Classrooms and curricula should be structured to foster the playful interaction that can teach students how to negotiate social and political differences in an emancipatory, noncoercive manner.... Teaching reading as a playful exercise of reciprocity with otherness can help prepare students for a democracy understood as a community of communities."—from the "Pedagogical Postscript" Reading is socially useful, in Paul B. Armstrong's view, and can model democratic interaction by a community unconstrained by the need to build consensus but aware of the dangers of violence, irrationality, and anarchy. Reading requires mutual recognition but need not culminate in agreement, Armstrong says; instead, the social potential of reading arises from the active exchange of attitudes, ideas, and values between author and reader and among readers. Play and the Politics of Reading, which has important implications for education, draws on Wolfgang Iser's notion of free play to offer a valuable response to social problems. Armstrong finds that Joseph Conrad, E. M. Forster, Henry James, and James Joyce provide apt examples of the politics of reading, for reasons both literary and political. In making the transition from realism to modernism, these authors experimented with narrative strategies that seek simultaneously to represent the world and to question the means of representation itself. The formal ambiguities and complexities of such texts as Howards End and Ulysses are ways of staging for the reader the difficulties and opportunities of a world of differences. Innovative formal structures challenge readers to reconsider their assumptions and beliefs about social issues.
Contained within the numerous items on display at the DDR Museum in Berlin is a brief though detailed account of a 1980 initiative on the part of the East German Politburo whereby the objective of this initiative was the seizure, by force, of West Berlin. Although the East German leader Erich Honecker and his colleagues in government were serious as regards to their incorporating West Berlin into East Germany, the Soviet Union, at that time, did not share the East German enthusiasm, due to the potential impact any invasion of West Berlin might have had on the Moscow Olympics and also because Brezhnev was conscious of Soviet presence in Afghanistan. However, two years later, with Leonid Brezhnev close to death, there are shenanigans afoot involving his would-be successors. One of the gambits is a plan by Yuri Andropov to resurrect the Erich Honecker initiative and deliver West Berlin for the Warsaw Pact. How would the West respond if this audacious Andropov power grab strategy was put into practice?
This book focuses on the fiction of four postcolonial authors: V.S. Naipaul, Anita Desai, Timothy Mo and Salman Rushdie. It argues that meals in their novels act as sites where the relationships between the individual subject and the social identities of race, class and gender are enacted. Drawing upon a variety of academic fields and disciplines — including postcolonial theory, historical research, food studies and recent attempts to rethink the concept of world literature — it dedicates a chapter to each author, tracing the literary, cultural and historical contexts in which their texts are located and exploring the ways in which food and the act of eating acquire meanings and how those meanings might clash, collide and be disputed. Not only does this book offer suggestive new readings of the work of its four key authors, but it challenges the reader to consider the significance of food in postcolonial fiction more generally.
The French revolution had an electrifying impact on Irish society. The 1790s saw the birth of modern Irish republicanism and Orangeism, whose antagonism remains a defining feature of Irish political life. The 1790s also saw the birth of a new approach to Ireland within important elements of the British political elite, men like Pitt and Castlereagh. Strongly influenced by Edmund Burke, they argued that Britain's strategic interests were best served by a policy of catholic emancipation and political integration in Ireland. Britain's failure to achieve this objective, dramatised by the horrifying tragedy of the Irish famine of 1846-50, in which a million Irish died, set the context for the emergence of a popular mass nationalism, expressed in the Fenian, Parnell, and Sinn Fein movements, which eventually expelled Britain from the greater part of the island. This book reassesses all the key leaders of Irish nationalism - Tone, O'Connell, Butt, Parnell, Collins, and de Valera - alongside key British political leaders such as Peel and Gladstone in the nineteenth century, or Winston Churchill and Tony Blair in the twentieth century. A study of the changing ideological passions of the modern Irish question, this analysis is, however, firmly placed in the context of changing social and economic realities. Using a vast range of original sources, Paul Bew holds together the worlds of political class in London, Dublin, and Belfast in one coherent analysis which takes the reader all the way from the society of the United Irishman to the crisis of the Good Friday Agreement.
