By locating Christian Zionism firmly within the Evangelical tradition, Paul Wilkinson takes issue with those who have portrayed it as a "totally unbiblical menace" and as the "roadmap to Armageddon." Charting in detail its origins and historical development, he argues that Christian Zionism lays the biblical foundation for Israel's restoration and the return of Christ. No one has contributed more to this cause than its leading architect and patron, John Nelson Darby, an "uncompromising champion for Christ's glory and God's truth." This groundbreaking book challenges decades of misrepresentation and scholarship, exploding the myth that Darby stole the doctrine of the pre-tribulation Rapture from his contemporaries. By revealing the man and his message, Paul Wilkinson vindicates Darby and spotlights the imminent return of the Lord Jesus Christ as the centerpiece of his theology.
Selected by Choice magazine as an Outstanding Academic Title Paul Giles traces the paradoxical relations between English and American literature from 1730 through 1860, suggesting how the formation of a literary tradition in each national culture was deeply dependent upon negotiation with its transatlantic counterpart. Using the American Revolution as the fulcrum of his argument, Giles describes how the impulse to go beyond conventions of British culture was crucial in the establishment of a distinct identity for American literature. Similarly, he explains the consolidation of British cultural identity partly as a response to the need to suppress the memory and consequences of defeat in the American revolutionary wars. Giles ranges over neglected American writers such as Mather Byles and the Connecticut Wits as well as better-known figures like Franklin, Jefferson, Irving, and Hawthorne. He reads their texts alongside those of British authors such as Pope, Richardson, Equiano, Austen, and Trollope. Taking issue with more established utopian narratives of American literature, Transatlantic Insurrections analyzes how elements of blasphemous, burlesque humor entered into the making of the subject.
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have both responded to and provoked innovations in Shakespearean performance culture over the last three centuries. It analyses the conditions – theatrical, journalistic, social and personal – in which Shakespearean reception has taken place, presenting original readings of the works of key critics (Shaw, Beerbohm, Agate and Tynan), whilst also tracking broader historical shifts in the relationship between reviewers and performance. Prescott explores the key function of the 'night-watch constable' in patrolling the boundaries of legitimate Shakespearean performance and offers a compelling account of the many ways in which newspaper reviews are uniquely fruitful documents for anyone interested in Shakespeare and the theatre.
This introduction to the performance potential of one of Shakespeare's most theatrically exciting plays provides extensive commentary that explores the challenges faced by actors and directors and encourages readers to engage imaginatively with Shakespeare's words. Chapters on stage, film and critical history combine to form a comprehensive study.
A sweeping study that spans two continents and over three hundred years of literary history, Antipodean America identifies the surprising affinites between Australian and American literature.
This edited collection of essays details a wide-ranging selection of some of the most sensationally successful theatre productions of the long Victorian era, the real "blockbusters" of the age. Ranging from the world of operetta and music hall to spectacular drama and sensational melodrama, the productions included provide the reader with definitive proof that the phenomenon of the "smash hit" show is not restricted to modern Broadway. This is a world that encompassed the ground-breaking stage technology of Ben Hur, the wide political impact of Uncle Tom's Cabin and the sheer creative originality of L'Enfant Prodigue. Supporting the "star" system, productions featured some of the greatest names of the period - Sir Henry Irving, Sir Johnston Forbes Robertson, James O'Neill and Dion Boucicault. This was the very dawning of a new media age, which saw many of the productions transfer to the new world of silent cinema for the very first time
Saving the world? David Spencer certainly didn’t think that was his destiny. Teenager David sees himself as very ordinary, weak, and shy. He is forced into an unwanted move to a distant coastal town – which plunges him into chaos. This new place is full of surprises. His older brother Richard has somehow turned into a completely different man. He quickly becomes entranced by a wood nymph – the iridescent Daisy. A Magical and ancient woodland is being ripped apart in the name of progress. However, the force stopping the bulldozers and protecting the natural order is a giant – a real-life giant. His incredible new home has a strange brutal history. As bizarre events unfold David discovers he’s been singled out to help – him, and him alone. He doesn’t realise he’s slowly absorbing the madness which is consuming everyone around him. Who would ultimately survive? Goliath’s Eye will appeal to fans of dark fantasy and Paul’s first novel, Acid Bubbles.
