Lieutenant Commander Reef Klima commands a SEAL team. The Joint Special Operations Command orders it to rescue a US Marine, the Duke of Edinburgh, and others from an al-Qaeda cell that has taken them to a lakeside house in Syria. Senior Chief Emma Bartram, the team sniper, and Major Magnus McKellar, Special Boat Service, are involved in the rescue. During it, the leader of the cell hits Klima on the head. The blow causes a traumatic brain injury, and Klima becomes an 'acquired savant;' he develops prodigious mathematical and other abilities. The Navy places him on medical-hold, assigns him to the Joint Interagency Task Force in Key West. He also becomes an advisor to the Army Special Forces Underwater Operations School. While recovering from TBI and working as a JIATF weather forecaster, Klima uses his Ph.D. in applied mathematics to help NOAA with climate models. He is also learning to cope with an explosive temper. The Navy promotes Bartram to ensign and assigns her to JIATF. The man who caused Klima's TBI leads a cell to Key West and they attack SFUWO. Klima and Green Berets fight them and take one prisoner. The prisoner claims the cell bought a nuclear weapon in Cuba that it's in the keys: left in Cuba during the Missile Crisis. JIAF helps the Department of Energy search for the nuke. Bartram confronts a suicide bomber driving a boat intending to kill spectators watching a superpower boat race. The leader of the cell flees Key West in a stolen Cessna and Reef and other operators follow him to Cuba.
A Cambridge educated SEAL fighting al-Qaeda in Syria sustains brain trauma. That makes him a brilliant savant with temper control issues. While waiting for a medical board, he works with the Joint InterAgency Task Force and the Army Special Forces Underwater Operations School. Then al-Qaeda attacks the school.
60 letters written over four years culminating in marriage. Chautauqua County, western New York and western Pennsylvania history. Also, late Victorian regional history.
Based on the comic book series by Frank Miller and John Romita Jr., a prose adaptation exploring the origin story of the crime-fighting vigilante. Raised by a single father and tormented by bullies, Matt Murdock thought he understood how to survive on the streets of his New York City neighborhood. Until his life was irrevocably altered when he was blinded by radioactive materials while saving a man’s life. But the accident also left Matt with a profoundly keener strength in all his other senses, a power he hones with the help of a tough mentor. Soon, Matt is transformed into a finely tuned weapon—a weapon with a purpose he does not fully understand until his father is brutally murdered. Struggling with his rage, Matt takes to the streets, exacting vengeance until destroying evil doers becomes second nature and he becomes . . . Daredevil. This thrilling novelization by Paul Crilley adapts the comic book series by Frank Miller and John Romita Jr.
Collects Daredevil: Ninja #1-3, Daredevil/Spider-Man #1-4, Daredevil (1998) #20-25 And #51-55 And Spider-Man/Daredevil #1. Dazzling Daredevil stories from creators without fear! When the staff that once belonged to his mentor, Stick, is stolen, Matt Murdock is determined to get it back even if that means joining an ancient ninja battle between the Seven and the Hand! When villains from Gladiator to Stilt-Man target the Kingpin, DD and his old friend Spider-Man must stand in the way! When a rich client hires Matt to sue Daredevil, its time for everyones favorite attorney to play to the camera but where does the Jester fit in? And Echo returns, courtesy of her co-creator, David Mack! In a bid to pick up the pieces of her shattered life, Maya Lopez embarks on a Native American vision quest but she never expected to encounter Wolverine!
Good Day! , the critically-acclaimed biography about the legendary Paul Harvey, is now in paperback! In this heartwarming book, author Paul J. Batura tells the all-American story of one of the best-known radio voices in history. From his humble beginnings to his unparalleled career of more than 50 years with ABC radio, Paul Harvey narrated America's story day by day, through wars and peace, through the threat of communism and the crumbling of old colonial powers, through consumer booms and eventual busts.
Paul Robeson, despite being one of the greatest Renaissance figures in American history, still remains in relative anonymity. An exceptional scholar, lawyer, athlete, stage and screen actor, linguist, singer, civil rights and political activist, he performed brilliantly in every professional enterprise he undertook. Any serious treatment of civil rights history and radical politics as well as American sports, musical, theatrical, and film history must consider the enormous contributions of Paul Robeson. And yet, Paul Robeson remains virtually unknown by millions of educated Americans. People typically know him for only one, if any, of the major successes of his life: the concert singer best known for “Old Man River,” the star of Shakespeare’s Othello on Broadway in the early 1940s, the political activist blacklisted for his radical views and activism during the era of McCarthyism in the 1950s. Paul Robeson For Beginners demystifies and bestows light and long overdue credence to the life of this extraordinary American.
