The Water Road is the story of a four month circumnavigation by narrowboat of 'The Grand Cross', the name given to the inland waterway linking the Thames to the Humber, Severn and Mersey. Starting in London, Paul Gogarty follows a figure of eight through Britain's major cities and across the Pennines. Entering the world's most concentrated canal network Gogarty sails into England's past and future. 'The Cut' (the name most commonly used for the canals) is a blueprint of when England was a big island and the inland waterways its motorway. But, after more than a century of neglect, 'The Cut' is now enjoying a second golden age with waterfront cities being regenerated and more inland waterways currently opening in Britain than were being built at the height of Canal Mania 200 years ago. 'The Cut' is a hidden garden flashed with kingfishers and traditional narrowboats; a parallel universe ringing with the laughter of water gypsies, the thin cries of bats and drunken congregations in waterfront pubs. This is a journey across the face of England with all its exultations and darkness; rave boats, glorious sunshine and sheeting rain: canals that have been resurrected and enjoying their new summer and those still abandoned like shameful secrets. The Water Road is a voyage that is poignant, illuminating and entertaining at every turn.
Explore every corner of this fascinating island (North and South) with the fully revised 10th edition of the Rough Guide to Ireland, including the clearest maps of any guide. Get inspiration from the introduction on where to go and what to see, from Dublin's elegant Georgian architecture and world-renowned pubs to the spectacular landscapes of the Burren and Connemara. Find in-depth, up-to-date descriptions of the best hotels and B&Bs, restaurants and bars, including the top places to hear Irish music. Learn about Ireland's culture, with expert background on everything from traditional sports and music to history and literature. In addition, you'll find two sections, describing Ireland's exuberant festivals and giving a detailed guide to the best of its under-rated food and drink. Make the most of your time on God's green earth with the Rough Guide to Ireland.
Winner of the 'Travel Narrative Book of the Year' in 2005 by the British Guild of Travel Writers (BGTW), The Coast Road presents an idiosyncratic and illuminating snapshot of England and what it is to be English today. In this travelogue, award-winning writer Paul Gogarty travels 3,000 miles in a motorhome, exploring intimate coastal communities and ruminating on the future of the English coast. All points of the compass are covered; after an unsettling benediction at Dover's Eastern Docks he travels to Derek Jarman's Dungeness; to rakish Brighton and Madame Rosina's Bournemouth; the mudflats and Arabian sands of the north- west, where he joins a roomful of George Formbys in Blackpool; the now infamous Morcambe Bay; Billy Butlin's Skegness; and a parachuting vicar. The journey comes full circle in the secret creeks of East Anglia. The Coast Road is a warm-hearted tribute to England's coastline written by a romantic spirit who beautifully captures both the idiosyncrasies of the nation and the euphoria of the open road.
Knox’ in-situ studies present 50 especially significant city districts from the whole of Europe in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York. Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning – such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred "biography". A fascinating journey through space and time!
Producer of Nanook of the North, Moana, Man of Aran, and other pioneering documentaries between 1920 and 1940, Robert J. Flaherty was America's first independent film artist. Popular conceptions of Flaherty have led many either to worship his work and regard him in mythical terms or to debunk him as a fraud and castigate him for lack of a social consciousness. Rarely has the attempt been made to understand him in the context of his times. This captivating study presents Flaherty through the eyes of someone who knew him personally—the brilliant British filmmaker and scholar Paul Rotha. A colleague and close friend of Flaherty, Rotha gives us s a powerfully written biography that is a balanced and intimate look at the life and work of an American genius. Editor Jay Ruby has restored the Rotha biography, including a wealth of anecdotes, letters, and memoirs that begin to bring Robert Flaherty the man into focus. An especially valuable dimension of this work is the appraisal of Flaherty the filmmaker from the viewpoint of a major figure of the British industry. He summarizes in detail the critical response to Flaherty of his contemporaries, about which only sketchy information has previously been available. Flaherty regarded himself as an explorer as well as a filmmaker. The exciting story of this biography takes us from the Arctic, where Flaherty spent years filming Nanook, to the South Pacific, England, the Aran Islands, and finally the United States. his courage and overarching vision resulted in an unprecedented recording of the human struggle and in documentary films that reached a wider audience than ever before.