A decade after Francis Fukuyama announced the ‘End of History’, anti-capitalist demonstrators at Seattle and elsewhere have helped reinvigorate the Left with the reply ‘another world is possible’. More than anyone else it was Marx who showed that slogans such as this were no utopian fantasies, and that capitalism was just as much a historical mode of production, no more natural and certainly no less contradictory, than were the feudal and slave modes which proceeded it. Paul Blackledge opens this study with a defence of the Marxist approach to the study of history against what he argues as being the naive empiricism of traditional historians and the relativism of the postmodernists. He moves on to outline Marx and Engels analyses of concrete historical processes and their critiques of the alternative historiographic methodologies of their contemporaries. He then discusses neglected historical works produced by Marxists in the half-century or so after Marx and Engels’ deaths. Two central chapters survey recent Marxist debates on, first, the nature of modes of productions, including slave, feudal and tributary systems, and the revolutionary transitions between them; and, second, the methodological debate over the issue of structure and agency in the movement of history. Finally, he shows the political relevance of these debates through a concluding survey of competing Marxist attempts to periodise the present, postmodern, conjuncture. This book should be read by historians, students of cultural, social and political theory and anti-capitalist activists.
Paul Bibeau, intrepid investigative journalist, detective extraordinaire, and vampire-obsessed myth-hunter, travels around the globe in search of Dracula - the monster, the myth, and the icon. In this historical and hysterical novel, Bibeau describes his transformation from a fictional character in Bram Stoker's novel to a figure that has pervaded popular culture.
The Historical Dictionary of Romanticism in Literature provides a large overview of the Romantic Movement that seemed at the time to have swept across Europe from Russia to Germany and France, to Britain, and across the Atlantic to the United States. The Romantics saw themselves as inaugurating a new era. They frequently referred to themselves or their contemporaries as Romantics and their art as Romantic. From the early stirrings in Germany, to the last decade of the eighteenth century in England with the political radicals and the Lake Poets, to the Transcendental Club in Massachusetts, the leaders of the age acknowledged their new Romantic attitudes. This volume takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays, and other works they produced; the leading trends, techniques, journals, and literary circles and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature.
The Broadway musical has greatly influenced both American and world culture. Shows such as Oklahoma! and Annie Get Your Gun are as American as apple pie, while the long runs of imports such as Cats, The Phantom of the Opera, and Les Misérables have broken records. Shows filled with rock and pop music such as Mamma Mia! and Wicked enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernadette Peters, and Audra McDonald; composers and lyricists Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, John Kander, Fred Ebb, and Jeanine Tesori; and directors and choreographers George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman—to name only a few—have gained national and international recognition by way of the Broadway musical stage. This second edition of Historical Dictionary of the Broadway Musical contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.
This book opens up Twelfth Night as a play to see and hear, provides useful contextual and source material, and considers the critical and theatrical reception over four centuries. A detailed performance commentary brings to life the many moods of Shakespeare's subtle but robust humour. Students are encouraged to imagine the theatrical challenges of Shakespeare's Illyria afresh for themselves, as well as the thought, creative responses and wonder it has provoked.
Paul Downes combines literary criticism and political history in order to explore responses to the rejection of monarchism in the American revolutionary era. Downes' analysis considers the Declaration of Independence, Franklin's autobiography, Crèvecoeur's Letters from an American Farmer and the works of America's first significant literary figures including Charles Brockden Brown, Washington Irving and James Fenimore Cooper. He claims that the post-revolutionary American state and the new democratic citizen inherited some of the complex features of absolute monarchy, even as they were strenuously trying to assert their difference from it. In chapters that consider the revolution's mock execution of George III, the Elizabethan notion of the 'king's two bodies' and the political significance of the secret ballot, Downes points to the traces of monarchical political structures within the practices and discourses of early American democracy. This is an ambitious study of an important theme in early American culture and society.
The story of how Daniel Webster popularized the ideals of American nationalism that helped forge our nation’s identity and inspire Abraham Lincoln to preserve the Union When the United States was founded in 1776, its citizens didn’t think of themselves as “Americans.” They were New Yorkers or Virginians or Pennsylvanians. It was decades later that the seeds of American nationalism—identifying with one’s own nation and supporting its broader interests—began to take root. But what kind of nationalism should Americans embrace? The state-focused and racist nationalism of Thomas Jefferson and Andrew Jackson? Or the belief that the U.S. Constitution made all Americans one nation, indivisible, which Daniel Webster and others espoused? In Indivisible, historian and law professor Joel Richard Paul tells the fascinating story of how Webster, a young New Hampshire attorney turned politician, rose to national prominence through his powerful oratory and unwavering belief in the United States and captured the national imagination. In his speeches, on the floors of the House and Senate, in court, and as Secretary of State, Webster argued that the Constitution was not a compact made by states but an expression of the will of all Americans. As the greatest orator of his age, Webster saw his speeches and writings published widely, and his stirring rhetoric convinced Americans to see themselves differently, as a nation bound together by a government of laws, not parochial interests. As these ideas took root, they influenced future leaders, among them Abraham Lincoln, who drew on them to hold the nation together during the Civil War. As he did in Without Precedent and Unlikely Allies, Joel Richard Paul has written in Indivisible both a compelling history and a fascinating account of one of the founders of our national perspective.
