Multiculturalism and the Nation in Germany: A Study in Moral Conflict examines the new debates surrounding matters of multiculturalism, immigration, and national identity in Germany in the wake of the 2015 Refugee Crisis. Arguing that contemporary disputes are centered around four moral ideals, or ideal visions of the German community, it draws upon the thought of Émile Durkheim to identify the role of the sacred in political conflict. The book argues that at the heart of each moral ideal is a sacred object that legitimates specific policies and behaviors, and that attempts to realize moral ideals lead to conflicts involving free speech, German Memory Culture, inner-party rivalries, and political violence that go to the very essence of what it means to be German. The book includes a ground-breaking theoretical reworking of Durkheim’s sociology, which it applies to the study of power and politics, as well as to debates in political philosophy. This volume will appeal to scholars across disciplines with interests in political sociology, comparative politics, social and political theory, and questions of citizenship, national identity, and belonging.
Multiculturalism and the Nation in Germany: A Study in Moral Conflict examines the new debates surrounding matters of multiculturalism, immigration, and national identity in Germany in the wake of the 2015 Refugee Crisis. Arguing that contemporary disputes are centered around four moral ideals, or ideal visions of the German community, it draws upon the thought of Émile Durkheim to identify the role of the sacred in political conflict. The book argues that at the heart of each moral ideal is a sacred object that legitimates specific policies and behaviors, and that attempts to realize moral ideals lead to conflicts involving free speech, German Memory Culture, inner-party rivalries, and political violence that go to the very essence of what it means to be German. The book includes a ground-breaking theoretical reworking of Durkheim’s sociology, which it applies to the study of power and politics, as well as to debates in political philosophy. This volume will appeal to scholars across disciplines with interests in political sociology, comparative politics, social and political theory, and questions of citizenship, national identity, and belonging.
An indispensable guide to visual ethics, this book addresses the need for critical thinking and ethical behavior among students and professionals responsible for a variety of mass media visual messages. Written for an ever-growing discipline, authors Paul Martin Lester, Stephanie A. Martin, and Martin Rodden-Smith give serious ethical consideration to the complex field of visual communication. The book covers the definitions and uses of six philosophies, analytical methods, cultural awareness, visual reporting, documentary, citizen journalists, advertising, public relations, typography, graphic design, data visualizations, cartoons, motion pictures, television, computers and the web, augmented and virtual reality, social media, the editing process, and the need for empathy. At the end of each chapter are case studies for further analysis and interviews with thoughtful practitioners in each field of study, including Steven Heller and Nigel Holmes. This second edition has also been fully revised and updated throughout to reflect on the impact of new and emerging technologies. This book is an important resource for students of photojournalism, photography, filmmaking, media and communication, and visual communication, as well as professionals working in these fields.
This book chronicles the extraordinary life, exploits and adventures of Billy Michaels. Born into a family steeped in nefarious deeds and activity, Billy's fate was cast from the cradle, questioning whether it's genetics that provides a life pattern, or just fate. Billy learns the hard way that by fulfilling his bloodline's destiny, a life of crime and violence can get you where you want to be. Proving the fact that brain can beat brawn, schoolboy Billy falls in as a leader of the local gang, moving from demanding treats with menace from local vendors to running the neighbourhood drug trade. Billy, learning the tricks of his predestined trade from masters in the field, proves to be quite adept and effective in this endeavour. As his firm work their way up the criminal food chain, their futures appear to be nothing more than a litany of successful and profitable capers, events as they would have anticipated weren't exactly as they expected. After the overdose of one of his closest friends, Billy embarks on a drunken path of violent redemption, which leads him to the dark world of vice and security. By the time the end comes to his teenage years, Billy has witnessed death, experienced loss, repaid emotional debts and found the true meaning of sacrifice. This is the story of Billy Michaels, his East End heritage and his love for his brothers and extended family. A family that becomes at odds with choices made and sides taken within the criminal world that serves to destroy the oaths and family ties made by love and blood. As all their unflinching attitudes to life and the acceptance of 'normality' which those on the outside may think immoral and destructive become common practise. This is the Billy Michaels story, the animal from the concrete jungle.
This volume employs a text-centered, literary-rhetorical, and audience-oriented method to demonstrate how the implied audience of Philippians are persuaded and exhorted by the dynamic progression of the letter's chiastic structures to rejoice along with Paul and other believers in being conformed, with all of the broad implications of such conformity, to Christ. This reading assumes that Philippians is a single, unified letter written to be read and heard in a public setting as an oral performance substituting for the personal presence of the imprisoned Paul, and it proposes new chiastic structures for the entire letter as a key to understanding it.
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
Marketing Communications rapidly established itself as an international best-seller and has been listed as a "marketing classic" by the Marketing Society and as a "marketing major" by the Chartered Institute of Marketing. The book is recommended reading for the CIM's Marketing Communications module in the new Professional Diploma in Marketing. The authors' real business understanding of marketing communications is universally acclaimed and has proved popular with students and practitioners alike. In addition, the unique SOSTAC® Planning System is applied throughout the book.This latest edition has been completely updated with new cases, statistics and communications techniques, fresh "shock" stories and a new "e" theme on each communication tool. New illustrations and full-colour photographs all combine to bring the book right up to date with the current international business scene.A free CD-ROM containing video clips of some of the world's leading marketing experts, pictures, documents and prepared Power Point lectures is available to lecturers from the publisher on request.