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
This book opens from the viewpoint of a four year old child who sees his father leave to fight in World War II and how it affects him. After the war our family moves into a new subdivision made up of all manner of WW II vets. Our house neighbored a five acre dairy farm. When the farm owner dies, the widow makes a bad decision that causes an invasion of rats. After a battle with the rats, the widow begins boarding horses which we were allowed to ride in exchange for caring for them. Our family fell into hard times in the mid-50's, the house was sold, and a move took place to a rural town (Arnold, Mo). The move occurred at a time which placed the author in a unique historical event, the graduation of Fox High School's very first senior class. After Graduation the author served three years in the U.S. Army, twenty six months of it in Germany. He was in Germany when the Berlin Wall was built It was also while the author was in Germany that the he received Jesus Christ as Savior. This book goes on to show what a Radical and beautiful change that Jesus makes in the Author's life to give it meaning and purpose.
Bit Mechem and Bigun Murdock, two confederate veterans work as cowboys in the post-Civil War era. Though they initially met in an altercation, they become friends, and work together on the Bar-O Ranch. They discover a box canyon when looking for strayed cattle during a spring roundup, and return to put their brand on the unbranded cattle they found there and establish their own ranch, the Bar-MM. Bit "steps over the broom" with Megen O'Neil, his previous boss's daughter, and they set up housekeeping at the canyon ranch. Rustlers hit the ranch, and in the action associated with the pursuit and capture of the rustlers, Bit has a run-in with a group of Comanches that in a roundabout way get him and Bigun into the sheep business. When they go to Kerrville to sell sheep and buy rams Bit and Megen are formally married in a church ceremony. The sheep business holds the ranch together as the cattle business is somewhat stagnant. Megan gives birth to a son, Big Thang. In the meantime the Comanche warfare against the expanding Texas frontier is going hot and heavy. A Comanche raiding party attacks the ranch, but is repulsed. Only one raider escapes. One raider is also badly wounded in the fight. Megen intervenes to prevent Bit from killing the wounded Comanche, Swift Eagle, who gives his word he will harm no one there. He recuperates and he and Bit develop a mutual trust and have a long discussion concerning the differences between the white-eyed ranchers and the People. Swift Eagle returns to the Comanches. Bigun marries Mandy Perkins, with some assistance from Megen. Rustlers hit the Bar-O ranch, burning the buildings, stealing the stock, and killing everyone except Nigger Charlie, the Black ramrod, and Maria, the cook. They go to the Bar-MM. In the meantime the bluecoats under the command of Bad Hand Mackenzie, after a hard campaign, force the Comanches led by Quanah onto the reservation to follow the white man's road. Swift Eagle and his wife, Smiling Woman, chose to go to the canyon ranch instead of going to the reservation. Bit leads a small group made up of himself, Bigun, Nigger Charlie and Swift Eagle, augmented by a Texas Ranger, to intercept the rustled herd that is headed for New Mexico. They recapture the herd, turn the surviving rustlers over to the Texas Ranger for trial and hanging, and return the herd to Texas. Bit sells most of the herd to the Army at Fort Concho, accepting drafts made out to the cattle owners in payment, and returns the rest of the cattle to the canyon ranch area where arrangements are made to return the cattle to their owners. Quanah visits the canyon ranch and Swift Eagle on his way to visit his Uncle Jack down on the Rio Grande. He is interested in learning all he can about cattle ranching that he sees as a potential way for the Comanche to survive as a people. Bit takes Quanah to Mason's Store at the Forks so he can see the supply support side of ranching. Bigun, Nigger Charlie, and Swift Eagle also go along. A group of settlers at the Forks become hostile toward the Comanches, requiring Bit and Bigun to provide protection for the party, which they do without bloodshed. Quanah goes on to complete his journey and become the Chief of all the Comanches, the title given him by the white-eyes, and the canyon ranch settles back into its routine.
The long-awaited, untold, inside story of the rise of the legendary actor, singer, scholar, and activist. The first volume of this major biography breaks new ground. The greatest scholar-athlete-performing artist in U.S. history, Paul Robeson was one of the most compelling figures of the twentieth century. Now his son, Paul Robeson Jr., traces the dramatic arc of his rise to fame, painting a definitive picture of Paul Robeson's formative years. His father was an escaped slave; his mother, a descendent of freedmen; and his wife, the brilliant and ambitious Eslanda Cardozo Goode. With a law degree from Columbia University; a professional football career; title roles in Eugene O'Neill's plays and in Shakespeare's Othello; and a concert career in America and Europe, Robeson dominated his era. This unprecedented biography reveals the depth of Robeson's cultural scholarship, explores the contradictions he bridged in his personal and political life, and describes his emergence as a symbol of the anticolonial and antifascist struggles. Filled with previously unpublished photographs and source materials from the private diaries and letters of Paul and Eslanda Robeson, this is the epic story of a forerunner who now stands as one of America's greatest heroes.
Accounting Principles provides students with a clear introduction to fundamental accounting concepts with an emphasis on learning the accounting cycle from a sole proprietor perspective. This product helps students get the most out of their accounting course by making practice simple. Streamlined learning objectives help students use their study time efficiently by creating clear connections between the reading and the homework.
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.