The history of the Goldsborough Family, it’s contributing family lines, and it’s descendants, from Anglo-Saxon England through the 17th century, are a fascinating study of the history of Eng- land and the associated family lines. This one family has its roots in families who signed the Magna Charta (de Clare, d’Albini), Sir William Marshal, Lord Protector of England and the “Greatest Knight that ever lived”, the Plantagenet Kings of England, the Earls of Warwick, and Rollo the Dane (Hrolf Ganger), First Duke of the Normans. This first volume of the massive six volume work was originally written by Eleanora Goldsborough in the 1920’s and 30’s, and remained un-published until now. The original has been verified and expanded where possible beyond the works of Eleanora Goldsborough. Modern references have been added to supplement the original research. One hundred percent of the original text has been retained, with all notes and expansions clearly noted.
England, 1311. In the dark of the North the devil lies in wait... Paul Doherty's most popular series character returns in the gripping nineteenth mystery in the Hugh Corbett series. If you love the historical mysteries of C. J. Sansom, E. M. Powell and Bernard Cornwell you will love this. 1296: King Edward I has led his army to Scotland, determined to take the country under his crown. But the fierce Scots have no intention of submitting to their oppressor and violent and bloody war breaks out. 1311: Sir Hugh Corbett, Keeper of the Secret Seal, finds himself back in Scotland and is revisited by the horrors he witnessed there fifteen years ago. An anonymous letter was delivered to the new king. It promised information about a fatal incident that could allow England to finally bow out of the war with the Scots. Tasked with finding out the truth about the murder, Corbett is forced to take risks he would rather avoid and put his faith in the words of strangers. But with an unknown traitor lurking in the shadows and danger around every corner, will Corbett be able to unravel the complex web of plots in time? What readers are saying about DEVIL'S WOLF: 'Doherty evokes the Medieval world brilliantly...tense and suspenseful, the mystery keeps you guessing until near the end...an excellent and enjoyable read' Amazon reader, 5 stars '[A] well written rendition of our historical past...A joy to read' Amazon reader, 5 stars 'Another well told story from a master storyteller...If you like historical adventures you will enjoy this vivid, well paced tale!' Amazon reader, 5 stars 'Vivid and lively. Another Hugh Corbett, please!' Amazon reader, 5 stars
A new study of the heraldry, genealogy and history of the Canterbury Cathedral cloister, this book is the first comprehensive study of this monument ever undertaken. It provides a detailed chronology and details on the 856 heraldic shields, badges and devices, representing some 365 families, principalities, religious foundations and individuals.
Hugh Corbett is drawn into the dangerous disputes for the Scottish throne... Crown in Darkness is the second gripping novel of murder and mayhem in Paul Doherty's acclaimed Hugh Corbett series. Perfect for fans of Robin Hobb and Michael Jecks. 1286 and on a storm-ridden night King Alexander III of Scotland is riding across the Firth of Forth to meet his beautiful French bride Yolande. He never reaches his final destination as his horse mysteriously slips, sending them both crashing to their death on cruel rocks. The Scottish throne is left vacant of any real heir and immediately the great European princes and the powerful nobles of Alexander's kingdom start fighting for the glittering prize. The Chancellor of England, Burnell, ever mindful of the interest his king, Edward I, has in Scotland, sends his faithful clerk, Hugh Corbett, to report on the chaotic situation at the Scottish court. Concerned that a connection exists between the king's death and those now desirous of taking the Scottish throne, Corbett is drawn into a maelstrom of intrigue, conspiracy and danger. Will Corbett be able to discover the truth behind the King's death? What readers are saying about Paul Doherty: 'A joy to read' '[Paul Doherty] never lets the reader down' 'Five stars
Delve into the world of medieval sleuth Hugh Corbett in the first three mysteries featuring the intrepid detective, from acclaimed historical author Paul Doherty. Includes Satan in St Mary's, Crown in Darkness and Spy in Chancery. Perfect for fans of Ellis Peters, Susanna Gregory, Michael Jecks and Robin Hobb. Satan in St Mary's: 1284: Edward I is battling a traitorous movement founded by the late Simon de Montfort, the rebel who lost his life at the Battle of Evesham in 1258. The Pentangle, the movement's underground society whose members are known to practice the black arts, is thought to be behind the apparent suicide of Lawrence Duket, one of the King's loyal subjects. The King, deeply suspicious of the affair, orders his wily Chancellor, Burnell, to look into the matter. Burnell chooses a sharp and clever clerk from the Court of King's Bench, Hugh Corbett, to conduct the investigation. Corbett - together with his manservant, Ranulf - is swiftly drawn into the tangled politics and dark and dangerous underworld of medieval London. Crown in Darkness: 1286: on a storm-ridden night, King Alexander III of Scotland is riding across the Firth of Forth to meet his beautiful French bride Yolande. He never reaches his final destination as his horse mysteriously slips, sending them both crashing to their death on the rocks. The Scottish throne is left vacant of any real heir and immediately the great European princes and the powerful nobles of Alexander's kingdom start fighting for the glittering prize. The Chancellor of England, Burnell, ever mindful of the interest his king, Edward I, has in Scotland, sends his faithful clerk, Hugh Corbett, to report on the chaotic situation at the Scottish court. Concerned that a connection exists between the king's death and those now desirous of taking the Scottish throne, Corbett is drawn into a maelstrom of intrigue, conspiracy and danger. Spy in Chancery: Edward I of England and Philip IV of France are at war. Philip, by devious means, has managed to seize control of the English duchy of Aquitaine in France, and is now determined to crush Edward. King Edward suspects that his enemy is being aided by a spy in the English court and commissions his chancery clerk, Hugh Corbett, to trace and, if possible, destroy the traitor. Corbett's mission brings him into danger on both land and at sea, and takes him to Paris, and its dangerous underworld, and then to hostile Wales. Unwillingly he is drawn into the murky undercurrents of international politics in the last decade of the thirteenth century.