Covering the five centuries from Shakespeare's Bankside playhouses to today's West End, Paul Ibell's Theatreland explores the history and current state of the London stage, taking the reader through the streets and alleyways of the theatre capital of the world. London's theatre district is quite literally built on the past. Although the book celebrates this, and the artistic achievements that still resonate today, it also emphasises that theatre is an art form that can only survive and flourish through fresh talent, new work and constant reinterpretation of old classics. Through a series of entertaining and engaging chapters on themes, personalities and trends, Theatreland reflects the effortless co-existence between past and present that is such a feature of London's theatre world, and shows how actors and producers, playwrights and publicists, theatre historians and modern architects, choreographers, critics and customers all play their part in ensuring that London remains the theatre capital of the world. Theatreland brings back to life the generations of actors, impresarios, princes and playwrights who created and shaped this cityscape, and describes how the 21st century theatre industry continues to develop and change.
In this delightful sleigh ride through Christmas history, Paul Kerensa answers the festive questions you never thought to ask... Did Cromwell help shape the mince pie? Was St Nicholas the first to use an automatic door? Which classic Christmas crooners were inspired by a Hollywood heatwave? And did King Herod really have a wife called Doris? Whether you mull on wine or enjoy the biggest turkey, the biggest tree or the biggest credit card bill, unwrap your story through our twelve dates of Christmas past. From Roman revelry to singing Bing, via Santa, Scrooge and a snoozing saviour, this timeless tale is perfect trivia fodder for the Christmas dinner table.
The first place-by-place chronology of U.S. history, this book offers the student, researcher, or traveller a handy guide to find all the most important events that have occurred at any locality in the United States.
The successful conclusion of the War of 1812 ushered in a new age of American history: the Jacksonian era. This book explores the background, motives, and goals of political and social leaders who dominated this era. Divided into three categories—Whigs, Democrats, and Writers and Reformers—biographies of Henry Clay, Ralph Waldo Emerson, James Knox Polk, Andrew Jackson, and others are included. Debates over such issues as westward expansion, the Second Bank of the United States, Indian policies, and slavery are discussed from opposing viewpoints. Americans of the Jacksonian era upheld traditions and values of their forefathers, while also embracing the unlimited opportunity of the future. During this era, profound political divisions emerged within the nation, with the core debate focused on the extent of the federal government's power. Americans debated such issues as the degree to which the federal government could compel states to implement federal legislation, administer expansion policy, regulate trade, and manage the economy. Interwoven within these debates were questions about the legitimacy of slavery. This book explores the background, motives, and goals of political and social leaders who dominated this era. Debates over such issues as westward expansion, the Second Bank of the United States, Indian policies, and slavery are discussed from opposing viewpoints. Students and general readers will find this reference tool useful in describing the lives and views of individuals who directed the course of the nation during the Jacksonian era.
In response to denunciations of populism as undemocratic and anti-intellectual, Intellectual Populism argues that populism has contributed to a distinct and democratic intellectual tradition in which ordinary people assume leading roles in the pursuit of knowledge. Focusing on the Gilded Age and Progressive Era, the decades that saw the birth of populism in the United States, this book uses case studies of certain intellectual figures to trace the key rhetorical appeals that proved capable of resisting the status quo and building alternative communities of inquiry. As this book shows, Robert Ingersoll (1833–1899), Mary Baker Eddy (1821–1910), Thomas Davidson (1840–1900), Booker T. Washington (1856–1915), and Zitkála-Šá (1876–1938) deployed populist rhetoric to rally ordinary people as thinkers in new intellectual efforts. Through these case studies, Intellectual Populism demonstrates how orators and advocates can channel the frustrations and energies of the American people toward productive, democratic, intellectual ends.
Genocide murders innocents in a society, and it leaves behind moral corruption and societal twistedness. A genocide like the Holocaust can happen only if the normative ethical commitments to honor the fundamental right to life are compromised or abandoned. When a society lives through a genocide, the moral imagination of peoples and collectives, their ethical behaviors, and even the underlying social contract become twisted and broken. Societies and individuals caught within a genocide need an ethical rehabilitation to move a post-genocidal society out of its ethical degradation. This book discusses the steps of transitional justice as ethical ways to move individuals and societies away from lingering injustices and toward an equilibrium of justice. Paul E. Wilson is a faculty member and Program Coordinator for Shaw University, where he has taught religion and philosophy classes for the past thirty-two years. His monograph, The Degradation of Ethics Through the Holocaust, was published by Palgrave in 2023.
Prepare to get lost, as the time-traveler and his assistant venture into dark space. It's time for authors from around the world to unofficially pay homage to the longest-running science-fiction show in the world, and unleash their own tales of futuristic terror.
