2007 — Jane Jacobs Urban Communication Publication Award – Urban Communication Foundation As twentieth-century city planners invested in new transportation systems to deal with urban growth, they ensured that the automobile rather than mass transit would dominate transportation. Combining an exploration of planning documents, sociological studies, and popular culture, Paul Fotsch shows how our urban infrastructure developed and how it has shaped American culture ever since. Watching the Traffic Go By emphasizes the narratives underlying our perceptions of innovations in transportation by looking at the stories we have built around these innovations. Fotsch finds such stories in the General Motors "Futurama" exhibit at the 1939 World's Fair, debates in Munsey's magazine, films such as Double Indemnity, and even in footage of the O. J. Simpson chase along Los Angeles freeways. Juxtaposed with contemporaneous critiques by Lewis Mumford, Theodor Adorno, and Max Horkheimer, Fotsch argues that these narratives celebrated new technologies that fostered stability for business and the white middle class. At the same time, transportation became another system of excluding women and the poor, especially African Americans, by isolating them in homes and urban ghettos. A timely, interdisciplinary analysis, Watching the Traffic Go By exposes the ugly side of transportation politics through the seldom-used lens of popular culture.
A work of literary history that redefines literary modernism's development in relation to the concurrent emergence of total war and the psychological effects it created between the two world wars.
In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us. Bringing archaeological insight to subjects that are not usually associated with the discipline, he looks at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences. Revolting Things delves into well-known examples of “dark heritage” ranging from Confederate monuments to the sites of racist violence. Mullins discusses the burials and gravesites of figures who committed abhorrent acts, locations that in many cases have been either effaced or dynamically politicized. The book also considers racial displacement in the wake of post–World War II urban renewal, as well as the uneasiness many contemporary Americans feel about the social and material sameness of suburbia. Mullins shows that these places and things are often repressed in public memory and discourse because they reflect entrenched structural inequalities and injustices we are reluctant to acknowledge. Yet he argues that the richest conversations about the uncomfortable aspects of the past happen because these histories have tangible remains, exerting a persistent hold on our imagination. Mullins not only demonstrates the emotional power of material things but also exposes how these negative feelings reflect deep-seated anxieties about twenty-first-century society.
In recent decades, indigenous peoples in the Yukon have signed land claim and self-government agreements that spell out the nature of government-to-government relations and grant individual First Nations significant, albeit limited, powers of governance over their peoples, lands, and resources. Those agreements, however, are predicated on the assumption that if First Nations are to qualify as governments at all, they must be fundamentally state-like, and they frame First Nation powers in the culturally contingent idiom of sovereignty. Based on over five years of ethnographic research carried out in the southwest Yukon, Sovereignty’s Entailments is a close ethnographic analysis of everyday practices of state formation in a society whose members do not take for granted the cultural entailments of sovereignty. This approach enables Nadasdy to illustrate the full scope and magnitude of the "cultural revolution" that is state formation and expose the culturally specific assumptions about space, time, and sociality that lie at the heart of sovereign politics. Nadasdy’s timely and insightful work illuminates how the process of state formation is transforming Yukon Indian people’s relationships with one another, animals, and the land.
The common understanding of "apocalypse" suggests End Times, Armageddon, and the end of the world. But the Greek word apokalypsis means none of these things. What it does mean is uncovering, disclosing, and revelatory. That "apocalypse" is so widely misunderstood as predestined disaster isn't due to natural evolution in meaning. To penetrate the misuse of apokalypsis is to discover mythic misrepresentation. That is, "apocalypse" doesn't generate End Times but--just the opposite--End Times compels apokalypsis. The actual threat of End Times--explicitly so with weapons of mass destruction and Anthropocene climate change--forces thoughtful people into a search for fundamental causes: Where do these destructive energies originate? Why are we so reluctant to recognize the obvious consequences and resistant to embrace available remedies? Why do we persist in denial and indifference? In these essays, Paul Gilk explores the underlying cultural and religious conventions (both "conservative" and "liberal") that constitute our resistance and refusal. To disclose and uncover those conventions, to dissolve our oblivion, is to awaken to apokalypsis and to realize the depth of our captivity within prevailing mythology, both religious and civilizational. If End Times is the disease, apokalypsis is the cure. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
American composer Charles Ives (1874–1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music. In this sweeping survey of intellectual and musical history, David C. Paul tells the new story of how Ives's music was shaped by shifting conceptions of American identity within and outside of musical culture, charting the changes in the reception of Ives across the twentieth century and into the twenty-first century. Paul focuses on the critics, composers, performers, and scholars whose contributions were most influential in shaping the critical discourse on Ives, many of them marquee names of American musical culture themselves, including Henry Cowell, Aaron Copland, Elliott Carter, and Leonard Bernstein. Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties. By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.
