This book studies the research perspective in which the literary inhabitants of Late Antique and medieval Constantinople remembered its past and conceptualised its existence as a Greek city that was the political capital of a Christian Roman state. Initial reactions to Constantine’s foundation noted its novel Christian orientation, but the memorial mode of writing about the city that developed from the sixth century recollected the traditional civic cultural heritage that Constantinople claimed both as the New Rome, and as the continuation of ancient Byzantion. This research culture increasingly became the preserve of the imperial bureaucracy, and focused on the city’s sculptured monuments as bearers of eschatological meaning. Yet from the tenth century, writers progressively preferred to define the wonder and spectacle of Constantinople in the aesthetic mode of urban praise inherited from late antiquity, developing the notion of the city as a cosmic theatre of excellence.
This volume represents the first attempt to examine occult sciences as a distinct category of Byzantine intellectual culture. It is concerned with both the reality and the image of the occult sciences in Byzantium, and seeks, above all, to represent them in their social and cultural context as a historical phenomenon. The eleven essays demonstrate that Byzantium was not marginal to the scientific culture of the Middle Ages, and that the occult sciences were not marginal to the learned culture of the medieval Byzantine world.
Perhaps because of the fact that modern Greece is, through the Orthodox Church, inextricably linked with the Byzantine heritage, the precise meaning of this heritage, in its various aspects, has hitherto been surprisingly little discussed by scholars. This collection of specially commissioned essays aims to present an overview of some of the different, and often conflicting, tendencies manifested by modern Greek attitudes to Byzantium since the late eighteenth-century Enlightenment. The aim is to show just how formative views of Byzantium have been for modern Greek life and letters: for historiography and imaginative literature, on the one hand, and on the other, for language, law, and the definition of a culture. All Greek has been translated, and the volume is aimed at Byzantinists and Neohellenists alike.
This book studies the research perspective in which the literary inhabitants of Late Antique and medieval Constantinople remembered its past and conceptualised its existence as a Greek city that was the political capital of a Christian Roman state. Initial reactions to Constantine’s foundation noted its novel Christian orientation, but the memorial mode of writing about the city that developed from the sixth century recollected the traditional civic cultural heritage that Constantinople claimed both as the New Rome, and as the continuation of ancient Byzantion. This research culture increasingly became the preserve of the imperial bureaucracy, and focused on the city’s sculptured monuments as bearers of eschatological meaning. Yet from the tenth century, writers progressively preferred to define the wonder and spectacle of Constantinople in the aesthetic mode of urban praise inherited from late antiquity, developing the notion of the city as a cosmic theatre of excellence.
Byzantium's Balkan Frontier is the first narrative history in English of the northern Balkans in the tenth to twelfth centuries. Where previous histories have been concerned principally with the medieval history of distinct and autonomous Balkan nations, this study regards Byzantine political authority as a unifying factor in the various lands which formed the empire's frontier in the north and west. It takes as its central concern Byzantine relations with all Slavic and non-Slavic peoples - including the Serbs, Croats, Bulgarians and Hungarians - in and beyond the Balkan Peninsula, and explores in detail imperial responses, first to the migrations of nomadic peoples, and subsequently to the expansion of Latin Christendom. It also examines the changing conception of the frontier in Byzantine thought and literature through the middle Byzantine period.
This book opens from the viewpoint of a four year old child who sees his father leave to fight in World War II and how it affects him. After the war our family moves into a new subdivision made up of all manner of WW II vets. Our house neighbored a five acre dairy farm. When the farm owner dies, the widow makes a bad decision that causes an invasion of rats. After a battle with the rats, the widow begins boarding horses which we were allowed to ride in exchange for caring for them. Our family fell into hard times in the mid-50's, the house was sold, and a move took place to a rural town (Arnold, Mo). The move occurred at a time which placed the author in a unique historical event, the graduation of Fox High School's very first senior class. After Graduation the author served three years in the U.S. Army, twenty six months of it in Germany. He was in Germany when the Berlin Wall was built It was also while the author was in Germany that the he received Jesus Christ as Savior. This book goes on to show what a Radical and beautiful change that Jesus makes in the Author's life to give it meaning and purpose.
The way people see the past tells us much about their present interests and about their sense of identity. This book examines both what men of the day knew about their past, and in particular about the Roman Empire, and shows how such knowledge was used to authenticate claims and attitudes. These original essays, by distinguished scholars, are wide-ranging both geographically, from Russia to Iberia, and in scope, dealing with legal, ecclesiastical, noble and scholarly attitudes.
This “knowledgeable account” of the emperor who brought Christianity to Rome “provides valuable insight into Constantine’s era” (Kirkus Reviews). “By this sign conquer.” So began the reign of Constantine. In 312 A.D. a cross appeared in the sky above his army as he marched on Rome. In answer, Constantine bade his soldiers to inscribe the cross on their shield, and so fortified, they drove their rivals into the Tiber and claimed Rome for themselves. Constantine led Christianity and its adherents out of the shadow of persecution. He united the western and eastern halves of the Roman Empire, raising a new city center in the east. When barbarian hordes consumed Rome itself, Constantinople remained as a beacon of Roman Christianity. Constantine is a fascinating survey of the life and enduring legacy of perhaps the greatest and most unjustly ignored of the Roman emperors—written by a richly gifted historian. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance. “Successfully combines historical documents, examples of Roman art, sculpture, and coinage with the lessons of geopolitics to produce a complex biography of the Emperor Constantine.” —Publishers Weekly
When the First Crusade ended with the conquest of Jerusalem in 1099, jubilant crusaders returned home to Europe bringing with them stories, sacred relics, and other memorabilia, including banners, jewelry, and weapons. In the ensuing decades, the memory of the crusaders' bravery and pious sacrifice was invoked widely among the noble families of western Christendom. Popes preaching future crusades would count on these very same families for financing, leadership, and for the willing warriors who would lay down their lives on the battlefield. Despite the great risks and financial hardships associated with crusading, descendants of those who suffered and died on crusade would continue to take the cross, in some cases over several generations. Indeed, as Nicholas L. Paul reveals in To Follow in Their Footsteps, crusading was very much a family affair. Scholars of the crusades have long pointed to the importance of dynastic tradition and ties of kinship in the crusading movement but have failed to address more fundamental questions about the operation of these social processes. What is a "family tradition"? How are such traditions constructed and maintained, and by whom? How did crusading families confront the loss of their kin in distant lands? Making creative use of Latin dynastic narratives as well as vernacular literature, personal possessions and art objects, and architecture from across western Europe, Paul shows how traditions of crusading were established and reinforced in the collective memories of noble families throughout the twelfth and thirteenth centuries. Even rulers who never fulfilled crusading vows found their political lives dominated and, in some ways, directed by the memory of their crusading ancestors. Filled with unique insights and careful analysis, To Follow in Their Footsteps reveals the lasting impact of the crusades, beyond the expeditions themselves, on the formation of dynastic identity and the culture of the medieval European nobility.
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