This is a curated collection of Krassner's satirical writing and reporting that serves both as a look back on his career and as a memoir. One of his most infamous works, "The Parts That Were Left Out of the Kennedy Book," made outrageous claims that some people thought were true. He reports from a swingers' event and a conspiracy convention - and from the trial of Dan White for the murders of San Francisco Mayor George Moscone and Supervisor Harvey Milk during which Krassner coined the term "the Twinkie defense." He also includes anecdotes about encountering celebrities such as Lenny Bruce, Johnnie Cochran, Ram Dass, Larry Flynt, Squeaky Fromme, Dick Gregory, Charles Manson, and Robin Williams - and that time he took an acid trip with Groucho Marx.
Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”
Fans of The Daily Show will appreciate this timely collection of satirical essays by counterculture icon Paul Krassner. With irreverence and an often X-rated wit, Krassner writes with a unique perspective on comedy and obscenity in politics and culture, from "Bong Hits 4 Jesus" banners to scenes cut out of movies including Borat and Milk. In his essay "Don Imus Meets Michael Richards," Krassner examines racism in comdey, from Lenny Bruce to Dave Chapelle, on The Sarah Silverman Snow and Curb Your Enthusiasm and in controversial comic strips like The Bookdocks. In his piece "The Great Muhammad Cartoon Controversy," he looks at free speech and self-censorship in the face of threats—real and perceived—from religious fundamentalists. Throughout, Krassner riffs about busted public figures, counterculture, free speech, late-night talk shows, censorship, sex and the current state of satire. "These are times of repression," says Krassner, "and the more repression there is, the more there is for irreverence toward those in authority." Paul Krassner is an author, journalist, stand-up comedian and founder of the freethought magazine the Realist, which he published from 1958 to 2001. He was a co-founder of the Yippies and a member of Ken Kesey's Merry Pranksters. He received an Upton Sinclair Award for dedication to freedom of expression. Krassner was a close friend of Lenny Bruce and the editor of Bruce's autobiography, How to Talk Dirty and Influence People. A prolific writer, his articles have appeared in Rolling Stone, Spin, Playboy and many other venues. He has been a guest on Late Night with Conan O'Brien and Politically Incorrect with Bill Maher and writes regularly for High Times, Adult Video News and Huffington Post.
This is a curated collection of Krassner's satirical writing and reporting that serves both as a look back on his career and as a memoir. One of his most infamous works, "The Parts That Were Left Out of the Kennedy Book," made outrageous claims that some people thought were true. He reports from a swingers' event and a conspiracy convention - and from the trial of Dan White for the murders of San Francisco Mayor George Moscone and Supervisor Harvey Milk during which Krassner coined the term "the Twinkie defense." He also includes anecdotes about encountering celebrities such as Lenny Bruce, Johnnie Cochran, Ram Dass, Larry Flynt, Squeaky Fromme, Dick Gregory, Charles Manson, and Robin Williams - and that time he took an acid trip with Groucho Marx.
Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”
The pieces in Pot Stories for the Soul are funny, whimsical, bizarre, poignant, informational, shocking, and, yeah, soulful. They are about love, hate, escape, reality, the paranormal, Allen Ginsberg, Ken Kesey, Michelle Phillips, Hunter Thompson, Abbie Hoffman, Wavy Gravy and peanut butter. Ultimately, these stories reveal the wide, weird, and wonderful subculture of stoners, where the reefers are mad, the joints are fat, and the buzz lasts for six-and-a-half days. Mainstream America has had an uneasy relationship with marijuana. Once a legal substance, the 1930s saw a massive campaign against the "Devil's Harvest" that led to pot being rendered illegal. In the 1960s, marijuana became one of the defining elements of the counterculture before once again being shunted to the sidelines. Over the last decade, however, marijuana has gone mainstream and has been the topic of seminars, expos, concerts, comedy routines, movies, TV shows, and college courses across the country. Originally published by High Times in 1999, Pot Stories for the Soul won the Firecracker Alternative Book Award and also became a Quality Paperback Book Club selection. This brand-new edition includes several new essays by Paul Krassner, plus his foreword, his afterword, and the evolution of cannabis sanity in between.
