HUMANITY'S ONLY HOPE OF SURVIVAL The human race is running out of time on overcrowded Earth, and only one man has the courage to do what is necessary to save it. Colony ship Ark is the greatest project the human race will ever attempt, a self-contained world one hundred years in the building, launched on a ten thousand year voyage to carry the seeds of civilization to the stars. It is humanity's final gamble for escape from a desperate world, but the price of hope is measured in lives. Joshua Crewe, Ark's designer. Obsessed with his vision, he's devoted his life to winning the power to turn it into reality. No burden is too great to bear in pursuit of his dream¾especially when other people are the ones to bear it. Aurora Brady, first of the space-born, with one foot in the future and one in the past. She must give power to her enemies to see Ark launched, but giving too much will mean its destruction. Jedidiah Fourgere, a simple farm boy. He finds himself caught up in a revolution that will forever change the balance of power in Ark's hermetically sealed world. Torn between love and faith, humanity's future lies in his hands. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Not a Big Deal asks how texts might work to unsettle readers at a moment when unwelcome information is rejected as fake news or rebutted with alternative facts. When readers already recognize “defamiliarizing texts” as a category, how might texts still work toward the goals of defamiliarization? When readers refuse to grapple with texts that might shock them or disrupt their extant views about politics, race, or even narrative itself, how can texts elicit real engagement? This study draws from philosophy, narratology, social neuroscience, critical theory, and numerous other disciplines to read texts ranging from novels and short stories to graphic novels, films, and fiction broadcasted and podcasted—all of which enact curious strategies of disruption while insisting that they do no such thing. Following a model traceable to Toni Morrison’s criticism and short fiction, texts by Kyle Baker, Scott Brown, Percival Everett, Daniel Handler, David Robert Mitchell, Jordan Peele, and Colson Whitehead suggest new strategies for unsettling the category-based perceptions behind what Everett calls “the insidious colonialist reader’s eye which infects America.” Not a Big Deal examines problems in our perception of the world and of texts and insists we do the same.
Interrogating the much-cherished concept of “poetic thinking,” this book focuses on what interview and draft materials reveal of how poets actually do think, when in the act of writing. The interviews confirm what findings from cognitive science and linguistics make clear: we rarely know exactly what words we are going to say, until we have said them. Suddenness and the Composition of Poetic Thought draws out the implications of a radically curtailed view of consciousness on how we understand the drafting and revision of lines of poetry, with implications for our theorisation of the composition of prose. Henrich von Kleist’s assertion that “it is not we, but a certain condition of ours which knows” emerges as central to this reassessment of the nature of the written word. Employing an extensive archive of interview materials with major Anglophone poets, discussing how they think in the moments of composition, this book also provides a lucid account of the links between poetic composition and live performative thinking in the contexts of Romantic compositional practice and the early (pre)textual history of ancient Greek epic. A transdisciplinary study at the crossroads of philosophy, cognitive psychology, literary studies, and linguistics, this book reconceptualizes the wellsprings of poetic thought and advances our understanding of thinking’s complex but vital link to improvised speech.
Mandarin Chinese has become indispensable for crosslinguistic comparison and syntactic theorizing. It is nevertheless still difficult to obtain comprehensive answers to research questions, because Chinese is often presented as an "exotic" language defying the analytical tools standardly used for other languages. This book sets out to demystify Chinese. It places controversial issues in the context of current syntactic theories and offers precise analyses based on a large array of representative data. Although the focus is on Modern Mandarin, earlier stages of Chinese are occasionally referred to in order to highlight striking continuities in its history. VO order is one such constant factor, thus invalidating the idea that Chinese went through a major word order change from OV to VO and back to OV. Another claim often made for Chinese as an isolating language, viz. the existence of an impoverished inventory of parts of speech, is likewise refuted. Other long debated issues addressed here include the relevance of the dichotomy topic vs subject prominence and the role of Chinese as a recurring exception to crosscategorial harmonies posited in typological studies.
Presents a unique integrated approach to discourse analysis. Assuming no prior knowledge of linguistics Gee presents both a method of research and a theory of language in use.
This corpus-based study of allusions in the British press shows the range of targets journalists allude to - from Shakespeare to TV soaps, from Jane Austen to Hillary Clinton, from hymns to nursery rhymes, proverbs and riddles. It analyzes the linguistic forms allusions take and demonstrates how allusions function meaningfully in discourse. It explores the nature of the background cultural and intertextual knowledge allusions demand of readers and sets out the processing stages involved in understanding an allusion. Allusion is integrated into existing theories of indirect language and linked to idioms, word-play and metaphor.
