Winner of two 2019 Catholic Press Association Awards: Memoir (First Place) and Cover Design (Second Place). Monastic life and its counter-cultural wisdom come alive in the stories and lessons of Br. Paul Quenon, O.C.S.O., during his more than five decades as a Trappist at the Abbey of Gethsemani. He served as a novice under Thomas Merton and he also welcomed some of the monastery's more well-known visitors, including Sr. Helen Prejean and Seamus Heaney, to Merton's hermitage. In Praise of the Useless Life includes Quenon's quiet reflections on what it means to live each day with careful attentiveness. The humble peace and simplicity of the monastery and of Quenon's daily life are beautifully portrayed in this memoir. Whether it be through the daily routine of the monastery, his love of the outdoors no matter the season, or his lively and interesting conversations with visitors (reciting Emily Dickinson with Pico Iyer, discussing Merton and poetry with Czeslaw Milosz), Quenon's gentle musings display his love for the beauty in his vocation and the people he’s encountered along the way. Inspired by his novice master Merton, the poet and photographer’s stories remind us that the beauty of life can best be seen in the "uselessness" of daily life—having a quiet chat with a friend, spending time in contemplation—in our vocations, and in the memories we make along the way.
The spiritual seeker's guide to living with authenticity and integrity in troubled times. This book is a dialogue between two spiritual seekers--one a Trappist monk and the other a married professional woman. It is two people "stuttering to articulate life's universal questions from diverse contexts and perspectives." Brother Paul writes as one steeped in silence and the daily rhythms of the ancient prayer practices of monasticism. Judith Valente writes as a professional woman attempting to bring a sense of prayer and contemplation to a scattered life in the secular world. Valente uses the story of Brother Paul's interview for a PBS documentary as a jumping-off point: When asked the purpose of the Trappist life in the modern world, he said that it is "to show you don't need a purpose." The purpose of life, he said, is life. "You're to live your life." How to Be offers a window into two people living their lives on purpose (or not) and struggling to come to terms with the big issues everyone faces: faith, mortality, mystery, prayer, work. It is a book that provides insight and inspiration for those walking the spiritual path--particularly for those interested in the contemplative path.
Br. Paul Quenon, OSCO, has assembled a collection of his poems seasoned through five decades of living a monastic life. These are litanies of life, work, patience, love and prayer. “These poems pinpoint the tensions inherent in a spiritual life. The self must be present and yet the self must be willing to be negated. One seeks knowledge but also freedom from knowledge. One must be at home with what is said through silence. These are some of the mysteries of faith and the words of these poems invite me into them. By reading, we partake of these words and much more. It is a joy to have this book.” -Maurice Manning, author of The Common Man, finalist for the Pulitzer Prize in poetry, and The Gone and the Going Away “The poems of Unquiet Vigil rise out of a more intense experience of reality, evoke aspects of that reality not universally acknowledged, and re-express them in exquisite and economical language.” -Michael Casey, OCSO, author of Stranger to the City Born in West Virginia, Br. Paul Quenon, OCSO, entered the Trappists in 1958 at the Abbey of Gethsemani in Kentucky, where Thomas Merton was his Novice Master. He has been publishing poems and photographs for the last twenty years.
A contemplative monk’s musings on living a “useless life.” “Brother Paul bears witness of being keenly aware that every aspect of his monastic vocation has been carefully crafted to nurture and protect the contemplative way of life in which one is called to seek and to find and give oneself to God who is wholly poured out and given to us in the gift of life itself.” —James Finley, author of The Healing Path In the spirit of Thomas Merton’s The Sign of Jonas come five decades of life at the Abbey of Gethsemani in Kentucky from the private journals of one of Merton’s former novices, Brother Paul Quenon. Readers are introduced to multiple aspects—the inwards and outwards—of a monk’s life. Reflections, meditations, insights, and wanderings are mingled with outward experiences in nature, community, and sketches of monks—saintly, comical, or strange—poetic moments. Remarks are made on world events, seen from a local and momentary perspective, such as the war in Iraq, or the end of the war in Vietnam. Private discoveries of animal behavior, and magical locations for prayer are experienced with wonder. No daily chronology is followed, but entries are arranged from the 1970s to the 2000s according to the decade they occurred in, including the visit of the Dalai Lama and other occasions when this contemplative’s life has intersected with spiritual teachers outside the monastery. Overall, a multi-colored, diverse, and surprising display of what it is like to live “an enclosed life.”
