A vibrant and original perspective on the American Revolution through the stories of the five great artists whose paintings animated the new American republic. The images accompanying the founding of the United States--of honored Founders, dramatic battle scenes, and seminal moments--gave visual shape to Revolutionary events and symbolized an entirely new concept of leadership and government. Since then they have endured as indispensable icons, serving as historical documents and timeless reminders of the nation's unprecedented beginnings. As Paul Staiti reveals in Of Arms and Artists, the lives of the five great American artists of the Revolutionary period--Charles Willson Peale, John Singleton Copley, John Trumbull, Benjamin West, and Gilbert Stuart--were every bit as eventful as those of the Founders with whom they continually interacted, and their works contributed mightily to America's founding spirit. Living in a time of breathtaking change, each in his own way came to grips with the history they were living through by turning to brushes and canvases, the results often eliciting awe and praise, and sometimes scorn. Their imagery has connected Americans to 1776, allowing us to interpret and reinterpret the nation's beginning generation after generation. The collective stories of these five artists open a fresh window on the Revolutionary era, making more human the figures we have long honored as our Founders, and deepening our understanding of the whirlwind out of which the United States emerged.
In this volume that is as big and as varied as the nation it portrays are over 1,400 entries written by some 900 historians and other scholars, illuminating not only America's political, diplomatic, and military history, but also social, cultural, and intellectual trends; science, technology, and medicine; the arts; and religion.
As early as the 1930s, Britain had a highly innovative and profitable mortgage sector that promoted a major extension in home ownership. These controversial and risky offerings had an equivalent in numerous hire purchase agreements, with which new homes were furnished. Such developments were forerunners of the 'easy credit' regime more commonly associated with the 1980s. Taking a long-term perspective on this issue indicates that Britain's departure from European models of consumer credit markets was not simply a by-product of neoliberalism's influence on the Thatcher administration, and this book offers a much fuller explanation to the phenomenon. It explores debates within and between the major political parties; reveals the infighting amongst civil service departments over management of consumer demand; charts the varying degrees of influence wielded by the Bank of England and finance capital, as opposed to that of consumer durable manufacturers; reviews the perspectives of consumers and their representatives; and explains the role of contingency and path dependency in these historical events. The central focus of this book is on consumer credit, but this subject provides a case study through which to explore numerous other important areas of British history. These include debates on the issues of post-war consensus, the impact of rising home ownership and its impact on consumer credit and personal finance markets, the management of consumer society, political responses to affluence, the development of consumer protection policy, and the influence of neoliberalism.
The English settlers who staked their claims in the Chesapeake Bay were drawn to it for a variety of reasons. Some sought wealth from the land, while others saw it as a place of trade, a political experiment, or a potential spiritual sanctuary. But like other European colonizers in the Americas, they all aspired to found, organize, and maintain functioning towns—an aspiration that met with varying degrees of success, but mostly failure. Yet this failure became critical to the economy and society that did arise there. As Urban Dreams, Rural Commonwealth reveals, the agrarian plantation society that eventually sprang up around the Chesapeake Bay was not preordained—rather, it was the necessary product of failed attempts to build cities. Paul Musselwhite details the unsuccessful urban development that defined the region from the seventeenth century through the Civil War, showing how places like Jamestown and Annapolis—despite their small size—were the products of ambitious and cutting-edge experiments in urbanization comparable to those in the largest port cities of the Atlantic world. These experiments, though, stoked ongoing debate about commerce, taxation, and self-government. Chesapeake planters responded to this debate by reinforcing the political, economic, and cultural authority of their private plantation estates, with profound consequences for the region’s laborers and the political ideology of the southern United States. As Musselwhite makes clear, the antebellum economy around this well-known waterway was built not in the absence of cities, but upon their aspirational wreckage.
Georgetown University, the oldest Catholic university in America, was founded in 1789 by Archbishop John Carroll, SJ, as an academy for boys that was open to "Students of Every Religious Profession" and "every Class of Citizens." Carroll established the school on a hilltop overlooking the Potomac River, "delightfully situated" as Charles Dickens would observe several decades later. Georgetown welcomed its first student, William Gaston, in 1791 and was chartered by Congress in 1815, but by the time of the Civil War, when Federal troops occupied the campus, the school was on the brink of collapse. It was not until the presidency of Patrick F. Healy, SJ, in 1873 that Georgetown would recover and be set on a course to become a university, linking Georgetown College with professional schools of medicine and law. The early 20th century was marked by the founding of the schools of dentistry, nursing, foreign service, languages and linguistics, and business. Now among the top universities in America, Georgetown is continuously reinvigorated by teaching and scholarship dedicated to serving the nation and the world.
