In this book, Paul Jacobs traces the history of a neighborhood situated in the heart of Rome over twenty-five centuries. Here, he considers how topography and location influenced its long urban development. During antiquity, the forty-plus acre, flood-prone site on the Tiber's edge was transformed from a meadow near a crossroads into the imperial Circus Flaminius, with its temples, colonnades, and a massive theater. Later, it evolved into a bustling medieval and early modern residential and commercial district known as the Sant'Angelo rione. Subsequently, the neighborhood enclosed Rome's Ghetto. Today, it features an archaeological park and tourist venues, and it is still the heart of Rome's Jewish community. Jacobs' study explores the impact of physical alterations on the memory of lost topographical features. He also posits how earlier development may be imprinted upon the landscape, or preserved to influence future changes.
From award-winning artist and author Paul Madonna comes an electrifying mystery novel full of unexpected plot twists, lively characters, and over one hundred lush drawings. Presented in an innovative three-volume boxed set, Come to Light is a gripping page-turner that weaves an intoxicating tale of love, murder, books and art. Featured as a CrimeReads "Daily Thrill" "Almost any book is sure to please the bookish, but a book that can pique the interest of bibliophiles is as precious as a padparadscha sapphire. Here are some such gems. . . Artist and author Paul Madonna pens a mystery novel full of unexpected plot twists and lively characters accompanied by more than 100 strikingly rendered drawings that bring this novel to life. This tale of love, murder, books, and art is presented in a three-volume box set." --Publishers Weekly, Holiday Gift Guide (Illustrated Books) "Blown away by Paul Madonna's new book Come to Light. [Madonna] blends a mystery novel with his usual stunning artwork--highly recommended." --Mike Krieger, co-founder and former CTO of Instagram Come to Light is a fresh and original mystery with an unusual detective: Emit Hopper, a former rock star turned author and artist. Six years ago, Emit's wife, Julia, went missing. Now the remains of her two hiking companions have been found buried in the California wilderness. But the discovery raises more questions than answers, so with his love for classic detective books and rye whiskey, Emit sets out across Europe chasing down clues, sketchbook in hand. Quickly, Emit finds himself embroiled in a plot far larger than he could have imagined: he becomes a target of a State Department investigation, gets entangled in an international ring of art thefts, and discovers his own artwork stolen. He meets an exuberant French nobleman, a murderous five-year-old, and a bohemian Roman heiress. From the Venice Biennale to the flooding of Piazza Navona, you'll find yourself laughing, gasping, and drawing right alongside Emit as he travels through some of the most beautiful regions of Europe, unraveling a suspense-filled and surprisingly tangled mystery. Replete with strikingly rendered drawings that bring this exquisite and intriguing novel to life, Come to Light is the thrilling follow-up to the adventures of Emit Hopper, which debuted in Close Enough for the Angels.
In an age where the globalization process is threatening the uniqueness and vitality of small towns, and where most urban planning discourse is directed at topics such as metropol-regions or mega-regions and world cities, the authors here emphasize the need to critically reflect on the potential of small towns. They illustrate how small towns can meet the challenge of a fast-paced, globalized world, and based on case studies, movements, programs, and strategies, present the local cultures that effectively and sustainably promote traditions and identities. Small towns often play a critical role in regional economies. When small towns focus on their specific characteristics and exploit their opportunities, they can become stable niches within regional, national, and global economies, and thus contribute significantly to shaping their future. The second edition is expanded to cover the intensive development of small towns in China and Korea. In addition, the authors examine the impact of the economic crisis on small towns and the recent development of the Slow City movement.