The Only Comprehensive, Unofficial, Opinionated Guide * Praise for the Hostels series “These books are super-useful! What to do, how to get there, and what it’s like, all rolled into one. You can’t get this information all in one place anywhere else!” —Hostelling International * Here is the unbiased lowdown on more than 200 hostels throughout Europe. From Vienna to Lisbon, Prague to Edinburgh, Berlin to Paris—more than thirty cities are covered. Whether you’re looking to party or just looking for a clean, quiet, affordable place to crash, this guide will get you exactly where you want to go. Inside you’ll find: - At-a-glance ratings - Candid descriptions - Local Must-sees - What’s nearby Hostels European Cities also tells you which hostels provide such “extras” asInternet access, kitchen and laundry facilities, bike rentals—and more! Easy-to-read icons are included for: - Attractive natural setting - Ecologically aware hostel - Superior kitchen facilities or great cafe/restaurant - Offbeat or eccentric place - Superior bathroom facilities - Romantic private rooms - Comfortable beds - A particularly good value - Wheelchair accessible - Good for business travelers - Especially well suited for families - Good for active travelers - Visual arts at hostel or nearby - Music at hostel or nearby - Great hostel for skiers - Bar or pub at hostel or nearby - Editors’ choice: among our very favorite hostels
This is a collection of original essays by international scholars which focuses on Irish writing in English from the eighteenth century to the present. The essays explore the recurrent motif of exile and the subversive potential of Irish writing in political, cultural and literary terms. Case-studies of major writers such as Swift, Joyce, and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution and the contribution of women writers to Nationalistic journalism.
In Blindness and Insight , de Man examines several critics and finds in their writings a gap between their statements about the nature of literature and the results of their practical criticism. Not only are the critics unaware of this gap, says de Man, but their blindness to it often leads to some of their most valuable insights. The central issue of de Man's work is the rhetorical constitution of the text, and this book, with its new introduction by Wlad Godzich and five additional essays by de Man, is meant to challenge readers to a new appreciation of their chosen task as readers of literature. Included in this new edition are the original essays on Binswanger, Poulet, Lukas, Blanchot, the New Critics, and Derrida's `of Grammatology', as well as five more: `The Rhetoric of Temporality', `The Dead-End of Formalist Criticism', `Heidegger's Exegesis of Holderlin', a review of Bloom's `Anxiety of Influence, and `Literature and Language'.
A study of contemporary music in light of transformations to work and social life. The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
The Classic British Telefantasy Guide is derived from the second edition of The Guinness Book of Classic British TV with various corrections and a revised introduction to bring it up to date. It was written when the Internet barely existed, and at a time when few books had been published on the subject. This is, however, by no means a new or completely revised version of the original material - too much time has passed, and if we were to start reworking and correcting the text now, it would probably never be finished! Instead, Classic British Telefantasy is an electronic reprint of some of the authors' earliest work, repacked for a new format and, perhaps, a new age.
The first history of sport in Ireland, locating the history of sport within Irish political, social, and cultural history, and within the global history of sport. It studies the relationship between sport and national identity, how sport influences policy-making in modern states, and the ways in which sport has been colonized by the media.
During the Allied victory celebrations there were few who chose to raise a glass to the staff. The high cost of casualties endured by the British army tarnished the reputation of the military planners, which has yet to recover. This book examines the work and development of the staff of the British army during the First World War and its critical role in the military leadership team. Their effectiveness was germane to the outcome of events in the front line but not enough consideration has been paid to this level of command and control, which has largely been overshadowed by the debate over generalship. This has painted an incomplete picture of the command function. Characterised as arrogant, remote and out of touch with the realities of the front line, the staff have been held responsible for the mismanagement of the war effort and profligate loss of lives in futile offensives. This book takes a different view. By using their letters and diaries it reveals fresh insights into their experience of the war. It shows that the staff made frequent visits to the front line and were no strangers to combat or hostile fire. Their work is also compared with their counterparts in the French and German armies, highlighting differences in practice and approach. In so doing, this study throws new light upon the characteristics, careers and working lives of these officers, investigating the ways in which they both embraced and resisted change. This offers evidence both for those who wish to exonerate the British command system on the basis of the learning process but also for those critical of its performance, thus advancing understanding of British military history in the First World War.