Charles Stewart Parnell is the most enigmatic figure in Irish history. An Anglo-Irish landlord from a distinguished Wicklow family, he became the most unlikely leader of Irish nationalism imaginable. He hated the colour green. He was not a dynamic speaker. He was cold and aloof and lacked the popular touch. None the less, from the late 1870s until his fall and death in 1891, he held the whole of Ireland spellbound. He established Home Rule for Ireland – previously a taboo subject in British politics – at the centre of Westminster affairs and effectively created the modern Irish state in embryo. His fall was as dramatic as his rise. The affair with Mrs Katharine O'Shea, the mother of his three children, destroyed him. Ever since his fall and his premature death in 1891, Parnell has remained a remarkably potent symbol, particularly in times of crisis and conflict in Ireland. The myth has obscured the man and makes it difficult for us to see Parnell as he really was. Paul Bew presents a completely original interpretation of this fascinating and enigmatic man.
Humans and androids are learning to co-exist as equals, but there are many opposers who seek to subvert their own creations and rule with absolute power ...Humans, with their android creations loyally at their side, have colonised the Moon and Mars. The Earth and Colonies Defence Service (ECDS) keeps the colonies and space lanes safe. On Earth, the Android Protectorate League, led by the enigmatic android leader Traviod Selius, campaign for android rights legislation. However, they are strongly opposed by the Anti-Android Faction (AAF). Following the approval of the Human and Android Cohabitation Act, ECDS Chief of Operations Nakaar Bacvor and co-conspirators form the military wing of the AAF. The AAF attack the Moon and Mars colonies, but are repulsed by ECDS forces. On Earth, with the AAF seemingly defeated, humans and androids unite to create the city of Utopia. Threats from a reformed, more powerful AAF emerges and the crew of the ECDS flagship Harmonia must formulate a defence. The mysterious Evolved Androids appear on Earth with a sytoid child called Eirini, who has strange powers. Utopian Enforcement officer Rul Calibra becomes her unlikely guardian and protector.Humankind's destiny hangs in the balance in the first series installment ANDROID: Earth - Book One of the ANDROID Saga. Paul J. Ward was born in 1969 in Lincolnshire, England, on the day of the historic Apollo 11 moon landing. He has been fascinated by space exploration and technological developments his whole life. This is his first novel. Publisher's website: http: //sbpra.com/PaulJWar
2017 Robbie Robertson Dartmouth Book Award — Shortlisted Paul Chiasson reveals the possibility that early Chinese settlers landed in Cape Breton long before Europeans. From the very beginning of the European Age of Discovery, Cape Breton was considered unusual. The history of the area even includes early references to the island having once been the land of the Chinese. In 1497, at least a century before any attempt at European settlement in the region, the explorer John Cabot had referred to Cape Breton as the “Island of Seven Cities.” The indigenous people of the region, the Mi’kmaq, were the only aboriginal people of North America who had a written language when Europeans first arrived. This writing, clothing, and customs also suggested an early Chinese presence. In Written in the Ruins, Chiasson investigates the ruins at St. Peters in the southern part of the island, where evidence brought to light supports a theory that could answer all the questions raised by the island’s curious, unresolved history.
“[A] combination of mystery and science fiction almost reaching the level of Isaac Asimov’s classic LIJE BALEY—Daneel Olivaw novels.” —CHICAGO SUN TIMES The second volume of the spectacular science fiction thriller evolving from the works of Arthur C. Clarke, the grandmaster of science fiction. Her code name is Sparta, whose beauty veils a mysterious past and abilities of superhuman dimension; the product of advanced biotech engineering. When a team of scientists is trapped in the gaseous inferno of Venus, Sparta must risk her life to save them, unaware that her actions will help recover a mysterious artifact: irrefutable evidence of life on another planet.
Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London.
“[A] combination of mystery and science fiction almost reaching the level of Isaac Asimov’s classic LIJE BALEy—Daneel Olivaw novels.” —CHICAGO SUN TIMES The fifth volume in a series of science-fiction thrillers evolving from the works of Arthur C. Clarke, grandmaster of science fiction and author of 2001: A SPACE ODYSSEY. Her code name is Sparta. Her beauty veils a mysterious past and abilities of superhuman dimension—the product of advanced biotechnology. Much excitement has arisen throughout the galaxy over the exploration mission to Jupiter’s moon, Amalthea. Led by the renowned Professor J.Q.R. Forster, the dangerous expedition will lead its members to the surface of this strange moon—and beyond. It is Sparta’s mission to monitor the trip on the part of the Board of Space Control. Her task becomes more threatening when Sir Randolph Mays, Forster’s rival and nemesis, “accidentally” crash-lands on Amelthea’s surface. Far from innocent, Mays has a plan for laying claim to Forster’s discoveries, and only Sparta is able to prevent sabotage. But what is Mays really after? And how will they all react to the discovery of an alien life-form?
First published in 1985. Dickens was a vigorous champion of the right of all men and women to carefree amusements and dedicated himself to the creation of imaginative pleasure. This book represents the first extended study of this vital aspect of Dickens’ life and work, exploring how he channelled his love of entertainment into his artistry. This study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the importance of entertainment to Dickens’ journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life. This book will be of interest to students of literature.
Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas. Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas Makes the case for ‘world art’ long before the fashion of globalization Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of ‘contemporary art’ to the past. Written by a well-known art historian and co-editor of the landmark Art in Theory volumes
This is the first book to provide an account of the representation of emotional and sexual relationships between men across English literature from the Renaissance to the modern period. Based on new research but aimed at the student and the general reader, Paul Hammond discusses major writers such as Marlowe and Shakespeare, Tennyson and Wilde, Forster and Lawrence, but also introduces less familiar texts which cast light on the homosexual culture of their periods. There is an extensive bibliography.
Franz Joseph Gall, a dedicated physician and scientist, is unfortunately most remembered for his controversial doctrine that would become known as phrenology. Although often portrayed as a discredited buffoon who believed he could assess a person's strengths and weaknesses by measuring cranial bumps, Gall strove to answer pressing questions about the mind, brain, and behavior. His career began in Vienna during the 1790s and ended with his death in Paris in 1828. This work presents a fresh look at Gall, both his life and seminal ideas, some of which--for example, cortical localization of function--would become tenets of modern behavioral neuroscience.
This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.
The story of Charles Stewart Parnell, one of the greatest Irish leaders of the nineteenth century and also one of the most renowned figures of the 1880s on the international stage, and John Dillon, the most celebrated of Parnell's lieutenants. As Paul Bew shows, the differences between the two men reflect both Ireland's past and its future. The story of Charles Stewart Parnell, one of the greatest Irish leaders of the nineteenth century and also one of the most renowned figures of the 1880s on the international stage, and John Dillon, the most celebrated, but also the most neglected, of Parnell's lieutenants. As Paul Bew shows, the differences between the two men reflect both Ireland's past and its future. Every time the principle of consent for a united Ireland is discussed today, we can perceive the legacy of both men. Even more profoundly, that legacy can be seen when Irish nationalism tries to transcend a tribalist outlook based on the historic Catholic nation, even when the country is no longer so very Catholic.
