The American Civil War (1861-65) remains a searing event in the collective consciousness of the United States. It was one of the bloodiest conflicts in modern history, claiming the lives of at least 600,000 soldiers and an unknown number of civilians and slaves. The Civil War was also one of the world's first truly industrial conflicts, involving railroads, the telegraph, steamships and mass-manufactured weaponry. The eventual victory of the Union over the Confederacy rang the death-knell for American slavery, and set the USA on the path to becoming a truly world power. Paul Christopher Anderson shows how and why the conflict remains the nation's defining moment, arguing that it was above all a struggle for power and political supremacy but was also a struggle for the idea of America. Melding social, cultural and military history, the author explores iconic battles like Shiloh, Chickamauga, Antietam and Gettysburg, as well as the bitterly contesting forces underlying them and the myth-making that came to define them in aftermath. He shows that while both sides began the war in order to preserve - the integrity of the American state in the case of the Union, the integrity of a culture, a value system, and as slave society in the case of the Confederacy - it allowed the American South to define a regional identity that has survived into modern times.
From the growth in merchandising and product placement to the rise of the movie franchise, branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. Outlining changes in the marketing and media environment during the 1990s and 2000s, Paul Grainge explores how the logic of branding has propelled specific kinds of approach to the status and selling of film. Analyzing the practice of branding, the poetics of corporate logos, and the industrial politics surrounding the development of branded texts, properties and spaces - including franchises ranging from Looney Tunes to Lord of the Rings and Harry Potter to The Matrix - Grainge considers the relation of branding to the emergent principle of ‘total entertainment’. Employing an interdisciplinary method drawn from film studies, cultural studies and advertising and media studies, Brand Hollywood demonstrates the complexities of selling entertainment in the global media moment, providing a fresh and engaging perspective on branding’s significance for commercial film and the industrial culture from which it is produced.
This Companion provides an authoritative source for scholars and students of the nascent field of media geography. While it has deep roots in the wider discipline, the consolidation of media geography has started only in the past decade, with the creation of media geography’s first dedicated journal, Aether, as well as the publication of the sub-discipline’s first textbook. However, at present there is no other work which provides a comprehensive overview and grounding. By indicating the sub-discipline’s evolution and hinting at its future, this volume not only serves to encapsulate what geographers have learned about media but also will help to set the agenda for expanding this type of interdisciplinary exploration. The contributors-leading scholars in this field, including Stuart Aitken, Deborah Dixon, Derek McCormack, Barney Warf, and Matthew Zook-not only review the existing literature within the remit of their chapters, but also articulate arguments about where the future might take media geography scholarship. The volume is not simply a collection of individual offerings, but has afforded an opportunity to exchange ideas about media geography, with contributors making connections between chapters and developing common themes.
The definitive guide to intellectual property for business managers How can a product of the mind—an innovation, a song, a logo, a business secret—become the subject of precise property rights? No idea is entirely original; every innovative business borrows, sometimes extensively, from its competitors and others. So how do we draw the line between fair and unfair use? Billions of dollars ride on that question, as do the fates of publishers, software producers, drug companies, advertising firms, and many others. It’s also a key question for individuals—for instance, if you quit your job after mastering the company’s secrets, what can you do with that information? With the growth of the internet and global markets, having a smart IP strategy is more essential than ever. Intellectual Property is the ideal book for non-lawyers who deal with patents, trade secrets, trademarks, and copyrights—all essential business issues that have changed rapidly in the last few years. Goldstein draws on dozens of fascinating case studies, from the Polaroid vs. Kodak battle to Kellogg’s surprising trademark suit against Exxon to whether a generic perfume is allowed to smell exactly like Chanel No. 5. Every business decision that involves IP is also a legal decision, and every legal decision is also a business decision. Lawyers and managers need to work together to navigate these murky waters, and this book shows how.
We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way leave out people and the entire environmental history of their coming together. How, this book asks, can we explain the omission of bodies from maps and plans? And how can we redraw the lines maps and plans use so that the qualitative world of shadows, footprints, comings and goings, and occasions—all essential qualities of places that incubate sociality—can be registered? In short, Dark Writing asks why we represent the world as static when our experience of it is mobile. It traces this bias in Enlightenment cartography, in inductive logic, and in contemporary place design. This is the negative critique. Its positive argument is that, when we look closely at these designs on the world, we find traces of a repressed movement form. Even the ideal lines of geometrical figures turn out to contain traces of earlier passages; and there are many forms of graphic design that do engage with the dark environment that surrounds the light of reason. How can this "dark writing"—so important to reconfiguring our world as a place of meeting, of co-existence and sustaining diversity—be represented? And how, therefore, can our representations of the world embody more sensuously the mobile histories that have produced it? Dark Writing answers these questions using case studies: the exemplary case of the beginnings of the now world-famous Papunya Tula Painting Movement (Central Australia) and three high-profile public place-making initiatives in which the author was involved as artist and thinker. These case studies are nested inside historical chapters and philosophical discussions of the line and linear thinking that make Dark Writing both a highly personal book and a narrative with wide general appeal.