The book examines the evolution of the predicament symbolised by the setting of the Doomsday Clock at a few minutes to midnight in the context of the Anthropocene Era from 1763, making special reference to the study of history throughout the period. It seeks to demonstrate the necessity for history as science, pointing out the inadequacy of some previous approaches. It argues for a pandisciplinary approach to today’s crisis.
This book examines the Great Exhibition as a decisive moment in the formation of a capitalist world picture. In so doing it foregrounds a vision of peace and progress which took hold of British society, within the Crystal Palace and beyond. It emphasizes too that this Victorian understanding of global order legitimized imperial ambition.
A Wall Street Journal and Times Literary Supplement Book of the Year | Long-listed for the Plutarch Award A bold new biography of the legendary painter John Singer Sargent, stressing the unruly emotions and furtive desires that drove his innovative work and defined the transatlantic, fin de siècle culture he inhabited. A great American artist, John Singer Sargent is also an abiding enigma. While dressing like a businessman and crafting a highly respectable persona, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the nouveaux riches as well as the old money, but he reserved his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself. In The Grand Affair, the historian Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent’s nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that high society on both sides of the Atlantic found fascinating and off-putting. Fisher traces Singer’s life from his wandering trans-European childhood to the salons of Paris, and the scandals and enthusiasms he caused, and on to London. There he mixed with eccentrics and aristocrats, and the likes of Henry James and Oscar Wilde, while at the same time forming a close relationship with a lightweight boxer who became his model, valet, and traveling partner. In later years, Sargent met up with his friend and patron Isabella Stewart Gardner around the world and devoted himself to a new model, the African American elevator operator and part-time contortionist Thomas McKeller, who would become the subject of some of Sargent’s most daring and powerful work. Illuminating Sargent’s restless itinerary, Fisher explores the enigmas of fin de siècle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.
Short stories set in Cambridge where Peter Copley is attempting to study English, however his wife's uncle is convinced that his education needs to cover a much wider curriculum. Unfortunately Uncle Raymond is prone to enthusiasms which prove a problem for an impressionable young man.
The Battle of the Aisne fought in September 1914 introduced a new and savage mode of warfare to the soldiers of the British Expeditionary Force, their French allies and to the German Army. Both officers and men were trained to fight mobile wars. When they reached the north bank of the Aisne, the 'Old Contemptibles' would be stopped by the Germans entrenched on high ground, armed with machine guns and supported by heavy artillery. The British commanders would naively send their troops on futile assaults up slopes devoid of cover to attack the German lines dug in on the ridges along the Chemin des Dames and concealed by woodland. The British did not even have grenades. The BEF suffered 12,000 casualties. Their commanders, who were not trained to fight a modern war, were lost for a solution or even a strategy. It was on the Chemin des Dames that the first trenches of the Western Front were dug and where the line that would stretch from the Swiss frontier to the North Sea began. The Battle of the Aisne saw the dawn of trench warfare and a stalemate that would last for the next four years. Wide-ranging archival research by author Paul Kendall makes this the first in-depth study of the battle in print. His correspondence with surviving relatives of those who fought brings a human face to the terrible casualty statistics that would come to define the trenches.
Tackling genetic engineering, “Di Filippo’s effervescent prose can provoke both hilarity and haunting reflections on our species’ possible fate” (Publishers Weekly). Ribofunk contains eleven masterful and surprising works of imagination. In all of them, biology is the science that drives the engine of life and of story: the Protein Police patrol for renegade gene‐splicers; part‐human sea creatures live in the Great Lakes and clean up toxic spills; a river has become sentient; there is a bodyguard who is part wolverine and a thrill‐seeker climbs a skyscraper and gets stuck, literally.
John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.
Covers the truly varied roles carbon dioxide has played and continues to play in the character of our planet. Chapters deal with the synthesis of CO2 in stars, the evolution of the atmosphere over billions of years, the chemical and physical properties of CO2 and how those influence common phenomena. How well this knowledge is understood and how it was determined, including existing uncertainties in our confidence and the stress from competing possibilities are discussed. Much of the technological jargon in various incorporated sciences has been modified to ease consumption by the non-expert.