MacKendrick writes so enthusiastically that all laymen who have a serious interest in scholarship and antiquity will delight in following his story." --New York Times Book Review
Recording your ideas and observations primarily in pictures instead of words can help you become more creative and constructive on the job, no matter what your level of artistic ability. This show-by-example sourcebook clearly illustrates proven methods and procedures for keeping a highly useful visual notebook. Visual Notes for Architects and Designers demonstrates how to make rapid, notational sketches that serve as visual records for future reference, as well as improve understanding and facilitate the development of ideas. It shows you how to expand your knowledge of a subject beyond what is gained through observation or verbal representation alone. You gain access to simple techniques for collecting, analyzing, and applying information. Crowe and Laseau examine the relationship between note-taking, visualization, and creativity. They give practical guidance on how to develop: Visual acuity—the ability to see more in what you experience Visual literacy—expressing yourself clearly and accurately with sketches Graphic analysis—using sketches to analyze observations Numerous examples demonstrate some of the many uses of visual notes. They help you develop a keener awareness of environments, solve design problems, and even get more out of lectures and presentations. The authors also discuss types of notebooks suitable for taking visual notes. If you want to develop your perceptual and creative skills to their utmost, you will want to follow the strategies outlined in Visual Notes for Architects and Designers. It is a valuable guide for architects, landscape architects, designers, and anyone interested in recording experience in sketch form.
The world of sports seems entwined with lawsuits. This is so, Paul Weiler explains, because of two characteristics intrinsic to all competitive sports. First, sporting contests lose their drama if the competition becomes too lopsided. Second, the winning athletes and teams usually take the "lion's share" of both fan attention and spending. So interest in second-rate teams and in second-rate leagues rapidly wanes, leaving one dominant league with monopoly power. The ideal of evenly balanced sporting contests is continually challenged by economic, social, and technological forces. Consequently, Weiler argues, the law is essential to level the playing field for players, owners, and ultimately fans and taxpayers. For example, he shows why players' use of performance-enhancing drugs, even legal ones, should be treated as a more serious offense than, say, use of cocaine. He also explains why proposals to break up dominant leagues and create new ones will not work, and thus why both union representation of players and legal protection for fans--and taxpayers--are necessary. Using well-known incidents--and supplying little-known facts--Weiler analyzes a wide array of moral and economic issues that arise in all competitive sports. He tells us, for example, how Commissioner Bud Selig should respond to Pete Rose's quest for admission to the Hall of Fame; what kind of settlement will allow baseball players and owners to avoid a replay of their past labor battles; and how our political leaders should address the recent wave of taxpayer-built stadiums.
In the 1930s, the Italian Fascist regime profoundly changed the landscape of Rome's historic centre, demolishing buildings and displacing thousands of Romans in order to display the ruins of the pre-Christian Roman Empire. This transformation is commonly interpreted as a failed attempt to harmonize urban planning with Fascism's ideological exaltation of the Roman Empire. Roads and Ruins argues that the chaotic Fascist cityscape, filled with traffic and crumbling ruins, was in fact a reflection of the landscape of the First World War. In the radical interwar transformation of Roman space, Paul Baxa finds the embodiment of the Fascist exaltation of speed and destruction, with both roads and ruins defining the cultural impulses at the heart of the movement. Drawing on a wide variety of sources, including war diaries, memoirs, paintings, films, and government archives, Roads and Ruins is a richly textured study that offers an original perspective on a well known story.
This book is the first English-language study of motorsport and Italian Fascism, arguing that a synergy existed between motor racing and Fascism that did not exist with other sports. Motorsport was able to bring together the two dominant, and often opposed, cultural roots of Fascism, the Futurism of F. T. Marinetti, and the Decadence associated with Gabriele D’Annunzio. The book traces this cultural convergence through a topical study of motorsport in the 1920s and 1930s placing it in the context of the history of sport under Mussolini’s regime. Chapters discuss the centrality of speed and death in Fascist culture, the attempt to transform Rome into a motorsport capital, the architectural and ideological function of the Monza and Tripoli and autodromes, and two chapters on the importance of the Mille Miglia, a genuine Fascist artefact that became one of the most legendary motor races of all time.
From a war-torn and poverty-stricken country, regional and predominantly agrarian, to the success story of recent years, Italy has witnessed the most profound transformation--economic, social and demographic--in its entire history. Yet the other recurrent theme of the period has been the overwhelming need for political reform--and the repeated failure to achieve it. Professor Ginsborg's authoritative work--the first to combine social and political perspectives--is concerned with both the tremendous achievements of contemporary Italy and "the continuities of its history that have not been easily set aside.
