Differential Manifold is the framework of particle physics and astrophysics nowadays. It is important for all research physicists to be well accustomed to it and even experimental physicists should be able to manipulate equations and expressions in that framework.This book gives a comprehensive description of the basics of differential manifold with a full proof of any element. A large part of the book is devoted to the basic mathematical concepts in which all necessary for the development of the differential manifold is expounded and fully proved.This book is self-consistent: it starts from first principles. The mathematical framework is the set theory with its axioms and its formal logic. No special knowledge is needed.
“This fantastic introduction to Biological Psychology brings the subject to life in a way that no traditional textbook can. I will certainly be recommending it.” Brian Wink, Southampton Solent University "My first reaction was that it was both imaginative and courageous. Having read it, I would add that it also makes a significant contribution to the available texts on biological psychology. This approach is just what students are looking for.” Graham Mitchell, University of Northampton Taking a refreshingly innovative approach to the subject, Biological Psychology: An Illustrated Survival Guide uses cartoons as an effective teaching medium. Each chapter is organised into a mini lecture, and offers an accessible introduction to key topics including: The brain and nervous system Vision and audition The mechanical and chemical senses Emotions and sexual behaviour Memory and learning Intended to complement traditional textbooks in the area, Biological Psychology: An Illustrated Survival Guide provides undergraduate and ‘A’ level students with an alternative introduction to biological psychology and an invaluable study aid.
Differential Manifold is the framework of particle physics and astrophysics nowadays. It is important for all research physicists to be well accustomed to it and even experimental physicists should be able to manipulate equations and expressions in that framework.This book gives a comprehensive description of the basics of differential manifold with a full proof of any element. A large part of the book is devoted to the basic mathematical concepts in which all necessary for the development of the differential manifold is expounded and fully proved.This book is self-consistent: it starts from first principles. The mathematical framework is the set theory with its axioms and its formal logic. No special knowledge is needed.
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
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