Fans of The Daily Show will appreciate this timely collection of satirical essays by counterculture icon Paul Krassner. With irreverence and an often X-rated wit, Krassner writes with a unique perspective on comedy and obscenity in politics and culture, from "Bong Hits 4 Jesus" banners to scenes cut out of movies including Borat and Milk. In his essay "Don Imus Meets Michael Richards," Krassner examines racism in comdey, from Lenny Bruce to Dave Chapelle, on The Sarah Silverman Snow and Curb Your Enthusiasm and in controversial comic strips like The Bookdocks. In his piece "The Great Muhammad Cartoon Controversy," he looks at free speech and self-censorship in the face of threats—real and perceived—from religious fundamentalists. Throughout, Krassner riffs about busted public figures, counterculture, free speech, late-night talk shows, censorship, sex and the current state of satire. "These are times of repression," says Krassner, "and the more repression there is, the more there is for irreverence toward those in authority." Paul Krassner is an author, journalist, stand-up comedian and founder of the freethought magazine the Realist, which he published from 1958 to 2001. He was a co-founder of the Yippies and a member of Ken Kesey's Merry Pranksters. He received an Upton Sinclair Award for dedication to freedom of expression. Krassner was a close friend of Lenny Bruce and the editor of Bruce's autobiography, How to Talk Dirty and Influence People. A prolific writer, his articles have appeared in Rolling Stone, Spin, Playboy and many other venues. He has been a guest on Late Night with Conan O'Brien and Politically Incorrect with Bill Maher and writes regularly for High Times, Adult Video News and Huffington Post.
Counterculture legend Paul Krassner gazes on the fires of pop culture, politics and celebrity and returns unscathed to help us make sense of our senseless world, with an introduction by Lewis Black (The Daily Show) and a foreword by Harry Shearer (The Simpsons, Le Show). From cults to pornography, from Charles Manson to Homer Simpson, from the war on drugs to the invasion of Iraq, from Dolly Parton to Lenny Bruce, from circumcision to propaganda, this collection epitomizes Krassner's credo, "Irreverence is our only sacred cow.
Patty Hearst & The Twinkie Murders is a darkly satiric take on two of the most famous cases of our era: the kidnapping of heiress Patty Hearst, and the shocking assassination of San Francisco Mayor George Moscone and gay leader Harvey Milk. As a reporter for the Berkeley Barb, Paul Krassner was ringside at the spectacular California trials. Krassner’s deadpan, hilarious style captures the nightmare reality behind the absurdities of the courtroom circus. Using his infamous satiric pen and investigative chops, Krassner gets to the truth behind the events: the role of the police and FBI, the real deal with Patty and the SLA, and what really happened in Patty’s infamous closet. Plus: A merciless exposé of the “Taliban” wing of the gay movement and their scandalous attacks on alt-rock star Michelle Shocked. Also featured is our Outspoken Interview, an irreverent and fascinating romp through the secret history of America’s radical underground. Names will be named.
The pieces in Pot Stories for the Soul are funny, whimsical, bizarre, poignant, informational, shocking, and, yeah, soulful. They are about love, hate, escape, reality, the paranormal, Allen Ginsberg, Ken Kesey, Michelle Phillips, Hunter Thompson, Abbie Hoffman, Wavy Gravy and peanut butter. Ultimately, these stories reveal the wide, weird, and wonderful subculture of stoners, where the reefers are mad, the joints are fat, and the buzz lasts for six-and-a-half days. Mainstream America has had an uneasy relationship with marijuana. Once a legal substance, the 1930s saw a massive campaign against the "Devil's Harvest" that led to pot being rendered illegal. In the 1960s, marijuana became one of the defining elements of the counterculture before once again being shunted to the sidelines. Over the last decade, however, marijuana has gone mainstream and has been the topic of seminars, expos, concerts, comedy routines, movies, TV shows, and college courses across the country. Originally published by High Times in 1999, Pot Stories for the Soul won the Firecracker Alternative Book Award and also became a Quality Paperback Book Club selection. This brand-new edition includes several new essays by Paul Krassner, plus his foreword, his afterword, and the evolution of cannabis sanity in between.
