The Brood" has cast a demonic shadow over Brighton County, Iowa. This quiet little patch of small-town living is about to become a war zone. Life in Brighton County grows deadlier by the day, and things will never be the same. The citizens face a choice: Will they flee or will they fight? Shaken From Within is a rare combination of suspense, drama, humor, and inspiration that will continually have readers crying, laughing, and sitting on the edges of their seats. Nothing is predictable. No one is safe. Formerly peaceful Brighton County becomes an exciting, gut-wrenching, and brutal place with predicaments so dire they can only be overcome through the grace of God and the courage of conviction. Michael "Mike" Ward is middle-aged, wheelchair-bound, angry, and mean. He thinks his life is meaningless. Fourteen-year-old Emily has recently escaped from a pack of pornographic Satan worshippers and recognizes a hole in Mike's life-his desperate need to be needed-and believes that she can fill it. Emily's former captors, "The Brood," are determined to get her back, and they'll stop at nothing. To make matters even worse, law enforcement cannot be trusted because some are corruptly involved with the evil, powerful "Brood." There is also the disconcerting fact that people keep showing up dead. Unexpected heroes rise to the occasion and, through the use of non-standard methods and the help of a mysterious cave-dwelling vigilante, do what the Feds have tried to do for years; they begin to take down The Brood. Along the way, vigilantes are joined by more vigilantes and aided by a host of oddly endearing characters that seem to emerge from nowhere, risking everything for Emily and others who are tormented by The Brood. In addition to Mike, Emily, and Mike's endearingly old-fashioned farm family, readers will meet a reluctant new sheriff who doesn't want the job, a beautiful FBI agent who is somehow fond of Mike, a seemingly-insane Count who leads a colony of bridge dwellers, a group of church choir members acting like street thugs, mysterious vigilantes dwelling in caves, a feisty band of Kentucky hillbillies, and other unforgettable, purpose-driven misfits. Through it all, The Brood is dealt a blow, and Mike begins to rebuild the bridges he had managed to so thoroughly burn. And somehow, in the midst of all the turmoil, Mike finds a reason to live.
In 1583, five Jesuit brothers set out with the intention of founding a new church and mission in India. Their dream was almost immediately, and brutally, terminated by local opposition. When their massacre was announced in Rome, it was treated as martyrdom. Francesco Benci, professor of rhetoric at the Collegium Romanum, immediately set about celebrating their deaths in a new type of epic, distinct from, yet dependent upon, the classical tradition: Quinque martyres e Societate Iesu in India. This is the first critical edition and translation of this important text. The commentary highlights both the classical sources and the historical and religious context of the mission. The introduction outlines Benci’s career and stresses his role as the founder of this vibrant new genre. This volume is the first one for a new subseries in the 'Jesuit Studies' series: 'Jesuit Neo-Latin Library'.
This new Great collection of his art and notes from Cheapest Books. Put together all notes and drawings of Da Vinci as found, not need reordered. A singular fatality has ruled the destiny of nearly all the MOST FAMOUS OF LEONARDO DA VINCI'S WORKS. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. Leonardos literary labours in various departments both of Art and of Science were those essentially of an enquirer, hence the analytical method is that which he employs in arguing out his investigations and dissertations. The vast structure of his scientific theories is consequently built up of numerous separate researches, and it is much to be lamented that he should never have collated and arranged them. His love for detailed research—as it seems to me—was the reason that in almost all the Manuscripts, the different paragraphs appear to us to be in utter confusion; on one and the same page, observations on the most dissimilar subjects follow each other without any connection. A page, for instance, will begin with some principles of astronomy, or the motion of the earth; then come the laws of sound, and finally some precepts as to colour. Another page will begin with his investigations on the structure of the intestines, and end with philosophical remarks as to the relations of poetry to painting; and so forth. Leonardo himself lamented this confusion, and for that reason I do not think that the publication of the texts in the order in which they occur in the originals would at all fulfil his intentions. No reader could find his way through such a labyrinth; Leonardo himself could not have done it. Added to this, more than half of the five thousand manuscript pages which now remain to us, are written on loose leaves, and at present arranged in a manner which has no justification beyond the fancy of the collector who first brought them together to make volumes of more or less extent. Nay, even in the volumes, the pages of which were numbered by Leonardo himself, their order, so far as the connection of the texts was concerned, was obviously a matter of indifference to him. The only point he seems to have kept in view, when first writing down his notes, was that each observation should be complete to the end on the page on which it was begun.