No one better represents the plight and the conduct of German intellectuals under Hitler than Werner Heisenberg, whose task it was to build an atomic bomb for Nazi Germany. The controversy surrounding Heisenberg still rages, because of the nature of his work and the regime for which it was undertaken. What precisely did Heisenberg know about the physics of the atomic bomb? How deep was his loyalty to the German government during the Third Reich? Assuming that he had been able to build a bomb, would he have been willing? These questions, the moral and the scientific, are answered by Paul Lawrence Rose with greater accuracy and breadth of documentation than any other historian has yet achieved. Digging deep into the archival record among formerly secret technical reports, Rose establishes that Heisenberg never overcame certain misconceptions about nuclear fission, and as a result the German leaders never pushed for atomic weapons. In fact, Heisenberg never had to face the moral problem of whether he should design a bomb for the Nazi regime. Only when he and his colleagues were interned in England and heard about Hiroshima did Heisenberg realize that his calculations were wrong. He began at once to construct an image of himself as a "pure" scientist who could have built a bomb but chose to work on reactor design instead. This was fiction, as Rose demonstrates: in reality, Heisenberg blindly supported and justified the cause of German victory. The question of why he did, and why he misrepresented himself afterwards, is answered through Rose's subtle analysis of German mentality and the scientists' problems of delusion and self-delusion. This fascinating study is a profound effort to understand one of the twentieth century's great enigmas.
Over 600 terms identify and explain the history and suffering of ethnic and religious groups experiencing genocide throughout the world. The people, places, governments, agencies, documents, legal terms, and all other aspects of genocide are defined for new students and scholars alike.
Looks at the case Buck v. Bell, covering the events of the trial and the 1927 Supreme Court case which upheld Virginia's compulsory sterilization of "feebleminded" individuals.
Stock Investing For Dummies, 2nd Edition covers all the proven tactics and strategies for picking the right stocks. Packed with savvy tips on today’s best investment opportunities, this book provides a down-to-earth, straightforward approach to making money on the market without the fancy lingo. Soon you’ll have the power to optimize your returns by: Recognizing and minimizing the risks Gathering information about potential stocks Dissecting annual reports and other company documents Analyzing the growth and demand of industries Playing with the politicians Approaching uncertain markets Using corporate stock buybacks to boost earnings Handling the IRS and other obligations With a different strategy for every investor—from recent college grad to married with children to recently retired—this valuable reference is a must-have. It also features tips and tricks on how to tell when a stock is on the verge of declining or increasing, how to protect yourself from fraud, and common challenges that every investor must go through, along with resources and financial ratios.
Ton Up! A Century of Café Racer Speed and Style focuses on the story of the ton-up boys and their café racers. But it's much more than just that. Illustrated with historic and modern photos and featuring a text by one of the world’s motorcycle historians, it's really the story of motorcycle speed and style evolved from the early 1900s right through today. Cafe racers are most associated with the young, rebellious rock-and-rollers of 1960s Britain. These riders created the quintessential café racers—fast motorcycles customized to resemble the racing bikes of the period. They were called “café racers” because their riders raced on public roads, from one café to the next. The goal was to do “the ton” (exceed 100 miles per hour) on these runs, which led to their designation as “ton-up boys.” Today, ton-up culture is more popular than ever and recognized worldwide with a following of young and long-time riders alike.With Ton Up!, enjoy a scenic ride through the history of this vibrant scene.
A sweeping and evocative memoir from the Rock & Roll Hall of Famer, Grammy Award–winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award–nominated actor, comedian, and #1 New York Times bestselling author Paul Reiser. Doobie Brothers. Steely Dan. Chart topping soloist. Across a half-century of American music, Michael McDonald’s unmistakably smooth baritone voice defined an era of rock and R&B with hit records like “What A Fool Believes,” “Takin’ It to the Streets,” “I Keep Forgettin’,” “Peg,” “It Keeps You Running,” “You Belong to Me,” and “Yah Mo B There.” In his candid, freewheeling memoir, written with his friend, the Emmy Award-nominated actor and comedian Paul Reiser, Michael tells the story of his life and music. A high school dropout from Ferguson, Missouri, Michael chased his dreams in 1970’s California, a heady moment of rock opportunity and excess. As a rising session musician and backing vocalist, a series of encounters would send him on a wild ride around the world and to the heights of rock stardom—from joining Steely Dan and becoming a defining member of The Doobie Brothers to forging a path as a breakout solo R&B artist. Interwoven with the unforgettable tales of the music, Michael tells a deeply affecting story of losing and finding himself as a man. He reckons with the unshakeable insecurities that drove him, the drug and alcohol addictions that plagued him, and the highs and lows of popularity. Along the way he relays the lessons he’s learned, and that if he’s learned anything at all it’s that there’s often little correlation between what you get and what you deserve. Filled with unbelievable stories and a matchless cast of music greats including James Taylor, Ray Charles, Carly Simon, and Quincy Jones, What a Fool Believes is a moving and entertaining memoir that is sure to be a classic.
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