... Long ago in a far distant and different – though maybe not so – world, 1,250BCE, yet-to-be Greeks tried to retake that world’s most beautiful woman, Helen of Troy, ‘the face that launched a 1,000 ships’ (actually 1,034). She’d been seduced/abducted by Paris, the Trojan prince. If she existed she may have been an excuse for colonial conquest, like the non-existent ‘weapons of mass destruction’ of Iraq 2003, as Troy was a key trading centre. Or the war may have been due to widespread famine, thus mass migration in the Med. This innovative take on Homer’s ancient epic Iliad uses a stream-of-consciousness style within a traditional ten-syllable rhyming structure. There are very graphic descriptions of one of our bloodiest wars, but also magic, as the god(desse)s interweave throughout, dispensing miracles for their favourites, nobbling rivals. Zeus, on Mount Olympus, plays chess master, pulling the strings, alongside Fate. And there are wonderful similes from the natural world. Given new resonance by the continuing war in Ukraine, Troy’s timeless lessons are unfortunately likely to become more, not less, relevant with increasing competition for shrinking resources, and now that the crises of global heating and nuclear Armageddon threaten practically all life on the planet. The futility of war and destruction has always been humankind’s Achilles Heel! The ancient Greek earth-mother goddess GAIA has largely become (G)reed, (A)rrogance), (I)gnorance, (A)ggression. The power-brokers of our brave new world are descendants of those peoples past – do we have enough of whatever wisdom they had to survive? If you like Greek mythology or history-fantasy or similar, you’ll love this modern twist on a tale of long ago...
In this lively and readable book, the authors argue that in recent years far too much has been made of customer satisfaction, and that this has come at the expense of hard-edged consumerism. Whether or not "the customer is king," the first rule of business is to make money. Pragmatic and practical, the book destroys seven key myths about customer management that have gained almost folkloric status, and provides a step-by-step action plan for linking customer service with commercial goals.
... frequently fascinating book.' -Times Higher Education SupplementThis book explores the effect of commercial and national institutions on the music of one of the foremost British composers of the twentieth century, Benjamin Britten. Radio, the recording industry, government subsidies for the arts, Covent Garden, the post-war establishment of music festivals, were all agents for dramatic changes in the art-music culture which Britten skilfully used to his advantage.
The bestselling author of SALMON FISHING IN THE YEMEN returns with a Buchan-esque thriller. 'Torday has an extraordinary gift for making apparent "normality" look sinister and strange' THE TIMES 'Funny, ambitious, multi-layered and quirkily imaginative' SCOTSMAN 'A thrilling read' PRIMA 'Written with confidence and dry humour, it's engaging and funny' BIG ISSUE 'Gripping' NEWS OF THE WORLD Traumatised by a tour of duty in Iraq, Richard Gaunt returns home to his girlfriend with very little of a plan in mind. Finding it difficult to settle into civilian life, he turns to drink and gambling - and is challenged to a bet he cannot resist. All he has to do is walk from London to Oxford in under twelve hours. But what starts as a harmless venture turns into something altogether different when Richard recklessly accepts an unusual request from a stranger ...
Seesengood traces the life and impact of Paul – one of Christianity’s most influential figures – through the major periods Christian history. Exploring the changing interpretations of Paul and his work, the author throws new light on his writings and on religious history. Offers a unique, insightful journey through the many and varied interpretations of Paul’s life and work over 2,000 years – from the Gnostic controversy, to Luther and the Reformation, to contemporary debates over religion and science Explains Paul’s pivotal role within Christian history, and how his missionary journeys, canonized epistles and theological insights were cornerstones of the early Church and central to the formation of Christian doctrine Argues that each new interpretation of Paul is the result of a fresh set of cultural, social and ideological circumstances – and so questions whether it is ever possible to discover the real Paul
We've always lived on a dangerous planet, but its disasters aren't what they used to be. How the World Breaks gives us a breathtaking new view of crisis and recovery on the unstable landscapes of the Earth's hazard zones. Father and son authors Stan and Paul Cox take us to the explosive fire fronts of overheated Australia, the future lost city of Miami, the fights over whether and how to fortify New York City in the wake of Sandy, the Indonesian mud volcano triggered by natural gas drilling, and other communities that are reimagining their lives after quakes, superstorms, tornadoes, and landslides. In the very decade when we should be rushing to heal the atmosphere and address the enormous inequalities of risk, a strange idea has taken hold of global disaster policy: resilience. Its proponents say that threatened communities must simply learn the art of resilience, adapt to risk, and thereby survive. This doctrine obscures the human hand in creating disasters and requires the planet's most beleaguered people to absorb the rush of floodwaters and the crush of landslides, freeing the world economy to go on undisturbed. The Coxes' great contribution is to pull the disaster debate out of the realm of theory and into the muck and ash of the world's broken places. There we learn that change is more than mere adaptation and life is more than mere survival. Ultimately, How the World Breaks reveals why--unless we address the social, ecological, and economic roots of disaster--millions more people every year will find themselves spiraling into misery. It is essential reading for our time.
This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991. Glorianahas been a source of controversy since its premire as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed to establish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention. This volume offers essays by ROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the work itself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.
The United Kingdom is committed to reducing its greenhouse gas emissions by at least eighty per cent by 2050, a target that will only be achieved by transforming the way that energy is supplied and used. At the same time there are anxieties about the security of energy provision in terms of European dependency on natural gas and the reliability of electricity supply. This book explores in detail those factors which could help or hinder the attainment of the UK's climate change targets, and how these factors interact with the parallel objective of maintaining a robust and secure energy system. The book is the result of a major national energy research effort by the UK Energy Research Centre, which includes some of the UK's leading energy experts. The results and recommendations are essential reading for policymakers, professionals, researchers, and anyone concerned with achieving large-scale reductions in carbon emissions, both from the UK and internationally. Energy 2050 begins by exploring the evolution of the UK energy system over recent decades: the trends, technologies and environmental impacts related to energy use, and the structures and institutions of governance that have influenced this evolution. It then moves on to changes in energy policy to emphasise decarbonization and resilience, and introduce the approach to scenarios and modelling used in the rest of the book. Later chapters explore different aspects of the uncertainties that may enable or constrain the creation of a low-carbon, resilient UK energy system, related to accelerated technology development, the creation of an infrastructure to support de-centralized energy and microgeneration, to lifestyle and behaviour change, and to public attitudes to wider environmental impacts associated with energy system change.
Elie tells the story of four modern American Catholics who made literature out of their search for God: Thomas Merton; Dorothy Day; Walker Percy; and Flannery OConnor.
Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London.
This book is an outstanding successor to Silent Spring-it's a gripping yet even-handed account of what happens when good science meets bad public policy. The result ends up on your dinner plate, for better or worse".-San Francisco Examiner. "[Raeburn] recounts in fascinating detail how science and government have tried to protect our endowment of germ plasm through seed banks, breeding programs, botanical gardens and biosphere reserves".-New York Times. "A well-reasoned, timely call for American agriculture to recognize that putting eggs in a single basket can lead to disaster".-Kirkus. "Science journalism at its best: a lively, well-informed account of scientists at work that reveals how the vaunted productivity of American crops, achieved at the expense of their natural genetic diversity, conceals a devastating vulnerability to pollution and pestilence".-Barry Commoner. Paul Raeburn, science editor of the Associated Press, gives us an eye-opening account of how the genetic manipulation of American crops threatens our food supply-and what we must do to try to avert this disaster. This Bison Books edition carries a new preface by the author.
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