Radical ideas for changing the justice system, rooted in the real-life experiences of those in overpoliced communities, from the acclaimed former federal prosecutor and author of Chokehold Paul Butler was an ambitious federal prosecutor, a Harvard Law grad who gave up his corporate law salary to fight the good fight—until one day he was arrested on the street and charged with a crime he didn't commit. In a book Harvard Law professor Charles Ogletree calls “a must-read,” Butler looks at places where ordinary citizens meet the justice system—as jurors, witnesses, and in encounters with the police—and explores what “doing the right thing” means in a corrupt system. No matter how powerless those caught up in the web of the law may feel, there is a chance to regain agency, argues Butler. Through groundbreaking and sometimes controversial methods—jury nullification (voting “not guilty” in drug cases as a form of protest), just saying “no” when the police request your permission to search, and refusing to work inside the system as a snitch or a prosecutor—ordinary people can tip the system towards actual justice. Let’s Get Free is an evocative, compelling look at the steps we can collectively take to reform our broken system.
In America’s sixties and seventies, Jack is working in a minimum-security prison for young men when he meets Marlon—and Marlon has a story to tell. Spared the horrors of a hardened adult prison, he is forced to accept his current situation while telling Jack a bit about himself. He and his friends ill advisedly stole a car and rolled it along while drinking. Their theft concluded in an accident. People got hurt, and Marlon fled. The next morning, though, the reservation police arrived at his home and arrested him, which is how he ends up talking to Jack. Marlon’s reservation houses about two thousand American Indians. By day, his neighbors are all for peace and love; at night, when they get drunk, violence spreads. It’s a horrible way to live, forcing Marlon to struggle with his identity while fighting racial inequality. The Way of the Buffalo offers a fictionalized inside look at this tumultuous age of flower power through the eyes of a Native American youth who can’t find meaning in a crazy world.
Finalist for the 2018 National Council on Crime & Delinquency’s Media for a Just Society Awards Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction) A 2017 Washington Post Notable Book A Kirkus Best Book of 2017 “Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men.” —The Washington Post “The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander’s The New Jim Crow . . . .” —The New York Times Book Review “Powerful . . . deeply informed from a legal standpoint and yet in some ways still highly personal” —The Times Literary Supplement (London) With the eloquence of Ta-Nehisi Coates and the persuasive research of Michelle Alexander, a former federal prosecutor explains how the system really works, and how to disrupt it Cops, politicians, and ordinary people are afraid of black men. The result is the Chokehold: laws and practices that treat every African American man like a thug. In this explosive new book, an African American former federal prosecutor shows that the system is working exactly the way it's supposed to. Black men are always under watch, and police violence is widespread—all with the support of judges and politicians. In his no-holds-barred style, Butler, whose scholarship has been featured on 60 Minutes, uses new data to demonstrate that white men commit the majority of violent crime in the United States. For example, a white woman is ten times more likely to be raped by a white male acquaintance than be the victim of a violent crime perpetrated by a black man. Butler also frankly discusses the problem of black on black violence and how to keep communities safer—without relying as much on police. Chokehold powerfully demonstrates why current efforts to reform law enforcement will not create lasting change. Butler's controversial recommendations about how to crash the system, and when it's better for a black man to plead guilty—even if he's innocent—are sure to be game-changers in the national debate about policing, criminal justice, and race relations.
In 1892, critically acclaimed novelist Paul Butler plunges the reader into 19th century St. John's, its light and its shade . . . An obscure servant, Kathleen, yearns for her home in Ireland. A mysterious scientist, Dr. Glenwood, believes he can be the first to bring a new photographic discovery to the world. A stable hand, Tommy Fitzpatrick, battles inner demons as he tries to win Kathleen's heart. These collective struggles will soon erupt to change the fate of an entire city.
Designed to help all writers learn to use style as a rhetorical tool, taking into account audience, purpose, context, and occasion, The Writer’s Style is not only a style guide for a new generation but a new generation of style guide. The book helps writers learn new strategies inductively, by looking at firsthand examples of how they operate rhetorically, as well as deductively, through careful explanations in the text. The work focuses on invention, allowing writers to develop their own style as they analyze writing from varied genres. In a departure from the deficiency model associated with other commonly used style guides, author Paul Butler encourages writers to see style as a malleable device to use for their own purposes rather than a domain of rules or privilege. He encourages writing instructors to present style as a practical, accessible, and rhetorical tool, working with models that connect to a broad range of writing situations—including traditional texts like essays, newspaper articles, and creative nonfiction as well as digital texts in the form of tweets, Facebook postings, texts, email, visual rhetoric, YouTube videos, and others. Though designed for use in first-year composition courses in which students are learning to write for various audiences, purposes, and contexts, The Writer’s Style is a richly layered work that will serve anyone considering how style applies to their professional, personal, creative, or academic writing.