Inspired by the work of Emily Dickinson, American monk Brother Paul Quenon composed his latest poetry collection, Afternoons with Emily. The pieces are often contemplative and speak to the joys of the outdoors as well as monastic life, but also often overflow with humour and a whimsical sensibility.
Bells of the Hours speaks with authentic art out of a well-seasoned experience of the daily monastic life. It bears the authority of more than 50 years of practice, prayer, and reading from a disciplined and ascetic life in a Trappist monastery. Silence, listening, and reflection fill these words, which surprise and refresh the mind interested in ground-level views of a monastery and the distinctive round of work, song, and joy that takes place there.
After 60 years at Gethsemani Abbey, Br. Paul follows up his recent memoir, In Praise of the Useless Life, with a poetic collection that shows how to do just that – by writing poetry. Amounting to Nothing is both practical and metaphysical, a puzzling over the ultimate things of life, and a descending on the Benedictine ladder of humility to the earthly creatures surrounding a Kentucky monastery. This is less an exploration in self-knowledge than a forgetting of self in the wonders of everything. Quenon treads bare footed on the margins of mortality and immortality, with wit, thought, and hope.
The poems and reflections in The Art of Pausing: Meditations for the Overworked and Overwhelmed are the work of three writers who inhabit very different worlds. But for each, the reading and writing of haiku is an essential spiritual practice. Bother Paul Quenon is a Trappist monk of the Abbey of Gethsemane who studied under the great spiritual writer, Thomas Merton. Brother Paul writes from the confines of a cloister and with the boundlessness of one who has spent a lifetime contemplating what really matters. He is the author of four books of poetry and a talented photographer. His images accompany many of the poems and reflections in this book. Michael Bever is a retired educator, a doctor of theology and an ordained Disciples of Christ minister who was drawn later in life to Catholic traditions. He combines Zen and Sufi practices with his Christian heritage. Judy Valente is a broadcast journalist who covers religion news for PBS-TV and the author of two poetry collections and a book on contemporary monastic life. As a retreat leader, she helps busy professionals slow down, find more balance, and tap into the transcendence of the everyday. The Art of Pausing is built upon haiku by one of the three authors, all Christians, inspired by the ninety-nine names of God found in the Koran. Each haiku is accompanied by a reflections by the same author or an abstract photo of nature by Brother Paul. This book is for anyone who loves beauty, has a penchant for reflection, yet feels overworked and overwhelmed.
The spiritual seeker's guide to living with authenticity and integrity in troubled times. This book is a dialogue between two spiritual seekers--one a Trappist monk and the other a married professional woman. It is two people "stuttering to articulate life's universal questions from diverse contexts and perspectives." Brother Paul writes as one steeped in silence and the daily rhythms of the ancient prayer practices of monasticism. Judith Valente writes as a professional woman attempting to bring a sense of prayer and contemplation to a scattered life in the secular world. Valente uses the story of Brother Paul's interview for a PBS documentary as a jumping-off point: When asked the purpose of the Trappist life in the modern world, he said that it is "to show you don't need a purpose." The purpose of life, he said, is life. "You're to live your life." How to Be offers a window into two people living their lives on purpose (or not) and struggling to come to terms with the big issues everyone faces: faith, mortality, mystery, prayer, work. It is a book that provides insight and inspiration for those walking the spiritual path--particularly for those interested in the contemplative path.