Law and Society in England 1750–1950 is an indispensable text for those wishing to study English legal history and to understand the foundations of the modern British state. In this new updated edition the authors explore the complex relationship between legal and social change. They consider the ways in which those in power themselves imagined and initiated reform and the ways in which they were obliged to respond to demands for change from outside the legal and political classes. What emerges is a lively and critical account of the evolution of modern rights and expectations, and an engaging study of the formation of contemporary social, administrative and legal institutions and ideas, and the road that was travelled to create them. The book is divided into eight chapters: Institutions and Ideas; Land; Commerce and Industry; Labour Relations; The Family; Poverty and Education; Accidents; and Crime. This extensively referenced analysis of modern social and legal history will be invaluable to students and teachers of English law, political science, and social history.
The design professions—architecture, city planning, landscape architecture, and urban design—share a great deal in terms of intellectual antecedents, professional ideals, and praxis. In particular, they share a commitment to creating better cities—whether at the scale of buildings, neighborhoods, or city-regions. But who decides what constitutes a “good” city, and how should such an ideal be implemented? In Better by Design? Paul Knox explores the intellectual roots of the design professions, showing how architects, planners, and other designers have traditionally interpreted their roles and implemented their ideas in cities across North America and the UK. Drawing on his long record of research and award-winning publications on the social production of the built environment, Knox offers a critical appraisal of their ultimate effectiveness in achieving the goal of creating and sustaining good cities.
Duels and bloodfeuds have long been regarded as essentially Continental phenomena, counter to the staid and orderly British ways of settling differences. In this surprising work of social and legal history, Paul R. Hyams reveals a post-Conquest England not all that different from the realms across the Channel. Drawing on a wide range of texts and the long history of argument about these texts, Hyams shatters the myth of English exceptionalism, the notion that while feud and vengeance prevailed in the lands of the Franks, England had advanced beyond such anarchic barbarism by the time of the Conquest and forged a centralized political and legal system. This book provides support for the notion that feud and vengeance flourished in England long beyond the Conquest, and that this fact obliges us to reconsider the genealogies of both common law and the English monarchy.Moving back and forth between a broad overview of 300 years of legal history and the details of specific disputes, Hyams attends to the demands of individuals who believed that they had been aggrieved and sought remedy. He shows how individuals perceived particular acts of violence and responded to them. These reactions, in turn, sparked central efforts to manage disputes and thereby establish law and order. Respectable litigation, however, never eclipsed the danger of direct action, often violent and physical.
This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.
Marina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
In 1051, a monk of Canterbury Cathedral made a bizarre observation in what would eventually form part of the Anglo-Saxon Chronicle. In his chronicling of the year’s events, he described the establishment of a new fortification in Herefordshire by French members of the king’s party. More sophisticated than the typical Saxon burh, the word provided was alien to his vocabulary. In Latin, its builders had christened it: castellum. Little did anyone at the time know, this unique building would mark a drastic change in the direction of England’s history. For almost a thousand years, the castles of England have stood proudly over her landscape. While many bear the scars of centuries of warfare, others continue to enjoy a far more comfortable existence. They are the sites of bloody sieges. The windswept ruin. The royal palace. The home of knights and nobility. The local museum. The posh hotel. Though we all recognise a castle when we see one, no two are ever exactly alike. By digging deep into the history of England’s mighty castles, the purpose of this book is to throw light on those who lived there. For as long as there have been castles in England, there have been mysteries within their walls: murders that were never solved, treasures that remain unfound, prisoners left to rot in the ghastliest pits or executions worthy of lasting infamy. From unfortunate victims to long lost legends, infamous owners to ladies in grey, Castles of England offers a fresh investigation into many of those tales that will forever be the cause of intrigue for visitors. To understand who they were is to understand the story of the castle in England. To understand the castle in England is to understand England.
The role of the Spanish Right in the course of the twentieth-century has been a neglected area of academic study. The Politics of Revenge redresses this providing a succinct and disturbing account.
This is the first history of sport in Ireland, locating the history of sport within Irish political, social, and cultural history, and within the global history of sport. Sport and Ireland demonstrates that there are aspects of Ireland's sporting history that are uniquely Irish and are defined by the peculiarities of life on a small island on the edge of Europe. What is equally apparent, though, is that the Irish sporting world is unique only in part; much of the history of Irish sport is a shared history with that of other societies. Drawing on an unparalleled range of sources - government archives, sporting institutions, private collections, and more than sixty local, national, and international newspapers - this volume offers a unique insight into the history of the British Empire in Ireland and examines the impact that political partition has had on the organization of sport there. Paul Rouse assesses the relationship between sport and national identity, how sport influences policy-making in modern states, and the ways in which sport has been colonized by the media and has colonized it in turn. Each chapter of Sport and Ireland contains new research on the place of sport in Irish life: the playing of hurling matches in London in the eighteenth century, the growth of cricket to become the most important sport in early Victorian Ireland, and the enlistment of thousands of members of the Gaelic Athletic Association as soldiers in the British Army during the Great War. Rouse draws out the significance of animals to the Irish sporting tradition, from the role of horse and dogs in racing and hunting, to the cocks, bulls, and bears that were involved in fighting and baiting.
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