Fostoria, Ohio, was formed in 1854 with the merger of Risdon to the north and Rome to the south. It was named after Charles W. Foster, a local businessman who served as the town's first mayor. A town of 15,000 in northwestern Ohio, it is known around the world for its many railroads and, at one time, many glass factories including the well-known Fostoria glassware. "As the great City of Fostoria celebrates its 'Sesquicentennial' we all look forward to our next 150 years, but at the same time look back on where we have been. Paul Krupp's first book on Fostoria gave a great historical and yet personable account of Fostoria. Volume 2 continues with more wonderful insights of the rich heritage of our great city."-Mayor John Davoli, City of Fostoria, Ohio.
This fourth edition of Putting Psychology in Its Place builds on the previous three in introducing the history of Psychology and placing the discipline within its historical and social contexts. Written by esteemed Psychologists Graham Richards and Paul Stenner, this crucial text aims both to answer and raise questions about the role of Psychology in modern society by critically examining issues such as how Psychology developed and why psychoanalysis had such an impact. It discusses enduring underlying conceptual problems and examines how the discipline has changed to deal with contemporary social issues such as religion, race and gender. The fourth edition features revised and updated chapters, though the core structure remains unchanged. The final chapter has been restructured and jointly re-written. This text was written to remain compatible with the British Psychological Society requirements for undergraduate courses and is imaginatively written and accessible to all. Putting Psychology in Its Place is an invaluable introductory text for undergraduate students of the history of Psychology and will also appeal to postgraduates, academics and anyone interested in Psychology or the history of science.
Rich in anecdotes and humor, Bill Werber's Memories of a Ballplayer is a clear-eyed memoir of the world of big-league baseball in the 1930s. Originally published by SABR in hardcover in 2000 and in paperback in 2001, the book is still in print, but now also available as an ebook.
Upon A Wheel of Fire is an attempt to give a personal dimension to the works of A.J.P Taylor and J. Wheeler-Bennett, and to question the popular black and white verdict on the history of Germany.
First run in 1897 as America's second and the world's fourth, the Boston Marathon attracts thousands thanks to its long and unique history. What began as simple start and finish lines has grown to encompass a lavish colorful artistry. An athlete and cultural exchange program with the Ohme-Hochi 30K in Japan started with four-time winner Bill Rodgers in the 1970s. Artist Bobbi Gibb was the first female finisher of the race in 1966, and she was later asked to create her own statute along the route to commemorate the event. Author Paul C. Clerici explores the history and iconic traditions of America's most famous road race.
Richard Verstegan is the usual English name of a man who went through early life as Richard Rowlands, before reverting to his ancestral Dutch surname in exile. Born in Mid-Tudor London around 1550 and dying in the Baroque Antwerp of 1640, his ninety-odd years of life saw numerous religious, political and military conflicts, in some of which he was a minor player and on almost all of which he commented in his writings. After studying at Oxford without taking a degree, training as a goldsmith and illegally printing a Catholic book, he fled to France, where he worked as a propagandist for the faction of the Duke of Guise. Imprisoned in France for these activities, he fled to Rome, and eventually settled in Antwerp, where he worked for almost fifty years as, variously, a newswriter, engraver, publisher, editor, translator, polemicist, antiquarian, cloth merchant, poet and satirist. He is one of the earliest identifiable European newspaper journalists, having worked on Abraham Verhoeven's Nieuwe Tijdinghen (Antwerp, 1620-1629).
Lonely Planet: The world's leading travel guide publisher Lonely Planet Australia is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Cruise magnificent Sydney Harbour, grab a coffee in a Melbourne laneway or head off on an outback adventure; all with your trusted travel companion. Get to the heart of Australia and begin your journey now! Inside Lonely Planet Australia Travel Guide: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, politics, Aboriginal Australia, environment, landscapes, wildlife, cuisine, wine, sports, outdoor activities. Covers Sydney, Melbourne, Brisbane, Adelaide, Canberra, Hobart, Perth, Darwin, New South Wales, Victoria, Queensland, South Australia, Tasmania, Northern Territory, Western Australia, the outback and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Australia, our most comprehensive guide to Australia, is perfect for both exploring top sights and taking roads less travelled. About Lonely Planet: Lonely Planet is a leading travel media company and the world’s number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveler since 1973. Over the past four decades, we’ve printed over 145 million guidebooks and grown a dedicated, passionate global community of travelers. You’ll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States. Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions. By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.
In this work, two former State Department lawyers provide an account of how and why justice was misapplied and mishandled throughout the peace-builders' efforts to settle the Yugoslav conflict. The text is based on their personal experience, research and interviews with key players in the process.