Giordano Bruno (1548-1600) was a philosopher in his own right. However, he was famous through the centuries due to his execution as a heretic. His pronouncements against teachings of the Catholic Church, his defence of the cosmology of Nicholas Copernicus, and his provocative personality, all this made him a paradigmatic figure of modernity. Bruno’s way of philosophizing is not looking for outright solutions but rather for the depth of the problems; he knows his predecessors and their strategies as well as their weaknesses, which he exposes satirically. This introduction helps to identify the original thought of Bruno who proudly said about himself: “Philosophy is my profession!” His major achievements concern the creativity of the human mind studied through the theory of memory, the infinity of the world, and the discovery of atomism for modernity. He never held a permanent office within or without the academic world. Therefore, the way of thinking of this “Knight Errant of Philosophy” will be presented along the stations of his journey through Western Europe.
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.
DIVIn Café Racers, master photographer Michael Lichter and motorcycle culture expert Paul d’Orléans visually trace café racer motorcycles from their origins in the mid-twentieth century all the way into modern times. /div
This profusely illustrated book gives an exhaustive account of the principal types of soils of our planet. The "progressive descent of weathering fronts" model, recognized and used by eminent international scientists is the guiding principle of choice to link the observations and to give the reader a synthetic and coherent view of the differentiation of soils. In each case, the introductory reminders summarize the physicochemical and mineralogical principles necessary for understanding the text. The nomenclatures rely systematically and simultaneously on the two most commonly used classifications: Soil Taxonomy and World Reference Base. This reference manual is aimed at students of the undergraduate and graduate courses, but is also intended for workers and scientists in this subject area (geologists, pedologists, agronomists, land-use planners, foresters, etc.) as well as for all those concerned with or interested in protection of the environment.
What happens when a truly charismatic creative person, full of the joys of life, someone who loves entertaining people, is struck down by one of the cruellest medical fates?This remarkable and unforgettable book, 'A Star in his own Imagination', answers that question.Paul Allen, in telling us about his extraordinary life and his love of life, not only fights back against his medical condition but also shows he is the master of it. As he says:'This is a lighthearted and sometimes amusing account of my somewhat colourful life. It is full of ups and downs but has never been dull. It will appeal to anyone who has suffered a severe stroke or anyone who just wants to read about my life.'This book will change how you feel about people, about life, about destiny and about love.
Ton Up! A Century of Café Racer Speed and Style focuses on the story of the ton-up boys and their café racers. But it's much more than just that. Illustrated with historic and modern photos and featuring a text by one of the world’s motorcycle historians, it's really the story of motorcycle speed and style evolved from the early 1900s right through today. Cafe racers are most associated with the young, rebellious rock-and-rollers of 1960s Britain. These riders created the quintessential café racers—fast motorcycles customized to resemble the racing bikes of the period. They were called “café racers” because their riders raced on public roads, from one café to the next. The goal was to do “the ton” (exceed 100 miles per hour) on these runs, which led to their designation as “ton-up boys.” Today, ton-up culture is more popular than ever and recognized worldwide with a following of young and long-time riders alike.With Ton Up!, enjoy a scenic ride through the history of this vibrant scene.
The integrated theory of dynamic interpretation set out here will be a surprise to advanced researchers in linguistics. It combines classical formal semantics and modern dynamic semantics without altering the fundamental paradigm. At the book’s core lies a pragmatically motivated notion of a dynamic conjunction of meanings, an idea that is worked out in full formal detail. This is applied to linguistic phenomena that involve anaphora, quantification and modality. The author demonstrates that in each area of application existing data can be neatly combined with new dynamic insights, but more importantly, there is a genuine further pay-off: the work generates treatments of phenomena that were not initially intended, with functional readings of pronouns and quantifiers, ‘Hob-Nob’ sentences, and insights into what we now call ‘Pierce’s Puzzle’. The outcome of a decade of work by the Amsterdam School of dynamic semantics, this volume condenses and reflects upon a vital body of research.
More than fifteen hundred extracts containing the Renaissance genius' maxims, prophecies, fables, letters, and brilliant observations in architecture, painting, physiology, geography, and other fields
Johann and Marta Weber are two Prussians in the 1850s, frustrated by the lack of opportunity and poor living conditions in their home country. They decide to seek their familys fortune in the New World, leaving everything behindincluding an infant son too fragile to make the rigorous passage overseasin order to seek a better life for themselves and future generations of the Weber clan. Upon their arrival in America, they find their way to a growing community of Germans and Swedes living along the Ohio River in Indiana. As they begin to settle in to their harsh and unfamiliar circumstances, the Civil War breaks out. Johann joins the Union side, desperate to defend what he now considers to be his home. Tragically, Johann is disabled in battle, which adds to the ever-present difficulty of finding a way to support his family. That Far Land We Dream About tells the tale of immigrants searching for a better way of life. Johann and Marta have much in common with the ancestors of all Americans. It is a story of great adversity, as the Weber family assimilates to a new culture and seeks a happier life within the borders of the land of their dreams.
This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach?s career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.
An authoritative account of the intellectual and educational history of the late Italian Renaissance. Twenty essays on major themes, institutions, and persons of the Italian Renaissance by one of its most distinguished living historians.
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