From 2008, for the first time in human history, half of the world’s population now live in cities. Yet despite a wealth of literature on green architecture and planning, there is to date no single book which draws together theory from the full range of disciplines - from architecture, planning and ecology - which we must come to grips with if we are to design future cities which are genuinely sustainable. Paul Downton’s Ecopolis takes a major step along this path. It highlights the urgent need to understand the role of cities as both agents of change and means of survival, at a time when climate change has finally grabbed world attention, and it provides a framework for designing cities that integrates knowledge - both academic and practical - from a range of relevant disciplines. Identifying key theorists, practitioners, places and philosophies, the book provides a solid theoretical context which introduces the concept of urban fractals, and goes on to present a series of design and planning tools for achieving Sustainable Human Ecological Development (SHED). Combining knowledge from diverse fields to present a synthesis of urban ecology, the book will provide a valuable resource for students, researchers and practitioners in architecture, construction, planning, geography and the traditional life sciences.
In the early 1970s, living in inner-city St. Louis, Paul Gilk asked his friends to explain why small farms were dying. The answers did not satisfy. Years of study followed. Through the reading of history, Gilk began to grasp the origins of both horticulture and agriculture, their blossoming into Neolithic agrarian village culture, and the impoundment of the agrarian village by bandit aristocrats at the formation of what we now call civilization. Getting a grip on the relationship between agriculture and civilization was one thing; but, as a person strongly influenced by Gospel stories, Gilk also wanted to know what the connection might be between the kingdom of God proclamation in the canonical Gospels and the peasant world from which Jesus arose. Aided in his thinking by the works of biblical scholars Marcus Borg and John Dominic Crossan, Gilk began to realize that the kingdom of God was both a harkening back to the peace and freedom of precivilized agrarian village and a revolutionary anticipation of a postcivilized village-mindedness organized organically on the basis of radical servanthood and radical stewardship. We are, Gilk says, entering the dawn of this Green culture simultaneously with the deepening of civilized world disaster.
The Theory of Architecture Concepts, Themes & Practices Paul-Alan Johnson Although it has long been thought that theory directs architectural practice, no one has explained precisely how the connection between theory and practice is supposed to work. This guide asserts that architectural theory does not direct practice, but is itself a form of reflective practice. Paul-Alan Johnson cuts through the jargon and mystery of architectural theory to clarify how it relates to actual applications in the field. He also reveals the connections between new and old ideas to enhance the reader's powers of critical evaluation. Nearly 100 major concepts, themes, and practices of architecture--as well as the rhetoric of architects and designers--are presented in an easily accessible format. Throughout, Johnson attempts to reduce each architectural notion into its essential concept. By doing so, he makes theory accessible for everyday professional discussion. Topics are arranged under ten headings: identification, definition, power, attitudes, ethics, order, authority, governance, relationship, and expression. Areas covered under these headings include: * Utopic thought in theories of architecture * Advocacy and citizen participation in architecture * The basis of architectural quality and excellence * The roles of the architect as artist, poet, scientist, and technologist * Ethical obligations of architecture * Rationales for models and methods of design * How authority is determined in architecture * How architects structure their concepts * Conventions of communication within the architectural profession Each section begins by showing the etymology of key terms of the topic discussed, along with a summary history of the topic's use in architecture. Discussions probe the conceptual and philosophical difficulties of different theories, as well as their potential and limitations in past and present usage. Among the provocative issues discussed in terms of their relationship to architecture are chaos theory, feminism, service to the community, and the use of metaphor. Johnson points out with stunning clarity the intentions as well as the contradictions and inconsistencies of all notions and concepts. All architects and designers, as well as students and teachers in these disciplines, will gain many insights about architectural thought in this groundbreaking text.