In this book, Paul Jacobs traces the history of a neighborhood situated in the heart of Rome over twenty-five centuries. Here, he considers how topography and location influenced its long urban development. During antiquity, the forty-plus acre, flood-prone site on the Tiber's edge was transformed from a meadow near a crossroads into the imperial Circus Flaminius, with its temples, colonnades, and a massive theater. Later, it evolved into a bustling medieval and early modern residential and commercial district known as the Sant'Angelo rione. Subsequently, the neighborhood enclosed Rome's Ghetto. Today, it features an archaeological park and tourist venues, and it is still the heart of Rome's Jewish community. Jacobs' study explores the impact of physical alterations on the memory of lost topographical features. He also posits how earlier development may be imprinted upon the landscape, or preserved to influence future changes.
Secret Carnival Workers is the first volume to bring together Paul Haines' poems, short fiction and music journalism - influenced by jazz, Dada and the Surrealists - in all its complex and creative breadth. Including uncollected fictions, epigrammatic poems and lyrics and writings on music composed between 1955 and 2002, this book finally places a major talent under the spotlight.
Praise for A Tuscan Trilogy The Cielo: A Novel of Wartime Tuscany. “A moving debut novel of a luscious country.” – Jacqueline Mitchard, best-selling author of The Deep End of the Ocean . Sparrow’s Revenge: A Novel of Postwar Tuscany. “I enthusiastically recommend Sparrow’s Revenge to anyone with the slightest interest in history, Italy or human nature – in short, to everyone.” – BookReview.com Dino’s Story: A Novel of 1960s Tuscany. “Salsini’s research once again is impeccable and serves well to anchor this young man’s story to an unforgettable place and time in Italian history.” – Fred Gardaphe, distinguished professor English and Italian American Studies at Queens College and associate editor of Fra Noi. The Temptation of Father Lorenzo: Ten Stories of 1970s Tuscany A decade after Dino’s Story, the beloved characters of the first three novels return in this engrossing collection, all set in Florence and the beautiful hills of Tuscany. Father Lorenzo, still exhausted from the flood, is tempted by a beautiful woman. Tomasso seeks his long-lost son. Father Sangretto retaliates when a rival priest produces a “miracle.” Donna and Ezio open their farmhouse to tourists and an eccentric author is their first visitor. The women of Sant’Antonio join to help the stricken Annabella. Anna leaves the convent. Dino makes up his mind between Sophia and Francesca. And more.
First published in 2017, Rome: The Shaping of Three Capitals explores the impact of political history on the built environment of the Eternal City. The book divides Rome’s history into three main periods: the rulership of the early kings from the 8th to the 6th centuries BC; the period of Etruscan culture and architecture up to the end of the Roman Empire in 5th century AD; and, the 6th century to 1870, when Rome stood as the ecclesiastical capital of the Catholic Church and the temporal state of the Papal States. The final section of the book examines the Risorgimento, the unification of Italy, and the development of the fascist state; a time when Rome became the capital of Italy and endeavoured to establish a new empire. Exploring political instability and change, Balchin demonstrates the strong connection between politics and the physical shaping of the city through an examination of the successive styles of architecture, from Classical to Modernist.
