As we make our way into the twenty-first century, many Christians are looking for an expression of discipleship that speaks meaningfully to our time, a faith yearning that is at once personally intimate and relevant and that grows out of and nurtures authentic Christian community. The Pilgrim's Compass shepherds readers through a metaphorical pilgrimage to consider one's life a journey for faith formation. Using this book as a guide to help Christians consider their journey as they walk through the four stages of intentional faithfulness, disciples will encounter God, wrestle with God, be wounded as will God, and be reborn as a new person with a new name. The Pilgrim's Compass encourages individuals to embrace the ancient practice of pilgrimage both as metaphor for the daily walk of discipleship and as an intentional journey of faith, which uses prayerful travel to assist an inner transformation.
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.
Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.
Responses from research training needs surveys, session evaluations from research training workshops, and eLearning feedback collected between 2017 and 2019 from 7176 participants from across 153 countries were analysed. This analysis provided a range of research skills topics and subject areas that generated a core list of 98 potential essential research skills training themes. These potential themes were reviewed by health research experts and stakeholders through a Delphi consensus process to assess their relevance as an essential research skill.
Peter Lampe's work has covered a wide range of fields, the common denominator being his interest in contextualizing belief systems. Mirroring his multifaced work, the authors pursue his interest from different interdisciplinary angles, addressing the interdependence between religious expressions and their situations or contexts. The application of theoretical models to texts examples flanks the inspiring theoretical – epistemological and methodological – reflections. Studies in socio-economic and political history adjoin archaeological, epigraphic, papyrological and iconographic investigations. (Social-)psychological interpretations of texts complement rhetorical analyses. The hermeneutical reception of biblical materials in, for example, the Koran and Christian Chinese or Orthodox contexts, as well as in religious education and homiletics, rounds off the volumes.
Ce catalogue, qui accompagne une grande exposition au Musée des Beaux-Arts du Canada, présente une vaste sélection d'oeuvres d'art français et danois du XIXe siècle et du début du XXe siècle conservées au prestigieux musée Ordrupgaard près de Copenhague. La collection Ordrupgaard, constituée essentiellement entre 1892 et 1931 par le magnat de l'assurance Wilhelm Hansen (18686-1936), offre un spectaculaire panorama de la peinture française, d'Eugène Delacroix à Paul Cézanne, ainsi que de magnifiques exemples de l'âge d'or danois. Entièrement illustré, cet ouvrage permet de découvrir les pièces phares de la collection à travers un essai de Paul Lang, directeur adjoint et conservateur en chef du Musée des Beaux-Arts du Canada. Il contient en outre de remarquables ensembles d'oeuvres qui reflètent différentes étapes de la carrière de peintres tels que Jean-Baptiste-Camille Corot, Gustave Courbet, Camille Pissaro, Claude Monter, Alfred Sisley, Paul Gauguin, C. W. Eckersberg et Vilhelm Hammershoi. Si la publication met à l'honneur les impressionnistes français et les peintres danois, d'autres mouvements artistiques français du XIXe siècle -souvent antagonistes- dont l'Ecole de Barbizon et le réalisme, y sont également bien représentés.
Companyédition 5 Continents/Musée des Beaux Arts Ottawa
Published Date
ISBN 10
8874398107
ISBN 13
9788874398102
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