In this book Professor Crook continues his investigation of the intellectual response to a twentieth century that witnessed unprecedented challenges to western culture and identity, horrific world wars, and revolutionary new science such as the theory of relativity which bred both hope and the threat of nuclear annihilation for humanity. Science and massive social changes seemed to have fatally eroded traditional religion. This collection of essays ranges across a wide spectrum of thinkers. They include England’s only prime minister/philosopher Arthur Balfour; eminent scientists such as the astrophysicists Arthur Eddington and James Jeans, endocrinologist Lancelot Hogben, and biologist Julian Huxley; novelists like E. M. Forster, Aldous Huxley, Dorothy Sayers and H. G. Wells (who wept over a world at “the end of its tether”); writers on art and civilisation Charles Bell (of Bloomsbury fame) and Christopher Dawson; and the “Brains Trust” stalwart Cyril Joad. We also look at many religious thinkers from modernist theologians to mystics. They include Hilaire Belloc, William Temple, W. B. Selbie, Charles Raven, Ronald Knox, Evelyn Underhill and, to finish with, the Jesuit paleontologist Teilhard de Chardin who believed the world was evolving towards a mystical “Omega Point”. We who live in troubled times of pandemics, political extremes and loss of faith might well read our predecessors with profit on crises in their society and culture.
“I have long admired Paul Preuss’s work and for this reason was pleased when he expanded six of my short stories into the Arthur C. Clarke’s Venus Prime series, which has been extremely successful. I wish him every success with his new novel.” —Arthur C. Clarke “Paul Preuss is one of the rather few science fiction writers who really understand and appreciate science. He’s also a fine writer by any other standard. In Core he gives us a story both exciting and thought provoking, filled with people we come to know about and care about.” —Poul Anderson “What is the deepest hole which may be dug into the earth?” was first asked about 1947, not 1941, by Enrico Fermi. It can be found in University of Chicago Graduate Problems in Physics, with Solutions, from the University of Chicago Press. The catch is, it appears in the section of experimental problems, for which no solutions are given. To address it, one ought to know something about drilling techniques, materials, and the earth. When Byron Preiss challenged me with the question (he phrased it differently) around the time of the 125th anniversary of Jules Verne’s Journey to the Center of the Earth, I knew next to nothing about any of these subjects. Besides spinning a yarn, nothing is more fun than research. The earth’s magnetic field begins to collapse, leaving the planet unprotected against deadly cosmic rays and solar flares. Hundreds of thousands of men, women, and children suffer radiation burns and deaths, severe power disruptions, and communications blackouts. If the collapse continues, the ozone layer will be totally destroyed, setting loose plagues of cancer, sterility, mutations, birth defects, and worse. Scientists, srambling to understand these savage new phenomena, ultimately realize that unless an answer is found quickly, all life on earth will be destroyed in a rapidly approaching apocalypse. Against this freighteningly real near-future backdrop, Cyrus and Leiden Hudder—father and son, two of the world's great scientific minds, separated by an undying hatred and resentment—are brought together through the work of fiercely independent physicist Marta McDougal. Marta has developed one of the greatest technological breakthroughs of the age, a machine to bore through the earth’s solid crust to reach its very center...but this invention is a two-edged sword. The ultimate weapon, it could be mankind’s salvation—or its destruction! Packed with explsive action in a world poised on the brink of collapse, this hight-tech masterpiece is Paul Preuss’s finest achievement. Paul Preuss began his successful writing career after years of producing documentary and television films and writing screenplays. He is the author of twelve novels, including Venus Prime, Volumes 1, 2, and 3, and the near-future thrillers Core, Human Error, and Starfire. His non-fiction has appeared in The Washington Post, the Los Angeles Times, New York Newsday, and the San Francisco Chronicle. Besides writing, he has been a science consultant for several film companies. He lives in San Francisco, California.
