Paul Stuart's first three novels are presented in one volume, as a trilogy. Who Did You Sit Next To Today? is followed by Hell Has No Fury as the women characters take central stage. Events reach their climax in That's None of Your Business as The Biker, Ray Quinn, shows his mettle. Incredible twists and turns. Just when you think you know what is going to happen, you turn the page and find you're completely wrong.
John Lomax is forced to use his mobile phone in public on a crowded train, after a bad weekend at home. He hates people who show off in this way. His conversation is overheard and his life changes forever as people use information against him. DCI Sandy Lane enters his life and it spirals out of control. The women involved play a subtle and increasingly vital role and control changes hands. John's friend, The Biker, is called upon to help and he has to use all his guile and cunning to prevent catastrophe.
1990s. An unfortunate coincidence on the North Norfolk coast leads to the mysterious disappearance of Lieutenant John McAdam. Commander Tom Falconer has just taken early retirement from the Royal Navy to explore pastures new with Alice Silk, the woman in his life.
The Pulitzer Prize– and Bancroft Prize–winning epic history of the American Southwest from the acclaimed twentieth-century author of Lamy of Santa Fe. Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations—Native American, Spanish, Mexican, and Anglo-American—that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing. “Here is known and unknown history, emotion and color, sense and sensitivity, battles for land and the soul of man, cultures and moods, fused by a glowing pen and a scholarly mind into a cohesive and memorable whole.” —The Boston Sunday Herald “Transcends regional history and soars far above the river valley with which it deals . . . a survey, rich in color and fascinating in pictorial detail, of four civilizations: the aboriginal Indian, the Spanish, the Mexican, and the Anglo-American . . . It is, in the best sense of the word, literature. It has architectural plan, scholarly accuracy, stylistic distinction, and not infrequently real nobility of spirit.” —Allan Nevins, author of Ordeal of the Union “One of the major masterpieces of American historical writing.” —Carl Carmer, author of Stars Fell on Alabama
Broadcasting the Blues: Black Blues in the Segregation Era is based on Paul Oliver's award-winning radio broadcasts from the BBC that were created over several decades. It traces the social history of the blues in America, from its birth in the rural South through the heyday of sound recordings. Noted blues scholar Paul Oliver draws on decades of research and personal interviews with performers--some of whom he "discovered" and recorded for the first time--to draw a picture of how the blues aesthetic developed, giving new insights into the role blues played in American society before racial integration. The book begins by outlining the history of the blues from African music through country stomps, ragtime songs, and field hollers. From the heroic figures of black folksong--including the steel-driving railroad worker John Henry and the destructive Boll Weevil--to the content of the emerging blues, the author discusses the "meaning" behind the often coded words of the blues, evoking topics such as playful sexuality, magic and medicine, the stresses of segregation, and commentary on national events. Finally, the author traces the history of blues documentation, showing how our views of the early blues have been shaped through a complex interplay of social forces, and indicating possible lines for future research.
A fresh post-apocalyptic anthology: the end of the world seen through the salvage and ruins. Featuring Emily St John Mandel, Carmen Maria Machado and more. WHAT WOULD YOU SAVE FROM THE FIRE? In the moments when it all comes crashing down, what will we value the most, and how will we save it? Digging through the layers of ruined cities beneath your feet, living in the bombed-out husk of a city, hiding from the monsters on the other side of the wall, can we turn the cataclysm into an opportunity? Featuring new and exclusive stories, as well as classics of the genre, Grassmann takes us through the fall and beyond, to the things that are created after. Calling on the finest traditions of post-apocalyptic fiction, this anthology asks us what makes us human, and who we will be when we emerge out of the ruins? Featuring work from China Miéville, Emily St John Mandel, Clive Barker, Carmen Maria Machado, Charlie Jane Anders, Samuel R. Delaney, Ramsey Campbell, Lavie Tidhar, Kaaron Warrern, Anna Tambour, Nina Allan, Jeffrey Thomas, Paul Di Filippo, Ron Drummond, Nikhil Singh, John Skipp, Autumn Christian, Chris Kelso, Rumi Kaneko, Nick Mamatas and D.R.G. Sugawara.
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
John Lomax and DCI Sandy Lane continue their bitter feud. The women in their respective lives become entangled and events take unexpected turns. The Biker lurks in the background and influences all around him. Just who can be trusted and who will survive?