It’s tablet time! Get acquainted with the latest iPadOS and devices, the easy way Up a creek without an iPaddle? Dummies has got you covered, with iPad & iPad Pro 2022-2023 For Dummies. This is your stay-afloat guide to the latest version of iPadOS and all the new features of Apple’s leading tablet. We offer a step-by-step guide to iPad maintenance, operation, and personalization, so you can figure out your new device quickly and spend your time doing the fun stuff. Photos, videos, apps, productivity, communication, maps, and beyond—plus a host of new features that we’ll introduce you to, right in this book. Get acquainted with the basics of using and customizing your iPad or iPad Pro Discover the new and exciting changes that come with the latest iPadOS release Get the most out of your iPad by mastering the top apps and productivity tricks Learn how to ease the transition from computers to tablets, at home or at work For personal projects or in business settings, the iPad is the tablet of choice, and Dummies is here to show you why. Grab this full-color guide and get iPaddling!
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Speed. Bump. Speed. Traffic considers the history and philosophy of roundabouts, speed bumps, the pedestrian mall, and other efforts to manage traffic. Exploring ways to reign in the power of the internal combustion engine, ramp back century-long efforts to increase the flows of traffic, and establish greater balance between humans and machines, Paul Josephson considers the history of traffic, and the political and other controversies that frame the belated technological efforts to calm it. Object Lessons is published in partnership with an essay series in The Atlantic.
This book focusses on a large class of objects in moduli theory and provides different perspectives from which compactifications of moduli spaces may be investigated. Three contributions give an insight on particular aspects of moduli problems. In the first of them, various ways to construct and compactify moduli spaces are presented. In the second, some questions on the boundary of moduli spaces of surfaces are addressed. Finally, the theory of stable quotients is explained, which yields meaningful compactifications of moduli spaces of maps. Both advanced graduate students and researchers in algebraic geometry will find this book a valuable read.
NUMA operative Kurt Austin takes on a madman fronting as an evironmentalist in this #1 New York Times-bestselling series. Sixty years ago, an eccentric Hungarian genius discovered how to artificially trigger such a shift in the polar ice caps, which could cause massive eruptions, earthquaks, and even climate changes. But then his work disappeared, or so it was thought. Now, the charismatic leader of an antiglobalization group plans to use it to give the world’s industrialized nations a small jolt, before reversing the shift back again. The only problem is, it cannot be reversed. Once it starts, there is nothing anyone can do. Austin, Zavala, and the rest of the NUMA Special Assignments Team must make strange alliances to protect this technology from being exploited by their new and power-hungry nemesis before the entire planet is made to pay. Rich with all the hair-raising action and endless imagination that have become Cussler’s hallmarks, Polar Shift is a wonderful thriller—indeed, “vintage Cussler.”
There have been various thinkers who have attempted to explain the Earth-altering (even ecocidal) features in modern life. Jacques Ellul, for instance, a French intellectual, became famous for his exposition of technique. But technique does not adequately address the institutional context out of which technique itself arises. In these essays, Paul Gilk stands on the shoulders of two American scholars in particular. One is world historian Lewis Mumford, whose work spans fifty years of scholarship. The other is classics professor Norman O. Brown, who brought his erudition into a systematic study of Freud. From these intellectuals especially, Gilk concludes that the accelerating ecocidal characteristics of globalisation are inherent manifestations of perfectionist, utopian, predatory institutions endemic to civilisation. Our great difficulty in arriving at or accepting this conclusion is that civilisation contains no negatives it is strictly a positive construct. We are therefore incapable of thinking critically about it. A corrective is slowly emerging from Green intellectuals. Green politics, says Gilk, is not utopian but eutopian. It is not aimed at perfectionist immortality but, rather, at earthly wholeness. Yet the ethical message of Green politics confronts a society saturated with utopian mythology. The question is to what extent, and at what speed, ecological and cultural breakdown will dissolve civilised, utopian certitudes and provide the requisite openings for the growth of Green, eutopian culture.
