As With One Voice explores what God reveals to us in the Bible about the purpose of singing together in church, and then proposes how change may happen in order to fulfil what God is asking of us as He achieves His eternal purposes for His creation.
A scholarly exploration of the relationship between the idea of peace & rulership through Europe's formative centuries 'Peaceful Kings' asks what peace meant to early medieval people & to what extent royal intentions endeavoured to meet collective expectations.
The first full scholarly exploration of the relationship between the idea of peace and rulership through Europe's formative centuries, Peaceful Kings asks what peace meant to early medieval people, and to what extent royal intentions endeavoured to meet collective expectations.
This book explains how reparative self-sacrificial righteousness is at the heart of Paul's gospel, and how divine self-sacrifice authenticates that gospel via human reciprocity toward God in reconciliation. Paul Moser explores the controversial matters regarding Paul's message in a way that highlights the coherence and profundity of his message.
“corrupt and moronic though the common people are seemingly becoming ... only in the common people can the true work be rooted, the true tradition rediscovered and re-informed” Charles Parker, BBC Radio Producer 1959. In 1958, in his best-selling book Culture and Society, Raymond Williams identified working-class culture as ‘a key issue in our own time’. Why this happened and how this subject was thought about and acted upon is the focus of this book. Paul Long investigates a variety of projects and practices that were designed to describe, validate, reclaim, rejuvenate or generate ‘authentic’ working-class culture as part of the re-imagining of Britishness in the context of the post-war settlement. Detailed case studies cover the wartime cultural activities of CEMA – the forerunner of the Arts Council - the Folk Revival, the impact of Richard Hoggart’s The Uses of Literacy, broadcasting and the radio work of Charles Parker, Ewan MacColl and Peggy Seeger, the roots of modern arts festivals in Arnold Wesker’s Centre 42 project as well as the impact of progressive education on children’s writing and the politics of the English language. ‘Only in the Common People: The Aesthetics of Class in Post-War Britain’ examines the assumptions, idealism and prejudices behind these projects and the terms of class as ‘the preoccupation of a generation’. This approach offers a historicisation of the broader ideas and debates that informed the development of the New Left and British social history and cultural theory, offering an understanding of the rise of respect for ‘the common man’.
This is a comprehensive and highly emotive volume, borne of years of intensive research and many trips to the battlefields of the Great War. It seeks to humanize the Menin Gate Memorial (North), to offer the reader a chance to engage with the personal stories of the soldiers whose names have been chiseled there in stone. Poignant stories of camaraderie, tragic twists of fate and noble sacrifice have been collated in an attempt to bring home the reality of war and the true extent of its tragic cost. It is hoped that visitors to the battlefields, whether their relatives are listed within or not, will find their experience enriched by having access to this treasure trove of stories.
What is theatre? What is performance? What connects them and how are they different? What events, people, practices and ideas have shaped theatre and performance in the twentieth and twenty-first century? The Routledge Companion to Theatre and Performance offers some answers to these big questions. It provides an analytical, informative and engaging introduction to important people, companies, events, concepts and practices that have defined the complementary fields of theatre and performance studies. This fully updated second edition contains three easy to use alphabetized sections including over 120 revised entries on topics and people ranging from performance artist Ron Athey, to directors Vsevold Meyerhold and Robert Wilson, megamusicals , postdramatic theatre and documentation. Each entry includes crucial historical and contextual information, extensive cross-referencing, detailed analysis and an annotated bibliography. The Routledge Companion to Theatre and Performance is a perfect reference guide for the keen student.
This two-volume encyclopedia offers a unique insight into the Civil War from a state and local perspective, showing how the American experience of the conflict varied significantly based on location. Intended for general-interest readers and high school and college students, American Civil War: A State-by-State Encyclopedia serves as a unique ready reference that documents the important contributions of each individual state to the American Civil War and underscores the similarities and differences between the states, both in the North and the South. Each state chapter leads off with an overview essay about that state's involvement in the war and then presents entries on prominent population centers, manufacturing facilities, and military posts within each state; important battles or other notable events that occurred within that state during the war; and key individuals from each state, both civilian and military. The A–Z entries within each state chapter enable readers to understand how the specific contributions and political climate of states resulted in the very different situations each state found itself in throughout the war. The set also provides a detailed chronology that will help students place important events in proper order.