The lives of American cowboys have been both real and mythic. This work explores cowboy music dress, humour, films and literature in sixteen essays and a bibliography. These essays demonstrate that the American cowboy is a knight of the road who, with a large hat, tall boots and a big gun, rode into legend and into the history books.
Paul Stuart does it again! His 3rd novel in the Connections series never lets you rest. With more twists and turns than a Cornish lane, you won't want to put it down. The John Lomax story reaches its climax in stunning fashion. Can Lomax survive? Does his beloved Leanne stay with him? What about Billy? Ray Quinn drives the plot but is he even safe? Hold on to your hat; it's a bumpy ride.
This unique, full-color reference offers a total team approach to radiation oncology treatment planning, incorporating the newest imaging techniques and offering a comprehensive discussion of clinical, physical, biological and technical aspects. A clear focus on the application of physical and clinical concepts to solve treatment planning problems helps you provide effective, state-of-the-art care for cancer patients. With authoritative coverage of the latest in sophisticated radiation oncology treatment modalities, the 4th Edition of Khan’s Treatment Planning in Radiation Oncology is an essential resource for the radiation oncologist, medical physicist, dosimetrist, and radiation therapist.
Sociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its own right, as an accompaniment or byproduct of phenomena they studied (such as youth culture or the drug scene), or as a means for obtaining social compliance (as in religious ceremonies or in the military). This book goes one step toward remedying this situation by culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of the extensive writings on music and society by Paul Honigsheim.
A fascinating and intricately woven tale of opium trade, evangelism, scientific discovery and political intrigue, Anglo-European Science and the Rhetoric of Empire: Malaria, Opium and British Rule in India 1756-1895 documents the contribution of a medical misconception to the preservation of British Rule in India. British authorities, desperate to shield the India-China Opium Trade from the escalating criticism of Christian evangelists and missionaries, endorsed the claim that opium prevented and cured malaria. This scientific validation of a vital source of revenue helped decimate the anti-opiumist movement, allowing the Indian government to vastly expand poppy cultivation in the name of both economic prosperity and public health. In this thoroughly researched and immensely readable history, author Paul Winther provides a revealing look at the complex and often unexpected negotiations that enable scientific authority to legitimize political and economic gain.
Emily is the newest recruit to an elite, highly secret, unit formed to target enemies of the realm. It started with Ray Quinn, ex SAS and now retired and now Frank holds the reins. His daughter Emily, already a proven operative, has to investigate multiple murder, arms smuggling and other mysteries. She has a gift; a special gift. She doesn't think in straight lines. But she's not a team player and that causes problems. She also has a terrible illness and has to cope with its effects. To cap it all, she falls in love with Books. He has become a member of the team and their relationship blossoms in the face of adversity.
This is the story of the 1st Air Landing Light Regiment RA and its role in the Italian campaign and at the Battle of Arnhem. It is also the story of one of its soldiers: 14283058 Gunner Eric Wright Chrystal, father of the authors. Eric joined the army in September 1942 and, after training, joined the newly formed glider-borne regiment the following year. He first saw action in Italy in 1943, where he was seriously wounded. On 17 September 1944, two years to the day since he enlisted, he and the regiment were landed by glider near to Arnhem in the Netherlands. The authors recount set their father’s experiences in context by describing the formation of the unit and the many months of training in England. Their involvement in the Italian campaign, where Eric served with E Troop, 3 Battery, is then recounted, detailing their actions at Rionero, Foggia and Campobasso, where Eric was wounded. It then moves on to describe 1st Air Landing Light Regiment’s preparation for and involvement in Operation Market (the Airborne half of Market Garden). This very detailed account of the fighting highlights the regiment’s pivotal (but often neglected) role near Arnhem bridge. Here, after nine days of intense combat, Eric was among the many captured and held until the end of the war. The inclusion of Eric’s own eyewitness testimony lends a very personal touch to this excellent account of the regiment’s experience of combat and life in the PoW camps.