Producer-writer Roy Huggins is best known for creating the TV series, Maverick, 77 Sunset Strip, The Fugitive, Run For Your Life and The Rockford Files (with Stephen J. Cannell). This biography details his personal and professional life, aided by exclusive interviews with family, producers, actors and writers who worked with him. The author was granted exclusive access to Huggins' personal memoirs to provide an intimate, firsthand account, including his early career at Columbia, RKO, Warner Bros. and 20th Century-Fox. Huggins' political activism at UCLA and the subsequent House Un-American Activities hearing in 1952 is covered in depth. The book includes an extensive filmography and previously unpublished photographs provided by family members.
American Judicial Power: The State Court Perspective is a welcome addition to the breadth of studies on the American legal system and provides an accessible and highly illuminating overview of the state courts and their functions. The study of America’s courts is overwhelmingly skewed toward the federal government, and therefore often overlooks state courts and their importance. Michael Buenger and Paul De Muniz fill this gap in the study of American constitutionalism, as they examine the wide and distinctive powers these courts exercise, and their role in administering the bulk of the nation’s justice system. This groundbreaking work covers many critical topics pertaining to the state courts, including: a comparison of the role of state and federal courts, the history of America’s state courts, the judicial selection processes utilized in the states, the unique roles assigned to state courts and the varying structure of those courts, the relationship between state judicial power and state legislative power, and the opportunities and challenges that are and will be facing the state courts. With an insightful foreword from Sanford Levinson, this revolutionary book will be of interest to students, educators, and researchers in the fields of law, political science, and government. Constitutional law experts will also benefit from an analysis of the state courts and their powers.
An insightful exploration of the relentless myth of the famous Civil War general, this volume scrutinizes the collective public memory of Nathan Bedford Forrest as it has evolved through the press, memoirs, biographies, and popular culture.
This is a work vast in scale, soaring in its scholarly ambition, and magnificent . . . in its achievement. The author's command of the primary sources is staggering in breadth and depth, deftly orchestrated and rich with insight. . . . Deploying an avalanche of evidence. . . Rahe shows how alien the modern project, in all its diverse versions, was to the classics as well as the Bible.--Thomas L. Pangle, Political Theory
Although its history is etched on canyon walls reaching back twenty million years, the Niobrara is very much a river of today. Stretching 535 miles from its headwaters to the Missouri River, it is one of Nebraska?s least altered waterways and is designated as a national scenic river. Its waterfalls and wildlife make it a haven for outdoor enthusiasts, but pressures from development still threaten its scenic and ecological wonders. ø This first book-length study of the Niobrara is a comprehensive look at an ecological treasure. Paul A. Johnsgard reviews the river?s history from its geologic past through prehistoric settlement to the present and highlights its historical and biological features. ø Writing from this crossroads of eastern and western species, Johnsgard also describes the Niobrara?s varied plants and animals, providing extensive information on bird populations. He offers portraits of sixteen species of special conservation concern, such as the black-tailed prairie dog and the olive-backed pocket mouse. Drawings by Johnsgard, information tables on various species, plus site lists make the book an invaluable reference. It conveys the Niobrara?s value as a recreational and scientific resource to help visitors better appreciate this riparian paradise while offering specialists an unimpeachable guide to its scientific riches. The Niobrara includes chapters by Jon Farrar and Duane Gudgel.
The American Civil War (1861-65) remains a searing event in the collective consciousness of the United States. It was one of the bloodiest conflicts in modern history, claiming the lives of at least 600,000 soldiers and an unknown number of civilians and slaves. The Civil War was also one of the world's first truly industrial conflicts, involving railroads, the telegraph, steamships and mass-manufactured weaponry. The eventual victory of the Union over the Confederacy rang the death-knell for American slavery, and set the USA on the path to becoming a truly world power. Paul Christopher Anderson shows how and why the conflict remains the nation's defining moment, arguing that it was above all a struggle for power and political supremacy but was also a struggle for the idea of America. Melding social, cultural and military history, the author explores iconic battles like Shiloh, Chickamauga, Antietam and Gettysburg, as well as the bitterly contesting forces underlying them and the myth-making that came to define them in aftermath. He shows that while both sides began the war in order to preserve - the integrity of the American state in the case of the Union, the integrity of a culture, a value system, and as slave society in the case of the Confederacy - it allowed the American South to define a regional identity that has survived into modern times.