Happily Hippie: Meet a Modern Ethnicity rethinks hippies. Hippiedom didnt die; rather, as with other outgroups, it became socially invisible. Happily Hippie argues that the Counterculture is a 50-year-old ethnicity and explains Hippiedoms ethnogenesis. Well learn how anti-Hippie demagoguery has warped American politics, how the War on Drugs is largely about persecuting Hippie-America and how todays legalization movement is really about Hippie-America fighting for social equality. Happily Hippie documents the Countercultures many accomplishments, including inventing the Personal Computer; it estimates over 30 million Hippie-Americans and shows readers crude demographic maps of Hippie-America. We look at Hippies in philanthropy, Hollywood, sports, various arts, new medicine, the natural-foods industry, the Green movement and around the globe. Well see how stereotypes of Hippies echo those of other minorities, explore Hippie self-esteem issues, look at Hippie generational transfer and do some fun media analysis. Well also consider the need for a Hippie-American Ethnic Organization and how we might begin one. If youre Hippie, if youve ever been Hippie, read this book. It will change your head; it can change this world.
An entertaining look at the myths and urban legends surrounding Los Angeles encompasses Hollywood tall tales, rock music rumors, the lore of L.A.'s landmarks, crime tales, and more.
The Gnostic revival of the Enlightenment witnessed the erection of what could be called the “Kantian Rift,” an epistemological barrier between external reality and the mind of the percipient. Arbitrarily proclaimed by German philosopher Immanuel Kant, this barrier rendered the world as a terra incognita. Suddenly, the world “out there” was deemed imperceptible and unknowable. In addition to the outer world, the cherished metaphysical certainties of antiquity—the soul, a transcendent order, and God—swiftly evaporated. The way was paved for a new set of modern mythmakers who would populate the world “out there” with their own surrogates for the Divine. Collectively, these surrogates could be referred to as the Beyond because they epistemologically and ontologically overwhelm humanity. In recent years, the Beyond has been invoked by theoreticians, literary figures, intelligence circles, and deep state operatives who share some variant of a technocratic vision for the world. In turn, these mythmakers have either directly or indirectly served elitist interests that have been working toward the establishment of a global government and the creation of a New Man. Their hegemony has been legitimized through the invocation of a wrathful earth goddess, a technological Singularity, a superweapon, and extraterrestrial “gods.” All of these are merely masks for the same counterfeit divinity... the Beyond.
Owner Paul Colby recalls the club's transformation from a small coffeehouse into the pre-eminent music and comedy venue that is still going strong today.
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Comic novelist and critic, Paul McDonald, provides an accessible, revealing guide to Joseph Heller’s seminal anti-war novel, Catch-22. In order to help readers deepen their understanding of this perplexing comedy, McDonald succinctly contextualises it both in relation to the author’s life, and key developments in modern American literature. The book offers a thorough summary and analysis of the plot of Catch-22, addresses important characters such as Colonel Cathcart, Lieutenant Scheisskopf, Milo Minderbinder, Major Major, and Doc Daneeka, and explains the various ways in which Yossarian’s hilarious predicament has been interpreted. Among other things it considers Yossarian’s status as a mythic hero, an individualist hero, and a postmodern hero, assessing his relevance to contemporary America, and his re-emergence in the sequel to Catch-22, Closing Time, published in 1994. It also offers a descriptive bibliography of important secondary sources, and links to useful online texts.
In its domestic manifestations anti-Americanism may be equated with alienation, or an embittered radical social criticism. Abroad it may take the form of nationalism, anti-capitalism, and protest against modernity. This volume examines the phenomenon within American society and aboard, especially among intellectuals.
In this startling, intensively researched book, bestselling historian Paul Kengor shines light on a deeply troubling aspect of American history: the prominent role of the "dupe." From the Bolshevik Revolution through the Cold War and right up to the present, many progressives have unwittingly aided some of America's most dangerous opponents. Based on never-before-published FBI files, Soviet archives, and other primary sources, Dupes exposes the legions of liberals who have furthered the objectives of America's adversaries. Kengor shows not only how such dupes contributed to history's most destructive ideology—Communism, which claimed at least 100 million lives—but also why they are so relevant to today's politics.
Most widely known for his starring role as outlaw Hannibal Heyes in television's Alias Smith and Jones (1971-1973), actor Pete Duel (originally Peter Deuel) led an unpredictable and often tumultuous life, cut short by his highly publicized suicide on New Year's Eve 1971, at the height of his celebrity. In the expanded second edition, this biography of Duel reveals more personal aspects of his career and death, including his formative years in New York City and Hollywood. The author draws on extensive interviews with Duel's closest family and friends, including sister Pamela Deuel, former girlfriends Jill Andre, Beth Griswold, Kim Darby and Dianne Ray, as well actors, producers, directors and writers who worked with Duel.