This is a comprehensive and highly emotive volume, borne of years of intensive research and many trips to the battlefields of the Great War. It seeks to humanise the Lijssenthoek Military Cemetery, to offer the reader a chance to engage with the personal stories of the soldiers whose names have been chiseled there in stone. Poignant stories of camaraderie, tragic twists of fate and noble sacrifice have been collated in an attempt to bring home the reality of war and the true extent of its tragic cost. It is hoped that visitors to the battlefields, whether their relatives are listed within or not, will find their experience enriched by having access to this treasure trove of stories.
As a young man, Malcolm Douglass talked with his father Aubrey about the difficult formative years of "Claremont Colleges," Phoenix in Academe grew out of those intimate conversations with his father and others, like William Clary, Jerry Voorhis, E. Wilson Lyon, Robert Bernard, his mother Evelyn Douglass, and of course the author of the "Claremont Plan," James A. Blaisdell, who had inspired so many. Why did Blaisdell's Plan fail? Why did Aubrey Douglass abandon Claremont? And how did the Claremont Graduate School (now University) emerge from its ashes. This is a personal history in the best sense, founded upon a forty-year commitment to the Graduate University and upon years of work in the Claremont archives. Phoenix in Academe is an elegy for and a celebration of the dream that almost was and the vision that took its place.
Failed Hollywood actor Eddy Relish falls into the hands of bible-quoting gangster, Bill Blake, and must become a drug mule. Eddy is menaced not only by Bill Blake but also by Abdul Madbul, an Albanian superspy turned Islamist terrorist. A chance encounter in Paris makes Eddy the only person who can identify this terrorist. Cynthia Tzin, whose Hollywood bar is a front for Chinese intelligence, rescues Eddy. She offers Eddy a Faustian pact: become a Chinese intelligence asset, and she will protect Eddy and help rebuild his Hollywood career. Eddy’s first assignment is simple—become a star again and bait a trap set to catch Madbul. The trap is set at a Las Vegas party hosted by a Chinese billionaire. Madbul and Bill both appear at the party to collect their dues from Eddy. Cynthia’s abilities are put to the test to ensure Eddy emerges alive and unscathed from this ordeal.
This book is about the ways in which modern enlightenment, rather than liberating humanity from tyranny, has subjected us to new servitude imposed by systems of mass manipulation, electronic vigilance, compulsive consumerism, and the horrors of a seemingly unending global war on terror. The main intellectual aims of this title are the following: the analysis of spectacle, the criticism of providential enlightenment, and the examination of positive dialectics. The spectacle, in this case, is the apotheosis of the culture industries, a total inversion of reality and of our existences. Providential enlightenment is not only a critique of the failure of enlightenment, but of the mutilation of historical enlightenments. Positive dialectics signal a new era of intellectual engagement in the construction of our historical future. During a time in which national democracies seem an imperial farce, it is not enough for intellectuals faced with all this destruction to blithely recommend resistance. The book thus ties American, British, French and German theoretical traditions into a reflexive challenge to the notion of intellectual as critic, and argues instead for a trespassive tradition of cultural leadership.
The Soft Edge is a one-of-a-kind history of the information revolution. In his lucid and direct style, Paul Levinson, historian and philosopher of media and communications, gives us more than just a history of information technologies. The Soft Edge is a book about theories on the evolution of technology, the effects that human choice has on this (r)evolution, and what's in store for us in the future. Paul Levinson's engaging voice guides us on a tour that explains how communications media have been responsible for major developments in history and for profound changes in our day-to-day lives. Levinson presents the intriguing argument that technology actually becomes more human. We see how information technologies are selected on the basis of how well they meet human needs. Why is email more like speech than print is? Why didn't the arrival of television destroy the radio? These and many more thought provoking questions are answered in The Soft Edge. Boldly extending and deepening the pathways blazed by McLuhan, Paul Levinson has provided us with a brilliant and exciting study of life with our old media, our new media, and the media still to come.