Updated in a new 6th edition, Communication in History reveals how media has been influential in both maintaining social order and as powerful agents of change. With revised new readings, this anthology continues to be, as one reviewer wrote, "the only book in the sea of History of Mass Communication books that introduces readers to a more expansive, intellectually enlivening study of the relationship between human history and communication history". From print to the Internet, this book encompasses a wide-range of topics, that introduces readers to a more expansive, intellectually enlivening study of the relationship between human history and communication history.
The dynamics of 21st century life have created a social environment full of stressful situations. A Journal of The American Psychological Association noted that stress in the workplace has reached a critical point, and studies suggest that the most common aspects of our lives, such as relationships and daily activities, often cause the greatest degrees of stress. This book provides a comprehensive look at what professionals know about coping with stress, drawing upon research to assert which methods of coping seem to be effective and which do not. The book begins with a discussion of the nature of stress, looking at the effects of stress in daily life, considering some of the ways researchers study stress, and examining how the human body reacts to stressful events. The book then turns to the ways psychologists conceptualize, measure and study coping mechanisms, and to specific techniques, beginning with those that appear to be ineffective in reducing stress such as obsessing and ruminating about the problem and proceeding to those that appear effective such as seeking social support, exercise and improving interpersonal skills. For individuals considering professional help, the final chapters present some basic information about medications, psychotherapy and alternative medicine approaches.
The definitive history on the early history of Bergeytown, New Hope, and Hespeler, Ontario by Winfield Brewster. Featuring the following booklets: J. Hespeler, New Hope C.W. - 1951 The Floodgate: Random Writings of Our Ain Folk - 1952 Hespeler Yarns - 1953 La Rue de Commerce; Queen St. Hespeler, Ontario, - 1954 plus The Short History of Hespeler Public School and rare Maps and Photos Compiled by Paul Langan
This text's clear and engaging narrative balances political, social, and cultural history within a clear chronological framework. The Fifth Edition features a thorough revision of the narrative, a complete redesign of the book, and an enhanced art program. The authors explore the enduring vision of the American people, a vision they describe as "a shared determination to live up to the values that give meaning to America." Each chapter has been revised to incorporate the most up-to-date scholarship, with special emphasis placed on technology and public health: "Technology and Culture" boxed features explore the development of new technologies--such as the invention of indoor plumbing and the birth control pill--and their impact on American culture. -- This edition includes up-to-date scholarship on the experiences of women, Hispanic Americans, Asian Americans, African Americans, and Native Americans in the United States. -- Chapter 32 presents an integrated narrative and preliminary assessment of recent events from1996 to the present. -- The text features a chapter that consolidates all late-19th century material, examining how industrialization, urbanization, and immigration transformed everyday life, sharpened racial and ethnic divisions, and made Americans more conscious of social class.
Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.
Over the two decades following the Second World War, the policy that would create "a nation of immigrants," as Canadian multiculturalism is now widely understood, was debated, drafted, and implemented. The established narrative of postwar immigration policy as a tepid mixture of altruism and national self-interest does not fully explain the complex process of policy transformation during that period. In The Least Possible Fuss and Publicity Paul Evans recounts changes to Canada's postwar immigration policy and the events, ideas, and individuals that propelled that change. Through extensive primary research in the archives of federal departments and the parliamentary record, together with contemporary media coverage, the correspondence of politicians and policy-makers, and the statutes that set immigration policy, Evans reconstructs the formation of a modern immigration bureaucracy, the resistance to reform from within, and the influence of racism and international events. He shows that political concerns remained uppermost in the minds of policy-makers, and those concerns – more than economic or social factors – provided the major impetus to change. In stark contrast to today, legislators and politicians strove to keep the evolution of the national immigration strategy out of the public eye: University of Toronto law professor W.G. Friedmann remarked in a 1952 edition of Saturday Night, "In Canada, both the government and the people have so far preferred to let this immigration business develop with the least possible fuss and publicity." This is the story, told largely in their own words, of politicians and policy-makers who resisted change and others who saw the future and seized upon it. The Least Possible Fuss and Publicity is a clear account of how postwar immigration policy transformed, gradually opening the border to groups who sought to make Canada home.
Join Tara and Kaolin in the third book in the Dying Thoughts Series. It’s finally summer and all Tara Leverton plans to do is spend the time sunbathing, hanging out with Kaolin and doing as little as possible. Her gift has kept her busy and now is the chance for some serious down time before her final year at school. Her dad, on the other hand, has different ideas about how Tara should spend her summer. He’s desperate for her to realise that life in the real world isn’t all solving crimes and hanging out with friends. She’s about to discover that their definitions of summer are complete opposites when her dad gets her a job at a local charity. When a scary pattern emerges with the charity’s clients, Tara is thrown into the middle of a new case. Who is killing their clients? And can Tara find out before they come for her?
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