Seven Myths of Native American History will provide undergraduates and general readers with a very useful introduction to Native America past and present. Jentz identifies the origins and remarkable staying power of these myths at the same time he exposes and dismantles them." —Colin G. Calloway, Dartmouth College
As the book's title suggests, the reader is immersed in a dark and dying world, a kind of North Dakota Winesburg or Spoon River, though perhaps bleaker and more hopeless. The light and life of the narrative are provided by the author's prose exceedingly rich in detail, fi nely tuned for dialogue, and relentless in its probing of the characters' depths. There's no question that the author knows this territory thoroughly, intimately.
Seven Myths of Native American History will provide undergraduates and general readers with a very useful introduction to Native America past and present. Jentz identifies the origins and remarkable staying power of these myths at the same time he exposes and dismantles them." —Colin G. Calloway, Dartmouth College
From the Marxist-tinged anarchism of the Haymarket martyrs to the Occupy Wall Street movement, these essays give a vibrant sense of the central role of the Left in social movements and struggles of the past and present, and highlights some of the amazing individuals, whose unstoppable energies generated remarkable transformations. Left Americana considers both the limitations and successes of Christian socialists, Communists, Maoists, Trotskyists, and the "New Left" activists of the sixties and seventies in creating profound social and political change. Paul Le Blanc is a professor of History at La Roche College and author of Choice Award–winning book A Freedom Budget for All Americans.
Subway Music is about finding things Reynold Junker thought he had lost forever: his subway music and his name. Subway Music begins in a Manhattan hotel room the day after he and his wife celebrated their Christmas anniversary. She coaxes him into taking her to Brooklyn to see where "all those stories you tell all of the time about growing up" took place. As a certified Californian, that's the last thing he wants to do. Subways were then. Freeways are now. But they go. At Prospect Park he "finds" his father and learns about both courage and reverse prejudice-prejudice against his "Nazi" father. At Coney Island he remembers his Jewish best friend and futile attempts to convert him to Catholicism using the holy waters of Coney Island to turn him into a Jewish Cary Grant. At Kings Highway he visits the house haunted by his old ghosts. At the end of Subway Music he realizes that subway music and Brooklyn will always be as much a part of him as the color of his eyes or the color of his hair. Being from Brooklyn was his fate. Being a Californian is just the way things sometimes work out.
What do set design, sound effects, and showmanship have to do with winning World War II? Meet the Ghost Army that played a surprising role in helping to deceive — and defeat — the Nazis. In his third book about deception during war, Paul B. Janeczko focuses his lens on World War II and the operations carried out by the Twenty-Third Headquarters Special Troops, aka the Ghost Army. This remarkable unit included actors, camouflage experts, sound engineers, painters, and set designers who used their skills to secretly and systematically replace fighting units — fooling the Nazi army into believing what their eyes and ears told them, even though the sights and sounds of tanks and war machines and troops were entirely fabricated. Follow the Twenty-Third into Europe as they play a dangerous game of enticing the German army into making battlefield mistakes by using sonic deceptions, inflatable tanks, pyrotechnics, and camouflage in more than twenty operations. From the Normandy invasion to the crossing of the Rhine River, the men of the Ghost Army — several of whom went on to become famous artists and designers after the war — played an improbable role in the Allied victory.
A crown jewel of New Left historiography, this overview of U.S. Marxism was hailed on its first publication for its nuanced storytelling, balance and incredible sweep. Brimming over with archival finds and buoyed by the recollections of witnesses and participants in the radical movements of decades past, Marxism in the United States includes fascinating accounts of the immigrant socialism of the nineteenth century, the formation of the CPUSA in the wake of the Bolshevik Revolution, the rise of American communism and of the hugely influential Popular Front in the 1920s and '30s, the crisis and split of the '50s, and the revival of Marxism in the '60s and '70s. This revised and updated edition also takes into account the last quartercentury of life in the U.S., bringing the story of American Marxism up to the present. With today's resurgent interest in radicalism, this new edition provides an unparalleled guide to 150 years of American left history.
How military technology has transformed the world The history of warfare cannot be fully understood without considering the technology of killing. In Firepower, acclaimed historian Paul Lockhart tells the story of the evolution of weaponry and how it transformed not only the conduct of warfare but also the very structure of power in the West, from the Renaissance to the dawn of the atomic era. Across this period, improvements in firepower shaped the evolving art of war. For centuries, weaponry had remained simple enough that any state could equip a respectable army. That all changed around 1870, when the cost of investing in increasingly complicated technology soon meant that only a handful of great powers could afford to manufacture advanced weaponry, while other countries fell behind. Going beyond the battlefield, Firepower ultimately reveals how changes in weapons technology reshaped human history.
On September 10, 1897, a group of 400 striking coal miners--workers of Polish, Slovak, and Lithuanian descent or origin--marched on Lattimer, Pennsylvania. There, law enforcement officers fired without warning into the protesters, killing nineteen miners and wounding thirty-eight others. The bloody day quickly faded into history. Paul A. Shackel confronts the legacies and lessons of the Lattimer event. Beginning with a dramatic retelling of the incident, Shackel traces how the violence, and the acquittal of the deputies who perpetrated it, spurred membership in the United Mine Workers. By blending archival and archaeological research with interviews, he weighs how the people living in the region remember--and forget--what happened. Now in positions of power, the descendants of the slain miners have themselves become rabidly anti-union and anti-immigrant as Dominicans and other Latinos change the community. Shackel shows how the social, economic, and political circumstances surrounding historic Lattimer connect in profound ways to the riven communities of today. Compelling and timely, Remembering Lattimer restores an American tragedy to our public memory.
In popular, legal, and academic discourses, the term "human rights" is now almost always discussed in relation to its opposite: human rights abuses. Syllabi, textbooks, and articles focus largely on victimization and trauma, with scarcely a mention of a positive dimension. Joy, especially, is often discounted and disregarded. William Paul Simmons asserts that there is a time and place—and necessity—in human rights work for being joyful. Joyful Human Rights leads us to challenge human rights' foundations afresh. Focusing on joy shifts the way we view victims, perpetrators, activists, and martyrs; and mitigates our propensity to express paternalistic or heroic attitudes toward human rights victims. Victims experience joy—indeed, it is often what sustains them and, in many cases, what best facilitates their recovery from trauma. Instead of reducing individuals merely to victim status or the tragedies they have experienced, human rights workers can help harmed individuals reclaim their full humanity, which includes positive emotions such as joy. A joy-centered approach provides new insights into foundational human rights issues such as motivations of perpetrators , trauma and survivorship, the work of social movements and activists, philosophical and historical origins of human rights, and the politicization of human rights. Many concepts rarely discussed in the field play important roles here, including social erotics, clowning, dancing, expressive arts therapy, posttraumatic growth, and the Buddhist terms metta (loving kindness) and mudita (sympathetic joy). Joyful Human Rights provides a new framework—one based upon a more comprehensive understanding of human experiences—for theorizing and practicing a more affirmative and robust notion of human rights.
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