America, still today, for many people throughout the world remains an attraction; instead, for many others, they see America as a beacon of hope from political and religious oppressions to the needs to overcome hunger from their countries poor economic conditions. Nevertheless, "Remembering Yesterday," talks about a timid little immigrant boy named Gregorio; his wonderful protective mother; his working, dedicated, and honest father, who was forced to immigrate to six different countries before coming to America, looking for work so his family could survive; and his two siblings: Andrea, the daring one; and Matteo, the thick headed one. The book opens up with the main character Gregorio Di Nardo as an adult teaching English as a Second Language at a local Community College, to immigrant adult students. the author then moves to narrate more about the main character as a little boy growing up in his little village. The story continues with some surprising and unexpected information: Gregorio and his family would be leaving their little town for America. The news upsets the little boy for abandoning his present existence, his friends, the piazza, and his small house; but his mother and siblings however, were happy as they could be to leave the poor conditions behind and embrace new ones knowing they were starting from nothing. The narration picks up with a long dangerous journey to America: first on a train, then on transatlantic boat named "Vulcania", and finally growing up to adulthood in the city of Newark with no language, no friends, no one to cling to except his parents and two siblings. The family settles in the city of Newark, where they lived and experienced Newark reality at its best and safest period; as well as its downfall. It is here where they first experienced one of the many gloomy embarrassments, despondent, sour moments of racism and hardships. The desperate souls came with nothing except their clothes, a strong will to work and produce; and to overcome the hunger they left behind due to poor economic conditions they were subjected to.
Paul M. Kellstedt explains the variation in Americans' racial attitudes over the last half-century, particularly the relationship between media coverage of race and American public opinion on race. The analyses reveal that racial policy preferences have evolved in an interesting and unpredicted (if not unpredictable) fashion over the past fifty years. There have been sustained periods of liberalism, where the public prefers an active government to bring about racial equality, and these periods are invariably followed by eras of conservatism, where the public wants the government to stay out of racial politics altogether. These opinions respond to cues presented in the national media. Kellstedt then examines the relationship between attitudes on the two major issues of the twentieth century: race and the welfare state.
Originally published in 2019, this book provides a comprehensive account of a formative historical period, uniquely describing Renaissance architecture as the physical manifestation of political and economic change. The book illustrates how shifts in architectural style and design were paralleled with Northern and Central Italy’s external and internal conflicts, the evolution of urban and regional government, and economic and demographic growth. Covering the full extent of the Renaissance period, Balchin charts the era’s medieval roots and its transformation into Mannerist and Baroque tendencies. He demonstrates how developments in architecture and planning were inextricably linked to political and economic power, and how these relationships shifted from city to city over time.
A mosquito-infested and swampy plain lying north of the city walls, Rome's Campus Martius, or Field of Mars, was used for much of the period of the Republic as a military training ground and as a site for celebratory rituals and occasional political assemblies. Initially punctuated with temples vowed by victorious generals, during the imperial era it became filled with extraordinary baths, theaters, porticoes, aqueducts, and other structures - many of which were architectural firsts for the capitol. This book explores the myriad factors that contributed to the transformation of the Campus Martius from an occasionally visited space to a crowded center of daily activity. It presents a case study of the repurposing of urban landscape in the Roman world and explores how existing topographical features that fit well with the Republic's needs ultimately attracted architecture that forever transformed those features but still resonated with the area's original military and ceremonial traditions.
Winner of the Howard R. Marraro Prize for Italian History from the American Historical AssociationSelected by Choice Magazine as an Outstanding Academic Title for 2003 Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. In this magisterial study, noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline, student enrollment (some estimates are the first attempted), famous faculty members, budget and salaries, and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy's educational leadership in the seventeenth century.
Cities, initially a product of the manufacturing era, have been thoroughly remade in the image of consumer society. Competitive spending among affluent households has intensified the importance of style and design at every scale and design professions have grown in size and importance, reflecting distinctive geographies and locating disproportionately in cities most intimately connected with global systems of key business services. Meanwhile, many observers still believe good design can make positive contributions to people’s lives. Cities and Design explores the complex relationships between design and urban environments. It traces the intellectual roots of urban design, presents a critical appraisal of the imprint and effectiveness of design professions in shaping urban environments, examines the role of design in the material culture of contemporary cities, and explores the complex linkages among designers, producers and distributors in contemporary cities, for example: fashion and graphic design in New York; architecture, fashion and publishing in London; furniture, industrial design, interior design and fashion in Milan; haute couture in Paris and so on. This book offers a distinctive social science perspective on the economic and cultural context of design in contemporary cities, presenting cities themselves as settings for design, design services and the ‘affect’ associated with design.
