Once a single 998-acre farm, Cleveland Park can trace its origins to 1740, when large country estates, such as Rosedale, Twin Oaks, Tregaron, and Red Tops, were located here. Alexander Graham Bell and President Grover Cleveland, the neighborhood's namesake, owned such estates, a few of which remain to this day. Although a mere 60 houses dotted the landscape in 1903, the building boom of the 1920s created numerous houses and commercial buildings along Connecticut Avenue. Today, the neighborhood is a modern urban residential neighborhood with many fine examples of American architecture and urban planning concepts. Cleveland Park documents the cultural, social, environmental, and architectural evolution of the neighborhood, offering photographs from the opening night of the famous art deco Uptown Theater and of the first strip mall in America, the Park and Shop. Combined with interior and exterior images from some of the celebrated apartment houses that remain and those of the now-demolished Bureau of Standards complex, this volume is certain to both delight and surprise the reader.
Now with full-color topographic maps and featuring the latest on electronic navigation, The Essential Wilderness Navigator is the clearest and most up-to-date route-finding primer available. Providing readers with exercises for developing a directional ‘sixth sense,’ tips on mastering the art of map- and compass-reading, and comprehensive updates on a range of technological advances, this perennially popular guide is more indispensable than ever.
A veteran Cleveland TV reporter shares backstories behind the news stories he covered over 50 years: historic events, horrific crimes, bizarre behavior, heartwarming deeds, and some hilarious, silly stuff. "Orlo" earned his reputation for aggressive reporting--getting threats, punches, and kicks from investigation subjects but thanks from viewers.
“I was a TV news reporter for almost fifty years, most of them in Cleveland, specializing in investigative reports. During that time I saw a lot of things. Historic events. Horrific crimes. Bizarre behavior. Heartwarming deeds. And sometimes just hilarious, silly stuff . . .” That’s Paul Orlousky. After five decades on Cleveland TV (nightly on channels 3, 5, and 19), this veteran newsman has a lot of stories to share: What went on behind the camera . . . Racing to the scene in a tiny helicopter or crouching inside a sweltering news van on a stakeout . . . What he heard in a judge’s chambers or a courtroom lobby after a tense trial . . . How the internal workings of a news operation shaped the reporting viewers saw onscreen . . . Threats from angry subjects of an investigation, like shady business owners, politicians, and sometimes even cops . . . Yes, over the years, Orlousky got a lot of threats—and more. He was yelled at, punched, kicked, spat on, menaced by dogs . . . But he was also thanked—many more times—by regular people all over Northeast Ohio for digging into stories that mattered to them. Now, Orlousky shares his favorite behind-the-camera tales in these short, candid, informative, and often funny stories. “My approach to life is simple,” Orlousky writes. “You can look at it either as a tragedy or a comedy. I chose comedy, in part because that was a way to get through many of the tragic situations I reported on and that people I encountered were forced to deal with.” If you’ve ever watched local TV news, you’ll enjoy these backstories behind the news stories. You’ll get a few chuckles, and might even wind up a better informed news consumer.
An authoritative and detailed illustration of the state of journalistic practice in the United States today, The American Journalist in the 21st Century sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, The American Journalist in the 1990s, and reflects the continued evolution of journalistic practice and professionalism. The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s. Serving as a detailed snapshot of current journalistic practice, The American Journalist in the 21st Century offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.
Cleveland Indians pitcher paul Byrd gives an honest account of how he has kept his faith in God despite all the trials and temptations associated with the Major league Baseball lifestyle. Paul Byrd has experienced many struggles, victories, and life lessons both on the diamond and off. Throughout his life, the one thing that has kept him focused on walking clean is the glimpses he has received of God's goodness. He addresses the issues he has faced -- such as the temptation to cheat while pitching, the unhealthy desire to cheer against fellow teammates so he could benefit from their failure, and his personal battle with pornography. Byrd gives readers Major League insight into the lifestyle of top-tier baseball players while showing how, even through a struggle, he was able to pick himself up and continue to believe and trust in a God who deeply loves us all. Paul's focus remains on the people we relate to every day and the significant conversations and interactions we can have with those we love, learning to build them up rather than tear them down. In Free Byrd, readers see how Paul's life was changed through the lessons he was taught, and how he discovered a freedom he never imagined through a dynamic relationship with Jesus Christ. And, most importantly, he invites everyone to experience the same transformation.
