Drawing Imagining Building focuses on the history of hand-drawing practices to capture some of the most crucial and overlooked parts of the process. Using 80 black and white images to illustrate the examples, it examines architectural drawing practices to elucidate the ways drawing advances the architect’s imagination. Emmons considers drawing practices in the Renaissance and up to the first half of the twentieth century. Combining systematic analysis across time with historical explication presents the development of hand-drawing, while also grounding early modern practices in their historical milieu. Each of the illustrated chapters considers formative aspects of architectural drawing practice, such as upright elevations, flowing lines and occult lines, and drawing scales to identify their roots in an embodied approach to show how hand-drawing contributes to the architect’s productive imagination. By documenting some of the ways of thinking through practices of architectural handdrawing, it describes how practices can enrich the ethical imagination of the architect. This book would be beneficial for academics, practitioners, and students of architecture, particularly those who are interested in the history and significance of hand-drawing and technical drawing.
Alexander and Nicholas Humez have fashioned an easy-going and satisfying introduction to the language that is the wellspring of the mother tongue. Their brief history of Classical and Vulgar Latin, explanation of the language's grammatical and sound systems, translation exercises, synopsis of grammar, and glossaries of Latin-English and English-Latin will enhance our understanding of every aspect of literature and the world of ideas. In addition, Latin for People contains two closing chapters, hailed as 'invaluable' by The Classical Outlook: one that translates all the readings in the book and one that suggests further readings.
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