The Concept to Creation series brings you its first book, The Rage by first time author Paul A. Roberts. The Rage looks at the ultimate family tragedy, the slaughter of two innocent parents and their young son and twists into a supernatural revenge thriller. Inspired by his ultimate fear, the loss of his family, the author brings raw emotion and strength to the central characters and we have brought you the evolution of the story from the initial concept brought out of a nightmare, to the finished draft of the story and the script prepared for television. Amanda was incredibly happy, she has a loving husband and son, a wonderful home and a long life mapped out a head of her. This life was torn apart by evil and the deaths of her family, before she too is slaughtered by two evil amoral criminals. Mandy dies slowly, the body of her son lay out in front of her, her Rage builds to a crescendo as she breathes her last breath. Mandys Rage keeps her spirit alive, and she comes back two months later as a phantom intent on bringing her families murderers to justice. When this fails she takes matters more directly in to her own hands, with fatal consequences. At the end of the book there is the first chapter of Pauls first novel, Amelias Choice, which is coming from Pauls series, Chronicles from the Shadow archives in 2014. The Chronicles will be reinventing a 19th century legend for the 21st century audience.
`A helpful guide for newly qualified counsellors. It gives some comprehensive ideas and tips for further development... a useful book' - Self & Society `Conveys valuable information... Paul Wilkins writes well... With the current emphasis by accrediting counselling organizations on the importance of ongoing personal and professional development, this book would be a salutary place to start on such a journey' - Counselling, The Journal of the British Association for Counselling The personal and professional development of therapists is essential to continued good practice. This book explores just what is meant by `personal and professional development' and why it is so important f
PAUL GOLDBERGER ON THE AGE OF ARCHITECTURE The Guggenheim Museum Bilbao by Frank Gehry, the CCTV Headquarters by Rem Koolhaas, the Getty Center by Richard Meier, the Times Building by Renzo Piano: Pulitzer Prize–winning critic Paul Goldberger’s tenure atThe New Yorkerhas documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.” On Norman Foster: Norman Foster is the Mozart of modernism. He is nimble and prolific, and his buildings are marked by lightness and grace. He works very hard, but his designs don’t show the effort. He brings an air of unnerving aplomb to everything he creates—from skyscrapers to airports, research laboratories to art galleries, chairs to doorknobs. His ability to produce surprising work that doesn’t feel labored must drive his competitors crazy. On the Westin Hotel: The forty-five-story Westin is the most garish tall building that has gone up in New York in as long as I can remember. It is fascinating, if only because it makes Times Square vulgar in a whole new way, extending up into the sky. It is not easy, these days, to go beyond the bounds of taste. If the architects, the Miami-based firm Arquitectonica, had been trying to allude to bad taste, one could perhaps respect what they came up with. But they simply wanted, like most architects today, to entertain us. On Mies van der Rohe: Mies’s buildings look like the simplest things you could imagine, yet they are among the richest works of architecture ever created. Modern architecture was supposed to remake the world, and Mies was at the center of the revolution, but he was also a counterrevolutionary who designed beautiful things. His spare, minimalist objects are exquisite. He is the only modernist who created a language that ranks with the architectural languages of the past, and while this has sometimes been troubling for his reputation . . . his architectural forms become more astonishing as time goes on.
C.L.R. James was a protean 20th century Marxist intellectual, widely recognized as a pioneering scholar of slave revolt; a leading voice of Pan-Africanism; a peripatetic revolutionary and scholar who was active in US and UK radical movements; a novelist, playwright, and critic; and one of the premier writers on cricket and sports. This intellectual portrait was written by James's longtime interlocutor and comrade Paul Buhle, and initially published in 1988. With a new final chapter, updated bibliography, a new foreword by historian Robin D.G. Kelley and a new afterword by philosopher Lawrence Ware, this long-awaited revised edition of a classic biography will be a key resource in the James revival.