The days of slaughtering buffalo were supposedly over, mainly because there were so pitifully few of them remaining. But with top dollar on offer for their severed heads as trophies, some hunters just can't resist. In Yellowstone Park, where such poaching is illegal, Captain Moses Harris and his company of US Cavalry are assigned the job of stopping them. Yet in the depths of winter, following an apparently motiveless murder on the army post in Mammoth, the captain begins to realise that it is not just the buffalo that are threatened by greed and corruption. With a merciless hired gun on the loose, Harris sends army scout Deke Wilson and a squad of soldiers in pursuit. This triggers a sequence of events involving high finance and the Northern Pacific Railroad, which not only endangers the lives of them all, but also the very survival of America's first national park.
Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century.
The Genius of George Bernard Shaw is a criticism of George Bernard Shaw’s work that explores his art, aesthetics, philosophy, and revolutionary ideas. Shaw wrote his plays raising and dealing with the problems of individuals, families, society, nations, and the world. It is occasionally stated that Shaw’s support for totalitarianism grew out of his frustration with nineteenth-century liberalism, which ineffectually culminated in a disastrous world war. Yet, close analysis to two of Shaw’s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. Indeed, further analysis of a number of plays from before the war shows the impulse to be persistent and undeniable. Shaw hated disorder, and he wanted to see society managed efficiently by a small caste of technocratic experts who were at the same time, in Karl Popper’s memorable phrase, utopian social engineers. He had very little confidence in the average man and woman, who could not work mentally at the same speed? as the Fabian executive committee, his ideal of what a ruling caste would look like. Shaw’s ideal society, what I am calling his utopian vision, resembles Plato’s ideal city or Comte’s Religion of Humanity more than any society that has presumably ever existed on earth. This need for absolute order and control found many means of expression in both his life and work and was intricately bound up with his longing for perfection. This book is useful for world teachers, students, and research scholars in English in schools, colleges, universities all over the world.
Based on Paul Newham's experience as a voice therapist and on his work running a professional training course in the psychotherapeutic use of singing, this text explores both the theory and practice behind the use of voice and singing in expressive arts therapy.
This is an inquiry into the blues and the mind, a study of the blues as thought. The subconscious power of the blues is examined from a poetic and psychological perspective, illuminating the blues' deepest creative sources and exploring its far-reaching influence and appeal. Like Surrealist poetry in particular, blues communicate through highly charged symbols of aggression and desire--eros, crime, magic, night, and drugs, among others. An analysis of classic blues lyrics, along with source material from Freud and James Frazer, to Breton and Marcuse, conveys the blues' major poetic function of spiritual revolt against repression.
North Carolina's state constitution charts the evolution over two centuries of a modern representative democracy. In The North Carolina State Constitution, John V. Orth and Paul M. Newby provide an outstanding constitutional and historical account of the state's governing charter. In addition to an overview of North Carolina's constitutional history, it provides an in-depth, section-by-section analysis of the entire constitution, detailing the many significant changes that have been made since its initial drafting. This treatment, along with a table of cases, index, and bibliography provides an unsurpassed reference guide for students, scholars, and practitioners of North Carolina's constitution. Co-authored by Paul M. Newby, a sitting justice of the North Carolina Supreme Court, the second edition includes significant constitutional amendments adopted since the date of the first edition. Almost every article was affected by the changes. Some were minor-such as the lengthening the term of magistrates-and some were more significant, such as spelling out the rights of victims of crimes. One was obviously major: granting the governor the power to veto legislation-making North Carolina's governor the last American governor to be given that power. In addition, the North Carolina Supreme Court has continued the seemingly never-ending process of constitutional interpretation. Some judicial decisions answered fairly routine questions about the powers of office, such as the governor's clemency power. Others were politically contentious, such as deciding the constitutional constraints on legislative redistricting. And one continues to have momentous consequences for public education, recognizing the state's constitutional duty to provide every school child in North Carolina with a "sound, basic education." The Oxford Commentaries on the State Constitutions of the United States is an important series that reflects a renewed international interest in constitutional history and provides expert insight into each of the 50 state constitutions. Each volume in this innovative series contains a historical overview of the state's constitutional development, a section-by-section analysis of its current constitution, and a comprehensive guide to further research. Under the expert editorship of Professor G. Alan Tarr, Director of the Center on State Constitutional Studies at Rutgers University, this series provides essential reference tools for understanding state constitutional law. Books in the series can be purchased individually or as part of a complete set, giving readers unmatched access to these important political documents.
