Open your mind to extreme possibilities' Scully's desire to be recognised as 'a medical doctor', ooze, mouthfuls of difficult dialogue and the tendency for characters not to make it through the pre-titles sequence were just a few of the tragically underexamined elements of THE X-FILES phenomenon - until the first edition of this book. Now the authors take their study of televisions weirdest show through to the end of series five, and THE X-FILES movie. X-TREME POSSIBILITIES presents a unique analysis of the programme that transformed US television. While sometimes witty and light-hearted, this volume is also a serious study of the elements that made the show such a success. As well as a detailed episode guide of the first five seasons, the book pieces together the nature of the series' Conspiracy - and attempts to discover just what the truth is. Never before has THE X-FILES been put under such focused, affectionate and bizarre scrutiny. Please note this new release of the second edition has not been updated.
This book examines the most popular American television shows of the nineties—a decade at the last gasp of network television’s cultural dominance. At a time when American culture seemed increasingly fragmented, television still offered something close to a site of national consensus. The Lonely Nineties focuses on a different set of popular nineties television shows in each chapter and provides an in-depth reading of scenes, characters or episodes that articulate the overarching “ideology” of each series. It ultimately argues that television shows such as Seinfeld, Friends, Law & Order and The Simpsons helped to shape the ways Americans thought about themselves in relation to their friends, families, localities, and nation. It demonstrates how these shows engaged with a variety of problems in American civic life, responded to the social isolation of the age, and occasionally imagined improvements for community in America.
A fully authorized, richly illustrated inside look into 50 of Mulder and Scully’s most memorable monster cases When an X-Files fan opens up The X-Files: The Official Archives, they are gaining access—for the ï¬?rst time—to Agents Mulder and Scully’s notes, records, and visual evidence from actual X-File reports. Designed to mimic a collection of FBI case ï¬?les and packed with such items as autopsy reports, mug shots, lab results, handwritten notes, newspaper clippings, pages ripped from antique books on the occult, and security camera printouts, this fully authorized book is the only one of its kind. Detailing the agents’ investigations into 50 cases of cryptids, biological anomalies, and parapsychic phenomena—from the Flukeman to The Great Mutato to Pusher—The X-Files: The Official Archives showcases some of the show’s greatest villains (some dastardly, some just misunderstood), and instructs future agents on how to successfully investigate the paranormal.
Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America."--BOOK JACKET.
Ce volume rassemble les textes des communications faites lors du symposium organisé à Rouen les 23 et 24 mai 1985. Au cours de ce colloque sur l'hépatotoxicité, les sujets suivants ont été abordés : les aspects chimiques et anatomopathologiques des hépatites aiguës et chroniques d'origine médicamenteuse, les méca¬nismes d'action (qui ont occupé la plus grande partie de ces communications), les mécanismes de protection cellulaire vis-à-vis de certains métabolites toxiques, la quantification de la toxicité hépatique... Il est impossible de tout citer mais il est certain que l'ouvrage constitue un excellent document de travail pour tous ceux qui sont préoccupés par ce problème de l'hépatotoxicité tant expérimentale qu'humaine.
Education for all is a bold, audacious statement. But that is the very goal of open education. Can you imagine a world where access to education materials is free? Where teachers and learners have the right to reuse, revise, remix, localize and translate those materials? Where copies of textbooks and course materials can be retained without cost? Can you imagine a world where teachers and learners co-create education together? A world where learners engage in assignments that generate global public goods benefiting everyone? You may say this isn’t possible, but open educators around the world have been doing this for years. Building on the work of luminaries such as those featured in this book, open education has grown into a global movement transforming education. Each year, Open Education Global opens up nominations for awards to the entire global open education community. As part of the 10th anniversary of these awards, OEGlobal is publishing this Education For All book, collecting all ten years of award winners into a single volume. This book is a celebration of their achievements.
Standard reference provides remarkably full, compact descriptions of fungal pathogens and diseases they cause. Alphabetically arranged, with copious references. Appendix of Hosts and Pathogens. Bibliography.
This new book examines the economic foundations of the European Union and seeks to give the reader a solid grounding of the core concepts that explain why EU law looks and works as it does. Law and Economics of the European Union emphasizes case law and comparisons to analogous doctrines and problems that arise in the implementation of U.S. federalism. The authors strike a balance between the "constitutional" aspects of the EU--the establishment and the delineation of the institutions, with emphasis on their powers vis-^à-vis the states that make up the Union--and the regulatory product of the European Community, in particular the law that implements the freedom of movement of goods, services, persons, and capital. The final chapter looks at competition law in the EU, with multiple comparisons to U.S. antitrust law. This book reflects the authors' judgment that the EU, as an institution and the source of a body of law, has played, and will continue to play, an important role in contemporary international and business life.
“Analyzes how ideas about economics and political philosophy find their way into everything from Star Trek to Malcolm in the Middle.” —Wall Street Journal Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor—whose previous book, Gilligan Unbound, was named one of the best nonfiction books of the year by the Los Angeles Times—explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America?particularly its emphasis on the virtues of spontaneous order?with the Marxist understanding of the “culture industry” and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.
This critical survey examines the historical and thematic relationships between two of the cinema's most popular genres: horror and film noir. The influence of 1930s- and 1940s-era horror films on the development of noir is detailed, with analyses of more than 100 motion pictures in which noir criminality and mystery meld with supernatural and psychological horror. Included are the films based on popular horror/mystery radio shows (The Whistler, Inner Sanctum), the works of RKO producer Val Lewton (Cat People, The Seventh Victim), and Alfred Hitchcock's psychological ghost stories. Also discussed are gothic and costume horror noirs set in the 19th century (The Picture of Dorian Gray, Hangover Square); the noir elements of more recent films; and the film noir aspects of the Hannibal Lecter movies and other serial-killer thrillers.
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