In this provocative book, Paul Hernadi goes beyond current intersubjectivist approaches to cultural phenomena, maintaining instead that the natural, the personal, and the social are complementary dimensions of all human making, doing, and meaning. His chief concern is with verbal communication, but he also considers music and architecture, cooking and business, television and film, basketball and chess. For centuries, Hernadi notes, people viewed either matter or mind—nature or spirit—as the ultimate principle of being and becoming. In contrast, much contemporary theory assumes that reality is socially constructed. While recognizing the powers of culture, Hernadi pays close attention to the material conditions and personal responsibilities of human agency as well. Tracing both continuities and disruptions in key intellectual traditions, he relates his conceptions of culture, existence, and experience to three classic triads: the rhetorical aims of moving, delighting, and teaching; the psychological capacities of willing, feeling, and knowing; and the evaluative criteria of justice, beauty, and truth. Discussing such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism.
In this provocative book, Paul Hernadi goes beyond current intersubjectivist approaches to cultural phenomena, maintaining instead that the natural, the personal, and the social are complementary dimensions of all human making, doing, and meaning. His chief concern is with verbal communication, but he also considers music and architecture, cooking and business, television and film, basketball and chess. For centuries, Hernadi notes, people viewed either matter or mind—nature or spirit—as the ultimate principle of being and becoming. In contrast, much contemporary theory assumes that reality is socially constructed. While recognizing the powers of culture, Hernadi pays close attention to the material conditions and personal responsibilities of human agency as well. Tracing both continuities and disruptions in key intellectual traditions, he relates his conceptions of culture, existence, and experience to three classic triads: the rhetorical aims of moving, delighting, and teaching; the psychological capacities of willing, feeling, and knowing; and the evaluative criteria of justice, beauty, and truth. Discussing such controversies as the conflict between Lacanian and Derridean viewpoints, this book will be essential reading for anyone interested in literary theory, feminist theory, and the intersections of psychoanalysis and philosophy in literary criticism.
This book claims that a tragicomic outlook—the kind that echoes in black and gallows humour and the "laughter through tears" of Jewish humour—is the most effective way to manage what Freud called the "harshness" of everyday life.
This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.
This book enables readers to learn about upstanders, partisans, and survivors from first-hand perspectives that reveal the many forms of resistance—some bold and defiant, some subtle—to the Nazis during the Holocaust. What did those who resisted the Nazis during the 1930s through 1945—known now as "the Righteous"—do when confronted with the Holocaust? How did those who resorted to physical acts of resistance to fight the Nazis in the ghettos, the concentration camps, and the forests summon the courage to form underground groups and organize their efforts? This book presents a comprehensive examination of more than 150 remarkable people who said "no" to the Nazis when confronted by the Holocaust of the Jews. They range from people who undertook armed resistance to individuals who risked—and sometimes lost—their lives in trying to rescue Jews or spirit them away to safety. In many cases, the very act of survival in the face of extreme circumstances was a form of resistance. This important book explores the many facets of resistance to the Holocaust that took place less than 100 years ago, providing valuable insights to any reader seeking evidence of how individuals can remain committed to the maintenance of humanitarian traditions in the darkest of times.
Armstrong argues that conflicting readings occur because readers with opposing suppositions about language, literature, and life can generate irreconcilable hypotheses about a text. Without endorsing a particular critical methodology, the author offers a theory designed to help readers better understand the causes and consequences of interpretive disagreement so that they may make more informed choices about the various interpretive strategies available to them. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The present volume meets a frequently expressed demand as it is the first collection of all the relevant essays and articles which Steven Paul Scher has written on Literature and Music over a period of almost forty years in the field of Word and Music Studies. Scher, The Daniel Webster Professor of German and Comparative Literature at Dartmouth College, Hanover, NH, USA, is one of the founding fathers of Word and Music Studies and a leading authority in what is in the meantime a well-established intermedial field. He has published very widely in a variety of journals and collections of essays, which until now have not always been easy to lay one's hands on. His work covers a wide range of subjects and comprises theoretical, methodological and historical studies, which include discussions of Ferruccio Busoni, Thomas Mann, Bertolt Brecht, Judith Weir, the Talking Heads and many others and which pay special attention to E. T. A. Hoffmann and German Romanticism. The range and depth of these studies have made him the 'mastermind' of Word and Music Studies who has defined the basic aims and objectives of the discipline. This volume is of interest to literary scholars and musicologists as well as comparatists and all those concerned about the rapidly expanding field of Intermedia Studies.
