Munden's vivid, well realised poems range across hemispheres and centuries, embracing music, art, film, historical events, and the potent catalysts of love, illness and death. In these pages our human frailties are apprehended with both a clear eye and a tender attentiveness."--Judy Johnson ***"In Chromatic, Munden's superb use of contrapuntal texture and accumulating melodies announce a fractured and injured reality, set against the visceral burn of passion. The rich musicality of these poems speaks eloquently of beauty and love, both physical and divine. The darker harmonies are often brilliantly jittery in their interwoven and compulsive juxtapositions, accentuating the poems' silences and apertures. In Chromatic, Munden unlocks the musical performance inside his poems, and the result is transportive and rapturous."--Cassandra Atherton ***"In this complex and intricately constructed volume, lyric poems address sometimes difficult, sometimes bewildering aspects of human existence head on, and in surprising and scintillating ways. Paul Munden tantalises and beguiles us with rich evocations of the mysterious and the opaque, reminding us of the strangeness of life and the mystery at the core of what we know."--Paul Hetherington (Series: UWAP Poetry) [Subject: Poetry]
The title poem of this collection chronicles the eighteenth-century trial of Captain John Bolton for the murder of his apprentice girl, Elizabeth Rainbow, in a small village in the north of England where Paul Munden has spent most of his life. The poem's reflection on the life writing process is complemented by other shadowings, glimpses of strange complicities and dark pastoral musings.
The six senses have rarely been invoked in such sustained and evocative poetical terms. Whether one wants to understand touch, taste, smell, hearing, intuition or sight, this volume provides myriad avenues enabling a rich appreciation of sensory experience.
Paul Hetherington has become a master of the prose poem form, creating intriguing yet hospitable pieces whose tonal, emotional and imaginative range are a delight. Each piece has been carefully wrought to become sharp and revelatory; his graceful cadences reach right into the heart of his subjects. This poet gives us substance, communion and an intense dialogue with the inner life. This is a superb collection. ~Judith Beveridge In Paul Hetherington's Moonlight on Oleander things, places and human relationships become densely present in the process of being thought forward into ghostliness, through long and loving habit. Sequential without being narrative, consequential without the clincher of rhyme, Hetherington's forms of words, gathered into blocks, seem like a new, telling version of sparseness, 'unworded by exertion' in the great tenderness the poet hints at, but will not overstate; in the links made between old worlds and new. ~Vahni Capildeo
ASTERISK* is a sequence of poems inspired by Shandy Hall, the extraordinary house in Coxwold that was once home to the writer Laurence Sterne. The book is a personal interpretation of things Shandean, combined with photographs of the house and its garden. Paul Munden was born in Poole, Dorset, in 1958. He worked as a creative writing tutor in adult education and for various universities, before becoming Director of NAWE, the National Association of Writers in Education. He received an Eric Gregory Award in 1987 and his poems have appeared in many anthologies, including the Faber Book of Movie Verse, Faber's Poetry Introduction 7, and Quintet (Staple First Editions 1993). For the British Council, he has been the Writer-in-Residence at several Anglo-Swiss conferences
This latest project of 'authorised theft' amongst poetic friends sees them raiding the 19th century for inspiration-across a variety of artforms. But C19 here is not just a past century; it is also the terrible present moment in which we live, and in which this remarkable collaborative work has been written.
ASTERISK* is a sequence of poems inspired by Shandy Hall, the extraordinary house in Coxwold that was once home to the writer Laurence Sterne. The book is a personal interpretation of things Shandean, combined with photographs of the house and its garden. Paul Munden was born in Poole, Dorset, in 1958. He worked as a creative writing tutor in adult education and for various universities, before becoming Director of NAWE, the National Association of Writers in Education. He received an Eric Gregory Award in 1987 and his poems have appeared in many anthologies, including the Faber Book of Movie Verse, Faber's Poetry Introduction 7, and Quintet (Staple First Editions 1993). For the British Council, he has been the Writer-in-Residence at several Anglo-Swiss conferences
Walt er ni år, forældreløs og usædvanligt grov i munden. Walts liv ændrer sig markant, da han en dag møder den mystiske Mester Yehudi, som ser et lys i den unge dreng. Mester Yehudi overtaler Walt til at tage med ham. Hjemme hos Mester Yehudi lære Walt at ophæve tyngdekraften ved hjælp af sine tanker. Efter flere års træning sker det så endelig - Walt letter fra jorden. Mester Yehudi og Walt the Wonder Boy begynder at turnerer USA tyndt med tryllenummeret. Men da de kommer til New York, oplever Walt pludselig svimmelhed, og med ét må Walt kæmpe med sin angst for Mr. Vertigo.
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