The making of David Lean's Ryan's Daughter in Dingle, Ireland, between 1968 and 1970, is shrouded in myth and sensational stories. Robert Mitchum and the glamour and mischief of 1960s Hollywood, the Irish climate, the studio system, and one of film's greatest auteurs all converged to make a troubled and fabled production in an unsuspecting town in County Kerry. Fifty years on, Paul Benedict Rowan has written the definitive account of one of the great movie follies and its unique place in cinematic and Irish history. Painstakingly researched over fifteen years, Ryan's Daughter: The Making of an Irish Epic charts the tumultuous filming of this iconic piece of cinema. Bringing together exclusive cast and crew interviews, a wealth of previously unseen archival material, and extraordinary accounts of the local people who took Lean and his epic to their hearts, this fast-paced, entertaining, and often jaw-dropping narrative is everything you ever wanted to know about David Lean's great 'fillum' and its tragic aftermath.
The making of David Lean's Ryan's Daughter in Dingle, Ireland, between 1968 and 1970, is shrouded in myth and sensational stories. Robert Mitchum and the glamour and mischief of 1960s Hollywood, the Irish climate, the studio system, and one of film's greatest auteurs all converged to make a troubled and fabled production in an unsuspecting town in County Kerry. Fifty years on, Paul Benedict Rowan has written the definitive account of one of the great movie follies and its unique place in cinematic and Irish history. Painstakingly researched over fifteen years, Ryan's Daughter: The Making of an Irish Epic charts the tumultuous filming of this iconic piece of cinema. Bringing together exclusive cast and crew interviews, a wealth of previously unseen archival material, and extraordinary accounts of the local people who took Lean and his epic to their hearts, this fast-paced, entertaining, and often jaw-dropping narrative is everything you ever wanted to know about David Lean's great 'fillum' and its tragic aftermath.
In the bestselling tradition of "The Lazlow Letters" and "Letters from a Nut," screenwriter Paul Davidson has been firing off humble but humorous letters to Fortune 500 companies to find answers to such hot-button questions like why hasn't Minute Maid begun to sell an all pulp, juice-free product yet, and whether it's safe to microwave a bowl of Marshmallow Fluff on high for ten minutes. And the funny thing is . . . consumer-care departments everywhere have been writing back to him, addressing his queries with deadpan seriousness. Collecting dozens of selections from Davidson's funniest correspondence, "Consumer Joe" uncovers why a box of fifty envelopes only contained forty-seven and how colorblind people are supposed to tell whether their Ziploc baggies ("yellow and blue makes green") are properly sealed, while making numerous product-improvement suggestions along the way (such as adding Tuna Melt flavor to the Jamba Juice product line). Taking aim at the increasingly advertising-sponsored society, "Consumer Joe" features utterly absurd but irresistible missives to companies ranging from Barnes & Noble and Fed-Ex to Southwest Airlines and Taco Bell. Full of kvetches we all can relate to, "Consumer Joe" is poised to become the patron saint of every beleaguered shopper.
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