information appears in appendices (Clay Mineralogy, Isotopes, Petrology, etc.); technicial details in high-lighted boxes, and definitions of 300+ terms in the Glossary.
Paul Dale Roberts & Shannon McCabe of H.P.I. International, are at it again in their newest addition to H.P.I. Chronicles. Volume II gives us more Ghost Stories and UFO investigation. Join Paul Dale Roberts and the H.P.I. crew as they delve into the world of the paranormal with true interviews, investigations, and UFO hunts. BEWARE: These aren't the stories you hear around the campfire; because these are true!! www.HPIparanormal.net
This text provides a lucid and accessible introduction to the poetry of Ted Hughes, a major figure in twentieth- century poetry whose work is concerned with the forces of nature and their interaction with the human mind. It is also the first full length study to place Hughes's poetry in the context of significant developments in literary theory that have occured during his life, drawing in particular on the 'French theorists'- Jacques Lacan, Julia Kristeva, and Roland Barthes. The study sheds new light on Hughes's prosody, and on such matters as Hughes's relation to the 'Movement' poets, the influence of Sylvia Plath, his relation to Romanticism, his interest in myth and shamanism, and the implications of the Laureateship for his work. The poems are presented in chronological order, tracing the development of Hughes's highly distinctive style. The study also discusses Hughes's recently published non-fiction- Winter Pollen (1994) and Shakespeare and the Goddess of Complete Being (1992). The Poetry of Ted Hughes is indispensable for all students and academics interested in contemporary poetry and culture.
From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.
With Saint Johnas North End, we continue our journey into the past of this lively and beloved city. This new pictorial history combines a wealth of over two hundred photographs taken between 1864 and 1975 with insightful commentary. The images cover all areas of the original City of Portland, from Indiantown to Mount Pleasant Avenue, and from Paradise Row to the Reversible Falls. Some of the scenes included were captured before the Indiantown Fire of 1899aall are rare and depict a heartfelt appreciation for the North End. Each page turn invites readers to experience a taste of nostalgia. We go to work at the Snowflake Lime Kiln, visit the Community Market, take in a movie at the Regent Theater, or go to Splanes to buy a fishing reel. Readers get reacquainted with some familiar faces like Oakie OaConnor or Carl White. Family and children are not forgotten, as we look at Joe Loganas new tricycle, or watch as every kid on Wellsley Avenue goes bike riding. Come venture into Rockwood Park to see the bear cage, or go swimming at Lily Lake. Watch Sollyas hockey team battle against the Atlantic All Stars at the Forum, or relive the excitement of a ball game at St. Peters Park.
Based on Adrian Zuckerman's 'The Principles of Criminal Evidence', this book presents a comprehensive treatment of the fundamental principles & underlying logic of the law of criminal evidence. It includes changes relating to presumption of innocence, privilege against self-incrimination, character, & the law of corroboration.
In The Ethics of The Tripartite Tractate (NHC I, 5), Paul Linjamaa explores the theoretical foundations and practical implications of the ethics in the longest Valentinian text extant today. As such, it is one of the first serious explorations of early Christian determinism.
A superbly clear, direct, and detailed explanation of the rule that underpin the law of evidence. The Modern Law of Evidence is well-established as a lucid, engaging, authoritative and comprehensive exploration of the law of evidence. The emphasis is on critical focused analysis, setting the rules in context and drawing upon both modern practice and a wealth of relevant legal and non-legal research. An ideal text for undergraduate and postgraduate students, including students undertaking the bar course or solicitors' training courses. The Modern Law of Evidence is also an authoritative resource for legal practitioners and judges, including appellate judges in England and Wales and across the Commonwealth. Book jacket.
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
The popularity of high-intensity interval training (HIIT), which consists primarily of repeated bursts of high-intensity exercise, continues to soar because its effectiveness and efficiency have been proven in use by both elite athletes and general fitness enthusiasts. Surprisingly, few resources have attempted to explain both the science behind the HIIT movement and its sport-specific application to athlete training. That’s why Science and Application of High-Intensity Interval Training is a must-have resource for sport coaches, strength and conditioning professionals, personal trainers, and exercise physiologists, as well as for researchers and sport scientists who study high-intensity interval training.
Offering an accessible and thorough introduction to economics, this text offers real-world examples to bring theory to life. Students and lecturers will benefit from the vast array of supplements, including a companion website with extra material and resources
A new study of the heraldry, genealogy and history of the Canterbury Cathedral cloister, this book is the first comprehensive study of this monument ever undertaken. It provides a detailed chronology and details on the 856 heraldic shields, badges and devices, representing some 365 families, principalities, religious foundations and individuals.