Seeking to reconstruct the early community of Hinsonville from fragmentary archival materials and oral interviews, Paul Russo, together with his students at Lincoln University, gradually unearthed information on Hinsonville's residents and their lives. Marianne Russo has taken her late husband's extensive research and placed it in the context of nineteenth-century African-American history."--Jacket.
The aim of this syntactic study, first published in 1979, is to formulate part of a generative grammar of Mohawk. A generative grammar is a finite set of explicit rules which enumerate the sentences of the language and which automatically assign to each sentence its correct grammatical analysis or structural description. This title will be of interest to students of language and linguistics.
Cade Quarter has never met his uncle, the infamous ‘descender’ Nate Quarter, who years ago committed heresy by lowering himself over the cliff-face of the Edge. But Nate has returned, and the Academy of Flight is looking for revenge against all of his supporters – including Cade. So now Cade has to run. With no money and nowhere else to go, Cade’s only option is to stow away aboard the Xanth Filatine – a mighty sky-ship bound for the city of Hive. But getting onto the ship is only the beginning of his troubles, as he runs afoul of thieving goblins, brutal skymarshals, and the threat of ‘skyfiring’ . . . The Nameless One is the first book of the Cade Saga – fourth trilogy in The Edge Chronicles, the internationally best-selling fantasy series, which has featured on the UK and the New York Times best-seller lists and sold more than 3 million copies. There are now 13 titles and four trilogies in the series, but each book is a stand-alone adventure, so you can read The Edge Chronicles in any order you choose.
Letters to Eleanor: Voices of the Great Depression examines how the flood of letters from ordinary Americans to the First Lady established a bond of hope and trust. Through this paper trail, Eleanor Roosevelt was able to help many petitioners find jobs, food, housing, and clothes. To others she offered the encouragement and support many needed in the bleak Thirties. Through it all Eleanor Roosevelt exhibited a tradionalist social outlook by her support of homemakers and opposition to the Equal Rights Amendment. But as the New Deal matured, she became an ardent reformer who fought for an anti-lynching law and job opportunity for women in the federal service. But beneath her incessant activity to help others there was an inner Eleanor who constantly sought emotional support from female colleagues or her distant correspondents, a support she did not receive form FDR or her family.
This stylish handbook from the RCC Pilotage Foundation covers the spectacular cruising grounds around Cape Horn, including Chile, the Beagle Channel, the Falkland Islands and the Antarctic Peninsula. Including some of the most dangerous waters in the world, from the treacherous Cape Horn to the icebound anchorages of Antarctica, it offers not only inspiration and encouragement but enough detail to plan the voyage of a lifetime. Broadcaster and author Paul Heiney has incorporated a strategic range of navigational information from his voyage to the area alongside that gathered by other experienced sailors. Key passages, harbours and anchorages are described in an informative and enlightening way alongside useful sketch plans. Full-colour photographs and lively texts give a strong sense of the drama and magnificence of an area that is increasingly of interest to cruising yachts. This book is not only a vital practical resource for these waters but also a source of inspiration for those considering a future visit.
Tench provides an introduction to the current state of functional linguistics studies in the intonation of English. Intended not only for students of linguistics and English language, the book also contains information ideal for consideration by language teachers, speech therapists, drama students and other professions that rely heavily upon the spoken word.
The fifth volume in The History of Wisconsin series covers the years from the outbreak of World War I to the eve of American entry into World War II. In between, the rise of the woman's movement, the advent of universal suffrage, and the "great experiment" of Prohibition are explored, along with the contest between newly emergent labor unions and powerful business and industrial corporations. Author Paul W. Glad also investigates the Great Depression in Wisconsin and its impact on rural and urban families in the state. Photographs and maps further illustrate this volume which tells the story of one of the most exciting and stressful eras in the history of the state.
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.
The fourth edition of the essential introduction to digital art, one of contemporary art’s most exciting and dynamic forms of practice. Digital art, along with the technological developments of its medium, has rapidly evolved from the “digital revolution” into the social media era and then to the postdigital and post-Internet landscape. This new, expanded edition of Christiane Paul’s acclaimed book traces the emergence of artificial intelligence, augmented and mixed realities, and non-fungible tokens (NFTs) and surveys themes explored by digital artworks in the areas of activism, networks and telepresence, and ecological art andthe Anthropocene. It also examines issues surrounding the collection, presentation, and preservation of digital art. It looks at the impact of digital techniques and media on traditional forms of art, such as printing, painting, photography, and sculpture, as well as exploring the ways in which the Internet and software art, digital installation, and virtual reality have emerged as recognized artistic practices. Digital Art is an accessible and engaging text that brings to life individual works, explaining in clear terms how they use technologyto produce artworks with a radical new aesthetic and thematic and interactive qualities. It is an essential critical guide to all forms of digital art.
