Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America."--BOOK JACKET.
Sit on the couch. Speak. Engage in witty banter and share ideas with friends who really understand your predicaments. Sounds like the perfect cafe. Especially if you're a dog. Pooch Cafe is the home away from home for Poncho and his canine buddies. No Collar, No Service marks the second collection of the hip hit strip Pooch Cafe, named for the place where Poncho, Boomer, and the rest of their pals regularly gather to discuss life among the humans and to hatch their plans to catapult all the world's cats into space. But you won't find this spot on Main Street. Its actual location is a canine secret compromised just once when they tried to get a pizza delivered. Poncho is as passionate about his love for his master, Chazz, as he is about his distaste for kitties. When Poncho and Chazz move in with Carmen and her medley of cats, Poncho pals up with "Fish," a goldfish who conveniently speaks dog, to learn the lay of the land. Poncho views his master's new life as a threat to the sacred man-dog bond, despite Carmen's efforts to make peace with Poncho using love, tenderness, and cheese. Good thing there's always the gang at the cafe. No Collar, No Service is the saga of a strip that captures the intensity of the human-dog bond in a way that resonates with pet lovers everywhere.
Pooch Cafe‚ is creator Paul Gilligan's first syndicated strip, and this book collects the strips from its successful first year of syndication. When Poncho's beloved master Chazz marries cat lover Carmen and forces them to move in with her and her feline brood, Poncho's world is shaken to the core. Carmen's attempts to bribe Poncho with cheese cannot overcome his inexplicable but undeniable disdain for all things cat, and now that his home has become a haven for them, his only recourse is to seek refuge in the cafe, where he, Boomer, and his other canine pals pore over their top-secret plans to construct a giant catapult with which to hurl all the Earth's cats into the sun. As much as he dislikes kitties, he's equally passionate about his love for Chazz. Poncho will do just about anything to keep his position as man's best friend secure, including enduring the physical torments of Chazz's passion for biking, camping, and mountain climbing, which he can only get through with the help of classic Russian literature and a nice cup of tea. Pooch Cafe‚ captures the intensity of the human-dog bond in a way that will resonate with pet lovers everywhere.
A hilarious middle-grade graphic memoir about boyhood, toxic masculinity and a shark named Jaws. For fans of Guts and New Kid. In the summer of 1975, 10-year-old Paul Gilligan doesn't have a whole lot to worry about other than keeping his comic books untarnished, getting tennis balls off roofs and keeping up with the increasingly bold stunts of his best friend, David. And then Jaws comes to town. Suddenly everyone is obsessing over this movie about a shark ripping people to pieces. And if you haven't seen it, not only are you missing out, you're also kind of a wimp. Needless to say, Jaws leaves young Paul a cowering mess, and underlines the growing gap between him and David as well as the distance between where he stands and the world's expectations of a boy's "manliness." And when Jaws himself becomes a kind of macho Jiminy Cricket for Paul, what is a scared and overwhelmed boy to do?
Meet Pluto Rocket, a friendly alien, and Joe Pidge, a wise-cracking pigeon, in the first book of this hilarious new early graphic novel series, for fans of Narwhal and Jelly and Pizza and Taco! Joe Pidge, not just a pigeon but also the stylish king of the neighborhood, is bobbing his way down the street one day when, all of a sudden, Pluto Rocket enters the scene. It turns out, Pluto is from another planet, and is disguising herself for her secret mission — to find out what life in the neighborhood is really like. Lucky for Pluto, Joe Pidge has seen it all before, eaten it all before, and pooped on it all before, so he takes her under his wing and the two become fast friends. But Joe is the one who actually learns a thing or two and whose mind is blown by the out-of-this-world Pluto in this hilarious graphic novel series from Paul Gilligan, creator of the syndicated comic strip Pooch Café!
Pluto Rocket and Joe Pidge are back, with more hats and hijinks than ever before, in the second book of this hilarious new early graphic novel series, for fans of Narwhal and Jelly and Pizza and Taco! Joe Pidge, king of the neighborhood, and Pluto Rocket, an alien who's new in town, have become fast friends, with Joe acting as Pluto's guide on her secret mission to discover what life in the neighborhood is really like. But on Joe's tour (where he shows Pluto the best fire escape and the best garbage can in the world!), it becomes clear that Joe has never actually left his tiny slice of the planet . . . Pluto encourages Joe to get out of his comfort zone, but Joe delays by creating an outlandish list of supplies they'll need to get before they go! Is Joe Pidge afraid of leaving his safe little neighborhood? And if that's tough, imagine how Joe feels when his hat, his trademark super-flavio look that helps him stand out from the other pigeons, goes missing. Thankfully, Pluto is here to help save the day in the second book of this hilarious graphic novel series from Paul Gilligan, creator of the syndicated comic strip Pooch Cafe!
Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America."--BOOK JACKET.
Poncho: Year One is a graphic novel depicting the hilarious first year of puppyhood of the acerbic, self-serving, and much put-upon Poncho from the internationally syndicated comic strip Pooch Café. Drawn from the daily strips 15-month-long storyline, (with substantial new material added to flesh out the tale), we follow Poncho from the womb (literally -- lined up in last place behind his siblings), through his introduction to hamburgers and the other wonders of the world, to dealing with his new master's betrothal to a "crazy cat lady." Ever want to know what's going on in your puppy's mind? Here are all the answers.
On June 26, 1996, an international outcry was heard over the assassination of Irish journalist Veronica Guerin, gunned down by Ireland's most vicious gang. It was the first European case of what the police called "narco-terrorism," where drug syndicates use terror tactics against individuals and states to protect their interests. The hit would change European police tactics forever and make the law enforcement community realize that this problem was no longer confined to the third world. Ruthless godfather John Gilligan controlled a colossal drug empire and a mob of Dublin gangland's most dangerous criminals. Violence and the threat of murder kept terrified witnesses silent and other gangsters in fear. Gilligan thought himself above the law--and never managed to figure out that there was a line between what gangsters can and cannot do. In Evil Empire Paul Williams tells the chilling inside story of Gilligan's rise to power, his savage gang, and the truth about the terrifying murder that shocked the world. Also shown is the behind-the-scenes drama of the dedicated police squad that waged an unprecedented four-year war to smash "Factory" John's Evil Empire. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Badfellas is the definitive account by Ireland's most respected crime writer and journalist, Paul Williams, of how organized crime evolved in Ireland over the past four decades. Drawing on his vast inside knowledge of the criminal underworld, an unparalleled range of contacts and eye witness interviews, Williams provides a chilling insight into the godfathers and events - that have dominated gangland since the late 1960s. Until the explosion of paramilitary violence in the 1970s, Ireland was a criminal backwater. However, petty criminals with dreams of the big time were quick to emulate the ruthless actions of the subversives. Organized crime took hold in Ireland and soon armed robberies, kidnappings and murder became commonplace. After the introduction of heroin to Ireland by Dublin's Dunne family in the late 1970s, there was no going back. Badfellas traces how the hugely lucrative drug trade that then emerged led to the gang wars that have corroded communities and devastated countless lives. Badfellas describes in gripping detail the shocking depths to which the mobsters have sunk. Badfellas is essential reading for anyone who cares about keeping communities safe
Introducing Human Geographies is a comprehensive, stimulating and innovative introduction to human geography. This second edition has been thoroughly revised and updated to build upon the success of the acclaimed first edition. Now in full colour and with sixteen new chapters, discussion points and glossary definitions in the margin, it is even more accessible. Part one discusses the principal ideas through which human geographers understand and shape their subject. Part two examines each of the main sub-fields: ·cultural geography ·development geography ·economic geography ·environmental geography ·historical geography ·political geography ·rural geography ·social geography ·urban geography. Part three demonstrates how different thematic interests are combined in cutting-edge human geographical debates. Introducing Human Geographies continues to be the essential textbook for first year undergraduate geography students taking introductory courses in human geography.
This collection brings together thirteen criminal cases from County Durham’s past that shocked not only the county but also made headline news across the country.Cases featured here include the murder of PC William Smith, who was stoned to death at Butterknowle; the shooting of Superintendent Joseph Scott at Durham by a former colleague; a robbery and murder at Ferryhill, when bank clerk William Byland Abbey was stabbed to death; and the case of Charles Conlin, who killed his grandparents and buried them in a shallow grave at Norton-on-Tees.Paul Heslop’s well-illustrated and enthralling text will appeal to everyone interested in true crime and the shadier side of County Durham’s past.
