Daniel Heartz's all-new, richly documented case studies bridge generations, nationalities, genders, musical styles, and artistic schools. The soprano castrato Farinelli and the Venetian Rococo painter Jacopo Amigoni formed a friendship that lasted for many years. A generation later, in Paris, the pastellist Maurice-Quentin de La Tour expressed his love for the greatest French soprano of her age, Marie Fel, in an intimate portrait. The other studies provide glimpses into the lives of the artists Antoine Watteau, Rosalba Carriera, Thomas Gainsborough, Sir Joshua Reynolds, Antoine Vestier, and François-André Vincent, the opera singers Faustina Bordoni and Rosalie Duplant; composers Johann Adolf Hasse, Johann Christian Bach, Antonio Sacchini, and Francois-Joseph Gossec, the gamba virtuoso Karl Abel, the music historian Charles Burney, and the Riccoboni troupe of comédiens italiennes. Besides Heartz's several pairings of artists and musicians, the collection contains ground-breaking studies by John A. Rice on the royal painter Elisabeth Vigée-Lebrun and the opera composer Giovanni Paisiello, and by Paul Corneilson on Thomas Gainsborough's little-known portrait of the Mannheim soprano Franziska Danzi-Lebrun.--
This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach?s career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.
In Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines these new musical forms through a study of the music books of Italian priest, poet, and composer, Orazio Vecchi. Composed for minor patrons and the wider music-buying public, Vecchi's madrigals took as their subjects game-playing, drinking, hunting, battles, and the life of the street. Schleuse looks at how music and game-playing allowed singers and performers to play the roles of exemplary pastoral characters and also comic, foreign, and "rustic" others in ways that defined and ultimately reinforced social norms of the times. His findings reposition Orazio Vecchi as one of the most innovative composers of the late 16th century.
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