This work follows the Ninth Vermont from the horrors of its first combat and humiliating capture at Harpers Ferry in September 1862 to its triumphal march into Richmond in April 1865. Through diaries and letters written by members of the unit, one relives the riveting day-by-day account of the men in battle, on the march, and in camp. With seldom seen photographs of many of the regiment's members, detailed maps, and a complete regimental roster, this book tells a compelling story.
A LEGEND REBORN IN THE FLAMES OF WAR! More than a year has passed since Robert Stokes defeated De Falaise, the self-styled Sheriff of Nottingham. In that time, The Hooded Man has been training a new force to police the area: The Sherwood Rangers. But cracks are beginning to appear in this fledgling system - the men are overstretched and a new threat has appeared in the shape of a dangerous Satanic cult. Meanwhile, an old enemy has persuaded 'The Tsar', the Emperor-like ruler of Russia, to move against Robert. Soon The Tsar's armies are landing on these shores, determined to wipe out The Hooded Man and his band for good. But there are also more personal aspects at stake: Robert and Mary's relationship, for one, placed under threat by a beautiful newcomer - as Robert himself struggles with his living legend status. Can The Hooded Man and his friends survive all of this, or will everything be broken for good?
Adolf Hitler’s Great War military experiences in no way qualified him for supreme command. Yet by July 1940, under his personal leadership the Third Reich’s armed forces had defeated Poland, Czechoslovakia, Holland, Denmark, Norway, Belgium and France. The invasion of Great Britain was a distinct reality following Dunkirk. Hungary, Bulgaria and Romania had become allies along with the acquiescent military powers of Mussolini’s Italy and Franco’s Spain. These achievements prompted Field Marshal Willem Keitel, the Wehrmacht’s Chief of Staff, to pronounce Hitler to be ‘the Greatest Commander of all time’. Storm clouds were gathering, most notably the disastrous decision to tear up the treaty with the Soviet Union and launch Operation Barbarossa in 1941. As described in this meticulously researched and highly readable book, Hitler’s blind ideology, racist hatred and single-mindedness led him and his allies inexorably to devastating defeat. How far was it good luck that gave Hitler his sensational early political and military successes? Certainly fortune played a major role in his survival from many assassination attempts and sex scandals. The author concludes, from 1941 onwards, the Fuhrer’s downfall was entirely attributable to military misjudgments that he alone made. Lucky: Hitler’s Big Mistakes exposes the enigmatic Dictator for what he really was – incredibly lucky and militarily incompetent.
Richard Stoddert Ewell is best known as the Confederate General selected by Robert E. Lee to replace "Stonewall" Jackson as chief of the Second Corps in the Army of Northern Virginia. Ewell is also remembered as the general who failed to drive Federal troops from the high ground of Cemetery Hill and Culp's Hill during the Battle of Gettysburg. Many historians believe that Ewell's inaction cost the Confederates a victory in this seminal battle and, ultimately, cost the Civil War. During his long military career, Ewell was never an aggressive warrior. He graduated from West Point and served in the Indian wars in Oklahoma, Kansas, New Mexico, and Arizona. In 1861 he resigned his commission in the U.S. Army and rushed to the Confederate standard. Ewell saw action at First Manassas and took up divisional command under Jackson in the Shenandoah Valley Campaign and in the Seven Days' Battles around Richmond. A crippling wound and a leg amputation soon compounded the persistent manic-depressive disorder that had hindered his ability to make difficult decisions on the battlefield. When Lee reorganized the Army of Northern Virginia in May of 1863, Ewell was promoted to lieutenant general. At the same time he married a widowed first cousin who came to dominate his life—often to the disgust of his subordinate officers—and he became heavily influenced by the wave of religious fervor that was then sweeping through the Confederate Army. In Confederate General R.S. Ewell, Paul D. Casdorph offers a fresh portrait of a major—but deeply flawed—figure in the Confederate war effort, examining the pattern of hesitancy and indecisiveness that characterized Ewell's entire military career. This definitive biography probes the crucial question of why Lee selected such an obviously inconsistent and unreliable commander to lead one-third of his army on the eve of the Gettysburg Campaign. Casdorph describes Ewell's intriguing life and career with penetrating insights into his loyalty to the Confederate cause and the Virginia ties that kept him in Lee's favor for much of the war. Complete with riveting descriptions of key battles, Ewell's biography is essential reading for Civil War historians.