How did the early Evangelicals pass on their beliefs to their children? This book is a study of a strangely neglected part of Evangelical history. But it is not merely, nor even especially, a historian's book - it is of general interest, absorbingly so. The reader is plunged into the child's world of the late eighteenth century, a world both surprisingly familiar and terrifyingly unknown. Their home life is examined, their schools and Sunday Schools, the sermons preached for them, the books and tracts and magazines they read, the diaries they wrote. Much of the atmosphere is death-haunted and repellent, entirely foreign to educational thought today. And yet ... the final proof of the efficacy of any system must be its fruits. Actual case-histories are considered, and conclusions attempted. The power of Evangelicalism must have vanished from the earth in a generation, had the fathers not nurtured the children, believing devoutly in their own educational abilities. Yet their many detractors have called them bigots, fanatics, fools and madmen. How fair is this judgment? And for today, how much of those first beliefs do we retain? What is our debt to those Evangelical fathers? A fascinating piece of social history is unfolded - often grim, even macabre, sometimes pathetic, occasionally gay but never, never dull.
This title, first published in 1985, provides a detailed analysis of aspects of the semantics and the syntax of some wh-constructions. The first part of the book deals with the semantics of questions, whilst the other part discusses the syntax of que and quoi (what) in questions in French and the syntax of free relatives in French and other languages. This title will be of interest to students of language and linguistics.
This book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney’s work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney’s creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies.
There's a killer in Ullswater. A murderer lives among the citizens in this small Cumbrian Lake-District community. But no one noticed that one of them has an evil side-an Inner Darkness. Even after the grisly 1996 triple homicides at a local masquerade party, the killer was presumed to be an outsider. No one wanted to admit that a murderer lived in their idyllic town. Four years later, a stranger arrives in Ullswater to rent the same house where the murders occurred-Grimshaw House. Alone, it was an unremarkable event but for the fact that Edna Gemmell bears a striking resemblance to one of the murder victims. Edna believes she's safe behind the locked doors at Grimshaw House. She has no idea that the house has secret entrances. But the killer does!
Finch is a born storyteller' PETER JAMES 'Guaranteed to elevate your heart rate' DAVID JACKSON A GRIPPING AND EXPLOSIVE NEW THRILLER FROM THE MILLION COPY SUNDAY TIMES BESTSELLER A message no one was supposed to hear. Jodie Martindale's disappearance remains a mystery, unsolved to this day. A message that will change everything. David Kelman covered the story. But he made a huge mistake, which cost someone their life. A message from the missing. Now, he has evidence he shouldn't have. It's a message from Jodie - who has been missing for six years - but sent just two weeks ago... 'A spine-chilling mystery from the master of suspense' M.J. ARLIDGE 'This might be Finch's best yet ... Grabs you by the throat and doesn't let go. If you only buy one crime novel this year, make sure it's Never Seen Again' P.L. KANE 'Exceptional crime writing. Paul Finch continues to raise the bar.' M.W. CRAVEN 'A cracking crime thriller that builds to an action-packed finale. Guaranteed to elevate your heart rate!' DAVID JACKSON READERS LOVE PAUL FINCH 5 stars 'So bloody good... Pace, twists and what a plot!!' 5 stars 'More twists & turns than a funfair ride. The author definitely knows his police stuff' 5 stars '[A] gripping, breath-holding up-all-nighter' 5 stars 'Fast paced and seems to get faster with every page' 5 stars 'Paul Finch is an absolute must have in your collection
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
This book examines the career of Rufus Anderson, the central figure in the formation and implementation of missionary ideology in the middle decades of the nineteenth century. Corresponding Secretary of the American Board of Commissioners for Foreign Missions from 1832 to 1866, Anderson effectively set the terms of debate on missionary policy on both sides of the Atlantic and indeed long after his death. In telling his story, Harris also speaks to basic questions in nineteenth-century American history and in the relationship between American culture and the cultures of what later came to be known as the third world.
