When Pulitzer-winner Molly Sloan and her assistant Timmy Mendez find their story on illegal pelt smuggling at a dead-end, a mysterious stranger comes to their rescue and they stumble upon the story of the century.
Science-loving Gabe and girl-crazy Dover are best friends. In fact, they're practically each other's only friends. So when Gabe's parents leave town for the weekend, he lets Dover convince him to break into his father's basement laboratory-even though he knows it's off-limits under penalty of lifelong grounding. Once inside, the boys make a shocking discovery, one that will turn a boring weekend into a hilarious madcap adventure: a smoking hot robot! While Gabe and Dover argue over "Trina," the robot flees the lab. The chase is on! Before the day is over, she'll expose a traitorous plot, catapult two geeky freshmen to high school fame, and try to assassinate Dr. Phil!
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
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