Tibetan Literature addresses the immense variety of Tibet's literary heritage. An introductory essay by the editors attempts to assess the overall nature of 'literature' in Tibet and to understand some of the ways in which it may be analyzed into genres. The remainder of the book contains articles by nearly thirty scholars from America, Europe, and Asia—each of whom addresses an important genre of Tibetan literature. These articles are distributed among eight major rubrics: two on history and biography, six on canonical and quasi-canonical texts, four on philosophical literature, four on literature on the paths, four on ritual, four on literary arts, four on non-literary arts and sciences, and two on guidebooks and reference works.
Through a careful reading of several ancient texts such as Chariton's Callirhoë, Fullmer identifies an ancient storytelling convention with roots in the Homeric tradition in which narratives of death and revival accentuate significant points in a story. In Mark's Gospel, resurrection narratives accentuate the power of Jesus' ministry (Mark 5:21-43) as well as the ironic disloyalty of Jesus' disciples as their failure is first assured (Mark 9:14-29) and later realized (Mark 16:1-18). The reader of this study will come to appreciate how the irony of the Gospel - a literary feature that is prominent in novelistic literature - is furthered by a novelistic application of the resurrection theme. These observations affirm an identification of the genre of the Gospel as novelistic literature. The study also examines themes of death and revival in texts of the Hebrew Bible, revealing a recurrent constellation of motifs. In these texts, Fullmer convincingly traces a Prophetic resurrection topos with characteristics that are compared to an Epic resurrection topos identified in the Homeric tradition. He then demonstrates how the two topoi merge in later, novelistic texts of Hellenistic Judaism such as the Gospel of Mark, witnessing to a widespread amalgamation of cultures that characterizes the Hellenistic period. This study supports a growing appreciation of the ethnic hybridity of the context that produced Mark's Gospel, contributing to the work of scholars who question an often overdrawn dichotomy between Jewish and Greek culture in the Hellenistic period. Moreover, the significant influence of epic, non-biblical traditions upon the Gospel becomes manifest without an assertion of direct dependence upon Homeric epic. Overall, the study provides a model for the examination of specific themes of the Gospel in light of related ancient literature which enhances modern understanding and appreciation of Mark's story.
This is a comprehensive guide to single-stranded RNA phages (family Leviviridae), first discovered in 1961. These phages played a unique role in early studies of molecular biology, the genetic code, translation, replication, suppression of mutations. Special attention is devoted to modern applications of the RNA phages and their products in nanotechnology, vaccinology, gene discovery, evolutionary and environmental studies. Included is an overview of the generation of novel vaccines, gene therapy vectors, drug delivery, and diagnostic tools exploring the role of RNA phage-derived products in the revolutionary progress of the protein tethering and bioimaging protocols. Key Features Presents the first full guide to single-stranded RNA phages Reviews the history of molecular biology summarizing the role RNA phages in the development of the life sciences Demonstrates how RNA phage-derived products have resulted in nanotechnological applications Presents an up-to-date account of the role played by RNA phages in evolutionary and environmental studies
How long have psychotherapists been depicted in films? Nearly as long as there have been films—or psychotherapists, for that matter. This isn’t surprising if one considers that the Freudian revolution in psychology and the invention of motion pictures occurred at about the same time. What may be surprising is the sheer number of times that psychotherapists, in their many guises, have shown up in the movies and how their depiction has reflected changing social attitudes about psychotherapy over the last century. This comprehensive worldwide filmography examines over 5000 movies. Films in which mental health professionals appear, or in which others act in that capacity, are listed alphabetically. A preface explains the criteria for a film’s inclusion, and a lengthy introduction and guide to the filmography explores the changing social attitudes mirrored by the movies. Appendices list the titles by decade; alternate titles for many films; recent releases; and qualifying adult films.
Good Day! , the critically-acclaimed biography about the legendary Paul Harvey, is now in paperback! In this heartwarming book, author Paul J. Batura tells the all-American story of one of the best-known radio voices in history. From his humble beginnings to his unparalleled career of more than 50 years with ABC radio, Paul Harvey narrated America's story day by day, through wars and peace, through the threat of communism and the crumbling of old colonial powers, through consumer booms and eventual busts.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.