This excellent book will encourage students to think about the diverse range and broad character of issues encountered at work. It highlights both enduring dilemmas and emerging issues in contemporary employment. Each concept is carefully explained with engaging examples provided throughout. As such it will help prime students to understand key issues at work and make a first-rate addition to any social science reading list." - Nicolas Bacon, Nottingham University Business School "This authoritative, comprehensive, up-to-date, and user-friendly reference book will be appreciated greatly by all social science staff and students of work." - Stephen Edgell, University of Salford and author of The Sociology of Work The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensible study aids and guides to comprehension. Key Concepts in Work: Clearly and concisely explains the central ideas, debates and theories of work. Offers a broad overview of the social, political and economic contexts of work illustrated from diverse industrial societies. Begins each entry with a snapshot definition followed by key words and guidance for further reading. Inspires students to engage in further exploration of ideas and debates. Provides an essential reference guide for all students in sociology, business studies, management learning about work, employment, organizations and labour markets.
Robert Penn Warren's reputation as a poet, though always considerable, has soared in the last decade, as indicated by his recent selection as America's first poet laureate. The Braided Dream is one of the first book-length studies of the poetry that has led to Warren's recent rise to eminence and the first to consider his final collection, Altitudes and Extensions. In a communicable, jargon-free style that will appeal to the nonacademic reader as well as the serious scholar, Randolph Paul Runyon provides a detailed and illuminating guide to a body of poetry that, despite its greatness, has until now seemed resistant to full understanding. Every poem of Warren's last four sequences—Now and Then, Being Here, Rumor Verified, and Altitudes and Extensions—is given a close reading, with a precise laying-out of words, phrases, and recurring images that not only enrich the texture of the poetry but are themselves the texture. Runyon demonstrates the relevance of Freud's concept of the dream work of the unconscious to a reading of this tightly interwoven poetry. He shows how Warren's poems assume additional meanings by the poet's very arrangement of them, deepening his thesis by arguing that "poems eat poems" as each reuses and reconceptualizes the imagery of its predecessor, frequently with ironic or parodic effect.
This is a comprehensive and highly emotive volume, borne of years of intensive research and many trips to the battlefields of the Great War. It seeks to humanize the Menin Gate Memorial (North), to offer the reader a chance to engage with the personal stories of the soldiers whose names have been chiseled there in stone. Poignant stories of camaraderie, tragic twists of fate and noble sacrifice have been collated in an attempt to bring home the reality of war and the true extent of its tragic cost. It is hoped that visitors to the battlefields, whether their relatives are listed within or not, will find their experience enriched by having access to this treasure trove of stories.
There is growing interest in future scenario planning of the construction industry but a disconnect between thinking about the future at the policy-making level and implementing real change. Constructing Futures: industry leaders and futures thinking in construction takes a thematic approach to the future of the UK construction industry by presenting the results of a series of in-depth interviews conducted with leading construction figures and structuring this material into chapters addressing the key contemporary issues in the industry. These high-profile figures are drawn from a wide range of stakeholder groups representing the realities of construction, including architects, client organisations (public-sector and private-sector), consultants, contractors, developers, lobby groups with special interests, policy makers, professional institutions, and trade unions. A total of 15 influential figures were interviewed for the book, from Sir Michael Latham and Bob White to Wayne Hemmingway and Kevin McCloud. Part One looks to the past by reviewing a series of foresight studies undertaken of the construction industry and re-presenting stories of our interviewees' lives to explain the development of leadership in the context of the construction industry. In Part Two, the authors look at the present and discuss two fundamental issues: sustainable development and governance of the construction industry. In Part Three the book concludes with an afterthought for the future, highlighting key lessons learnt putting forward a series of research questions derived from this scholarly reflection of 'futures thinking' in construction. Throughout, the authors juxtapose the views of the 15 influential figures interviewed with a review of the salient points found in the relevant and authoritative sources of theoretical literature, both in the mainstream literature and the field of construction management. This allows the reader to benefit from the practical insights of those interviews whilst gaining a rapid understanding of the key debates of the theoretical subject under scrutiny.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the cities of China to rural Vermont. Paul Henley discusses films made within reportage, exotic melodrama and travelogue genres in the period before the Second World War, as well as more conventionally ethnographic films made for academic or state-funded educational purposes. The book explores the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch in the post-war period, considering ideas about authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects themselves using the new video technology of the 1970s and the ethnographic films that flourished on British television until the 1990s. In the final part of the book, Henley examines the recent work of David and Judith MacDougall and the Harvard Sensory Ethnography Lab, before concluding with an assessmentof a range of films authored in a participatory manner as possible future models.
