This book is a collection of profiles of superlative warriors of such strength, skill, courage and ferocity that they could - and often did - turn the tide of battle. It follows Kirchner's earlier collection, The Deadliest Men, published in 2001, but the individuals included in this second edition are in no way second to those in the original volume. Each of the warriors herein dominated a violent environment and triumphed against overwhelming odds. They fought for blood, not sport, with the weapons of individual combat: fist, knife, sword, bow, pistol, rifle and machine gun. They range from Western lawmen to big-city cops, from crusaders to fighter pilots, from a boy shepherd in Judea to two women ranchers in Kenya. Most of them fought for something beyond survival - a cause, a code, a creed or a country - while others fought solely in defense of their lives, a worthy enough purpose in itself. Some of them are well known; others are not so well known, though they deserve to be. It seems that the least we owe the hero is that we remember him. Without remembrance, without honor, we cannot expect to have such men when we need them. Without an awareness of what has been done, we do not realize what can be done, nor are we inspired to do that which should be done.
The bus comic strips were first published in 1978 in Heavy Metal magazine, where they appeared regularly for seven years. From the simple, mundane premise of a man waiting for his bus, the strips quickly slip into a weird yet hilarious world where cities are surreal labyrinths and bewilderment is just around the corner. Six to eight wordless panels is often all it takes Kirchner to display his sense for the bizarre. In the bus, fire hydrants come alive, buses chose to stray away from the law, the distant horizon might be just an arm’s length away and the whole world might just turn out to be a two-dimensional panel messing with our sense of depth. More bizarre yet, in 25 years since its original publication in the USA by Ballantine Books in 1987, the bus has never been republished. This new edition contains the entire collection of strips drawn by Paul Kirchner, including a dozen previously unreleased. It also includes a new postscript and a new cover drawing by Paul Kirchner.
Since the publication of Guns, Bullets, and Gunfights in 1996, readers have pressed for a follow-up with more information on Jim Cirillo and his service with the New York City Police Department's Stakeout Unit. That book is finally here. Author Paul Kirchner was working with Cirillo on this biography at the time of Jim's untimely death in 2007. Kirchner draws on his extensive interviews with Cirillo, his family, friends, ex-partner Bill Allard and other SOU officers to create a vivid portrait of an affable and gregarious man who nonetheless was "the last man many armed robbers saw on this earth." In previously unpublished accounts, Cirillo describes in detail numerous stakeouts and sets the record straight about what he and the other SOU members actually accomplished on the streets of New York. Cirillo also talks about his early years as a street cop and his service with the NYPD Emergency Service Unit; his successes as a lifelong competitive shooter; his distinguished career as a firearms trainer; his unique relationship with Jeff Cooper; his carry guns and the guns of the SOU; and much more. Cirillo's unique voice and humor enliven every page, resulting in a fitting, lasting tribute to a legendary police officer, shooting instructor, gunfighter and raconteur.
This third collaboration between French publishing house Tanibis and comic book artist Paul Kirchner is a collection of the artist’s works, most of them initially published in counter-culture magazines in the 1970s and the 1980s and some dating from his return to comics in the 2010s. Roughly a third of the stories star Dope Rider, the pot-smoking skeleton whose psychedelic adventures take him through colorful vistas equally reminiscent of Sergio Leone’s spaghetti western films and of the surrealistic paintings of René Magritte and Salvador Dalí. These stories were originally drawn for the marijuana-themed magazine High Times but were also for Kirchner an excuse to create his very own brand of visual poetry. An other third of the book is a miscellaneous collection of comics whose stories range from the loony (the sextraterrestrial invasion of Earth in “They Came from Uranus”) to the satirical (“Critical mass of cool”) and the outright subversive (if you ever wondered what games toys play at night, read “Dolls at Midnight”). This book also features a broad selection of the covers Kirchner made for the pornographic tabloid Screw in the 1970s. Awaiting the Collapse finally contains a previously unpublished essay by Paul Kirchner about his career and his influences, which helps put in perspective the works published in this book.
Initialement publiés dans Heavy Metal, la version américaine de Métal Hurlant, les strips de the bus furent pendant de nombreuses années un des piliers de la revue. À partir du plus insignifiant des quotidiens — un homme qui attend son bus — Kirchner bâtit un univers désopilant et vertigineux. En 6 ou 8 cases, sans dialogue, cette situation ordinaire bascule dans la quatrième dimension, la ville est transfigurée en un labyrinthe surréaliste. À l’instar de Little Nemo, le bus met en scène un univers de papier abyssal où l'extraordinaire peut surgir de toute part. Les bouches à incendies prennent vie ; un bus sombre dans la délinquance ; l'image est soudain rappelée à sa planitude ; l'horizon vers lequel file le bus n'est plus qu'à une portée de main… Entre exercice oulipien et flânerie ludique, ce joyau surréaliste méconnu aura attendu 25 ans cette première publication en France. L'ouvrage rassemble l'intégralité des strips réalisés par Paul Kirchner, soit une dizaine de plus que l'édition originale publiée aux États-Unis en 1987 par Ballantine. Paul Kirchner a par ailleurs spécialement écrit une postface, réalisé une nouvelle couverture et diverses illustrations inédites. À noter enfin que parallèlement à cette version française, une édition en version originale a été réalisée.
