To atone for the sins he committed serving his country, ex-covert government agent Paul Janson is determined to save the world: one person, one mission, one redemption at a time. The Janson Option Paul Janson--a former Consular Ops legend known as "The Machine" for his deadly speed and accuracy--has a new mission. Sickened by the "sanctioned serial killings" ordered by the state department, Janson has left covert operations and is now a private security consultant. In partnership with deadly sharpshooter Jessica Kincaid, he only takes assignments that he believes will lead to the greater good. When American Synergy Corporation oil executive Kingsman Helms begs Janson to rescue his wife, Allegra, from Somali pirates, Janson and Kincaid view it as the perfect opportunity to infiltrate ASC and disrupt the company's scheme to subvert independent oil-rich African countries into wholly-owned ASC subsidiaries. Once on the ground, Janson and Kincaid discover that the pirates may be the least lethal threat in the violent chaos of anarchic Somalia. Is Allegra's kidnapping for real, or is she merely a pawn in her husband's machinations for control of the country? Janson and Kincaid quickly find themselves embroiled in a bewildering storm of plots and counterplots, and their fight to survive threatens to disrupt the entire region, and beyond...
Transnationalism in Practice brings together fourteen essays written by Paul Giles between 1994 and 2009 on the subjects of American studies, literature and religion. In an introduction written especially for the collection, Giles traces the evolution of critical transnationalism as it developed through the 1980s and 1990s. The volume includes "e;Reconstructing American Studies"e; (1994), one of the first articles to address the field from a transnational perspective, along with other pieces on methodological and practical issues surrounding the internationalization of American studies. The essays on American literature contain work on Theodore Dreiser, Henry James and the critic F. O. Matthiessen, along with a new study of Jamaica Kincaid in relation to postcolonialism. The section on religion traces the circulation of secularized forms of Catholicism in U.S. culture, from nineteenth-century slave narratives to the musical performances of Bruce Springsteen. Transnationalism in Practice ranges widely, from the culture of colonial America to the novels of Robert Coover and Kathy Acker, while also encompassing a broad range of interdisciplinary topics, from the presidency of George W. Bush to the role of religion in American society. This book will be of interest to all of those concerned with the place of U.S. culture in the world today.
In this heart-pounding thriller, a correctional officer and an ex-cop are fleeing a hurricane—but their only hope of survival is a maximum-security prison where they face new untold dangers. Hurricane Anna: a superstorm made up of two Category 5 hurricanes coming together to wreak unprecedented havoc along the eastern seaboard. When the superstorm hits, the correctional officers at Ravenhill flee, opening all the cell doors and leaving the inmates to fend for themselves as the floodwaters rise. But Jack Constantine, an ex-cop serving ten years for killing one of his wife's murderers, isn't going to just lay down and die. Not when his wife's two remaining killers are among the prisoners relocated to the Glasshouse to ride out the storm. Meanwhile, Kiera Sawyer, a Correctional Officer on her first day at work is the only officer left behind when the others flee. Sawyer rescues Jack and offers to team up. If they can make it to the Glasshouse they might just survive the hurricane. But that involves making their way through the prison, fighting off eight hundred blood-crazed inmates as the building fills with water and the wall crumble all around them.
Preventing Things from Falling Further Apart: The Preservation of Cultural Identities in Postcolonial African, Indian, and Caribbean Literatures is a ground breaking comparative work that explores a post-Achebe universe in which formerly colonized peoples make efforts to reconstruct their cultures by deconstructing some of the deleterious effects of colonization, while at the same time embracing postcolonial realities. This volume focuses on the culturally-confusing impact of colonization on individuals and their communities, specifically on indigenous languages, education, status of women, and religious participation. The author analyzes representative literary works authored by, from Africa, Ngugi wa Thiong'o and Zakes Mda; from India, Mahasweta Devi and Arundhati Roy; and from the Caribbean, Jamaica Kincaid and Maryse Conde.
The chapters in this collection respond to the range of interests that have shaped Miéville's fiction from his influential role in contemporary genre debates, to his ability to pose serious philosophical questions about state control, revolutionary struggle, regimes of apartheid, and the function of international law in a globalized world. This collection demonstrates how Miéville's fictions offer a striking example of contemporary literature's ability to imagine alternatives to neoliberal capitalism at a time of crisis for leftist ideas within the political realm.
Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century.
Places the Dead Call Home begins on a summer night in 1958, as bullets tear through the body of a young man on a lonely Oklahoma highway. Nineteen years later, a soldier lies in the pool of his own blood on an army base in Virginia. Death has made room at home for both of them. Death can always find room for more. Josh Kincaid is happy with life in Phoenix where he manages a bar and sells a few drugs on the side. His serenity is soon shattered, however, by a call from his cousin, Frankie McKnight, who claims to know why Josh's father died many years earlier in the parking lot of a gas station in Oklahoma City. Soon, a reporter named Jeffrey Bonus and his traveling companion, Jeanette Koskos, arrive with questions for Josh about the death of Bonus's father, a highly decorated army colonel. All of these characters converge on Mesa Verde, where Josh and Frankie seek the answer to Jimmy Kincaid's destiny and Bonus hopes to learn the true fate of his father. But others are making plans of their own to ensure that the dead stay where they belong-the places they call home.