In Ethnographic Explorations: Surrender and Resistance, Whitaker and Atkinson, two experienced ethnographers, explore the complexities of fieldwork, analysis and writing from new perspectives. It takes the opportunity to reflect on Ethnography not just as a methodological perspective, but at a fundamental level. In general terms, Ethnography is seen not just in terms of a set of data-collection methods, but as a more profoundly transformational perspective. The book explores a series of tensions and differences in the conceptualisation and conduct of ethnography, among them: Surrender and Catch; Strangeness and Familiarity; Intimacy and Distance; amd Romanticism and Modernism. It emphasises disruptions and interruptions rather than an idealised model of smoothly untroubled research. The book covers a variety of theoretical and methodological perspectives, illustrated with research in many social settings. The book is intended for researchers at postgraduate and postdoctoral levels and at experienced researchers who want to read a different, sometimes challenging, take on ethnographic research and its outcomes.
Get up-to-speed with some of the biggest challenges facing New Zealand with this bundle of high-profile BWB Texts. These four works are combined into one easy-to-read e-book, available direct and DRM-free from our website or from international e-book retailers. Seventy-five years after Labour’s social security reforms of the 1930s, Paul Dalziel and Caroline Saunders argue in Wellbeing Economics it is time for a major shift in New Zealand’s economic perspective. In Growing Apart, Shamubeel Eaqub highlights the changing economic fortunes of people in different parts of New Zealand – the growing gaps between our regions. Max Rashbrooke’s The Inequality Debate provides a succinct introduction to income inequality in New Zealand using the latest data. The meaning of The Piketty Phenomenon for New Zealand is explored by a diverse range of economists and commentators addressing the relevance of Thomas Piketty’s ‘Capital in the Twenty-First Century’. BWB Texts are short books on big subjects by great New Zealand writers. Commissioned as short digital-first works, BWB Texts unlock diverse stories, insights and analysis from the best of our past, present and future New Zealand writing.
This book implements a new approach to the study of manipulative tactics in selected Congressional debates in the early history of the United States, highlighting the ways in which language can be used to manipulate an audience. The identification and analysis of different informal fallacies is central in the approach adopted by the authors, and they privilege the role of covert intentions as a frequent ingredient of manipulation. They also show how different speakers can use different subtypes of the same fallacy in a debate, and investigate the tension between the policy preferences and goals of politicians, and existing laws. The book has been written without jargon, all concepts and terminology from the field of linguistic pragmatics are clearly defined, and it is accessible to the interested layperson wishing to become familiar with manipulative techniques in political rhetoric.
This book examines both sides of the current tort reform debate: should courts reduce the scope of defendants' liability to avoid economic decline, or would that change simply enrich large corporations at the expense of average Americans?
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Authoritative, eye-popping, and massive, this is the first and last word on contemporary concert posters, with more than 1,600 exemplary rock posters and flyers from more than 200 international studios and artists.