“[A] combination of mystery and science fiction almost reaching the level of Isaac Asimov’s classic LIJE BALEY—Daneel Olivaw novels.” —CHICAGO SUN TIMES The fourth volume in a series of science-fiction thrillers evolving from the works of Arthur C. Clarke, grandmaster of science fiction and author of 2001: A SPACE ODYSSEY. Her code name is Sparta. Her beauty veils a mysterious past and abilities of superhuman dimension—the product of advanced biotechnology. Recovering from her mission on Mars, Sparta finds herself the guest of the Space Board. But relaxation is short-lived as she sets out on an interplanetary investigation—of the Space Board itself! Members of the Free Spirit, a religious cult intending to gain control of all the worlds of our galaxy, have infiltrated the Space Board. As the date of the manned mission into the clouds of Jupiter approaches, Sparta’s suspicions grow. She is certain the mission has fallen into the hands of the cult, and she is determined to stop it.
An updated and revised look at the truth behind America's housing and mortgage bubbles In the summer of 2007, the subprime empire that Wall Street had built all came crashing down. On average, fifty lenders a month were going bust-and the people responsible for the crisis included not just unregulated loan brokers and con artists, but also investment bankers and home loan institutions traditionally perceived as completely trustworthy. Chain of Blame chronicles this incredible disaster, with a specific focus on the players who participated in such a fundamentally flawed fiasco. In it, authors Paul Muolo and Mathew Padilla reveal the truth behind how this crisis occurred, including what individuals and institutions were doing during this critical time, and who is ultimately responsible for what happened. Discusses the latest revelations in the housing and mortgage crisis, including the SEC's charging of Angelo Mozilo Two well-regarded financial journalists familiar with the events that have taken place chronicle the crisis in detail, showing what happened as well as what lies ahead Discusses how the world's largest investment banks, homeowners, lenders, credit rating agencies, underwriters, and investors all became entangled in the subprime mess Intriguing and informative, Chain of Blame is a compelling story of greed and avarice, one in which many are responsible, but few are willing to admit their mistakes.
A pioneering critic, educator, and poet, I. A. Richards (1893-1979) helped the English-speaking world decide not only what to read but how to read it. Acknowledged "father" of New Criticism, he produced the most systematic body of critical writing in the English language since Coleridge. His method of close reading dominated the English-speaking classroom for half a century. John Paul Russo draws on close personal acquaintance with Richards as well as on unpublished materials, correspondence, and interviews, to write the first biography (originally published in 1989) of one of last century’s most influential and many-sided men of letters.
Shows that a rising antipathy in Ireland toward Victorian Britain's expanding global imperialism was a crucial factor in popular support for Irish Home Rule.
Modernism is still widely acknowledged as perhaps the most important and influential artistic and cultural phenomenon of the 20th century. Written by expert scholars from around the world and covering hundreds of different topics in a clear, incisive, and critical manner, this reference maps the complex field of modernism in a fresh and original way. The principal focus of the book is on English-language literary modernism and the period 1890-1939, yet many entries extend beyond those parameters to include important precursors and successors of the movement. The book also covers the crucial European and interdisciplinary dimensions of modernism and provides complementary comparative perspectives from countries and regions not usually included in traditional accounts of the subject. Entries cite works for further reading, and the volume closes with a selected, general bibliography.
Papers Delivered at a Symposium Organized by The J. Paul Getty Museum and The Getty Center for the History of Art and the Humanities and Held at the Museum, April 22–25, 1993
Papers Delivered at a Symposium Organized by The J. Paul Getty Museum and The Getty Center for the History of Art and the Humanities and Held at the Museum, April 22–25, 1993
One of the great seats of learning and repositories of knowledge in the ancient world, Alexandria, and the great school of thought to which it gave its name, made a vital contribution to the development of intellectual and cultural heritage in the Occidental world. This book brings together twenty papers delivered at a symposium held at the J. Paul Getty Museum on the subject of Alexandria and Alexandrianism. Subjects range from “The Library of Alexandria and Ancient Egyptian Learning” and “Alexander’s Alexandria” to “Alexandria and the Origins of Baroque Architecture.” With nearly two hundred illustrations, this handsome volume presents some of the world’s leading scholars on the continuing influence and fascination of this great city. The distinguished contributors include Peter Green, R. R. R. Smith, and the late Bernard Bothmer.
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