When Adolf Hitler went to war in 1914, he was just twenty-five years old. It was a time he would later call the “most stupendous experience of my life.” That war ended with Hitler in a hospital bed, temporarily blinded by mustard gas. The world he eventually opened his newly healed eyes to was new and it was terrible: Germany had been defeated, the Kaiser had fled, and the army had been resolutely humbled. By peeling back the layers of Hitler’s childhood, his war record, and his early political career, Paul Ham seeks the man behind the myth. More broadly, Ham asks the question: Was Hitler’s rise to power an extreme example of a recurring type of demagogue—a politician who will do and say anything to seize power; who thrives on chaos; and who personifies, in his words and in his actions, the darkest prejudices of humankind?
In this wide-ranging book, Paul Hoggett argues that human feelings and identities are constitutive of both personal and political life. Engaging with major debates in political theory, sociology, and psychoanalysis, he brings fresh insights to a range of issues: dynamics of political protest, intractable conflicts, fundamentalism and populism, the new political charismatics, the nature of forgiveness, and the relationship between anxiety and governance. The book is conceptually innovative and accessible, carefully introducing different theories of collective emotion and group identity and making extensive use of case studies from the U.S., England, and across the globe.
The Weimar period, which extended from 1919 to 1933, was a time of political violence, economic crisis, generational and gender tension, and cultural experiment and change in Germany. Despite these major issues, the Republic is often treated only as a preface to the study of the rise of Fascism. This text seeks to restore the balance, exploring the Weimar period in its own right. Amongst the topics discussed are: Weimar as the avant-garde artistic centre of Europe in the 1920s when many cultural figures were politically engaged on both sides of the political spectrum; Weimar as a German state racked by conflict over questions of morality versus ideas of greater sexual freedom for women, homosexual rights, abortion and birth control; the struggle to win the hearts and minds of German youth, a struggle won decisively by the right-wing; and Weimar as the first German state in which women played a significant political role.
This book re-evaluates the architectural history of Nazi Germany and looks at the development of the forced-labour concentration camp system. Through an analysis of such major Nazi building projects as the Nuremberg Party Rally Grounds and the rebuilding of Berlin, Jaskot ties together the development of the German building economy, state architectural goals and the rise of the SS as a political and economic force. As a result, The Architecture of Oppression contributes to our understanding of the conjunction of culture and politics in the Nazi period as well as the agency of architects and SS administrators in enabling this process.
Thomas Schirmacher argues that from the biblical teaching that man is the head of woman (1 Cr 11:3) the Corinthians had drawn the false conclusion that in prayer a woman must be veiled and a man is forbidden to be veiled, and that the wife exists for the husband but not the husband for the wife. Paul, however, rejects these conclusions and shows in 11:10-16 why the veiling of women did not belong to God's commandments binding upon all the Christian communities. Schirmacher presents an alternative exposition, discusses quotations and irony in 1 Corinthians, and deals with other New Testament texts about women's clothing and prayer and about the subordination of wives.
For historians, [Fascism] offers clear and provocative insights and arguments, and the very detailed notes are especially helpful.... Recommended."― Choice What does it mean to label someone a fascist? Today, it is equated with denouncing him or her as a Nazi. But as intellectual historian Paul E. Gottfried writes in this provocative yet even-handed study, the term's meaning has evolved over the years. Gottfried examines the semantic twists and turns the term has endured since the 1930s and traces the word's polemical function within the context of present ideological struggles. Like "conservatism," "liberalism," and other words whose meanings have changed with time, "fascism" has been used arbitrarily over the years and now stands for a host of iniquities that progressives, multiculturalists, and libertarians oppose, even if they offer no single, coherent account of the historic evil they condemn. Certain factors have contributed to the term's imprecise usage, Gottfried writes, including the equation of all fascisms with Nazism and Hitler, as well as the rise of a post-Marxist left that expresses predominantly cultural opposition to bourgeois society and its Christian and/or national components. Those who stand in the way of social change are dismissed as "fascist," he contends, an epithet that is no longer associated with state corporatism and other features of fascism that were once essential but are now widely ignored. Gottfried outlines the specific historical meaning of the term and argues that it should not be used indiscriminately to describe those who hold unpopular opinions. His important study will appeal to political scientists, intellectual historians, and general readers interested in politics and history.
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