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights--Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day.In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830-1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture.The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law.In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function--the creation of private property incentives--must not be an end in itself.
First published in 1980, Ireland: Land of Troubles is a fascinating and eminently readable account of Ireland’s history from the twelfth century which gives a valuable insight into her twentieth century Troubles. Ireland is a country which has produced examples of the finest flowering of Western culture but also witnessed centuries of turbulence and bloodshed. From the first establishment of an English presence around Dublin in the twelfth century, Ireland’s turbulence has been responsible for wrecking the reputations and destroying the causes of Richard II, the Earl of Essex, Charles I and James II and a host of Lords Lieutenant and Ministers, but no one could get to the heart of the ‘Irish problem.’ And the great famine and depopulation of Ireland in the nineteenth century, when four million of her people emigrated – many to America – gave a boost to Irish nationalism and the struggle for Home Rule, culminating eventually in Partition and the continuing Troubles. The author combines his account of Ireland’s history with a penetrating insight into the rise of the Anglo-Irish Establishment and the cultural and religious divides which form an integral part of his story. This book will be of interest to students of history, political science, war studies, ethno-nationalism and internal security.
Drawing from a wealth of historical and scholarly sources, Johnson traces the important social, religious and political development of Ireland's struggle to become a unified, settled country. Johnson describes with accurate detail Ireland's barbarous beginnings, Oliver Cromwell's religious "crusade," the tragic Irish potato famine, the Ulster resistance and the outstanding fact of the constant British-Irish connection and the fearful toll of life it exacted. Among the anonymous multitude are famous names such as "Silken Thom" Kildare, Thomas Wentworth, Archbishop Plunkett and Lord Frederick Cavendish. And yet many great men marshaled their energies and wits to settle Ireland: Sir Henry Sidney, Sire Walter Raleigh, Edmund Spenser, Chruchill and others.
Best summer reads 2015 John Crace, Guardian Not for everyone the title of Prime Minister, Foreign Secretary or other such hallowed callings; the vast majority of the House of Commons is made up of backbenchers – the power behind the constitutionally elected throne. Here is a guide for anyone and everyone fascinated by the quirks and foibles of Westminster Palace, covering all species of backbencher and providing every hardworking MP and political enthusiast with the know-how to survive life in Parliament. From how to address the crowd, weather marital troubles and socialise at party conference to the all important Backbenchers' Commandments, How to Be an MP is indispensable reading for anyone wishing to make a mark from the back bench and influence proceedings in the House. And in the process it provides the outsider with a riveting insight into life as a Member. - An unique guide to being a Member of Parliament. - Essential reading for MPs and a fascinating account of life and work in the world's oldest Parliament. - Has sold 5,000 units since first publication in 2012. - Foreword by Speaker John Bercow.
Among twentieth century authors, P. L. Travers was by far the most productive and famous to hail from the British colony of Australia. After a brief and modestly successful acting career, she moved to London and pursued her own brand of journalism. She was a well-regarded drama critic and travel author, and she became friends with many influential writers and thinkers on both sides of the Atlantic Ocean. Eventually, she found her greatest voice in the form of Mary Poppins, the mysterious and powerful Edwardian nanny. Thirty years after the first Poppins adventure is published, Walt Disney produced a live-action movie version, which has ingrained itself forever in the popular imagination. This biography traces Travers from her youth, her early career in acting and writing, the making of Mary Poppins, and more. LifeCaps is an imprint of BookCaps™ Study Guides. With each book, a lesser known or sometimes forgotten life is recapped.
How Ireland Voted 2002 provides an in-depth analysis of the Irish general election. Continuing an established series of election studies, it sets out the context of the campaign, assesses the impact of the political parties' marketing strategies, and presents first-hand candidate campaign diaries. It analyzes voting patterns employing both aggregate data and survey evidence, discusses the post-election negotiations leading to the formation of the new government, and considers the implications for the future of the Irish party system.
Writers are complicated beast with troubled minds. Genius doesn’t come without consequences, and the authors profiled in this book, show that the minds behind some literatures greatest works were no exception to this rule. The following authors are profiled in this book: P.L. Travers, Emily Dickinson, A.A. Milne, The Bronte Sisters, and Chalres Bukowski This is a collection; each author may also be purchased separately.
