Seven years ago in Cape Town three young white South African schoolboys were abducted in broad daylight on three consecutive days. They were never heard of again. Now, a new case for the unpredictable Colonel Vaughn de Vries casts a light on the original enquiry; for him, a personal failure which has haunted him for those seven years and has cost him his marriage and peace of mind. A former British government agent, friend to De Vries, provides intelligence on this new case, but is any of it admissible? Struggling in a mire of departmental and racial rivalry, De Vries seeks the whole truth and unravels a complex history of abuse, deception and murder. Challenging friends, colleagues and enemies, De Vries comes to realise he doesn't know who is which. Set against the background of Cape Town and the endless, rolling South African veld, this chilling thriller reveals layer after layer of abuse - physical, political and psychological. Shortlisted for the Crime Writer's Association Gold Dagger 2014 (Crime Novel of the Year) Praise for Paul Mendelson: 'An excellent, uncompromising crime thriller made even better by its setting ... the story is two journeys in one, and I'm glad I took both' Lee Child 'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister 'The First Rule of Survival is an incredibly atmospheric, complex and dazzling debut from a thrilling and authentic new voice in crime fiction' Brian McGilloway 'An impressive debut' The Times
When the South African Police Service receive a panicked call for help from the wayward daughter of a former Apartheid-era politician, they discover only her body but, within it, a message which will take Colonel Vaughn de Vries and Don February of the Special Crimes Unit on a journey through their country - and their country's past - to decipher and resolve. As organised crime grips South Africa, new players arrive in Cape Town, determined to exploit the poor and hopeless, promising redemption. While other government agencies snap impotently at the small fish, De Vries, linked by a personal connection, resolves to follow this trail to its source and take it down from the top. As decades old webs of corruption and influence are exposed, and the boundaries of morality blur, his decisions begin to impact on his friends, colleagues and family.
Even after the release of Nelson Mandela and the promise of free elections, extremist groups terrorized South Africa, bombing churches, opening fire in bars and restaurants. Nearly twenty-five years ago, as a young Captain, Vaughn de Vries finds himself in pursuit of the suspects of a fatal bombing in his precinct, under the command of one of the most feared white police officers of the time: Major Kobus Nel. Out of radio communication and without clear evidence, the SAPS barge into a township and set off a chain of events which will resonate for a quarter of a century. In Cape Town in 2015, the heiress of an Apartheid-era industrialist is found murdered, her body posed to suggest a racial hate crime. But, as Colonel Vaughn De Vries investigates, possible motives for her death abound: a highly controversial art exhibition, her sexual preferences, her relationship - as yet unknown by the press - with the son of one of the heroes of The Struggle. And, moving South down through the country, five men are murdered, each with a connection to a point in history De Vries would sooner forget. When the link is made, De Vries must re-live the traumatic event to uncover the perpetrator. Old wounds, hidden in history, are exposed, and a mysterious killer approaches, whom no one seems able to stop. Longlisted for the 2015 Crime Writer's Association Golden Dagger (Crime Novel of the Year) Praise for Paul Mendelson: 'Authoritative and unblinkered fare' Financial Times 'Once more, South Africa is brought vividly to life in a fine crimer which delivers a warm change from the regular diet of Scandinavian angst' Weekend Sport 'The Serpentine Road has been my discovery of the year. Paul Mendelson has the makings of a literary superstar' Jenny Crwys Williams, Radio 702/Cape Talk 567 'In another superb slice of South African noir, Mendelson illuminates the corruption and criminality that plagues a country still haunted by apartheid. A taut thriller which evokes a unique political and geographic landscape' Cath Staincliffe 'An excellent, uncompromising crime thriller made even better by its setting ... the story is two journeys in one, and I'm glad I took both' Lee Child 'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister 'The First Rule of Survival is an incredibly atmospheric, complex and dazzling debut from a thrilling and authentic new voice in crime fiction' Brian McGilloway 'An impressive debut' The Times
In this work, Paul M. Postal supports the universalist theory of language by examining passive clauses. Contrary to a skeptical tradition, Postal argues that passive clauses are cross-linguistically identifiable and characterizable. This study proposes refinements of the analysis of the natural language grammatical category Passive Clause. These refinements include an account of the notion 'dummy nominal,' central to the analysis of impersonal passive clauses; additions permitting a proper typology of the major known subtypes of Passive Clause; a generalization permitting application to clauses whose subjects are not earlier level direct objects; and, construction of precise rule concepts to represent restrictions on passive clauses. The passive domain supports the universalist approach in three distinguishable ways: (1) by permitting formulation of otherwise apparently unstatable lawful characteristics of all passive structures; (2) by facilitating statement of language-specific passive constraints holding in diverse languages; and, (3) by allowing uniform statement in grammars of recurrent constraints on passives. Each mode of support is applied to actual cases based on material from more than a dozen languages from English and French to Quiche (Mayan) and Chi-Mwi:ni (Bantu).
What happens when a truly charismatic creative person, full of the joys of life, someone who loves entertaining people, is struck down by one of the cruellest medical fates?This remarkable and unforgettable book, 'A Star in his own Imagination', answers that question.Paul Allen, in telling us about his extraordinary life and his love of life, not only fights back against his medical condition but also shows he is the master of it. As he says:'This is a lighthearted and sometimes amusing account of my somewhat colourful life. It is full of ups and downs but has never been dull. It will appeal to anyone who has suffered a severe stroke or anyone who just wants to read about my life.'This book will change how you feel about people, about life, about destiny and about love.