Using original data, Managers in the Making presents a thorough analysis of the processes by which managers are made in Britain and Japan. It provides a detailed comparative study of the careers, training, developmental experience and job demands of managers in eight named companies, matching British firms with Japanese counterparts. Using qualitative and quantitative data the authors offer an understanding of these processes within organizational, sectoral and national contexts. Managers′ perceptions, reactions and concerns are recorded and analysed throughout.
Every child is an individual whose knowledge and understanding needs to be developed in ways that help them succeed. How do you manage this alongside the realities of the curriculum? How do you achieve this for a full classroom of expectant learners? Psychology for Teachers explains how psychology can be intelligently applied to the classroom to meet the needs of different learners. It encourages you to review your own practice to develop a personal teaching style, supported by research findings and an awareness of the factors underpinning high-quality teaching. Focusing on how an understanding of psychological theory can support effective teaching and learning this book contains case studies and tasks to make sure that you really understand how theory can be meaningfully applied in the classroom. Additional online materials The book is supported by a companion website including resources such as free journal articles, additional activities and links to relevant information. Scott Buckler is a Senior Lecturer and Paul Castle is a Chartered Psychologist, Health Care Professions Council-registered and Senior Lecturer. Both are based at the University of Worcester.
Analyzing the complex interaction between the material and immaterial aspects of new digital technologies, this book draws upon a mix of theoretical approaches (including sociology, media theory, cultural studies and technological philosophy), to suggest that the ‘Matrix’ of science fiction and Hollywood is simply an extreme example of how contemporary technological society enframes and conditions its citizens. Arranged in two parts, the book covers: theorizing the Im/Material Matrix living in the Digital Matrix. Providing a novel perspective on on-going digital developments by using both the work of current thinkers and that of past theorists not normally associated with digital issues, it gives a fresh insight into the roots and causes of the social matrix behind the digital one of popular imagination. The authors highlight the way we should be concerned by the power of the digital to undermine physical reality, but also explore the potential the digital has for alternative, empowering social uses. The book’s central point is to impress upon the reader that the digital does indeed matter. It includes a pessimistic interpretation of technological change, and adds a substantial historical perspective to the often excessively topical focus of much existing cyberstudies literature making it an important volume for students and researchers in this field.
Accounting Principles, 14th Edition provides students with a clear overview of fundamental financial and managerial accounting concepts with a focus on learning the accounting cycle from the sole proprietor perspective. Through a primary review of accounting transactions, integrated real-world examples, and a variety of practice opportunities, students develop a thorough understanding of how to apply accounting principles and techniques in practice. Students work through an entire program that builds their mastery of accounting concepts with an emphasis on decision making and key data analysis skills appropriate at the introductory level that keeps them engaged and better prepared to connect the classroom to the real world.
Covering a landscape of literary, theological and cultural creativity, the authors explore the variety of interpretations inspired by Lamentations. The book explores a examples ranging from the Dead Sea Scrolls; Yehudah Halevy; John Calvin; and composer, Thomas Tallis; through to the interpretations of Marc Chagall; contemporary novelist, Cynthia Ozick; and Zimbabwean junk sculpture. It deploys "reception exegesis", a new genre of commentary that creatively blends reception history and biblical exegesis. --From publisher's description.
The development of business analysis as a professional discipline has extended the role of the business analyst who now needs the widest possible array of tools and the skills and knowledge to be able to use each when and where it is needed. This book provides 72 possible techniques and applies them within a framework of stages.
This study traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.