Focuses on key players and events in the history of the Cleveland Indians, who have had a reputation for losing and have had more team names than World Series Championships.
A Pulitzer Prize — winning journalist takes us on a personal and historic journey from Mogadishu through Rwanda to Afghanistan and Iraq. With the click of a shutter the world came to know Staff Sgt. William David Cleveland Jr. as a desecrated corpse. In the split-second that Paul Watson had to choose between pressing the shutter release or turning away, the world went quiet and Watson heard Cleveland whisper: “If you do this, I will own you forever.” And he has. Paul Watson was born a rebel with one hand, who grew up thinking it took two to fire an assault rifle, or play jazz piano. So he became a journalist. At first, he loved war. He fed his lust for the bang-bang, by spending vacations with guerilla fighters in Angola, Eritrea, Sudan, and Somalia, and writing about conflicts on the frontlines of the Cold War. Soon he graduated to assignments covering some of the world’s most important conflicts, including South Africa, Rwanda, Afghanistan, and Iraq. Watson reported on Osama bin Laden’s first battlefield victory in Somalia. Unwittingly, Watson’s Pulitzer Prize—winning photo of Staff Sgt. David Cleveland — whose Black Hawk was shot down over the streets of Mogadishu — helped hand bin Laden one of his earliest propaganda coups, one that proved barbarity is a powerful weapon in a modern media war. Public outrage over the pictures of Cleveland’s corpse forced President Clinton to order the world’s most powerful military into retreat. With each new beheading announced on the news, Watson wonders whether he helped teach the terrorists one of their most valuable lessons. Much more than a journalist’s memoir, Where War Lives connects the dots of the historic continuum from Mogadishu through Rwanda to Afghanistan and Iraq.
The collection of Barbara and Lawrence Fleischman of New York is one of the most important private collections of ancient Greek and Roman art in the United States and among the most important in the world. Composed of approximately three hundred objects from the Bronze Age to the Late Antique, it includes bronze statuettes, marble sculpture, vases, jewelry, lamps and candelabra, keys, weights, and silver bowls and utensils. The Fleischmans have a particular fascination with pieces associated with everyday life in antiquity, since these objects evoke a human connection to the past. They are also drawn to pieces that exemplify the human propensity to transform a functional object into a thing of beauty. Not only has their emotional response to an object’s aesthetic appeal or its historical significance guided them in their forty years of collecting, personal interests have been at work as well. The large number of pieces related to the theater or representing theatrical subjects reflects Barbara Fleischman’s lifelong love of that art. A Passion for Antiquities contains photographs and extensive catalogue entries on the objects included in the exhibition at the J. Paul Getty Museum and the Cleveland Museum of Art. Eighteen contributors provide art historical and descriptive information about each piece. The objects not selected for the exhibition are detailed in a checklist that specifies their origins, dates, media, and sizes. This book is the first major reference on the entire collection, since most of the objects have never before been publicly shown. To facilitate finding specific objects or groups of objects, the book is organized first chronologically and then by medium. Bibliographic sources for each entry cite both publications where the specific work is discussed as well as references to related scholarship. Karol Wight provides a chronological overview of the collection, and Oliver Taplin relates selected pieces to the development of Greek theater. The exhibition of Barbara and Lawrence Fleischman’s collection and this catalogue allow us to enter into their minds and emotions so that, for a time, we can share their passion for antiquities.
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