A contemplative monk’s musings on living a “useless life.” “Brother Paul bears witness of being keenly aware that every aspect of his monastic vocation has been carefully crafted to nurture and protect the contemplative way of life in which one is called to seek and to find and give oneself to God who is wholly poured out and given to us in the gift of life itself.” —James Finley, author of The Healing Path In the spirit of Thomas Merton’s The Sign of Jonas come five decades of life at the Abbey of Gethsemani in Kentucky from the private journals of one of Merton’s former novices, Brother Paul Quenon. Readers are introduced to multiple aspects—the inwards and outwards—of a monk’s life. Reflections, meditations, insights, and wanderings are mingled with outward experiences in nature, community, and sketches of monks—saintly, comical, or strange—poetic moments. Remarks are made on world events, seen from a local and momentary perspective, such as the war in Iraq, or the end of the war in Vietnam. Private discoveries of animal behavior, and magical locations for prayer are experienced with wonder. No daily chronology is followed, but entries are arranged from the 1970s to the 2000s according to the decade they occurred in, including the visit of the Dalai Lama and other occasions when this contemplative’s life has intersected with spiritual teachers outside the monastery. Overall, a multi-colored, diverse, and surprising display of what it is like to live “an enclosed life.”
Winner of two 2019 Catholic Press Association Awards: Memoir (First Place) and Cover Design (Second Place). Monastic life and its counter-cultural wisdom come alive in the stories and lessons of Br. Paul Quenon, O.C.S.O., during his more than five decades as a Trappist at the Abbey of Gethsemani. He served as a novice under Thomas Merton and he also welcomed some of the monastery's more well-known visitors, including Sr. Helen Prejean and Seamus Heaney, to Merton's hermitage. In Praise of the Useless Life includes Quenon's quiet reflections on what it means to live each day with careful attentiveness. The humble peace and simplicity of the monastery and of Quenon's daily life are beautifully portrayed in this memoir. Whether it be through the daily routine of the monastery, his love of the outdoors no matter the season, or his lively and interesting conversations with visitors (reciting Emily Dickinson with Pico Iyer, discussing Merton and poetry with Czeslaw Milosz), Quenon's gentle musings display his love for the beauty in his vocation and the people he’s encountered along the way. Inspired by his novice master Merton, the poet and photographer’s stories remind us that the beauty of life can best be seen in the "uselessness" of daily life—having a quiet chat with a friend, spending time in contemplation—in our vocations, and in the memories we make along the way.
Br. Paul Quenon, OSCO, has assembled a collection of his poems seasoned through five decades of living a monastic life. These are litanies of life, work, patience, love and prayer. “These poems pinpoint the tensions inherent in a spiritual life. The self must be present and yet the self must be willing to be negated. One seeks knowledge but also freedom from knowledge. One must be at home with what is said through silence. These are some of the mysteries of faith and the words of these poems invite me into them. By reading, we partake of these words and much more. It is a joy to have this book.” -Maurice Manning, author of The Common Man, finalist for the Pulitzer Prize in poetry, and The Gone and the Going Away “The poems of Unquiet Vigil rise out of a more intense experience of reality, evoke aspects of that reality not universally acknowledged, and re-express them in exquisite and economical language.” -Michael Casey, OCSO, author of Stranger to the City Born in West Virginia, Br. Paul Quenon, OCSO, entered the Trappists in 1958 at the Abbey of Gethsemani in Kentucky, where Thomas Merton was his Novice Master. He has been publishing poems and photographs for the last twenty years.
This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.
French is a syntactically interesting language, with aspects of its word order and clause structure triggering a variety of important developments in syntactic theory. This is a concise and accessible guide to the syntax of Modern French, providing a clear overview of those aspects of the language that are of particular interest to linguists. A broad variety of topics are covered, including the development and spread of French; the evolution of its syntax; syntactic variation; lexical categories; noun, verb and adjective phrases; clause structure; movement; and agreement. Drawing on the work of a wide range of scholars, it highlights the important role of French in the development of syntactic theory and shows how French challenges some fundamental assumptions about syntactic structure. An engaging and in-depth guide to all that is interesting about French, The Syntax of French will be invaluable to students and scholars of syntactic theory and comparative linguistics.