A dazzling history of the modest family that rose to become one of the most powerful in Europe, The Medici is a remarkably modern story of power, money, and ambition. Against the background of an age that saw the rebirth of ancient and classical learning Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence, as well as the Italian Renaissance which they did so much to sponsor and encourage.Strathern also follows the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo and Donatello; as well as scientists like Galileo and Pico della Mirandola; and the fortunes of those members of the Medici family who achieved success away from Florence, including the two Medici popes and Catherine de' Médicis, who became Queen of France and played a major role in that country through three turbulent reigns.
In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists.
The Second Edition of Communication and Sport: Surveying the Field offers the most comprehensive and diverse approach to the study of communication and sport available at the undergraduate level. Newly expanded to incorporate the latest topics and perspectives in the field, the New Edition examines a wide array of topics to help readers understand important issues such as sports media, rhetoric, culture, and organizations from both micro- and macro- perspectives. Everything from youth to amateur to professional sports is addressed in terms of mythology, community, and identity; issues such as fan cultures, racial identity and gender in sports media, politics and nationality in sports, and sports and religion are explored in depth, and provide useful, applied insight for readers. Practical and relevant, epistemologically diverse, and theoretically grounded, the Second Edition of Billings, Butterworth, and Turman’s text keeps readers on the cutting-edge.
Twenty-one year old George Cabbot, astoundingly handsome, precociously intellectual yet naïve to the point of stupidity has come to Italy work at a world famous music festival. The strength of his erotic aura in a notoriously louche society inflames even the weariest libidos (male and female) unsettles several internationally-famous egos, and upsets the fragile intimacy of a group of old friends. Ricardo Ricci, éminence grise of the festival, and his love, Katherine Campbell, struggle to overcome pressures that batter their vulnerable relationship. George's disturbing presence and Katherine's suspicion of Ricardo's reaction to it, increase possibilities for their separation. Their friends recognize the danger and in spite of George's obvious sexual involvement with the voracious Duchess of Ashringford, Charity Cheltenham, the infamous composer, Gianfranco Connery and the distinguished tenor, Thomas Darden, the group holds George responsible for Katherine's and Ricardo's problem. In reality, George is only a manifestation of it, but the friends believe he is culpable and that he is determined to seduce Ricardo. To frustrate George's plan they decide he must be removed from the scene. Their search for a reasonable way to accomplish this eludes them, until Jillian and Tasha (Ricardo's assistants), using first-hand knowledge of the sexual preferences and practices of everyone concerned, find the solution. This novel has been described as serio-camp, as a comedy of manners, even as Jane Austen with explicit sex. Set in 1969--a reasonably carefree time--and though it is concerned more with the characters who create or frequent the festival than with the festival itself, it does capture the nuttiness and the underlying tribulations of all multifaceted artistic organizations. PAUL WOLFE first came to the public's attention as a harpsichordist, and as a harpsichordist wants his tombstone to read: "He was a pupil of Wanda Landowska." After studying with her from 1955 until her death in 1959, he had an active solo career, winning acclaim in America and Europe through his recordings and concerts. Wolfe was born in Texas, lived many years in New York and Rome, and now lives in Santa Fe. This is his first published novel.