The Love Songs of a Lonely Man is a selection of poems wtitten over a twenty year span, but 80 ercent or more are recent. Some of the "love songs" are conventional, at least in the sence of wooing and heart palpitations, the blues, and evanescence. That the conventional themes are given unconventional treatment is suggested by the titles of some of the poems: "The Love Song of an Inadequate Man," "Advice to a Sophomore Co-ed Who's suffering From Acute Horniness," "Forgive Me, Wife." However, most of the poems are love songs in the broader sense of passionate engagement with the world and with life at this time, under these circumstances. The author has had varied experiences as a laborer, medical lab tech, radio-TV anouncer and sportscaster, university professor, principal in large-scale grant projects, officer in a funding agency, mountain route newspaper carrier, and many other ups and downs. The perspectives in his poems, accordingly, are many, ranging from those of a bag lady to those of the "Sibyl on the Rhine," from those of a student who has shot fellow students to those of a grumpy old man who can't sleep and is discussing sex in his imagination with "famous dead men" - Picasso, Goethe, Hesse. The poems themselves are in several styles and forms, but all are "accessible." Some are sololoquies in voices as varied as those of Hildegard von Bingen, oedipus, a Death Mother, a Latino bead artsist, and a Union (Civil War) soldier. the poems demonstrate a flair for psychological insight, storytelling, and powerful imagery. speaking in his own voice the author is always passionate, is often cranky, sometimes has a twinkle in his eye. One motif is american culture in such poems as "The Bellringers of Palm Springs," "Of Meadows and Parking Lots," "The 600 Block of Elm Between Pleasant and Arcadia," and several others. A second major motif is religion; the author's perspective is revealed in "Sin Is" and is elaborated in "Osiris and Medea," "Oedipus Instructs the Tribes of Isreal," "Hildegard Confesses to Febrile and Apasionata," and others. Still a third major motif is simplistic morality and moral evil, found in "How Am I Different," "Errors of Love," "Are Women the Cause of Men?" "Dearest Lucinda," and others. And a fourth motif is art and artists, in such poems as "You Can't See a Tabula Rasa Until It Disappears," "How a Poet May Self-Aggrandize," and "The poet of Beads." A feature of the collection is a group of poems culled from a once large group based on dreams women share with the author. Over time those inlcuded in Love Songs have become "more poem that dream." the poems are unambiguously feminine in detals, imagry, and themes. "Encounter With the Turban and His Beast" is unambiguously humorous and has an odd resonance with the events of 9/11. "I Hold Pain in My Arms" is based on a dream following an abortion. And "Dona Nobis Pacem" is a vivid women-on-the-verge-of-a-nervous-breakdown dream-poem. Though it is not an emphasis of this collection of poems, some autobiographical details leach out. The unpleasant details are fiction and the pleasant details are lies.
In this penetrating examination of African American politics and culture, Paul Ortiz throws a powerful light on the struggle of black Floridians to create the first statewide civil rights movement against Jim Crow. Concentrating on the period between the end of slavery and the election of 1920, Emancipation Betrayed vividly demonstrates that the decades leading up to the historic voter registration drive of 1919-20 were marked by intense battles during which African Americans struck for higher wages, took up arms to prevent lynching, forged independent political alliances, boycotted segregated streetcars, and created a democratic historical memory of the Civil War and Reconstruction. Contrary to previous claims that African Americans made few strides toward building an effective civil rights movement during this period, Ortiz documents how black Floridians formed mutual aid organizations—secret societies, women's clubs, labor unions, and churches—to bolster dignity and survival in the harsh climate of Florida, which had the highest lynching rate of any state in the union. African Americans called on these institutions to build a statewide movement to regain the right to vote after World War I. African American women played a decisive role in the campaign as they mobilized in the months leading up to the passage of the Nineteenth Amendment. The 1920 contest culminated in the bloodiest Election Day in modern American history, when white supremacists and the Ku Klux Klan violently, and with state sanction, prevented African Americans from voting. Ortiz's eloquent interpretation of the many ways that black Floridians fought to expand the meaning of freedom beyond formal equality and his broader consideration of how people resist oppression and create new social movements illuminate a strategic era of United States history and reveal how the legacy of legal segregation continues to play itself out to this day.
This is a general introduction to grammaticalization, the change whereby lexical terms and constructions come in certain linguistic contexts to serve grammatical functions, and, once grammaticalized, continue to develop new grammatical functions. The authors synthesize work from several areas of linguistics. The second edition has been thoroughly revised with substantial updates on theoretical and methodological issues that have arisen in the decade since the first edition, and includes a significantly expanded bibliography. Particular attention is paid to recent debates over directionality in change and the role of grammaticalization in creolization.