“Fellow rock stars, casual members of the public, lords and media magnates, countless thousands of people will talk of their encounters with this driven, talented, indomitable creature, a man who has plumbed the depths of depravity, yet emerged with an indisputable nobility. Each of them will share an admiration and appreciation of the contradictions and ironies of his incredible life. Even so, they are unlikely to fully comprehend both the heights and the depths of his experience, for the extremes are simply beyond the realms of most people’s understanding.” —from the Prologue The first full biography of one of rock ’n’ roll’s greatest pioneers and legendary wild men Born James Newell Osterberg Jr., Iggy Pop transcended life in Ypsilanti, Michigan, to become a member of the punk band the Stooges, thereby earning the nickname “the Godfather of Punk.” He is one of the most riveting and reckless performers in music history, with a commitment to his art that is perilously total. But his personal life was often a shambles, as he struggled with drug addiction, mental illness, and the ever-problematic question of commercial success in the music world. That he is even alive today, let alone performing with undiminished energy, is a wonder. The musical genres of punk, glam, and New Wave were all anticipated and profoundly influenced by his work. Paul Trynka, former editor of Mojo magazine, has spent much time with Iggy’s childhood friends, lovers, and fellow musicians, gaining a profound understanding of the particular artistic culture of Ann Arbor, where Iggy and the Stooges were formed in the mid to late sixties. Trynka has conducted over 250 interviews, has traveled to Michigan, New York, California, London, and Berlin, and, in the course of the last decade or so at Mojo, has spoken to dozens of musicians who count Iggy as an influence. This has allowed him to depict, via real-life stories from members of bands like New Order and the Red Hot Chili Peppers, Iggy’s huge influence on the music scene of the ’70s, ’80s, and ’90s, as well as to portray in unprecedented detail Iggy’s relationship with his enigmatic friend and mentor David Bowie. Trynka has also interviewed Iggy Pop himself at his home in Miami for this book. What emerges is a fascinating psychological study of a Jekyll/Hyde personality: the quietly charismatic, thoughtful, well-read Jim Osterberg hitched to the banshee creation and alter ego that is Iggy Pop. Iggy Pop: Open Up and Bleed is a truly definitive work—not just about Iggy Pop’s life and music but also about the death of the hippie dream, the influence of drugs on human creativity, the nature of comradeship, and the depredations of fame.
In the past, while visiting the First World War battlefields, the author often wondered where the various Victoria Cross actions took place. He resolved to find out. In 1988, in the midst of his army career, research for this book commenced and over the years numerous sources have been consulted. Victoria Crosses on the Western Front 1917 to Third Ypres is designed for the battlefield visitor as much as the armchair reader. A thorough account of each VC action is set within the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combatants. It will allow visitors to stand upon the spot, or very close to, where each VC was won. Photographs of the battle sites richly illustrate the accounts. There is also a comprehensive biography for each recipient, covering every aspect of their lives warts and all parents and siblings, education, civilian employment, military career, wife and children, death and burial/commemoration. A host of other information, much of it published for the first time, reveals some fascinating characters, with numerous links to many famous people and events.
The architect’s role is constantly adapting. Throughout history it has shifted significantly, shaped by social, cultural, technological and economic forces. The very definition of what an architect is and does has evolved over time from lead builder or master mason to principal designer. A collaborative and reactive profession, it is inextricably linked to the power of the patron, whether the client is an influential and affluent individual or a political, commercial, civic or religious organisation. From Ancient Egypt, where architects were members of the ruling class, tied into the running of the empire, to the 21st century when questions are being raised about the future of the profession, this book, with its engaging narrative, explores the constant threads that remain as the profession adapts. While architects are no longer deified, their ability to imagine a new impending reality in built form implies a visionary dimension to their work. By focusing on both the practicalities of the profession and the more intangible motivations behind design – humans’ need to make a mark upon their surroundings – this volume provides a critical overview of over 3000 years of practice and education. Looking at the key questions of where the architectural profession originated in the Western tradition, why it is, how it is today and where it might be going next, the authors postulate that architects’ ability to adapt and reinvent themselves in the past will stand them in good stead for the uncertainties of the future.