A scholarly review of American world literature from early times to the postmodernist era American World Literature: An Introduction explores how the subject of American Literature has evolved from a national into a global phenomenon. As the author, Paul Giles – a noted expert on the topic – explains, today American Literature is understood as engaging with the wider world rather than merely with local or national circumstances. The book offers an examination of these changing conceptions of representation in both a critical and an historical context. The author examines how the perception of American culture has changed significantly over time and how this has been an object of widespread social and political debate. From examples of early American literature to postmodernism, the book charts ways in which the academic subject areas of American Literature and World Literature have converged – and diverged – over the past generations. Written for students of American literature at both undergraduate and postgraduate levels and in all areas of historical specialization, American World Literature offers an authoritative guide to global phenomena of American World literature and how this subject has undergone crucial changes in perception over the past thirty years.
Paul Janson, a character first featured in Robert Ludlum's bestselling novel The Janson Directive, has a new goal: save the world, one operative, one mission, one redemption at a time. Reformed from his days of covert-operations, Paul Janson has set a new mission for himself. Working in partnership with champion sharpshooter Jessica Kincaid, he rehabilitates disenchanted agents and helps them create new lives outside of the violent intelligence sector. These former operatives then form a network of support for Janson when it comes to his other job--Janson also takes on independent assignments. For a fee, he'll use his skills to resolve international crises. But only those actions that he believes contribute to the greater good of all. Whether he's rescuing an American doctor from Somalian pirates, attacking militant thugs intent on murdering a West African public servant agitating for human rights, or hunting the money-lenders who capitalize on barbaric civil war, Janson stays honest with three simple rules: 1) No torture. 2) No civilian casualties. 3) No killing anyone who doesn't try to kill them. Yet with his commitment to doing what is right--while facing canny intelligence operatives, ruthless warlords, deep sea marauders, or brutal dictators--Janson finds that his most difficult task is figuring out if he's fighting for the good side.
The year 1877 was a drought year in West Texas. That summer, some forty buffalo soldiers struck out into the Llano Estacado, pursuing a band of raiding Comanches. Several days later they were missing and presumed dead from thirst. Although most of the soldiers straggled back into camp, four died, and others faced court-martial for desertion. Here, Carlson provides insight into the interaction of soldiers, hunters, settlers, and Indians on the Staked Plains.
“I admire Russia for wiping out an economic system which permitted a handful of rich to exploit and beat gold from the millions of plain people… As one who believes in freedom and democracy for all, I honor the Red nation.” —FRANK MARSHALL DAVIS, 1947 In his memoir, Barack Obama omits the full name of his mentor, simply calling him “Frank.” Now, the truth is out: Never has a figure as deeply troubling and controversial as Frank Marshall Davis had such an impact on the development of an American president. Although other radical influences on Obama, from Jeremiah Wright to Bill Ayers, have been scrutinized, the public knows little about Davis, a card-carrying member of the Communist Party USA, cited by the Associated Press as an “important influence” on Obama, one whom he “looked to” not merely for “advice on living” but as a “father” figure. Aided by access to explosive declassified FBI files, Soviet archives, and Davis’s original newspaper columns, Paul Kengor explores how Obama sought out Davis and how Davis found in Obama an impressionable young man, one susceptible to Davis’s worldview that opposed American policy and traditional values while praising communist regimes. Kengor sees remnants of this worldview in Obama’s early life and even, ultimately, his presidency. Is Obama working to fulfill the dreams of Frank Marshall Davis? That question has been impossible to answer, since Davis’s writings and relationship with Obama have either been deliberately obscured or dismissed as irrelevant. With Paul Kengor’s The Communist, Americans can finally weigh the evidence and decide for themselves.
Lewis draws on both humor theories and research, arguing for the development of interdisciplinary methodologies in the study of literary humor. He demonstrates that the sociologist of humor and the comic playwright approach the same subject--humor in and between groups--with different tools, that writers of Bildungsromane and developmental psychologists share a common interest in the role of humor in maturation, and that the monsters that haunt the psyches of professional comedians can be useful in understanding the odd minglings of humor and fear in Gothic fiction. His treatment of writers who differ widely in their use of humor suggests that the complexity and diversity of humor make it a richly variable determinant of character, genre, and writer.
This critical survey examines the historical and thematic relationships between two of the cinema's most popular genres: horror and film noir. The influence of 1930s- and 1940s-era horror films on the development of noir is detailed, with analyses of more than 100 motion pictures in which noir criminality and mystery meld with supernatural and psychological horror. Included are the films based on popular horror/mystery radio shows (The Whistler, Inner Sanctum), the works of RKO producer Val Lewton (Cat People, The Seventh Victim), and Alfred Hitchcock's psychological ghost stories. Also discussed are gothic and costume horror noirs set in the 19th century (The Picture of Dorian Gray, Hangover Square); the noir elements of more recent films; and the film noir aspects of the Hannibal Lecter movies and other serial-killer thrillers.
Drawing on a rich legacy of pictorial evidence, Images of Childhood examines historical constructions of childhood and how they reinforce or challenge the prevailing view of childhood as a state of innocence. Each chapter explores how visual elements such as framing, points-of view, and lighting, as well as clothes, accessories, and body language, help to construct our many different conceptions of children: from members of the family unit and assumed gender roles; to schooling and aesthetic objects; through to their economic value and use in political propaganda. Skillfully navigating a multitude of perspectives on this topic, Paul Duncum considers both how our ideas, beliefs and values have changed throughout history and how some have remained unchanged. He also explores the cultural notion of “the child within” and how this has contributed to the way adults perceive children. The result is a text far broader in scope than any other in its field, as art history is interweaved with contemporary popular culture to explore how we visually represent childhood. In doing so, the book highlights the real-life implications that these representations have on children's rights.
Introduces students to the diversity of their literary culture. Through its discussions, expanded canon, critical perspectives, and juxtapositions of similar works by authors from different periods or traditions, the book encourages investigations of literature.
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