Drawn from five large volumes published between 1825 and 1882, this student's edition showcases the architectural splendor of Renaissance Rome for a new generation. Paul Letarouilly's original work constitutes the standard reference, presenting the mostcomplete collection of plans, elevations, and details of great buildings and monuments designed by Michelangelo, Peruzzi, Vignola, Bernini, and many others. "--
French architect Paul Letarouilly (1795-1855), author of the masterpiece Edifices de Rome Moderne, was unequaled in his observational ability and impeccable drawing skills. He devoted many years of his life living in austerity and refusing paying commissions to compile and draw the intricate details and decorative elements of the most breathtaking buildings in Italy's Vatican City, including St. Peter's Basilica, the Sistine Chapel, the Pontifical Palace, the Museo Pio Clementino, and the Villa Pia. Published in 1882, after his death, Vatican served as an unparalleled sourcebook of everything from plans, elevations, interior room views, and perspective drawings to mosaics, wall panels, door frames, fountains, towers, domes, cornices, and moldings. Prior to the books original publication, these details were not easily replicated in other parts of the world. Vatican gave access to rigorous documentation of the work of some of the most significant Renaissance architects Michelangelo, Bernini, Bramante, Sangallo, and Peruzzi and is now often credited as one of the primary catalysts for the American Renaissance style, the results of which can be seen in any capital city in America. The precision and attention to detail that Letarouilly demanded of his engravers advanced the art of etching in the nineteenth century. Exquisite rendering techniques and precise execution make this book as beautiful as it is useful. Originally published in three volumes, Vatican is presented as a single facsimile edition in our Classic Reprints series and includes a new foreword by architectural historian Ingrid Rowland. Published in association with the Institute of Classical Architecture and Classical America.
The completely updated step-by-step guide to¿capturing experiences in sketch format—regardless of artistic ability Recording your ideas and observations primarily in pictures instead of words can help you become more creative and constructive on the job, no matter what your level of artistic ability. Featuring completely new coverage of visual note-taking in a digital world, Visual Notes for Architects and Designers, Second Edition demonstrates how to make rapid, notational sketches that serve as visual records for future reference, as well as improve understanding and facilitate the development of ideas. It shows you how to expand your knowledge of a subject beyond what is gained through observation or verbal representation alone. You gain access to simple techniques for collecting, analyzing, and applying information. Crowe and Laseau examine the relationship between note-taking, visualization, and creativity. They give practical guidance on how to develop: Visual acuity—the ability to see more in what you experience Visual literacy—expressing yourself clearly and accurately with sketches Graphic analysis—using sketches to analyze observations Numerous examples demonstrate some of the many uses of visual notes. They help you develop a keener awareness of environments, solve design problems, and even get more out of lectures and presentations. The authors also discuss types of notebooks suitable for taking visual notes. If you want to develop your perceptual and creative skills to their utmost, you will want to follow the strategies outlined in Visual Notes for Architects and Designers, Second Edition. It is a valuable guide for architects, landscape architects, designers, and anyone interested in recording experience in sketch form.
Paul Letarouilly's masterpiece, Edifices de Rome Moderne, has been hailed as the most beautiful book on Renaissance architecture ever published. Letarouilly devoted 35 years to drawing the plans, sections, elevations, perspectives, and large-scale details of gardens, convents, palaces, and churches of Renaissance Rome. His keen observational ability and immaculate drawing skills make this work an indispensable sourcebook. In many cases his etchings remain the only measured plans or elevations available; he also recorded buildings destroyed by later demolitions. Princeton Architectural Press's Reprint Series was established in 1981 to make rare volumes on architecture available to a wider audience. The books' beautiful reproductions and finest quality printing and binding match those of the originals, while their 9-by-12-inch format makes them accessible and affordable. New introductions bring a modern voice to these classic texts, updating them to become invaluable contemporary resources. These critically acclaimed books are an essential addition to any library.
French architect Paul Letarouilly (1795-1855), author of the masterpiece Edifices de Rome Moderne, was unequaled in his observational ability and impeccable drawing skills. He devoted many years of his life living in austerity and refusing paying commissions to compile and draw the intricate details and decorative elements of the most breathtaking buildings in Italy's Vatican City, including St. Peter's Basilica, the Sistine Chapel, the Pontifical Palace, the Museo Pio Clementino, and the Villa Pia. Published in 1882, after his death, Vatican served as an unparalleled sourcebook of everything from plans, elevations, interior room views, and perspective drawings to mosaics, wall panels, door frames, fountains, towers, domes, cornices, and moldings. Prior to the books original publication, these details were not easily replicated in other parts of the world. Vatican gave access to rigorous documentation of the work of some of the most significant Renaissance architects Michelangelo, Bernini, Bramante, Sangallo, and Peruzzi and is now often credited as one of the primary catalysts for the American Renaissance style, the results of which can be seen in any capital city in America. The precision and attention to detail that Letarouilly demanded of his engravers advanced the art of etching in the nineteenth century. Exquisite rendering techniques and precise execution make this book as beautiful as it is useful. Originally published in three volumes, Vatican is presented as a single facsimile edition in our Classic Reprints series and includes a new foreword by architectural historian Ingrid Rowland. Published in association with the Institute of Classical Architecture and Classical America.
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