Chronic Hindu-Muslim rioting in India has created a situation in which communal violence is both so normal and so varied in its manifestations that it would seem to defy effective analysis. Paul R. Brass, one of the world’s preeminent experts on South Asia, has tracked more than half a century’s riots in the north Indian city of Aligarh. This book is the culmination of a lifetime’s thinking about the dynamics of institutionalized intergroup violence in northern India, covering the last three decades of British rule as well as the entire post-Independence history of Aligarh. Brass exposes the mechanisms by which endemic communal violence is deliberately provoked and sustained. He convincingly implicates the police, criminal elements, members of Aligarh’s business community, and many of its leading political actors in the continuous effort to “produce” communal violence. Much like a theatrical production, specific roles are played, with phases for rehearsal, staging, and interpretation. In this way, riots become key historical markers in the struggle for political, economic, and social dominance of one community over another. In the course of demonstrating how riots have been produced in Aligarh, Brass offers a compelling argument for abandoning or refining a number of widely held views about the supposed causes of communal violence, not just in India but throughout the rest of the world. An important addition to the literature on Indian and South Asian politics, this book is also an invaluable contribution to our understanding of the interplay of nationalism, ethnicity, religion, and collective violence, wherever it occurs.
With Instructions and Illustrations on Basic Woodworking Skills, Including Information on Tools, Timber and Simple Joints - The Handyman's Book of Woodworking
With Instructions and Illustrations on Basic Woodworking Skills, Including Information on Tools, Timber and Simple Joints - The Handyman's Book of Woodworking
“Woodwork for Beginners” is a comprehensive guide to woodwork designed for those with little previous experience. This fantastic introduction covers all of the basic skills and techniques related to the subject, with chapters on the proper use and care of tools, types of timber, the fundamental joints, and much more. Profusely illustrated and full of expert tips, this classic handbook is not to be missed by those looking for an introduction to woodworking and related subjects. Paul Nooncree Hasluck (1854 – 1916) was an Australian engineer and editor. He was a master of technical writing and father of the 'do-it-yourself' book, producing many books on subjects including engineering, handicrafts, woodwork, and more. Other notable works by this author include: “Treatise on the Tools Employed in the Art of Turning” (1881), “The Wrath-Jobber's Handy Book” (1887), and “Screw-Threads and Methods of Producing Them” (1887). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
A groundbreaking study in which an engaged archaeology produces nuanced understandings of the past and shapes new understandings of the present. New Philadelphia promotes a rethinking of race relations between African and European Americans."—Claire Smith, President, World Archaeological Congress "Shackel shows in explicit detail how one community archaeology project—dealing with the delicate subject of race—is being put into practice in the American Midwest. This is required reading for archaeologists and historic preservation activists who confront bondage and freedom, and who wrestle with remembrance and representation in real time."—Charles Orser, author of Race and Practice in Archaeological Interpretation "New Philadelphia examines an historic struggle for social justice and the role for archaeology in anti-racist projects. Shackel's engaging narrative shifts among artifacts, landscapes, and documents to illuminate the lives of African Americans and European Americans in a 19th- and early 20th-century community. This is an important book for archaeologists, historians, and cultural heritage practitioners interested in recovering the past to address pressing issues of the present."—Robert Paynter, co-editor of Lines that Divide and co-director of archaeological research at the W.E.B. Du Bois Boyhood Homesite
As collective violence erupts in many regions throughout the world, we often hear media reports that link the outbreaks to age-old ethnic or religious hostilities, thereby freeing the state from responsibility. Through five case studies of both rural and urban public violence, political scientist Paul Brass shows that government and the media often select and focus most on those that support existing relations of power in state and society.