A "best of" collection from the award winning columns of Dr. Paul Butler, From Little Acorns is a delightfully amusing reminder that life is always sweeter when the glass is seen as half full.
For more than two centuries, "Butler's" has been one of the best known, most widely consulted hagiographies. In its brief and authoritative entries, readers can find a wealth of knowledge on the lives and deeds of the saints, as well as their ecclesiastical and historical importance since canonization.
The legend of Sheila NaGeira looms large in the early history of the New World. And it stretches back to Ireland in the 1500s and an ancient crone, Sheila Na Gig, whose form still haunts church doorways. NaGeira tells two interlocking stories. The first is of eighty-year-old Sheila, a midwife and healer living apart from a settlement at the North American Bristol plantation in 1660. The second, a parallel tale, tracks Sheila's early life in Dublin's English Pale where she is caught in the crossfire of politics and tragedy. Even after she escapes persecution, leaving her enemies far behind, Sheila finds that forces can still resurface to conspire against her.
Adapted into a single volume for daily devotional reading, "Butler's Saint for the Day" features the life of one saint or blessed for each day of the year. Originally published as the "New Concise Edition of Butler's," this revision puts much more emphasis on 20th century figures and reflects the late John Paul II's attention to holy men and women throughout the world, especially the Americas.
1640. After a long retirement in the south of France, former pirate Peter Easton has come home to London. Weary and bedridden, he finds himself plagued by heightened sensitivities. He is acutely aware of the suffering of all living things and longs to make amends for a lifetime of destruction. As he is nursed back to health by his devoted young servant, Gabrielle, and a mysterious apothecary, Fleet, Easton finds a focus for his returning energy. He becomes determined to search for the son and heir he left behind in Newfoundland. Against medical advice, he begins to organize one final voyage . . .
Mina's Child imagines a second generation springing from the "heroes"' in Bram Stoker's Dracula. In 1921, Mina and Jonathan Harker's daughter, Abree, a student at King's College, London, starts to question the extraordinary adventures her parents claim to have experienced in England and the Carpathians. Middle-aged Jonathan Harker is haunted by nightmares that Abree assumes to be about her brother, Quincey, killed in the Great War. As the Harkers follow the thread of their unease back to its source, they are haunted by memories of Lucy Westenra, fiancée to Arthur Holmwood, and the manner of Lucy's death. Having lost her brother, Quincey, in the Great War, Abree refuses to believe in a clear dividing line between good and evil. Abree suspects her parents' tales of glory hide a profound sense of guilt, particularly about the unexplained death of their friend, Lucy Westenra. The Harkers' maid, Jenny, it transpires, has reasons of her own to worry about the chaos in her employer's household. She is carrying Jonathan's child, but Harker plans to evade all such responsibilities. Jenny, suddenly unleashed as a destructive force against the household, decides to make the Harkers face their hypocrisy.
For more than two centuries, "Butler's" has been one of the best known, most widely consulted hagiographies. In its brief and authoritative entries, readers can find a wealth of knowledge on the lives and deeds of the saints, as well as their ecclesiastical and historical importance since canonization.
In this historically accurate biography, Paul Butler paints a vivid picture of the life and times of Theodore Mead. Theodore Mead helped keep Florida a "Land of Flowers, and was one of America's most distinguished entomologists and horticulturist. But despite this success, a significant part of his life remained unfulfilled. Orchids and Butterflies is ultimately the story of one man's search for meaning in life."--
This volume proposes to cover a four-year period in the Butler's style. Pope John Paul II has proclaimed an unprecedented number of new saints and blesseds in the 25 years of his pontificate and shows few signs of slowing the process, despite the criticism from at least one cardinal that the altars are getting 'a little crowded'. The proclamations have been made in a large number of countries, from which the new saints and blesseds have come. This reflects a deliberate policy of strengthening the faith of local churches against the threats from totalitarianism, secularism, Pentecostalism, etc. (the Vatican tends to see most of the 'outside' world as a threat). There has also been a deliberate policy to seek more examples of holiness from outside the ranks of clergy and religious. The twentieth century has been seen as the century of martyrs, largely those of Nazism and Communism, and they feature prominently - those of nominally Catholic military regimes are less favoured. The Introduction will make such points. Blesseds appearing in the 1995-2000 volumes who have since been canonized will have their entries updated and expanded as necessary; new blesseds will be featured with the information that is available - which in the case of some Third-World figures is not very much. Entries will therefore range from around 3,000 words to 200, with an average of some 800. The number of entries will be approximately 80.
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