In 1827, James Bowie carved his way into American history at the Sandbar Fight, and soon every fighting man of the South and West had to have a knife like his. The bowie knife could cut like a razor, chop like a cleaver, and stab like a sword, and many considered it deadlier than a pistol at close range. So great was the dread it inspired that by 1838 it was banned in several states—a ban that did little to stanch the flow of blood. Bowie's story is well known, but what of the other cutters and stabbers of his day? Gunfighters have long been celebrated, but those who fought with the bowie knife have been largely ignored—until now. Unearthing accounts from memoirs, court records, regional histories, and newspaper archives, Paul Kirchner, author of the Paladin bestsellers The Deadliest Men and More of the Deadliest Men Who Ever Lived , presents their stories for the first time in Bowie Knife Fights, Fighters, and Fighting Techniques. Kirchner identifies and profiles the four greatest bowie knife fighters of history, as well as numerous other wielders of the blade. He details the weapon's use in the Texas War of Independence, the Mormon exodus, the Mexican War, the slave system, the Gold Rush, Bleeding Kansas, the Civil War, the Lincoln assassination, the Indian Wars, and the Western frontier. The book describes bowie knife fighting tricks and techniques and provides numerous accounts of knife-against-knife and knife-against-gun encounters. Its final chapter surveys the continued use of the bowie and other fighting knives in modern warfare.
This book presents the descriptions of individual treatments and resulting improvements in the strength of polycrystalline ceramics and oxide single crystals. It provides information on potential applications, limitations of the treatments, design considerations, and costs.
An entertaining study of human screw-ups, blunders, and stupidity includes such monumental goofs as the CIA's bizarre attempts to assassinate Castro, remarks that cost politicians their jobs, and a tiny mathematical error that destroyed a space probe.
Presents an alphabetical collection of common fallacies and their corrections, including the belief that hair and fingernails continue to grow after death and that Mussolini made the trains run on time.
PJ McMouse is a character for all ages. Becoming weary of a complicated life he really can't rewind, PJ decides to start life anew, shunning his past and deciding to live a life of kind-hearted adventure with the friends he loves! His innate ability to make others smile and to live their lives to the fullest is THE driving force behind his adventurous spirit, and he certainly has quite an imagination he'd like to share with those around him! So, come on along with PJ and friends- there's never (no, never!) an un-happy end!
Goose Creek mayor Michael Heitzler continues his engrossing study of this often-overlooked community of the South Carolina Lowcountry. Heitzler's second volume employs hundreds of never before used primary sources such as private journals, tenant farmer rosters and hunting club records to reveal the lives of the white landowners who controlled the forests and fields and the African Americans who lived virtually invisible as they endured on small farms.
Men of Steel: History's Most Fearless Tough Guys is a lively tribute to those valiant men who summoned extraordinary physical and mental stamina to defeat all odds. This is the real thing: warriors and daredevils, soldiers and civilians who took matters into their own (often bare) hands and prevailed -- Geronimo, John Dillinger, Alexander the Great, Genghis Kahn, Andrew Jackson, and more. Fifty audacious bravehearts are profiled, each tale of fearless fortitude more spine-tingling than the last. Packed with truth, fun, and inspiration, this anthology will indulge anyone with a lust for action or just a fascination with the extreme limits of human perseverance.
From his first appearance on a Vatican balcony Pope Francis proved himself a Pope of Surprises. With a series of potent gestures, history's first Jesuit pope declared a mission to restore authenticity and integrity to a Catholic Church bedevilled by sex abuse and secrecy, intrigue and in-fighting, ambition and arrogance. He declared it should be 'a poor Church, for the poor'. But there is a hidden past to this modest man with the winning smile. Jorge Mario Bergoglio was previously a bitterly divisive figure. His decade as leader of Argentina's Jesuits left the religious order deeply split. And his behaviour during Argentina's Dirty War, when military death squads snatched innocent people from the streets, raised serious questions – on which this book casts new light. Yet something dramatic then happened to Jorge Mario Bergoglio. He underwent an extraordinary transformation. After a time of exile he re-emerged having turned from a conservative authoritarian into a humble friend of the poor – and became Bishop of the Slums, making enemies among Argentina's political classes in the process. For Pope Francis – Untying the Knots, Paul Vallely travelled to Argentina and Rome to meet Bergoglio's intimates over the last four decades. His book charts a remarkable journey. It reveals what changed the man who was to become Pope Francis – from a reactionary into the revolutionary who is unnerving Rome's clerical careerists with the extent of his behind-the-scenes changes. In this perceptive portrait Paul Vallely offers both new evidence and penetrating insights into the kind of pope Francis could become.
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