Upon A Wheel of Fire is an attempt to give a personal dimension to the works of A.J.P Taylor and J. Wheeler-Bennett, and to question the popular black and white verdict on the history of Germany.
Annville Township, located on the north bank of Quittapahilla Creek, was originally settled in the 1720s by millers who made use of the creek's power and surrounding farmland. As the town grew, several hotels were constructed; and in 1817, the Berks-Dauphin Turnpike was built as a toll road through the town. By 1840, Annville had 500 people, log and limestone houses, stores, taverns, churches, schools, and an academy. The arrival of the railroad in 1860 led to the building of factories to the east for the manufacture of flour, shirts, hosiery, handkerchiefs, and shoes. As the new industrialists built their Victorian mansions yet farther east, they completed a living timeline of Annville's history that extends from west to east and from mill to mansion.
Jesse and Aaron are brothers in their twenties, living on the family farm. It's not remote back-blocks, but it's still heartland rural. Jesse is a troubled, difficult, sometimes violent lad, always messing up and embarrassing his parents. Aaron's more sensible. He's marrying Carly in the local church, and they're planning their honeymoon in Fiji.One day out duck shooting the boys accidentally bring down an albatross. It's badly wounded, and the dilemma of what to do with the injured bird – and the consequences – becomes the central feature of the novel. As the reader we know all about The Ancient Mariner and the sailors' curse, but the boys don't seem to and it's never referred to.
Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.
This richly illustrated work provides a new and deeper perspective on the interaction of visual representation and classical culture from the fifth century B.C. to the fourth century A.D. Drawing on a variety of source materials, including Greco-Roman literature, historiography, and philosophy, coupled with artistic renderings, Paul Zanker forges the first comprehensive history of the visual representation of Greek and Roman intellectuals. He takes the reader from the earliest visual images of Socrates and Plato to the figures of Christ, the Apostles, and contemporaneous pagan and civic dignitaries. Through his interpretations of the postures, gestures, facial expressions, and stylistic changes of particular pieces, we come to know these great poets and philosophers through all of their various personas—the prophetic wise man, the virtuous democratic citizen, or the self-absorbed bon vivant. Zanker's analysis of how the iconography of influential thinkers and writers changed demonstrates the rise and fall of trends and the movement of schools of thought and belief, each successively embodying the most valued characteristics of the period and culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
A rich and varied collection of essays. Pugnacious and savage, eloquent and unpredictable, Paul Johnson sets out to entertain and to inform and to shake the complacency of his readers. These essays selected from the best of his weekly pieces in The Spectator over the last five years, range widely. All his essays are liberally peppered with his astonishing knowledge of the highways and byways of the last thousand years of English history.
Previous RAND research on historical insurgencies found that a conflicts overall balance of good and bad factors and practices perfectly predicted outcomes. A RAND project applied this scorecard approach to the case of Afghanistan in early 2011.
A murderer lurks among a group of friends... Paul Doherty relates the Clerk of Oxford's tale in A Haunt of Murder - a tale of mystery and murder as he goes on pilgrimage from London to Canterbury. Perfect for fans of Ellis Peters and Susanna Gregory. As the sun sets, Chaucer's pilgrims find themselves lost in a Kent forest rumoured to be haunted. Huddled around the fire, trying to ignore the cries of screech owls and other, more frightening sounds of the night, the Clerk of Oxford agrees to tell a ghostly tale of love and death that will chill the blood. It's 1381 and Beatrice Arrowner is on her way to Ravenscroft Castle on the outskirts of Maldon. Beatrice is meeting clerk Ralph Mortimer for a feast on the green. Nothing can dampen Beatrice's mood as she and Ralph gather with their friends. But the sinister events of the last few days soon cast a cloud over the festivities. Phoebe, a castle maid, has been horribly murdered. Soon there is another death and it seems that the evil spirits which haunt the Midnight Tower are doing their worst. Certain there is a connection between these events and his own search for the legendary Brythnoth's jewelled cross, Ralph knows that this own life is in danger and that the murderer must be one of his close friends. But he can only hunt down the killer with the help of Beatrice - who learns that death is not necessarily the end of existence... What readers are saying about the Canterbury Tales Mysteries: 'An intriguing tale which keeps one entertained up to the last page' 'Spellbinding' 'I found it a brilliant, mystifying tale and was hooked from beginning to end
Published for the very first time, the top secret report Some Weaknesses in German Strategy and Organisation 1933 - 1945 was prepared by Whitehall's highest intelligence body, the Joint Intelligence Committee, and presented to Britain's Chiefs of Staff in 1946 to 'set down certain aspects of the War whilst there are still sources available who were closely connected with the events described'. Paul Winter sets this unique and important document in its historical setting, providing biographies of key figures referenced in the report and a timeline of the crucial events of the Second World War.
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