Paul D'Ianno is one of rock 'n' roll's wildest, most notorious figures. In this autobiography, "The Beast" reveals the shocking stories of his life on the road, including the night he shot out a passing motorist's tyres with a rifle and the truth about his arrest for carrying a sub-machine gun. His tale is one of drugs, guns, alcohol; of extended periods banged up in a US Federal Penitentiary; and of course his time fronting one of the biggest rock groups of all time - Iron Maiden. Paul's antics off-stage are even more shocking than his behaviour on-stage. He truly is a man who makes Led Zeppelin look like a bunch of convent girls. He has lived a life treading the fine line of the law, and has battled through crazed drug addictions from the heights of worldwide fame to the pit of bankruptcy and beyond. This book is a look into the dark and disturbing times of a man who has spent his whole life courting his demons."--Publisher description.
Paul D'Ianno is one of rock 'n' roll's wildest, most notorious figures. In this autobiography, "The Beast" reveals the shocking stories of his life on the road, including the night he shot out a passing motorist's tyres with a rifle and the truth about his arrest for carrying a sub-machine gun. His tale is one of drugs, guns, alcohol; of extended periods banged up in a US Federal Penitentiary; and of course his time fronting one of the biggest rock groups of all time - Iron Maiden. Paul's antics off-stage are even more shocking than his behaviour on-stage. He truly is a man who makes Led Zeppelin look like a bunch of convent girls. He has lived a life treading the fine line of the law, and has battled through crazed drug addictions from the heights of worldwide fame to the pit of bankruptcy and beyond. This book is a look into the dark and disturbing times of a man who has spent his whole life courting his demons."--Publisher description.
The principal liturgies of Holy Week underwent a series of revisions between 1951 and 2011. In this book, noted liturgist Paul Turner charts the rubrics and prayers of the current rites paragraph by paragraph, explaining the historical development of individual components, how and why the post 'Vatican II liturgical reform made its revisions, and where the Roman Missal, Third Edition has added nuances. This book will help ministers, liturgists, catechists, and all the faithful enter more deeply into the mystery of the cross of Christ, their glory and their hope.
By extending the chronological parameters of existing scholarship, and by focusing on legal experts' overriding and enduring concern with 'dangerous' forms of common crime, this study offers a major reinterpretation of criminal-law reform and legal culture in Italy from the Liberal (1861–1922) to the Fascist era (1922–43). Garfinkel argues that scholars have long overstated the influence of positivist criminology on Italian legal culture and that the kingdom's penal-reform movement was driven not by the radical criminological theories of Cesare Lombroso, but instead by a growing body of statistics and legal researches that related rising rates of crime to the instability of the Italian state. Drawing on a vast array of archival, legal and official sources, the author explains the sustained and wide-ranging interest in penal-law reform that defined this era in Italian legal history while analyzing the philosophical underpinnings of that reform and its relationship to contemporary penal-reform movements abroad.
Winner of the Howard R. Marraro Prize for Italian History from the American Historical AssociationSelected by Choice Magazine as an Outstanding Academic Title for 2003 Italian Renaissance universities were Europe's intellectual leaders in humanistic studies, law, medicine, philosophy, and science. Employing some of the foremost scholars of the time—including Pietro Pomponazzi, Andreas Vesalius, and Galileo Galilei—the Italian Renaissance university was the prototype of today's research university. This is the first book in any language to offer a comprehensive study of this most influential institution. In this magisterial study, noted scholar Paul F. Grendler offers a detailed and authoritative account of the universities of Renaissance Italy. Beginning with brief narratives of the origins and development of each university, Grendler explores such topics as the number of professors and their distribution by discipline, student enrollment (some estimates are the first attempted), famous faculty members, budget and salaries, and relations with civil authority. He discusses the timetable of lectures, student living, foreign students, the road to the doctorate, and the impact of the Counter Reformation. He shows in detail how humanism changed research and teaching, producing the medical Renaissance of anatomy and medical botany, new approaches to Aristotle, and mathematical innovation. Universities responded by creating new professorships and suppressing older ones. The book concludes with the decline of Italian universities, as internal abuses and external threats—including increased student violence and competition from religious schools—ended Italy's educational leadership in the seventeenth century.
Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.
More than fifteen hundred extracts containing the Renaissance genius' maxims, prophecies, fables, letters, and brilliant observations in architecture, painting, physiology, geography, and other fields
This study comprises the proceedings of a conference held in St Andrews in 1999 which gathered some of the most distinguished historians of the French book. It presents the 16th-century book in a new context and provides the first comprehensive view of this absorbing field. Four major themes are reflected here: the relationship between the manuscript tradition and the printed book; an exploration of the variety of genres that emerged in the 16th century and how they were used; a look at publishing and book-selling strategies and networks, and the ways in which the authorities tried to control these; and a discussion of the way in which confessional literature diverged and converged. The range of specialist knowledge embedded in this study will ensure its appeal to specialists in French history, scholars of the book and of 16th-century French literature, and historians of religion.
Ruling Peacefully provides the first in-depth study of this influential and paradoxical figure. Gonzaga emerges as a complex personality whose interests as the representative of a northern Italian ruling family could just as easily lead him to support reform in the Catholic Church as to hinder it.
In the 1930s, the Italian Fascist regime profoundly changed the landscape of Rome's historic centre, demolishing buildings and displacing thousands of Romans in order to display the ruins of the pre-Christian Roman Empire. This transformation is commonly interpreted as a failed attempt to harmonize urban planning with Fascism's ideological exaltation of the Roman Empire. Roads and Ruins argues that the chaotic Fascist cityscape, filled with traffic and crumbling ruins, was in fact a reflection of the landscape of the First World War. In the radical interwar transformation of Roman space, Paul Baxa finds the embodiment of the Fascist exaltation of speed and destruction, with both roads and ruins defining the cultural impulses at the heart of the movement. Drawing on a wide variety of sources, including war diaries, memoirs, paintings, films, and government archives, Roads and Ruins is a richly textured study that offers an original perspective on a well known story.
Focusing on one distinctive element of the early Renaissance reading public—boys who studied Latin grammar in Florence—Paul F. Gehl sheds new light on the history of schooling in the West. Far from advancing the cause of humanism, he shows, the elementary grammar masters of fourteenth-century Florence worked against it in the name of morality.
Cambridge University Library's collection of illuminated manuscripts is of international significance. It originates in the medieval university and stands alongside the holdings of the colleges and the Fitzwilliam Museum. The University Library contains major European examples of medieval illumination from the ninth to the sixteenth centuries, with acknowledged masterpieces of Romanesque, Gothic and Renaissance book art, as well as illuminated literary texts, including the first complete Chaucer manuscript. This catalogue provides scholars and researchers easy access to the University Library's illuminated manuscripts, evaluating the importance of many of them for the very first time. It contains descriptions of famous manuscripts, for example the Life of Edward the Confessor attributed to Matthew Paris, as well as hundreds of lesser-known items. Beautifully illustrated throughout, the catalogue contains descriptions of individual manuscripts with up-to-date assessments of their style, origins and importance, together with bibliographical references.
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