In this collection of short, sharp, satirical gems, Paul Di Filippo-noted for his own fiction and criticism, which gives him an insider's perspective-turns a keen eye on the foibles, fallacies, fads and failures of science fiction the industry, mining comedic gold from the gaffes, pomposities and pretensions of authors, publicists, reviewers, publishers, editors, fans, librarians and bookstore owners.
This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway. His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.
Paul Park is one of modern fiction’s major innovators. With exotic settings and characters truly alien and disturbingly normal, his novels and stories explore the shifting interface between traditional narrative and luminous dream, all in the service of a deeper humanism. “Climate Change,” original to this volume, is an intimate and erotic take on a global environmental crisis. “A Resistance to Theory” chronicles the passionate (and bloody) competition between the armed adherents of postmodern literary schools. “A Conversation with the Author” gives readers a harrowing look behind the curtains of an MFA program. In “A Brief History of SF” a fan encounters the ruined man who first glimpsed the ruined cities of Mars. “Creative Nonfiction” showcases a professor’s eager collaboration with a student intent on wrecking his career. The only nonfiction piece, “A Homily for Good Friday,” was delivered to a stunned congregation at a New England church. Plus: Our candid and colorful Outspoken Interview with one of today’s most accomplished and least conventional authors, in which personal truth is evaded, engaged, and altered, all in one shot.
For millennia people have held folk beliefs about the existence of the doppelganger--"double walker" in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death. The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for many classic mystery, horror and science fiction movies. This critical survey examines the double in more than 100 films by such acclaimed directors as Alfred Hitchcock, Mario Bava, Roger Corman, David Cronenberg, George Romero, Fritz Lang, James Cameron, Robert Siodmak, Don Siegel, John Frankenheimer, Terry Gilliam, Brian De Palma and Roman Polanski.
La historia de la música, de la literatura, del teatro, de la danza y de la pintura, refleja un interés por el humor. Desde los griegos, la tragedia y la comedia eran dos caras de una misma moneda que reflejaba el mundo psíquico del ser humano. Lo mismo se puede decir de la literatura, con obras tan magníficas como el Quijote, en la que a través de la sátira se pone en entredicho el valor de los libros y, en este sentido, del conocimiento mismo; o ese Cándido de Voltaire, en el que la crítica a la filosofía se mezcla con el más fino humor negro y una particular actitud pedagógica... La lista es extensa. En este tercer volumen de la serie Humor: aproximaciones transdisciplinares, editada por Ediciones UCC, se reflejan estos vínculos tan estrechos, desde el análisis de las puestas escénicas exageradas de los payasos, hasta el análisis de obras literarias universales y regionales. También este volumen recoge un tema fundamental: la educación. ¿Puede el humor facilitar los procesos de enseñanza? ¿Es posible que funcione como un facilitador para la enseñanza de una segunda lengua o de otros procesos de aprendizaje escolar?¿De qué manera los actos humorísticos evidencian los rasgos más importantes de una cultura y ayuda a transmitirlos de una generación a otra? El lector encontrará una variedad de temas que combinan, la cultura, la educación, el arte y el humor desde una óptica científica.
The introduction to this work reviews topics of general interest, including the history of plants in medicine, medicinal chemicals found in plants, the popularity of herbal medication, neutraceuticals, drugs from plants, and the economic importance of medicinal plants. The main section contains detailed species accounts of such plants as ginseng, yew, kelp, cohosh, witch hazel, and cranberry. Information provided includes scientific & common names, description & classification, agricultural & commercial aspects, medicinal & non-medicinal uses, toxicity, chemistry, and human interest information. Additional chapters address such topics as the medicinal plant business, the regulatory & legal framework for medicinal plant production & marketing, hazards associated with medicinal plants, and medicinal plant research in Canada. Includes glossary.
Featuring our greatest comedic minds on the nature of humor, its relevance in society—and why sometimes you just need a good dirty joke to cleanse the palate—Satiristas is a hilarious multi-voiced manifesto on satire and comedy presented by Paul Provenza, co-creator of The Aristocrats.
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