This book highlights the experiences of castrato singers in Britain during the long eighteenth-century. These singers stood apart from traditional cultural and sexual norms of the period by nature of their altered bodies. The work investigates the fears surrounding the possibility of Catholic influence in the nation, and the ability of sensual Italian operatic music to feminize the male population and weaken the country’s leaders. The castrato as a possible romantic rival to “normal” men is also discussed, while the contributions of the castrati to cultural leadership in the areas of teaching, concert direction and social influence are examined. This book will appeal to music historians and those interested in cultural and gender studies.
Paul Krugman is one of the leading economic thinkers of our time. The examples he uses in this book include international experiences, so will appeal to a European audience and give students a more realistic view of how economics works in the real world.
The result of 15 years of exhaustive research, this work is the definitive statistical and factual reference for everything related to college football in the past 50 years.
This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.
The modern law of defamation is frequently criticised for being outdated,obscure and even incomprehensible. The Making of the Modern Law of Defamation explains how and why the law has come to be as it is by offering an historical analysis of its development from the seventeenth century to the present day. Whilst the primary focus of the book is the law of England, it also makes extensive use of comparative common law materials from jurisdictions such as Australia, South Africa, the United States and Scotland. This book will be essential reading for anyone interested in the law of defamation, in media law and in the relationship between free speech and the law.
This book is the first English-language study of motorsport and Italian Fascism, arguing that a synergy existed between motor racing and Fascism that did not exist with other sports. Motorsport was able to bring together the two dominant, and often opposed, cultural roots of Fascism, the Futurism of F. T. Marinetti, and the Decadence associated with Gabriele D’Annunzio. The book traces this cultural convergence through a topical study of motorsport in the 1920s and 1930s placing it in the context of the history of sport under Mussolini’s regime. Chapters discuss the centrality of speed and death in Fascist culture, the attempt to transform Rome into a motorsport capital, the architectural and ideological function of the Monza and Tripoli and autodromes, and two chapters on the importance of the Mille Miglia, a genuine Fascist artefact that became one of the most legendary motor races of all time.
The Historical Dictionary of Romanticism in Literature provides a large overview of the Romantic Movement that seemed at the time to have swept across Europe from Russia to Germany and France, to Britain, and across the Atlantic to the United States. The Romantics saw themselves as inaugurating a new era. They frequently referred to themselves or their contemporaries as Romantics and their art as Romantic. From the early stirrings in Germany, to the last decade of the eighteenth century in England with the political radicals and the Lake Poets, to the Transcendental Club in Massachusetts, the leaders of the age acknowledged their new Romantic attitudes. This volume takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays, and other works they produced; the leading trends, techniques, journals, and literary circles and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature.
Part I. The balance of order and disorder -- 1. Ambitious bandits: disorder equals progress -- 2. The aura of the king -- 3. The spoils of independence -- 4. Bent on being modern -- 5. Bandits into police, and vice versa -- Part II. Toward the Western model -- 6. Order, disorder, and development -- 7. The limits to dictatorship -- 8. A kind of peace -- Part III. A political police performance -- 9. Constabulary of campesinos and artisans -- 10. The president's police -- 11. It's the image that counts -- Part IV. Demons of revolution unleashed -- 12. The rollercoaster called capitalism-- 13. Unraveling the old regime -- 14. Disorder in search of order.
The collective significance of the themes that are explored in Slavery in the Global Diaspora of Africa bridge the Atlantic and thereby provide insights into historical debates that address the ways in which parts of Africa fitted into the modern world that emerged in the Atlantic basin. The study explores the conceptual problems of studying slavery in Africa and the broader Atlantic world from a perspective that focuses on Africa and the historical context that accounts for this influence. Paul Lovejoy focuses on the parameters of the enforced migration of enslaved Africans, including the impact on civilian populations in Africa, constraints on migration, and the importance of women and children in the movement of people who were enslaved. The prevalence of slavery in Africa and the transformations of social and political formations of societies and political structures during the era of trans-Atlantic migration inform the book’s research. The analysis places Africa, specifically western Africa, at the center of historical change, not on the frontier or periphery of western Europe or the Americas, and provides a global perspective that reconsiders historical reconstruction of the Atlantic world that challenges the distortions of Eurocentrism and national histories. Slavery in the Global Diaspora of Africa will be of interest to scholars and students of colonial history, African history, Diaspora Studies, the Black Atlantic and the history of slavery.
This study proposes to examine the tension in Nietzsche’s works between two competing discourses, i.e., the discourse of theology and the discourse of philology. It argues that, in order to understand Nietzsche’s complicated standpoint and the aim of his Kulturkritik, we have to appreciate how he operates with two different discourses, one indexed to belief, faith, liturgy (i.e., the discourse of theology) and another indexed to analytical reason, sceptical investigation, and logical argumentation, as well as historical context and linguistic precision (i.e., the discourse of philology). Its core thesis is that, in the end, Nietzsche can no longer believe, because he thinks he has uncovered a fraudulent production of meaning in the texts, in a way that is comparable with his insight into the production of morality in On the Genealogy of Morals (1887).
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.