How would you like to work for yourself in your own home? Sounds good right? The commute would be a breeze. Starting a small business from home can mean minimum fuss and minimum start-up costs - so it's no wonder that around 60% of new businesses are started from home. Whether you're looking to go freelance, start a home-business full-time or a new venture on the side of your existing job, you need 'Starting a Home Business For Dummies'.
Dream Song is the story of John Berryman, one of the most gifted poets of a generation that included Elizabeth Bishop, Randall Jarrell, Robert Lowell, and Dylan Thomas. Using Berryman's unpublished letters and poetry, as well as interviews with those who knew him intimately, Paul Mariani captures Berryman's genius and the tragedy that dogged him, while at the same time illuminating one of the most provocative periods in American letters. Here we witness Berryman's struggles with alcohol and drugs, his obsession with women and fame, and his friendships with luminary writers of the century. Mariani creates an unforgettable portrait of a poet who, by the time of his suicide at age fifty-seven, had won a Pulitzer Prize and a National Book Award.
Taking the clothes they wore as a starting point, Paul Galvin skilfully weaves together a collection of stories of Irishmen who defined the culture and mood of their time. In Push, he tells the story of the legendary Walker Brothers – cyclists and soldiers who pedalled through a storm for Ireland at the 1912 Stockholm Games and subsequently served as rebel bike couriers during the 1916 Rising. In Born Mad, discover another side to Samuel Beckett – sartor and prolific sportsman who had knockout power as a champion school's boxer. In Boland, we learn about Harry Boland's background as a trained tailor, and in Jack, we encounter Jack B. Yeats at the 1924 Olympic Games in Paris. These are just some of men who have inspired Paul's own fashion collections and whom he writes about here in a fascinating collection that shines a light on how history is woven into the clothes Irishmen wear.
This is a major survey of how towns were governed in late Stuart and early Hanoverian England. A new kind of politics emerged out of England's Civil War: partisan politics. This happened first in the corporations governing the towns, and not at Parliament as is usually argued. Based on an examination of the records of scores of corporations, this book explains how war unleashed a cycle of purge and counter-purge which continued for decades. It also explains how a society that feared a system of politics based on division found the means to absorb it peacefully. As conflict sharpened in communities everywhere, local competitors turned to the court of King's Bench to resolve their differences. In doing so, they prompted the court to develop a new body of law that protected local governments from the divisive impulses within them.
The incredible true story of Air Marshal Sir George Robert Beamish, KCB, CBE - a man who played rugby for Ireland and the British & Irish Lions before becoming a leading light of the RAF during the Second World War, and a senior commander in the years following the war.
In The End of the Poem, Paul Muldoon, "the most significant English-language poet born since the Second World War" (The Times Literary Supplement), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography—and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other. At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, The End of the Poem is a vigorous and accessible approach to looking at poetry anew.
Following the spirit of the world's longest coastal driving route, Paul Clements sets out to discover the real west of Ireland. Along the way he encounters memorable characters living on the Atlantic edge and presents a unique portrait of their lives. We meet the last man standing on a remote Galway island, listen to the banter at Puck Fair, and hear from a descendant of the original sixteenth-century wild Atlantic woman. Tagging along on his meandering journey is the swashbuckling presence of the Celtic sea god, Manannán Mac Lir. For his first travel book in 1991, Paul hitchhiked the same route. Now retracing his steps along the Wild Atlantic Way – this time by car and bike, on horseback and on foot – he looks at how Ireland has changed and realises everyone still has a story to tell. Laced with wry humour and endless curiosity, this is a distinctive mix of travel writing, social history and nature. Also by this author: 'The Height of Nonsense: The Ultimate Irish Road Trip' Praise for this author: "Stacks of free copies should be sent to all our tourist desks abroad." – The Irish Times. "For sheer pleasure, nothing I read beat Paul Clements' 'The Height of Nonsense'." – The Observer. "A compulsive, educational, laugh-out-loud read." – Sunday Independent. "A fascinating journey around the hidden corners of Ireland." – BBC Radio
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