Called to work on social justice in the church in the early 1960s, Paul Kittlaus tells his story of defining the issues for his time, finding colleagues who would be trusty companions on a rather rough path, learning and teaching skills for social change, and empowering both clergy and laity to define their faith in terms of justice for those who are poor and marginalized. He also calls to the church of today to place social change and justice at the center of its ministry.
This eclectic, funny, and moving book tracks a life lived in music and words. Paul Quarrington ruminates on the bands of his childhood; his restless youth, spent playing bass with the cult band Joe Hall and the Continental Drift; and his incarnation, in middle age, as rhythm guitarist and singer with the band Porkbelly Futures. Ranging through rock ’n’ roll, the blues, folk, country and soul, he explores how songs are made, how they work, and why they affect us so deeply. This is also a book about friendship. In his imitably entertaining way, Quarrington recounts the adventures and vicissitudes he and his fellow band members share as they cope with everything from broken strings to broken marriages, making a last stab at that elusive thing called success.
Max Harrison . . . surveys the whole history and development of jazz in a concise, well written and well illustrated . . . article together with an extensive bibliography.' —Richard D. C. Noble, Times Literary Supplement The chapters of this book are in roughly chronological sequence: Spirituals, Blues, Gospels, Ragtime, and Jazz. The first three are by Paul Oliver, whose New Grove entry on the Blues is widely regarded as the definitive brief history of the genre. He has revised and expanded it for this book publication and, in addition, has extended the coverage of his essays on Spirituals in The New Grove to discuss both black and white traditions. Similarly, Oliver has revised and recast his coverage of Gospel music, which has been considerably expanded. Max Harrison's long entry on Jazz, which has also been extended, draws together the separate strands of the book to discuss the concept of Jazz as a matrix of mutually influential folk and popular styles. William Bolcom's short and definitive article on Ragtime has been revised, and all the bibliographies have been updated to include new and important works.
The Pennsylvania state leagues of the 1880s and 1890s rank among the most interesting minor leagues in the history of baseball. The rules were changing, the world around baseball, particularly the economy, was changing and things that would seem impossible in a later time were happening every year. These leagues had not only black players but also wholly black teams. They had great major leaguers--on their way up but also on the way back down. In fact, the greatest player of the age, surrounded by what would have been a major league all-star team only a few years before, played in a Pennsylvania minor league for almost a full season. The play was exciting, the players were exciting and the owners, managers and league politics were often more interesting than the games.
At the age of 87, Mike Wallace is a legendary figure in broadcast journalism. Now, after 60 years of reporting on important events around the world, he shares his personal stories about the incredible range of celebrities, newsmakers, criminals, and world leaders who have subjected themselves to his unique brand of questioning. Through Wallace's intimate observations about these figures, we experience afresh the pivotal events that have shaped our world. Here, we meet the guilt-racked Secret Service agent assigned to John F. Kennedy's car in Dallas. We learn about the candid moment when President Nixon revealed an unexpected softer side. We witness the underpinnings of the century's greatest social movement through Wallace's eyes as he manages to earn the trust of major civil rights leaders, and we see the trauma Wallace experienced while covering the conflict in Israel. These off-camera anecdotes and fascinating excerpts from Wallace's interviews--with everyone from Eleanor Roosevelt to all the presidents of the last half century, from Frank Lloyd Wright to Johnny Carson, from Margaret Sanger to Malcom X--give us a new perspective on some of the greatest lives and minds of our time. With a reporter's eye for detail, Wallace mingles laughter, tragedy, and revelatory insight in a memoir unlike any other. For anyone who's ever wondered what it's like to make history for a living, this is a must-read.
Paul Stuart's 3 Exmoor novels are presented in one superb hardback collection. This is a limited edition of only 100 copies. Experience the magic of Exmoor and be prepared for huge surprises along the way. The plot races along and almost every page raises an eyebrow.
Risk and Nursing Practice introduces the reader to a range of sociological theory that has arisen about the 'risk society'. Theories about risk and society are specifically related to aspects of health care and nursing practice that have become highly thematic, such as violence against nurses, techniques of risk assessment and risk management.
The Web is always moving, always changing. As some Web sites come, others go, but the most effective sites have been well established. A Subject Guide to Quality Web Sites provides a list of key web sites in various disciplines that will assist researchers with a solid starting point for their queries. The sites included in this collection are stable and have librarian tested high-quality information: the most important attribute information can have.
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
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