Slow Cities: Conquering Our Speed Addiction for Health and Sustainability demonstrates, counterintuitively, that reducing the speed of travel within cities saves time for residents and creates more sustainable, liveable, prosperous and healthy environments. This book examines the ways individuals and societies became dependent on transport modes that required investment in speed. Using research from multiple disciplinary perspectives, the book demonstrates ways in which human, economic and environmental health are improved with a slowing of city transport. It identifies effective methods, strategies and policies for decreasing the speed of motorised traffic and encouraging a modal shift to walking, cycling and public transport. This book also offers a holistic assessment of the impact of speed on daily behaviours and life choices, and shows how a move to slow down will - perhaps surprisingly - increase accessibility to the city services and activities that support healthy, sustainable lives and cities. - Includes cases from cities in North and South America, Europe, Asia, Africa and Australasia - Uses evidence-based research to support arguments about the benefits of slowing city transport - Adopts a broad view of health, including the health of individuals, neighbourhoods and communities as well as economic health and environmental health - Includes text boxes, diagrams and photos illustrating the slowing of transport in cities throughout the world, and a list of references including both academic sources and valuable websites
From the award-winning and nationally best-selling author of Hemingway's Boat and Sons of Mississippi--an illuminating, pathbreaking biography that will change the way we understand the life, mind, and work of the premier American architect. Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this, we see, is the Wright of many other neglected aspects of his story: his close, and perhaps romantic, relationship with friend and early mentor Cecil Corwin; the eerie, unmistakable role of fires in his life; the connection between the Tulsa Race Riot of 1921 and the murder of his mistress, her two children, and four others at his beloved Wisconsin home by a black servant gone mad. In showing us Wright's facades along with their cracks, Hendrickson helps us form a fresh, deep, and more human understanding of the man. With prodigious research, unique vision, and his ability to make sense of a life in ways at once unexpected, poetic, and undeniably brilliant, he has given us the defining book on Wright.
This core textbook, edited by five leading scholars of the subject, provides a comprehensive overview of the key topics, debates and themes in this increasingly important field. Balancing research-led theory with industry best-practice to provide students with a definitive overview of HRD, the book draws on the international experience of its authors to tackle topics as diverse as leadership and managing development, change and diversity, workplace learning, and graduate employability. The book's approachable yet thorough writing style and lively presentation helps students to understand the topic from a critical perspective while also demonstrating how HRD plays out in reality. This is an essential textbook for undergraduate, postgraduate and MBA students of Human Resource Development on HRD or Business and Management degree programmes. New to this Edition: - New contributors and revised content, including additional coverage of careers, career management and employability - More international coverage, especially of the EU - Inclusion of topical subjects including employee engagement, skills shortage and business partnering - Improved student-friendly pedagogy and updated figures and diagrams to appeal to different learning styles - Thoroughly updated references and web links
This full-color text/atlas describes all of the nerve blocks for which ultrasound guidance has proved efficacious, including upper and lower limb blocks. The chapter organization is similar to Chelly's Peripheral Nerve Blocks book: each block is described by concise text covering the indications for use, necessary equipment, anatomic landmarks, approach, and technique. The blocks are richly illustrated by ultrasound stills and relevant anatomy. A companion Website will have video modules on 1. principles of sonography, including how to turn on the machine, set up the transducers, move the transducers, change the contrast, depth, frequency and dynamic range compression settings, how to use color Doppler flow imaging and align the needle with the beam and 2. ultrasound-guided blocks of the interscalene, supraclavicular, infraclavicular, axillary, femoral, subgluteal, popliteal, and caudal regions.
This book compares two major leisure activities – watching sport and engaging with art. It explores a range of philosophical questions that arise when sport and art are placed side by side: The works of Shakespeare, Rembrandt and Mozart have continued to fill playhouses, galleries and concert halls for centuries since they were created, while our interest in even the most epic sporting contests fades after just a few years, or even a single season. What explains this difference? Sporting contests are merely games. So why do sports fans attach such great importance to whether their team wins or loses? Do sporting contests have meaning in the way works of art do? Beauty is a central value in art. Is it important in sport? What role does morality play in sport and art? What value do sport and art contribute to the world and to the meaning of people’s lives?
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