Black Cat Weekly #12 presents: Mystery / Suspense: “A Thanksgiving Mystery,” by Hal Charles [A Solve-It-Yourself Mystery] “The Beacon Hill Suicide,” by Shelly Dickson Carr [Barb Goffman Presents short story] “Model for Manslaughter,” by Paul Chadwick [short story] “Big Talk,” by Kris Neville [short story] “The Good Old Summer Crime,” by James MacCreigh [short story] Speak of the Devil, by Elizabeth Sanxay Holding [novel] Science Fiction / Fantasy “Where Dead Men Dream,” by John Glasby [short story] “On the Rocks at Slab’s,” by John Gregory Betancourt [short story] Cosmic Saboteur, by Frank M. Robinson [novel] The Scheme of Things, by Lester del Rey [novel]
FROM WWI TO COVID, from Florence to the tiny villages of Tuscany, stories of love, courage and adventure from award-winning author Paul Salsini. FROM A TUSCAN TREASURY "So we became spies. When Maria and I would enter a village we would find out if there were any Germans or Fascists there so the partisans would know if it was safe to enter. Sometimes we’d be stopped, but mostly we just looked like simple Italian women with scarves on our heads and prayer books in our hands. We always told them we were going to church to pray for the end of the war." From "The Staffetta" "Anna, can I tell you something? After I left you on the doorstep that night, I couldn't stop thinking about you. I couldn't sleep nights. I went on long runs, but that didn't help. I was supposed to referee a football game Saturday morning and I made terrible calls. I couldn't concentrate hearing confessions Saturday afternoon. I barely made it through Mass on Sunday. Anna, I couldn't wait to see you again." From "Anna and the Television Priest
Fra Girolamo Savonarola had a profound effect on the political and moral life of Florence in the 1490s, and his legacy lived on during the century after his execution in 1498, not just in Florence but in Ferrara and beyond the Alps, as far as Paris, Munich, and London. This study reconstructscontexts and musical settings for the popular tradition of sacred laude that were sung during the Savonarolan carnivals in 1496, 1497, and 1498. It further examines a broad network of patronage for the courtly tradition of Latin motets that provided elaborate musical settings for Savonarola'smeditations on Psalms 30 and 50. The friar's success in Florence can be partially attributed to his adoption of sacred laude (and the tunes of bawdy carnival songs) that had been promoted by Lorenzo de' Medici. The texts of the old carnival songs were suppressed, but the music was adapted to laudewith texts that proclaim the friar's prophecy of castigation and renewal. The citizens could thus internalize Savonarola's message by singing it. Savonarola himself wrote several lauda texts, and their musical settings are reconstructed here, as well as those for an underground tradition of laudewritten to venerate him after his execution. Part II turns to the courtly tradition and the Latin motet. Several Catholic patrons, scattered from Ferrara to France to England, were drawn to the friar's prison meditation on Psalms 30 and 50, and they commissioned elaborate musical settings of the opening words of both. A dozen motets on thefriar's psalm meditations can be traced from composes such as Willaert, Rore, Le Jeune, Lassus, and Byrd. Savonarola's highly personal texts inspired some of the most moving musical setings of the sixteenth century, in spite of the Church's unfavourable attitude toward the friar's disruptiveexample, which had set a precedent for Protestant reformers such as Martin Luther.
The J. Paul Getty Museum Journal 10 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, and sculpture and works of art. This volume includes an Editorial Statement by the Journal’s editors: Burton B. Fredericksen, Curator of Paintings, Jiří Frel, Curator of Antiquities, and Gillian Wilson, Curator of Decorative Arts. Conservation problems will be discussed along with the articles written by Laurie Rusco, Elisabeth Mention, Burton B. Fredericksen, John Fletcher, Thomas Kren, Gillian Wilson, Adrian Sassoon, Jiří Frel, Sheldon Nodelman, Jean-Paul Boucher, Mario A. Del Chiaro, Stéphanie Boucher, Jean-Louis Zimmermann, Patricia Tuttle, Anje Krug, Arthur Houghton, Marit Jentoft-Nilsen, René Hodot, Susan Treggiari, Emilio Rodríguez-Almeida, and Andrea Rothe.