On July 9, 1755, an army of British and American soldiers commanded by Major General Edward Braddock marched toward a major western outpost held by the French, confident of an easy victory. Suddenly, they were attacked by a much smaller force of French and Indian fighters-Braddock's army was destroyed, its commander fatally wounded, and supplies and secret papers were lost to the enemy. Paul E. Kopperman has used all of the known eyewitness reports of Braddock's defeat-some never before printed-to present an exciting critical account of this definitive battle in the French and Indian War. Braddock at the Monongahela is a synthesis of in-depth analysis of primary source materials, thoughtful evaluation of previous studies on the subject, and Kopperman's own persuasive interpretation.
My Brother's Madness is based on the author's relationship with his brother—who had a psychotic breakdown in his late forties—and explores the unfolding of two intertwined lives and the nature of delusion. Circumstances lead one brother from juvenile crime on the streets of Brooklyn to war-torn Vietnam, to a fast-track life as a Hollywood publicist to owning and operating The Tin Palace, one of New York's most legendary jazz clubs, while his brother falls into, and fights his way back from, a delusional psychosis. My Brother's Madness is part thriller, part exploration that not only describes the causes, character, and journey of mental illness, but also makes sense of it. It is ultimately a story of our own humanity, and answers the question, Am I my brother's keeper?
Offering an accessible and thorough introduction to economics, this text offers real-world examples to bring theory to life. Students and lecturers will benefit from the vast array of supplements, including a companion website with extra material and resources
This is a book that required a great many research hours, the kind of volume you may be glad someone took the time to compile.'The Quarterly Review of Biology This is the ultimate guide to the life and work of Charles Darwin. The result of decades of research through a vast and daunting literature which is hard for beginners and experts alike to navigate, it brings together widely scattered facts including very many unknown to even the most ardent Darwin aficionados. It includes hundreds of new discoveries and corrections to the existing literature. It provides the most complete summaries of his publications, manuscripts, lifetime itinerary, finances, personal library, friends and colleagues, opponents, visitors to his home, anniversaries, hundreds of flora, fauna, monuments and places named after him and a host of other topics. Also included are the most complete lists (iconographies) ever created of illustrations of the Beagle, over 1000 portraits of Darwin, his wife and home as well as all known Darwin photographs, stamps and caricatures. The book is richly illustrated with 350 images, most previously unknown.
February 21, 1848, the House of Representatives, Washington D.C.: Congressman John Quincy Adams, rising to speak, suddenly collapses at his desk; two days later, he dies in the Speaker’s chamber. The public mourning that followed, writes Paul C. Nagel, “exceeded anything previously seen in America. Forgotten was his failed presidency and his often cold demeanor. It was the memory of an extraordinary human being—one who in his last years had fought heroically for the right of petition and against a war to expand slavery—that drew a grateful people to salute his coffin in the Capitol and to stand by the railroad tracks as his bier was transported from Washington to Boston.” Nagel probes deeply into the psyche of this cantankerous, misanthropic, erudite, hardworking son of a former president whose remarkable career spanned many offices: minister to Holland, Russia, and England, U.S. senator, secretary of state, president of the United States (1825-1829), and, finally, U.S. representative (the only ex-president to serve in the House). On the basis of a thorough study of Adams’ seventy-year diary, among a host of other documents, the author gives us a richer account than we have yet had of JQA’s life—his passionate marriage to Louisa Johnson, his personal tragedies (two sons lost to alcoholism), his brilliant diplomacy, his recurring depression, his exasperating behavior—and shows us why, in the end, only Abraham Lincoln’s death evoked a great out-pouring of national sorrow in nineteenth-century America. We come to see how much Adams disliked politics and hoped for more from life than high office; how he sought distinction in literacy and scientific endeavors, and drew his greatest pleasure from being a poet, critic, translator, essayist, botanist, and professor of oratory at Harvard; how tension between the public and private Adams vexed his life; and how his frustration kept his masked and aloof (and unpopular). Nagel’s great achievement, in this first biography of America’s sixth president in a quarter century, is finally to portray Adams in all his talent and complexity.
This engaging and objective biography gives us a comprehensive account of Ervin's life and career, tracing his development from a shy romantic youth into the complex and mature man. The author tells of the boyhood years in North Carolina, the influences of family, friends, and history, the college years, World War I, and Harvard, as well as Ervin's frequently colorful apprenticeship as country lawyer, judge, state legislator, congressman, and senator. Clancy brings to his task a thorough knowledge of Ervin developed while covering his activities prior to and during Watergate. He has had many exclusive private interviews with the Senator, his wife, family, friends, and staff during which Ervin in particular shared many reminiscences, anecdotes, and stories which have not appeared before.
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