In the early seventeenth century, Virginia's Chesapeake region saw the emergence of a multiracial society centered around the profitable tobacco industry. While Native Americans, free and enslaved Africans, and Europeans coexisted and interacted, a hierarchical order formed with a small elite planting class, led by Governor William Berkeley, wielding power over land, labor, and governance. Seeking to form a coalition of dissatisfied elites and marginalized individuals, Nathaniel Bacon, a newcomer to the Virginia colony, led a rebellion against Berkeley and his supporters. In this game, students assume the roles of the elite loyalists to Governor Berkeley and the rebellious supporters of Nathaniel Bacon. Engaging in debates, conspiracies, and simulated acts of resistance, students will strive to shape the future governance of the Virginia colony, determining which group emerges as the ruling class and which group will be relegated to the lower rungs of colonial society.
In The Lees of Virginia, Paul Nagel chronicles seven generations of Lees, from the family founder Richard to General Robert E. Lee, covering over two hundred years of American history. We meet Thomas Lee, who dreamed of America as a continental empire. His daughter was Hannah Lee Corbin, a non-conformist in lifestyle and religion, while his son, Richard Henry Lee, was a tempestuous figure who wore black silk over a disfigured hand when he made the motion in Congress for Independence. Another of Thomas' sons, Arthur Lee, created a political storm by his accusations against Benjamin Franklin. Arthur's cousin was Light-Horse Harry Lee, a controversial cavalry officer in the Revolutionary War, whose wild real estate speculation led to imprisonment for debt and finally self-exile in the Caribbean. One of Harry's sons, Henry Lee, further disgraced the family by seducing his sister-in-law and frittering away Stratford, the Lees' ancestral home. Another son, however, became the family's redeeming figure--Robert E. Lee, a brilliant tactician who is still revered for his lofty character and military success. In these and numerous other portraits, Nagel discloses how, from 1640 to 1870, a family spirit united the Lees, making them a force in Virginian and American affairs. Paul Nagel is a leading chronicler of families prominent in our history. His Descent from Glory, a masterful narrative account of four generations of Adamses, was hailed by The New Yorker as "intelligent, tactful, and spiritually generous," and Pulitzer Prize-winning historian W.A. Swanberg, in the Chicago Sun-Times, called it "a magnificent embarrassment of biographical riches." Now, in The Lees of Virginia, Nagel brings his skills to bear on another major American family, taking readers inside the great estates of the Old Dominion and the turbulent lives of the Lee men and women.
In 2001, Paul Bacon was a typical young guy in New York: overeducated, liberal, hip, a little aimless. But when 9/11 came, he was galvanized into action. Feeling that he had to do something to help his fellow man, he raced to Ground Zero, where he stood around for several days before finally realizing that he had no skills that were of any use in a crisis. So he applied to the fire department-and was summarily rejected; he was too old, they said, and he couldn't do any pull-ups. So he decided to take what was available to him: He joined the NYPD. Bad Cop is Bacon's hilarious and thoughtful memoir of his three years among New York's Finest. Beginning with his tenure in the police academy (where he's mostly interested in pursuing the lovely cadet Clarabel - until he finds a surprising new love in the form of his service .357), it follows him through a reluctant apprenticeship and out onto the streets, where the sensitive former graphic designer is transformed into a rough-and-tumble Harlem beat cop. Brimming with great set pieces and amazing characters, this is both a love letter and a send-up of the squad that keeps New York safe - sometimes.
Chef Paul explains it all: the differences between barbecuing and grilling; how to build different kinds of fires and what kind of fuel to use; setting up the pit or grill; what tools are needed to how to prepare the food.
As majestic in its scope as the country it celebrates. [Johnson's] theme is the men and women, prominent and unknown, whose energy, vision, courage and confidence shaped a great nation. It is a compelling antidote to those who regard the future with pessimism."— Henry A. Kissinger Paul Johnson's prize-winning classic, A History of the American People, is an in-depth portrait of the American people covering every aspect of U.S. history—from politics to the arts. "The creation of the United States of America is the greatest of all human adventures," begins Paul Johnson's remarkable work. "No other national story holds such tremendous lessons, for the American people themselves and for the rest of mankind." In A History of the American People, historian Johnson presents an in-depth portrait of American history from the first colonial settlements to the Clinton administration. This is the story of the men and women who shaped and led the nation and the ordinary people who collectively created its unique character. Littered with letters, diaries, and recorded conversations, it details the origins of their struggles for independence and nationhood, their heroic efforts and sacrifices to deal with the 'organic sin’ of slavery and the preservation of the Union to its explosive economic growth and emergence as a world power. Johnson discusses contemporary topics such as the politics of racism, education, the power of the press, political correctness, the growth of litigation, and the influence of women throughout history. Sometimes controversial and always provocative, A History of the American People is one author’s challenging and unique interpretation of American history. Johnson’s views of individuals, events, themes, and issues are original, critical, and in the end admiring, for he is, above all, a strong believer in the history and the destiny of the American people.
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