Following Mussolini’s declaration of war in June 1940, initially Italy faced only those British troops based in the Middle East but as the armed confrontation in the Western Desert of North Africa escalated, other nations were drawn in — Germany, Australia, India, South Africa, New Zealand, France and finally the United States to wage the first major tank-versus-tank battles of the Second World War. First tracing the history of the very early beginnings of civilization in North Africa, and on through the period of Italian colonization, Jean Paul Pallud begins his account when the initial shots were fired at the 11th Hussars as they approached Italian outposts near Sidi Omar in Libya. It proved to be the opening move of a campaign which was to last for three years. When the Afrikakorps led by Rommel joined the battle in February 1941, the Germans soon gained the upper hand and recovered the whole of Cyrenaica, minus Tobruk, in the summer. The campaign then swung back and forth across the desert for another year until Rommel finally captured Tobruk in June 1942 and then moved eastwards into Egypt. With British fortunes at their lowest ebb, changes in command led to Montgomery launching his offensive at El Alamein the following November. This began the advance of the Eighth Army over a thousand miles to Tunisia, resulting in the final round-up of the German and Italian forces in May 1943. Jean Paul and his camera retraced the route just prior to the recent civil war in Libya and the uprisings in Tunisia and Egypt in 2011, so he was fortunate to capture the locations before yet another war left its trail of death and destruction. Although the campaign in 1940-43 was dominated largely by armor, nevertheless the Allies lost over 250,000 men killed, wounded, missing and captured and the Axis 620,000. Those that never came home lie in cemeteries scattered across the barren landscape of a battlefield that has changed little in over 70 years.
This book brings together the latest research in the battle against autism. According to numerous news reports, the increase in special needs children has reached epidemic proportions. Autism is a complex developmental disability that typically appears during the first three years of life. The result of a neurological disorder that affects the functioning of the brain, autism and its associated behaviours have been estimated to occur in as many as 2 to 6 in 1,000 individuals. Autism is four times more prevalent in boys than girls and knows no racial, ethnic, or social boundaries. Autism is a spectrum disorder. The symptoms and characteristics of autism can present themselves in a wide variety of combinations, from mild to severe. Although autism is defined by a certain set of behaviours, children and adults can exhibit any combination of the behaviours in any degree of severity. People with autism process and respond to information in unique ways. In some cases, aggressive and/or self-injurious behaviour may be present.
The tenth century dawned in violence and disorder. Charlemagne's empire was in ruins, most of Spain had been claimed by Moorish invaders, and even the papacy in Rome was embroiled in petty, provincial conflicts. To many historians, it was a prime example of the ignorance and uncertainty of the Dark Ages. Yet according to historian Paul Collins, the story of the tenth century is the story of our culture's birth, of the emergence of our civilization into the light of day. The Birth of the West tells the story of a transformation from chaos to order, exploring the alien landscape of Europe in transition. It is a fascinating narrative that thoroughly renovates older conceptions of feudalism and what medieval life was actually like. The result is a wholly new vision of how civilization sprang from the unlikeliest of origins, and proof that our tenth-century ancestors are not as remote as we might think.
In the years since their first release, Belle and Sebastian have grown from a secretive cult concern into one of the most beloved and revered pop'n'roll bands in the world. Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times. In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian:Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.
The dramatic events leading up to the appearance of white smoke over the Vatican and the public declaration from the balcony of St Peters- Habemus Papam- has been the most remarkable yet in the election of any Pontiff. The demise of Pope John Paul II was anticipated ever since he was rushed to Gemelli hospital on February 1st. Now he has died the legacy of this outstanding Pontiff is already the matter of fierce debate. A number of his closest advisers like Cardinals Ratzinger and Sodano are already fairly powerless as the Conclave has chosen a Pontiff more interested in the North South axis than that of East West. The final part of this important new book is an in-depth profile of the new Pope, His Holines Pope XXX. The middle part of the book is an account of the Conclave, the poiliticing and the jockeying for position. But it also contains character sketches of those who have been serious contenders for the See of Peter- Cardinal Walter Kasper, Cardinal Tettramanga of Florence, Cardinal Christoph von Schonborn of Vienna, Cardinal Arinze of Nigeria , Cardinal Claudio Hummes of Sao Paolo and Cardinal Rodriguez Madariaga of Honduras. There is also a sketch of some of the complete outsiders. Nobody could be more suited that Paul Collins to werite this incisive and informative account. he has already published books on the History of the Papacy.
Sixteen-year-old Courtney, paralyzed in an accident, learns about the power of the mind from an elderly blind woman who takes her on an imaginary journey to Italy using a 1910 guidebook.
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