‘The principles of justice are chosen behind a veil of ignorance’ – John Rawls, A Theory of Justice What is justice? How can we know it? How can we make our society more just? The most significant political philosopher since John Stuart Mill, John Rawls (1921 – 2002) grappled with such dilemmas. His work has been the source not only of academic argument, but also of political debate and legislative reform, arguing that we have a moral duty to organise society so as to rectify undeserved inequality. In the first introduction to Rawls’s work which encompasses his entire career, Dr Paul Graham combines lucid exposition with thought-provoking criticism. Locating Rawls in the rich history of political thought, Graham explores a theory that remains fiercely relevant as the developed world sees unprecedented levels of inequality. For anyone concerned with how society works, this is a vital introduction to one of the great modern philosophers and to a subject that is crucial to how we live.
The many con men, gangsters, and drug lords portrayed in popular culture are examples of the dark side of the American dream. Viewers are fascinated by these twisted versions of heroic American archetypes, like the self-made man and the entrepreneur. Applying the critical skills he developed as a Shakespeare scholar, Paul A. Cantor finds new depth in familiar landmarks of popular culture. He invokes Shakespearean models to show that the concept of the tragic hero can help us understand why we are both repelled by and drawn to figures such as Vito and Michael Corleone or Walter White. Beginning with Huckleberry Finn and ending with The Walking Dead, Cantor also uncovers the link between the American dream and frontier life. In imaginative variants of a Wild West setting, popular culture has served up disturbing—and yet strangely compelling—images of what happens when people move beyond the borders of law and order. Cantor demonstrates that, at its best, popular culture raises thoughtful questions about the validity and viability of the American dream, thus deepening our understanding of America itself.
Communicating Ethically provides a broad introduction to the ethical nature of communication. Now in its second edition, the text has been revised to further address current issues, such as: evolving social media and digital platforms, growing cultural communication and discussion of diversity, and the ethics of public discourse. This book combines coverage of the major systems of ethical reasoning with applications, including case studies in each chapter, to investigate ethics within many fields in the communication discipline. Incorporating a simple framework for ethical reasoning allows the reader to develop their own understanding of the various criteria for making ethical judgments.
“Analyzes how ideas about economics and political philosophy find their way into everything from Star Trek to Malcolm in the Middle.” —Wall Street Journal Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor—whose previous book, Gilligan Unbound, was named one of the best nonfiction books of the year by the Los Angeles Times—explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America?particularly its emphasis on the virtues of spontaneous order?with the Marxist understanding of the “culture industry” and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.
On June 26, 1996, an international outcry was heard over the assassination of Irish journalist Veronica Guerin, gunned down by Ireland's most vicious gang. It was the first European case of what the police called "narco-terrorism," where drug syndicates use terror tactics against individuals and states to protect their interests. The hit would change European police tactics forever and make the law enforcement community realize that this problem was no longer confined to the third world. Ruthless godfather John Gilligan controlled a colossal drug empire and a mob of Dublin gangland's most dangerous criminals. Violence and the threat of murder kept terrified witnesses silent and other gangsters in fear. Gilligan thought himself above the law--and never managed to figure out that there was a line between what gangsters can and cannot do. In Evil Empire Paul Williams tells the chilling inside story of Gilligan's rise to power, his savage gang, and the truth about the terrifying murder that shocked the world. Also shown is the behind-the-scenes drama of the dedicated police squad that waged an unprecedented four-year war to smash "Factory" John's Evil Empire. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Drawing on modern philosophy of language and on cognitive psychology, Paul Chevigny constructs a ground-breaking argument for free speech and related procedural rights. He makes a case for maximum freedom of expression on the part of individuals and for a corresponding sharing of information on the part of governments, seeing this "dialogue" as a basic right. In emphasizing the need for open inquiry, he focuses on language as the means by which human beings can work together to solve social and political problems. Besides placing his ideas in relation to those of earlier political philosophers--notably, John Stuart Mill--Chevigny incorporates insights from such recent and contemporary theorists as Ludwig Wittgenstein, W.V.O. Quine, Jean Piaget, Lawrence Kohlberg, and Carol Gilligan. The author argues that "there can be no understanding, no rational decision-making, without open discussion. Society needs the discussion for the same reasons the individual does, and needs to devise means to pull people into the discussion in order to find new contexts and new answers for problems." He proposes a definition of "modern rationality" as the ability to entertain alternatives, to take a fresh point of view, and insists that the rational approach to interpretation is the one that supplies us with new arguments. Chevigny's approach is a practical one: he demonstrates that it is in the interest of government, both for the solution of policy problems and for the maintenance of authority, to recognize the right of free expression. The government that refuses to do so for whatever reason, he asserts, will eventually pay the price. Author note: Paul Chevigny is Professor of Law at New York University School of Law.
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