How can beliefs, which are immaterial, be about things? How can the body be the seat of thought? This book traces the historical roots of the cognitive sciences and examines pre-modern conceptualizations of the mind as presented and discussed in the tradition of commentaries on Aristotle's De anima from 1200 until 1650. It explores medieval and Renaissance views on questions which nowadays would be classified under the philosophy of mind, that is, questions regarding the identity and nature of the mind and its cognitive relation to the material world. In exploring the development of scholastic ideas, concepts, arguments, and theories in the tradition of commentaries on De anima, and their relation to modern philosophy, this book dissolves the traditional periodization into Middle Ages, Renaissance and early modern times. By placing key issues in their philosophico-historical context, not only is due attention paid to Aristotle's own views, but also to those of hitherto little-studied medieval and Renaissance commentators.
This book provides a comprehensive introduction to the French language from the perspective of modern linguistics. Placing French within its social and historical context, the authors highlight the complex, diverse aspects of the language in a lively and accessible way. A variety of topics is covered, including the distribution of French in the world, the historical development of standard French, the sound system of French, its sentence patterns, and its stylistic and geographical variations. Fully updated and revised, this new edition places a greater emphasis on sociolinguistics. To make the book more user-friendly, the following new features have been added: * a further reading guide at the end of each chapter * a glossary of linguistic terms * an expanded bibliography and index.
At first glance, Shakespeare’s early comedy Love’s Labor’s Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King of Navarre soon learns, however, that the Princess of France and her ladies are about to arrive. Although he lodges them outside of his court, all four men fall in love with the ladies, abandoning their oaths and setting out to win their hands. The laughter triggered by this story is augmented by subplots involving a braggart soldier, a clever page, illiterate servants, a parson, a schoolmaster, and a constable so dull that he is named Dull. Letters and poems are misdelivered, confessions are overheard, entertainments are presented, and language is played with, and misused, by the ignorant and learned alike. At a deeper level, Love’s Labor’s Lost also teases the mind. The men begin with the premise that women either are seductresses or goddesses. The play soon makes it clear, however, that the reality of male-female relations is different. That women are not identical to men’s images of them is a common theme in Shakespeare’s plays. In Love’s Labor’s Lost it receives one of its most pressing examinations. The authoritative edition of Love’s Labor’s Lost from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by William C. Carroll The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil. Yet, at the same time, the peasantry was not viewed as “other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined “monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation. This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands. Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alien—who were, after all, Christians—could be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.
The greatest cultural mystery in the Western World is, "Who wrote the plays and sonnets published under the pen name of William Shakespeare?" For reasons of monarchial succession, greed and power, Robert Cecil, Queen Elizabeth's chief counselor, forced Edward de Vere, 17th Earl of Oxford, to use a pseudonym for his great works. De Vere chose the pen name William Shakespeare. Because of his similar name, Cecil selected Will Shakspere of Stratford-on-Avon as the fraudulent front man. Poor choice: Shakspere was uneducated, never owned a book, never traveled abroad, knew no foreign languages and could not read or write. Because of the tenacious grip of Conventional Wisdom, professors of English still believe Cecil's hoax 400 years later, clinging futilely to their Stratford Man despite abundant evidence against their illogical theory. Soul of the Age contains 28 high-quality articles by a remarkable new generation of authorship experts who clearly establish de Vere as Shakespeare and annihilate the illiterate Will Shakspere's candidacy. Hugh Trevor-Roper, Professor of History, Oxford University, 1962: "Armies of scholars, formidably equipped, have examined all the documents which could possibly contain at least a mention of his (Shakespeare's) name. One hundredth part of this labour applied to one of his insignificant contemporaries would be sufficient to produce a substantial biography. And yet the greatest of all Englishmen, after this tremendous inquisition, still remains so close a mystery that even his identity can still be doubted . . . "During his lifetime nobody claimed to know him. Not a single tribute was paid to him at his death. As far as the records go, he was uneducated, had no literary friends, possessed at his death no books, and could not write. It is true, six of his signatures have been found, all spelt differently; but they are so ill-formed that some graphologists suppose the hand to have been guided. Except for these signatures, no syllable of writing by Shakespeare [Shakspere] has been identified . . . Such is the best the historians can do. Clearly it is not enough. It may be the shell: it is not the man.