An argument that there are three kinds of English grammatical objects, each with different syntactic properties. In Edge-Based Clausal Syntax, Paul Postal rejects the notion that an English phrase of the form [V + DP] invariably involves a grammatical relation properly characterized as a direct object. He argues instead that at least three distinct relations occur in such a structure. The different syntactic properties of these three kinds of objects are shown by how they behave in passives, middles, -able forms, tough movement, wh-movement, Heavy NP Shift, Ride Node Raising, re-prefixation, and many other tests. This proposal renders Postal's position sharply different from that of Chomsky, who defined a direct object structurally as [NP, VP], and with the traditional linguistics text's definition of the direct object as the DP sister of V. According to Postal's framework, sentence structures are complex graph structures built on nodes (vertices) and edges (arcs). The node that heads a particular edge represents a constituent that bears the grammatical relation named by the edge label to its tail node. This approach allows two DPs that have very different grammatical properties to occupy what looks like identical structural positions. The contrasting behaviors of direct objects, which at first seem anomalous—even grammatically chaotic—emerge in Postal's account as nonanomalous, as symptoms of hitherto ungrasped structural regularity.
From the author of the acclaimed The First Rule of Survival, praised by Lee Child as 'excellent and uncompromising', comes Paul Mendelson's explosive latest thriller. Apostle Lodge looks out over the ocean, an award-winning mansion built by a renowned architect. Stark and minimal, its black opaque windows hide a terrible secret. As Colonel Vaughn de Vries investigates the depraved crime committed within its walls, he believes there may be more than one killer on the loose, all with connections to a charismatic man who, as a child, drowned his sister and shattered his family. And his work is not over yet. 'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister 'Mendelson plots so smoothly and writes so powerfully' The Guardian
This volume consists of an introduction and two groups of essays by Paul M. Postal, each with a connecting theme. The first, positive group of papers, contains five previously unpublished studies of English syntax. These include a long study of so-called "locative inversion," two investigations related to raising to non-subject status, an argument for the existence of a hitherto ignored nominal grammatical category and a study of vulgar negative polarity items. Each investigation of specific English details is argued to have significant theoretical consequences. The second, negative group of papers, contains seven essays each of which seeks to show that aspects of contemporary linguistic activity are in part contaminated by elements of what is called "junk linguistics." Postal uses the term to denote work which advances proposals, puts forward claims and asserts deep results which, he argues, can only be accepted by ignoring serious standards of inquiry and scholarship. Postal claims that much of this work is nonetheless currently considered not only serious but prestigious reveals the problem to exist at the core of the field, not its periphery. These chapters include documentation of "junk linguistic" aspects in National Science Foundation refereeing, work on the foundations of linguistics, and even in widespread terminological usages. The final chapter briefly lists personal suggestions for dealing with this problem.
Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. The Networked Leviathan argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. This book is also available Open Access on Cambridge Core. For more information, visit https://networked-leviathan.com.
The Online Journalism Handbook offers a comprehensive guide to the ever-evolving world of digital journalism, showcasing the multiple possibilities in researching, writing, and storytelling provided by new technologies. In this new edition, Paul Bradshaw presents an engaging mix of technological expertise with real-world practical guidance to illustrate how those training and working as journalists can improve the development, presentation, and global reach of their stories through webbased technologies. Thoroughly revised and updated, this third edition features: A new chapter dedicated to writing for email and chat, with updated case studies New sections covering online abuse, news avoidance, and trust Updated coverage of accessibility, inclusivity, and diversity in sourcing, writing for social media, and audio and video New formats, including social audio, audiograms, Twitter threads, the “Stories” format, charticles, and “scrollytelling” Expanded international examples throughout The Online Journalism Handbook is an essential guide for all journalism students and professional journalists and will also be of interest to digital media practitioners. The companion website for this book further enhances student knowledge through regularly updated case studies, real-time development reports, and in-depth discussion pieces from cutting-edge sources.
Paul M. Pietroski presents an ambitious new account of human languages as generative procedures that respect substantive constraints. He argues that meanings are neither concepts nor extensions, and sentences do not have truth conditions; meanings are composable instructions for how to access and assemble concepts of a special sort.
This book examines the Trump phenomenon and presidency as fascist. Fascism here connotes not generically "bad" politics or a consolidated political-economic regime (Mussolini’s Italy or Hitler’s Germany) but a set of political, movement, and ideological traits understood within the context of the neoliberal-capitalist era. While Trump’s election defeat is a respite, the nation is far from out of the neofascist woods. Defeating the menace will require political and societal restructuring far beyond what is imagined by Democrats. This argument is developed across seven chapters that recount Trump’s assault on the 2020 election, specifically define the meaning of fascism as it is used in this book, demonstrate the neofascist nature of the Trump presidency, engage intellectual class Trumpism-fascism-denial, analyze the Trump base, root Trumpism in a longstanding and indeed founding American white nationalism, examine why Trump rose to power when he did, and suggest paths for fascism-proofing the USA.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
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