American composer Charles Ives (1874–1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music. In this sweeping survey of intellectual and musical history, David C. Paul tells the new story of how Ives's music was shaped by shifting conceptions of American identity within and outside of musical culture, charting the changes in the reception of Ives across the twentieth century and into the twenty-first century. Paul focuses on the critics, composers, performers, and scholars whose contributions were most influential in shaping the critical discourse on Ives, many of them marquee names of American musical culture themselves, including Henry Cowell, Aaron Copland, Elliott Carter, and Leonard Bernstein. Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties. By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.
This vintage text contains a complete handbook and guide for breeders, growers, and admirers of domestic geese and ducks. Much of the information contained herein is timeless, making this book of considerable value to modern poultry enthusiasts and a text not to be missed by collectors of antique literature of this ilk. The chapters of this book include: 'History, Habits, Tradition, and General Possibilities in Geese'; 'Breeds of Geese'; 'The Heavy-Weight Varieties'; 'The Medium-Weight Varieties'; 'Rare and Ornamental Varieties'; 'Selecting for Breeding'; 'Hatching and Rearing'; 'Fattening Geese'; 'Exhibiting Geese'; etcetera. This text was originally published in 1947, and is proudly republished now complete with a new introduction on poultry farming.
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
Charles Paul de Kock (1793-1871) was a French novelist. His stories are mostly of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are Andre le Savoyard and Le Barbier de Paris.
Charles Paul de Kock (1793-1871) was a French novelist. His stories are mostly of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are Andre le Savoyard and Le Barbier de Paris.
Charles Paul de Kock (1793-1871) was a French novelist. His stories are mostly of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are Andr le Savoyard and Le Barbier de Paris. This is volume 1 of 2.
This text introduces the core science underpinning strength and conditioning regimes and explores innovative new approaches combining the best of applied physiology, biomechanics, sports medicine and coaching science.
The nature of race-based employment discrimination and its proper solution continue to be topics of much public debate. Scarce, however, is the kind of dispassionate scholarly treatment that lends a helpful long-range perspective on the matter. In this welcome study, Paul D. Moreno retraces the legal and political responses to racial bias in America’s workplaces. From Direct Action to Affirmative Action makes clear that the demand for preferential employment practices originated decades before the Civil Rights Act of 1964. By casting the development of modern national policy in a broader historical context, it brings depth and nuance to an understanding of this important area of civil rights.
In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death. Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances. .
This book examines in words and pictures the network of British branch lines and other secondary routes that survived the mass closures of the 1960s. While nearly 4,000 route miles were lost between 1963 and 1970, the cuts were less severe than they might have been. Some lines were reprieved because of their social importance, even though they would never pay their way in purely commercial terms. They included some lengthy rural routes, such as those serving the Far North of Scotland, Central Wales and the Cumbrian Coast, as well as some urban backwaters such as Romford to Upminster and the St Albans Abbey branch. As the 1970s progressed, closures became scarce, but cost-cutting measures included the singling of some lines as well as scaled-down stations and simplified signalling. Yet even today, some pockets of traditional operation survive. Mechanical signal boxes still control many hundreds of miles across the network, in areas as diverse as West Cornwall, East Lincolnshire and South West Scotland. This book also celebrates several reopened and new lines, ranging from the major Borders Railway project in Scotland to the Stansted Airport and Barking Riverside branches in South East England - making the point that the branch line concept is far from dead.
In the summer of 1974 the movie Death Wish stunned audiences with its powerful story of an enraged businessman who hits the streets with a handgun to avenge the brutal violation of his wife and daughter. The film packed theaters with cheering moviegoers, became one of the highest-grossing and most controversial movies of the year, and turned star Charles Bronson into the hottest screen icon in the world. Over the next twenty years, four increasingly-violent sequels delivered thrills to a growing legion of fans and solidified the legend of Charles Bronson. Now, for the first time, Death Wish fanatics, Bronson cultists, and action movie lovers will discover fascinating information about the series. In exclusive comments, director Michael Winner, actor Kevyn Major Howard, novelist Brian Garfield, and many others reveal what it was like to work on the Death Wish movies with one of the most charismatic and elusive stars of all time. Covering every aspect of all five movies (including unused casting suggestions, deleted scenes and alternate cuts) and loaded with rare advertising artwork, Bronson's Loose!: The Making of the "Death Wish" Films tells the compelling, untold story behind the most explosive action series in film history.
Composing for Voice: Exploring Voice, Language and Music, Second Edition, elucidates how language and music function together from the perspectives of composers, singers and actors, providing an understanding of the complex functions of the voice pedagogically, musicologically and dramatically. Composing for Voice examines the voice across a wide range of musical genres (including pop, jazz, folk, classical, opera and the musical) and explores the fusion of language and music that is unique to song. This second edition is enlarged to attract a wider readership amongst all music and theatre professionals and educators, whilst also engaging an international audience with the introduction of new co-author Maria Huesca. New to the second edition: A review of the history of singing An overview of the development of melisma A chapter to help performers understand each other, as singers and actors often receive disparate educations Case studies and qualitative research around song, lyric and meaning A discussion of the synthetic voice An introduction to the concept of embodied composition Interviews with composers and singers Summaries of various vocal styles A website with links to performances discussed, as well as related workshops: www.composingforvoice.com Composing for Voice: Exploring Voice, Language and Music, Second Edition, articulates possibilities for the practical exploration of language, music and voice by composers, singers and actors.
Charles Paul de Kock (1793-1871) was a French novelist. His stories are mostly of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are Andre le Savoyard and Le Barbier de Paris.
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