Get ready to chew the fat. This engaging, humorous new book explains the not-so-common origins of such commonly used phrases as “apple-pie order,” “chew the fat,” and “hat trick.” Presented in a fun, easy-to-read style, it provides entertaining insight on metaphorical phrases, weird words, and strange expressions and takes readers on a journey through the bizarre and eccentric origins that make up our everyday speech. • Word books have gained in popularity not just with students and linguaphiles, but with a general population interested in the fascinating development of our language. • Contains back stories for 500 intriguing words and phrases. • Fun to flip through and also fun to read cover to cover.
The development of a sociology of medical knowledge is both assessed and contributed to in Medical Talk and Medical Work. Underlying the analysis is research on the work of haematologists, which offers a rich resource for understanding the complexities and contradictions between physical bodies and social embodiment, medical talk and technical apparatus. Using but moving beyond this specific material, Paul Atkinson demonstrates the strengths and weaknesses of the existing understanding of medical knowledge. Among the issues explored are: the place of interaction among doctors, rather than between doctors and patients, in defining the construction of medical knowledge; the ways in which clinical opinion is socially produced and the nature of the local settings through which this process occurs; and the relations among medical knowledge, medical language and the increasingly technological contexts of contemporary medical practice.
This fully-updated new edition engages with topics such as orality and literacy, the history of literacy, the uses and abuses of literacy in that history, the analysis of language as cultural communication, and social theories of mind and meaning, among many other topics. It represents the most current statement of a widely discussed and used theory about how language functions in society, a theory initially developed in the first edition of the book, and developed in this new edition in tandem with analytic techniques for the study of language and literacy in context, with special reference to cross-cultural issues in communities and schools. Built around a large number of specific examples, this new edition reflects current debates across the world about education and educational reform, the nature of language and communication, and the role of sociocultural diversity in schools and society. One of the core goals of this book, from its first edition on, has been to develop a new and more widely applicable vision of applied linguistics. It will be of interest to researchers, lecturers and students in education, linguistics, or any field that deals with language, especially in social or cultural terms.
A revealing look at the history, politics, and social meanings behind everyday objects. Who would have guessed that the first sports bra was made out of two jockstraps sewn together or that it succeeded because of federal anti-discrimination laws? What do simple decisions about where to build a road or whether to buy into the carbon economy have to do with Hurricane Katrina or the Fukushima nuclear disaster? How did massive flood control projects on the Mississippi River and New Deal dams on the Columbia River lead to the ubiquity of high fructose corn syrup? And what explains the creation—and continued popularity—of the humble fish stick? In Fish Sticks, Sports Bras, and Aluminum Cans, historian Paul R. Josephson explores the surprising origins, political contexts, and social meanings of ordinary objects. Drawing on archival materials, technical journals, interviews, and field research, this engaging collection of essays reveals the forces that shape (and are shaped by) everyday objects. Ultimately, Josephson suggests that the most familiar and comfortable objects—sugar and aluminum, for example, which are inextricably tied together by their linked history of slavery and colonialism—may have the more astounding and troubling origins. Students of consumer studies and the history of technology, as well as scholars and general readers, will be captivated by Josephson’s insights into the complex relationship between society and technology. “Josephson’s conclusions are guaranteed to make you think of the modern world and its interconnectedness in a different light.” —Cosmos “Every chapter of this book offers surprising insights and is a pleasure to read.” —ICON
The aim of this book is to entertain its readers, to alert readers to the potential dangers and emergencies that might occur inthe wilderness and how to avoid them.
A novel of the Afghan War, authentic, boots-on-the-ground, TATTOO ZOO comes from a veteran of three-plus years in the war--first as a Green Beret, then later years as a freelance writer/photographer embedded with US Army infantry units. This is the story of the courage, camaraderie and sacrifice of the men of the fictional platoon of the title, as these GIs fight a fierce Taliban in a nowhere piece of picturesque real estate called Wajma Valley, while battling a politically correct four-star command determined to prosecute the Zoosters for war crimes or simply leave them in the valley to die.
Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject. The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art Takes an important step in assembling black aesthetics as an object of philosophical study Unites two areas of scholarship for the first time – philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture Brings a wide range of fields into conversation with one another– from visual culture studies and art history to analytic philosophy to musicology – producing mutually illuminating approaches that challenge some of the basic suppositions of each Well-balanced, up-to-date, and beautifully written as well as inventive and insightful Winner of The American Society of Aesthetics Outstanding Monograph Prize 2017
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