An up-to-date overview of acute and chronic pancreatitis. The two authors with special interests in this field deal with the aetiology, pathophysiology, and clinical features of these diseases, as well as complications, treatment strategies, and prognostic factors. Two chapters on congenital abnormalities and hereditary pancreatic diseases round off this book. Intelligently-structured for everyday practice, this can also be used as an actual reference book. For gastroenterologists in clinic and practice.
Thomas Merton: God’s Messenger on the Road towards a New World highlights the contribution of the best-selling North American writer between the Second World War and 1968. The Cistercian monk called people to act justly, love kindness, and walk humbly. By his critique of technology, a major impediment for people to follow Jesus; by his writing on contemplative prayer; by his interfaith outreach; and through his witness against racism, war, and degradation of nature, Merton still matters. This book uses Micah 6:8 to organize Merton’s focus on justice, lovingkindness, and humility, as well as his dialogue with Rachel Carson, Ernesto Cardinal, Gandhi, Martin Luther King, Jr., Thich Nhat Hahn, and others.
More than anyone, Dartoid has found a way to capture the spirit of the ever-evolving sport of darts – from its roots amidst the smoke and camaraderie of the pub to the spotlight of the professional stage where darts is a business and the very best can earn hundreds of thousands of dollars a year. 2008 – The Year in Darts is a good read, a solid history, and certain to bring many smiles along the way. Howie Reed
Thomas Merton was arguably the twentieth century's most widely published and widely read spiritual writer. This book explores Merton's prophetic writings and experience as they offer guidance for those seeking to experience God, to simplify their lives, to live more humanly, and to shape Christian community in the face of alienation, consumerism, noise, and technology. The book includes parts of three previously unpublished conference contributions by Merton on technology. Exploring Merton's thoughts on monastic renewal, prayer, radical simplicity, ecology, technology, war, peace and interfaith dialogue, Dekar reminds us why Merton was so influential and why he continues to be so.
The definitive work on the language of baseball—one of the “Five Best Baseball Books” (Wall Street Journal). Hailed as “a staggering piece of scholarship” (Wall Street Journal) and “an indispensable guide to the language of baseball” (San Diego Union-Tribune), The Dickson Baseball Dictionary has become an invaluable resource for those who love the game. Drawing on dozens of nineteenth- and early twentieth-century periodicals, as well as contemporary sources, Dickson’s brilliant, illuminating definitions trace the earliest appearances of terms both well known and obscure. This edition includes more than 10,000 terms with 18,000 individual entries, and more than 250 photos. This “impressively comprehensive” (The Nation) book will delight everyone from the youngest fan to the hard-core aficionado.
‘Merton still matters’, writes Paul R. Dekar about Cistercian monk Thomas Merton. Calling people to act justly, love kindness and walk humbly, Merton used his contemplative practice to see beyond what disrupts and divides us from one another to find the truth of our common humanity - unity in our creation in the image of God. In Thomas Merton and the New World, Dekar focuses primarily on two issues of concern to our current world. First, he studies Merton’s warnings of the abuse that stems from unmindful and irresponsible use of technology, and its ecological devastation. Second, he examines Merton’s thinking on racial injustice in the mid-1960s through his correspondence with his allies and contemporaries - James Baldwin, for example. Using Micah 6:8 to arrange Merton’s focus on justice, lovingkindness, and humility, with input from Merton’s dialogue with Gandhi, Martin Luther King, Rachel Carson and others, Dekar demonstrates just how prophetic and transferable Merton’s teachings remain.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.