The research for this book commenced in 1988 while the author was serving in the Army. In the years since, numerous sources have been consulted, but career imperatives left insufficient time to complete the project until retirement from the military. In the past the author spent many days on the First and Second World War battlefields wondering precisely where the Victoria Cross actions took place. He resolved to find out.The book is designed for the armchair reader as much as the battlefield visitor. A detailed account of each VC action sets it in the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combatants. It will allow visitors to stand upon the spot, or very close, where the VCs were won. Photographs of the battle sites illustrate the accounts. There is also a comprehensive biography for each VC recipient and photographs. The biographies cover every aspect of their lives 'warts and all' - parents and siblings, education, civilian employment, military career, wife and children, death and burial or commemoration. There is also a host of other information, much published for the first time. Some fascinating characters emerge, with numerous links to many famous people and events.As featured on BBC Radio Wiltshire and in the Daily Record, Gloucestershire Echo, Canterbury Times and Barking & Dagenham Post.
Paul Wesley Chilcote introduces the dynamic faith of John and Charles Wesley, showing how they were able to balance faith and works, Word and Spirit, the personal and the social, head and heart, mission and service.
Roy Fontaine, also known as Archie Hall, was a butler to Britain's aristocracy, and a rumoured lover of Prince Charles' great-uncle, Lord Mountbatten. He was also a serial killer whose modus operandi was to gain the confidence of his wealthy employers before taking their jewels and then their lives. The Butler Did It is the dark and strange story of an unusual friendship between screenwriter Paul Pender and Roy Fontaine, who considered Pender an ally and asked him to write his life story. In a chilling twist, Fontaine then threatened to kill Paul. In The Butler Did It, Paul Pender reveals the secrets of Roy Fontaine's double life and describes his often terrifying, yet blackly humorous, encounters with a convicted serial killer.
The full story of Winston Churchill's lifelong engagement with Ireland and the Irish. A long overdue book which at last addresses the most neglected part of Churchill's legacy, on both sides of the Irish Sea.
The Booker Prize winner. “[One of] the top 10 books about the British in India . . . the book is a joy and makes an elegiac farewell to the Raj.” —Ferdinand Mount, The Guardian In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. “Staying On far transcends the events of its central action . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Scott’s vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, The New York Times Book Review “A graceful comic coda to the earlier song of India . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott.” —Paul Gray, Time “Staying On provides a sort of postscript to [Scott’s] deservedly acclaimed The Raj Quartet . . . It is, on any showing, a creditable achievement.” —Malcolm Muggeridge, The New York Times Book Review
First published in 1903, this book contains a classic guide to woodworking, being a handbook of related materials, tools, processes, and more. Written with the novice in mind, this profusely-illustrated volume contains step-by-step instructions and expert tips designed to walk the beginner through their first experiences in the workshop. Although old, this volume contains a wealth of timeless information and is highly recommended for students and apprentices. Paul Nooncree Hasluck (1854 – 1916) was an Australian engineer and editor. He was a master of technical writing and father of the 'do-it-yourself' book, producing many books on subjects including engineering, handicrafts, woodwork, and more. Other notable works by this author include: “Treatise on the Tools Employed in the Art of Turning” (1881), “The Wrath-Jobber's Handy Book” (1887), and “Screw-Threads and Methods of Producing Them” (1887). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Digital culture and digital technologies have rapidly become unavoidable and essential forms of social experience and communication in our emerging globalised society. If we want to attempt to analyse and understand our technology-saturated society, and all its new media, then we must also develop research methods and forms of analysis that can accommodate and exploit digital culture and digital technologies. This important new methods text sets out to equip qualitative researchers with the tools necessary to conduct ethnography in the age of email and the internet. It will investigate how digital technologies potentially transform the ways in which we do research. This text also introduces the reader to new emerging methods that utilise new technologies and explains how to conduct data collection, analysis and representation using new technologies and `hypermedia′. Essential reading for any student or researcher interested in qualitative research in an age of hypermedia, this text: - explains how digital technology impacts on social research; - investigates how digital technology has reshaped the field of social research; - consider the implications of bringing multimedia into the forefront of qualitative research; - suggests new ways of observing and documenting a `technologised′ and design-rich society; - enables the reader to use new technologies to handle and represent qualitative data; - unpacks the theoretical implications of writing and researching for the electronic screen
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.