The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.
The J. Paul Getty Museum’s collection of European sculpture featured in this French-language volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.
Although one of the newer collections in the Getty Museum, sculpture occupies an important place in the Museum’s acquisition efforts. For the first time, the entire sculpture collection is catalogued in a book designed for scholars and students of sculpture. Reproductions of each piece are accompanied by text that identifies the sculptor, the medium, the dimensions, and the year the work was created.
The papal encyclical Humanae Vitae (On Human Life) made headlines worldwide. Many talked about the encyclical when it was issued in 1968, but few actually read it. Why is it perhaps the most controversial document in modern Church history? On Human Life combines Humanae Vitae with commentary by popular and respected Catholic authors Mary Eberstadt, James Hitchcock, and Jennifer Fulwiler in order to address this question and to shed light on the document's enduring wisdom. Humanae Vitae is Pope Paul VI's explanation of why the Catholic Church rejects contraception. The pope referred to two aspects, or meanings, of human sexuality-the unitive and the procreative. He also warned of the consequences if contraception became widely practiced-consequences that have since come to pass: greater infidelity in marriage, confusion regarding the nature of human sexuality and its role in society, the objectification of women for sexual pleasure, compulsory government birth control policies, and the reduction of the human body to an instrument of human manipulation. The separation of sexuality from its dual purpose has also resulted in artificial reproduction technologies, including cloning, that threaten the dignity of the human person. Although greeted by controversy and opposition, Humanae Vitae has continued to influence Catholic moral teaching. St. John Paul II's popular "theology of the body" drew deeply on the insights of Paul VI. Pope Benedict and now Pope Francis have upheld the long-standing teaching, and a new generation of Catholics, as well as non-Catholics, is embracing the truths of the encyclical.
For the past two years Pope Francis has enchanted and bewildered the world in equal measure with his compassion and his contradictions. Expanding greatly on his acclaimed earlier book Pope Francis: Untying the Knots, Paul Vallely reexamines the complex past of Jorge Mario Bertoglio and adds nine new chapters, revealing many untold, behind-the-scenes stories from his first years in office that explain this Pope of paradoxes. Vallely lays bare the intrigue and in-fighting surrounding Francis's attempt to cleanse the scandal-ridden Vatican Bank. He unveils the ambition and arrogance of top bureaucrats resisting the Pope's reform of the Roman Curia, as well as the hidden opposition at the highest levels that is preventing the Church from tackling the sex abuse crisis. He explains the ambivalence of Pope Francis towards the role of women in the Church, which has frustrated American Catholic women in particular. And Vallely charts the battle lines that are being drawn between Francis and conservatives and traditionalists talking of schism in this struggle for the soul of the Catholic Church. Consistently Francis has show a willingness to discuss issues previously considered taboo, such as the ban on those who divorce and remarry receiving Communion, his liberal instincts outraging traditionalists in the Vatican and especially in the Church hierarchy in the United States. At the same time, many of his statements have reassured conservative elements that he is not, in fact, as radical as he might appear. Behind the icon of simplicity that Pope Francis projects is a steely and sophisticated politician who has learned from the many mistakes of his past. The Pope with the winning smile was previously a bitterly divisive figure. In his decade as leader of Argentina's Jesuits left that religious order deeply split. His behavior during Argentina's Dirty War, when military death squads snatched innocent people from the streets, raised serious questions. Yet after a period of exile and what he has revealed as "a time of great interior crisis" he underwent an extraordinary transformation--on which Vallely sheds new and fascinating light. The man who had been a strict conservative authoritarian was radically converted into a listening participative leader who became Bishop of the Slums, making enemies among Argentina's political classes in the process. Charting Francis's remarkable journey to the Vatican and his first years at work there, Paul Vallely has produced a deeply nuanced and insightful portrait of perhaps the most influential person in the world today. "Pope Francis," he writes, "has not just demonstrated a different way of being a pope. He has shown the world a different way of being a Catholic.
Good Day! , the critically-acclaimed biography about the legendary Paul Harvey, is now in paperback! In this heartwarming book, author Paul J. Batura tells the all-American story of one of the best-known radio voices in history. From his humble beginnings to his unparalleled career of more than 50 years with ABC radio, Paul Harvey narrated America's story day by day, through wars and peace, through the threat of communism and the crumbling of old colonial powers, through consumer booms and eventual busts.
In this candid and sometimes controversial autobiography, the late former SEnator Paul Simon sheares his insights into the activities of President Clinton and other politicians as well as his views on international affairs.
The insider's guide and perfect companion to the new film starring Harvey Keitel, Mira Sorvino, and Vanessa Redgrave--the romantic story of two lonely, mismatched strangers, transformed into soul mates by the uncanny power of a phosphorescent stone. 40 photos.
The papal encyclical Humanae Vitae (On Human Life) made headlines worldwide. Many talked about the encyclical when it was issued in 1968, but few actually read it. Why is it perhaps the most controversial document in modern Church history? On Human Life combines Humanae Vitae with commentary by popular and respected Catholic authors Mary Eberstadt, James Hitchcock, and Jennifer Fulwiler in order to address this question and to shed light on the document's enduring wisdom. Humanae Vitae is Pope Paul VI's explanation of why the Catholic Church rejects contraception. The pope referred to two aspects, or meanings, of human sexuality-the unitive and the procreative. He also warned of the consequences if contraception became widely practiced-consequences that have since come to pass: greater infidelity in marriage, confusion regarding the nature of human sexuality and its role in society, the objectification of women for sexual pleasure, compulsory government birth control policies, and the reduction of the human body to an instrument of human manipulation. The separation of sexuality from its dual purpose has also resulted in artificial reproduction technologies, including cloning, that threaten the dignity of the human person. Although greeted by controversy and opposition, Humanae Vitae has continued to influence Catholic moral teaching. St. John Paul II's popular "theology of the body" drew deeply on the insights of Paul VI. Pope Benedict and now Pope Francis have upheld the long-standing teaching, and a new generation of Catholics, as well as non-Catholics, is embracing the truths of the encyclical.
A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.'s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention--Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz--along with underattended texts from more renowned writers--Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capacities of cultural production. The analysis explores how the selected narratives deploy specific narrative tactics, and a range of literary and other cultural capital, in order to question and reform the U.S.A.'s imaginary coordinates. In these texts, moreover, national imperatives are complicated by recourse to feminist, queer, panethnic, postcolonial, or transnational agendas. Yet the analysis also recognizes instances in which the counter-narrative will is frustrated: the narratives may provide signs of the U.S.A.'s hegemonic resilience in the face of imaginary disavowal.
Paul O. Peterson, Pop, grew up in the Great Depression and has been a lifelong Chicago Cubs fan. You might wonder how such a man could have a wonderful and meaningful life. In grammar and high school he was, as his teachers described, a dreamer. What changed him in college into a man who found joy in study and learning? How did he discover what was important in life after suffering the loss of his wife and later his job, when he was given early retirement? What guided him through those times to a new life of love and service? Pops Story provides the answers to these and many other questions that will bring a greater understanding of who he is to all who read his heartwarming story. He and his wife, Carolyn, raised three sons who have been a source of great pride. He found that it is more rewarding to give than to receive. That a lasting legacy is given by pouring love and experience into people and not through money and material things. He learned that by giving you get greater reward, return, and joy in your life.
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